Art by Medium: Sequins

"Jewelry Box" is a one-of-a-kind piece created by Ashley Catharine Smith. This artwork is a 1/1 film photograph embellished with hand-sewn holographic sequins, pearls, and seed bead...

Vibrant multimedia artworks incorporate reflective mediums and thick textures in Kate Tova's work. Colors splash across the page melding into flourishes of sequins, rhinestones, and ...

mixed media - giclee prints, photographic prints, painted paper, fabric, costume jewelry, insect pins, gelatin capsules, dried botanical elements, cotton thread, sand, tea, hair, specimen jars, string, feather All secure. Pieces won’t move in transport 2024 23” x 28”x3" inches The NY artist examines new subjects and subject matter in two related series of work that intersect unique process and artistic profundity. Mapes's portraits are an extension of his ongoing “Human Specimens...

JENNY DAY earned an MFA in Painting and Drawing from the University of Arizona, a BFA in Painting from the University of Alaska Fairbanks and a BA in Environmental Studies from the U...

The present work is an excellent example of the flags and banners of Haitian Voodoo practice. It is constructed of cloth with hand-stitched glass beads and sequins, representing Danbala (also Damballa and Damballah, spelled on the flag "DAMBALAH"). Danbala depicts the spirit or loa of life. In Vodun practice, Danbala Wedo, along with his wife Ayida Wedo, are representative of birth and creation. They are in essence the divine mother and father of the universe. In the iconography, they are usually depicted together as two serpents, or sometimes as a serpent and a rainbow. The snake is symbolic of power, knowledge, and wisdom. Danbala is an especially popular deity and is often represented alone as St. Patrick or Moses, as both of these Christian figures performed miracles associated with snakes. This vévé shows the typical image of two snakes intertwined on a pole, accompanied by two flags. The imagery of Haitian Voodoo culture is derived from multiple sources, and the culture seems to have the ability to integrate the various sources from popular culture to catholic imagery into traditional African symbols, values and rituals. Flags like this one are meant to honor or invoke gods, as well as depict likenesses or attributes using dazzling displays of color. The relatively young age of this example shows the power and influence the imagery continues to have in Haiti to this day. 11 x 13.5 inches, artwork 19 x 21.5 inches, frame Framed to conservation standards in a shadow-box using 100 percent rag matting and museum glass within a gold gilt frame. Polk, Patrick Arthur. Haitian Vodou Flags...

The present work is an excellent example of the flags and banners of Haitian Vodun practice. It is constructed of cloth with hand-stitched glass beads and sequins, representing the figure Gran Bwa (also Grand Bois, spelled on the flag "GRAИD BOI"). According to Patrick Arthur Polk, Vodun flags are meant to honor or invoke gods, as well as to depict their likenesses and attributes with dazzling displays of color. In addition, the beadwork may reference the African religious elements of Vodun which came to Haiti with African slaves. Haiti is an important part of the African diaspora and there is no other Caribbean nation that has such rich survivals of African-style music and dancing, and of religious beliefs and practices that relate to ancient African tradition. According to Polk, Gran Bwa, "ruler of the forest, is the master of herbal remedies. He also presides over initiations which require, at least symbolically, the secrecy of the forest’s darkest recesses. He normally appears as a tall, symmetrical figure that is half man and half tree." The imagery of Haitian Voodoo culture is derived from multiple sources, and the culture seems to have the ability to integrate the various sources from popular culture to Catholic imagery into traditional African symbols, values and rituals. Images like that of Gran Bwa are based off ritual drawings, or vévé, used to invoke the deity and to consecrate ritual space. Such vévé in Voodoo, unlike images appropriated from Catholicism or from popular culture, are probably based off of ground drawings from Central and West Africa. The relatively young age of this example shows the power and influence the imagery continues to have in Haiti to this day. 16.5 x 19.25 inches, artwork 24.25 x 27 inches, frame Polk, Patrick Arthur. Haitian Vodou Flags...

"After years of nature-based artwork, in Spring 2020 I became an Anthomaniac. Covid was raging in NYC so I retreated with my family Northwest Connecticut. Nature, for so many of us, ...

Rachel Denny's work is an exploration of the seductive beauty of our natural world and the imprint that human intervention has made on its flora and fauna. Denny works in a variety o...

This silver work is by work is by Brooklyn artist, Rosalind Tallmadge. It is optically elusive and is ever-shifting a shimmering blend of alchemy. ...

This green, brown, purple, red and yellow figurative artwork titled "remember the spring" is an original artwork by Kimika Hara made of cotton cloth, embroidery thread, acrylic paint...

The present work is an excellent example of the flags and banners of Haitian Voodoo practice. It is constructed of cloth with hand-stitched glass beads and sequins, representing Ezili Freda (spelled on the flag "ERSUILI FREDA"). In Voodoo, Ezili Freda is the pale, elegant lady of luxury and love, often identified with imagery of the Virgin Mary or the Mater Dolorosa. These figures are often represented in Catholic lithographs in Haiti as young girls wearing necklaces of pearls and gold - but most importantly, with her heart pierced by a golden sword. The image in the present flag, the vévé of Ezili Freda, focuses on this last symbol: against a golden field, a colorful heart is pierced in the upper right by a sword and with a flag in the upper left. The imagery of Haitian Voodoo culture is derived from multiple sources, and the culture seems to have the ability to integrate the various sources from popular culture to catholic imagery into traditional African symbols, values and rituals. Flags like this one are meant to honor or invoke gods, as well as depicting their likenesses or attributes using dazzling displays of color. The relatively young age of this example shows the power and influence the imagery continues to have in Haiti to this day. 16.5 x 19.25 inches, artwork 24.25 x 27 inches, frame Framed to conservation standards in a shadow-box using 100 percent rag matting and museum glass within a gold gilt frame. Dayan, Joan and Colin Dayan. Haiti, History, and the Gods. Berkeley, CA: University of California Press, p. 59. Polk, Patrick Arthur. Haitian Vodou Flags...

Vibrant, large-scale multimedia artworks incorporate reflective mediums and thick textures in Kate Tova's recent work. Colors splash across the page melding into flourishes of sequin...

Artist: Italo Valenti, Italian (1912 - 1995) Title: Untitled (Verde) Year: 1972 Medium: Screenprint, signed and numbered in pencil Edition: 150 Size: 27 x 29.5 inches

This screenprint was created by Israeli Op Artist Yaacov Agam. Agam is best known for his contributions to optical and kinetic art. His nonrepresentational style is an integration of...

This screenprint was created by Welsh artist Gordon House (1932-2004). House was a designer and painter whose hard-edged abstract works reflected the dramatic tensions of his graphic...