Art by Medium: Poplar

Provenance: Collection Count Hubert Ludwig de la Fontaine and d'Harnoncourt-Unverzagt (1789-1846) (as indicated on a label at the verso), from 1826 at Hrotovice Castle, Trebic, Czech...

Medium: poplar As an artist I strive to create elegant sculptures that capture the true essence of the subject matter. Form, line and surface are used as the visual language. The fi...

BANDANNA is a sculpture by Ray Padrón created in 2021 from painted and carved poplar wood. The piece belongs to a series of work centering around clothing i...

This piece titled "Live Crabs" is original artwork made from painted paper, inkjet prints, wood, pigments, plaster by Drew Leshko. This piece measures approx. 15”h x 7.5”w x 3”d. Dr...

Medium: Charred poplar, concrete As an artist I strive to create elegant sculptures that capture the true essence of the subject matter. Form, line and surface are used as the visua...

Ahasuerus and Haman at the Feast of Esther Attributed to Denys Calvaert (Antwerp, 1540 – Bologna, 1619), not signed Early 17th century Italian School, circa 1610 Oil on poplar panel,...

Artwork made with spray acrylic on maple maple and matte clear coat Scott Troxel draws on the aesthetics of bygone technology and the forward-looking designs of the Atomic Age and m...

This recently rediscovered portrait of Santi di Tito depicts a Florentine senator, with a letter in his hand indicating that the painting was executed in 1574 when the sitter was 66 years old. On the basis of these clues, it is tempting to view it as a portrait of Bartolomeo Panciatichi, who was painted some thirty years before by Bronzino (1503 - 1572). While the treatment of the hands recalls the Florentine tradition of Mannerist portraits, the comparison with Bronzino's portrait illustrates Santi di Tito's search for greater realism, despite the stereotyped composition. 1. Santi di Tito, Counter-Reformation painter and portraitist Santi di Tito was the great painter of the Florentine Counter-Reformation. He proposed a new artistic language that broke away from Mannerism. Little is known about his training in Florence (perhaps alongside Bronzino or Baccio Bandinelli), but this period of training enabled him to join the Company of Saint Luke, the guild of Florentine painters, in 1554. Between 1560 and 1564, Santi di Tito spent time in Rome, where he frequented the workshop of Taddeo Zuccari. This stay had a fundamental influence on his work, thanks to the discovery of the late work of Raphael, but also his encounters with the painters Francesco Salviati and Federico Barocci. Around 1565, Santi di Tito returned to Florence, where he remained until the end of his life, dividing his talents between the creation of important religious paintings and countless portraits. He became one of the city's leading painters, distinguishing himself, in particular, in the creation of large religious compositions in which the spirit of the Counter-Reformation was reflected. In 1568, Santi di Tito became a member of the Confraternity of Saint Thomas Aquinas...

Xente Golpes is a unique figurative bust sculpture by Spanish artist Óscar Aldonza Torres, combining a raku-fired ceramic head with a directly carved black poplar wood torso. The dra...

Architecture, functional objects and the human gestures that occur when interacting with these structures inform the vocabulary of Richard Bottwin’s sculpture. The plywood surfaces,...

Medium: poplar, dye, concrete As an artist I strive to create elegant sculptures that capture the true essence of the subject matter. Form, line and surface are used as the visual l...

Medium: bleached poplar, concrete As an artist I strive to create elegant sculptures that capture the true essence of the subject matter. Form, line and surface are used as the vis...

Idyllic landscape with myhological story of Cephalus and Procris Early 17th century Italian school Workshop Of Paul Bril (Antwerp, 1554 - Roma, 1626) Oil on poplar panel: H. 28 cm (1...

Medium: poplar, ink, lacquer As an artist I strive to create elegant sculptures that capture the true essence of the subject matter. Form, line and surface are used as the visual la...

Medium: poplar, ink, lacquer As an artist I strive to create elegant sculptures that capture the true essence of the subject matter. Form, line and surface are used as the visual la...

Pentaptyque is a sculpture made of poplar wood the French artist Alban Lanore. This large-scale partially charred sculpture juxtaposes geometric forms and different wood surfaces to ...

Silvio Poma Mountain Landscape with Walking on the Trail late 1800s, oil painting on poplar plywood depicting a path lined with a votive chapel and animated with passersby in a wood...

17th-century Flemish oil on copper painting depicting a landscape view with figures, a work that can be placed in the circle of the painter Cornelius de Wael (Antwerp 1592 - Rome 166...

Artist Statement: Bronze tree bark from trees in Italy, Mexico, and Wisconsin lights when touched. I think of tree time as a time scale that is vastly different than a human lifesp...

Andy Harwood (b. 1983) is a prominent Australian abstract artist whose work explores the intersection of mathematical precision and the sensory mechanics of perception. A significant...

SUIT JACKET is a sculpture by Ray Padrón created in 2019 from burned poplar wood. The piece belongs to a series of work centering around clothing items and ...

Medium: Bleached basswood As an artist I strive to create elegant sculptures that capture the true essence of the subject matter. Form, line and surface are used as the visual langu...

Artwork made by spray acrylic on poplar with glass clearcoat Scott Troxel has exhibited his work at numerous fairs and exhibitions across the United States, including The Other Art ...

Medium: bleached poplar, concrete As an artist I strive to create elegant sculptures that capture the true essence of the subject matter. Form, line and surface are used as the vis...

Medium: wood, bronze, patina As an artist I strive to create elegant sculptures that capture the true essence of the subject matter. Form, line and surface are used as the visual la...

Medium: poplar, dye, concrete As an artist I strive to create elegant sculptures that capture the true essence of the subject matter. Form, line and surface are used as the visual l...

Andy Harwood (b. 1983) is a prominent Australian abstract artist whose work explores the intersection of mathematical precision and the sensory mechanics of perception. A significant...

Medium: bleached poplar, concrete As an artist I strive to create elegant sculptures that capture the true essence of the subject matter. Form, line and surface are used as the vis...

Spray acrylic on poplar with gloss clearcoat Scott Troxel has exhibited his work at numerous fairs and exhibitions across the United States, including The Other Art Fair in NYC, Tex...

Emily Feinstein grew up with a father who was a cabinetmaker with a shop in the basement. She spent a lot of time making things and constructing with wood. Her ongoing interest in r...

Puzzle 94 by David E. Peterson is part of an ongoing series featuring a beautiful, exotic woods and abstract painting. These 3-dimensional wall sculptures look amazing, they are colored purple, navy and yellow, with natural wood showing through. David E. Peterson Artist Statement “Industrial Design informs my work. Inspiration might come from a brightly coloured sneaker, an eye- catching dress, an intricate watch...

Medium: poplar, dye, concrete As an artist I strive to create elegant sculptures that capture the true essence of the subject matter. Form, line and surface are used as the visual l...