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Eric MackYNR-00202018
2018
About the Item
This framed mixed media painting by Eric Mack combines his grid work created through collaged pieces of paper, nylon mesh, ink, gesso, and acrylic. Imagery is chosen from architecture as well as numerals to create a fine texture that engages the viewer from close proximity.
- Creator:Eric Mack (1976, American)
- Creation Year:2018
- Dimensions:Height: 50 in (127 cm)Width: 18.5 in (46.99 cm)Depth: 1 in (2.54 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Signal Mountain, TN
- Reference Number:1stDibs: LU98516058612
Form communicates emotion. Pattern transmits expression. Rhythm is the basis of our visual world, from the windows and tile arrangements found in our homes, to the composition ofplant life and oceanic creatures. Most every form of matter that we acknowledge throughout our daily lives posses the evidence of rhythmic life. Rhythm structures tone and sound. It gives shape to speech, melody, dance, poetry, and the human body. Without rhythm light, sound, and other forms could not be differentiated from one another as it is their frequency or rhythmic waveforms that define them. While exploring and exposing various subject matter, my goal is to recognize how shape, form, and pattern are primary in our daily outlook. The works created can be described as visual sheet music. Blocks and angles of color brushed and smudged across random perimeters of various medium. Broken and solid line work split and gel together the variety of hue and shape. Found within the core of the work are the cultural references, signs of technological
advances, schematical diagrams, component dials and switches are all included for their fundamental form. Most of them are basic circles, squares, and triangles.
When these ideas are put together it creates a piece of music that is seen instead of heard. The rhythm of life is inhaled and exhaled with each day that is given to us. By realizing the fundamentals of our daily visual experiences, individuals can relate and appreciate the role that rhythm plays in our lives.
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Located in Signal Mountain, TN
OYV-19 is part of Eric Mack's ongoing body of work utilizing multi-media, complex compositions, and a grid centered around urban design. Using a grid to create the framework of the painting, Mack has re-purposed an old Lenny Kravitz album cover as the structure of the piece. On the edges of the piece you can see a complex edge consisting of a faux leather album cover, nylon mesh, and torn paper. As imagery, Mack has chosen musical notes, tape measure, and other music composition elements through Zerox copy adhered by matte medium to the surface. Mack then creates his own color to further tweak and personalize the piece.
Eric Mack (b.1976, Charleston) creates mathematically based renderings with a distinct post-modern twist. Works are informed with super imposed grids, patterns, and portals. Layered surfaces are created with paint, found objects, natural fibers, and synthetic substrates that explore the systems of our visual world.
His most recent show “Charting the Terrain” is on view now at the California African American Museum in Los Angeles was covered by the Los Angeles Times, KCRW, and LALA Magazine. His last solo exhibition was titled "Impossible Architectures" at The University of North Carolina at Chapel Hill in 2017. Recent group shows include "Abstract Mind" at the Czong Institute of Contemporary Art, South Korea, "Small Works 2017 at Trestle Gallery, Brooklyn, "Checkered History", Outpost Artist Resources, Brooklyn, N.Y. 2015;
Collections include High Museum Atlanta, Ing Investments, Hartsfield Jackson International Airport - Atlanta + Atlanta Gas & Light Co. Pepsi Cola, Tate Properties, Heath Gallery, Harold Dawson Properties, Turner Field/Atlanta Braves...
Category
2010s Abstract Abstract Paintings
Materials
Nylon, Acrylic, Panel, Handmade Paper, Mesh
PRR - 100
Located in Signal Mountain, TN
This framed mixed media painting by Eric Mack combines his grid work created through collaged pieces of paper, nylon mesh, ink, gesso, and acrylic. Imagery i...
Category
2010s Abstract Abstract Paintings
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Gesso, Wood, Paper, Acrylic, Pigment, Gouache
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Located in Signal Mountain, TN
"PRLS-1000" is part of Eric Mack's urban grid series. Using a grid to create the framework of the painting, Mack creates movement across the piece with dynamic techniques of washy underpainting underneath matted pieces of paper, and thread. His paintings have been described as "intellect on top of emotion."
Eric Mack (b.1976, Charleston) creates mathematically based renderings with a distinct post-modern twist. Works are informed with super imposed grids, patterns, and portals. Layered surfaces are created with paint, found objects, natural fibers, and synthetic substrates that explore the systems of our visual world.
His most recent show “Charting the Terrain” is on view now at the California African American Museum in Los Angeles was covered by the Los Angeles Times, KCRW, and LALA Magazine. His last solo exhibition was titled "Impossible Architectures" at The University of North Carolina...
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PWW-777 - Eric Mack - Contemporary Abstract Collage Painting Based off the Grid
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PWW-777 is part of Eric Mack's ongoing body of work utilizing multi-media, complex compositions, and a grid centered around urban design. Using a grid to create the framework of the painting, Mack has utilized Zerox copies adhered by a matte medium to create graphic imagery of electronics from the 90s, small bits of a map of various places in Germany, and vinyl records. Mack paints on top of a torn canvas, and on the edges you can see the frayed, painted canvas mounted to the white backing of the frame. The work is finished with glass that shows minimum reflection as well as a customized 2 inch, white frame.
Eric Mack (b.1976, Charleston) creates mathematically based renderings with a distinct post-modern twist. Works are informed with super imposed grids, patterns, and portals. Layered surfaces are created with paint, found objects, natural fibers, and synthetic substrates that explore the systems of our visual world.
His most recent show “Charting the Terrain” is on view now at the California African American Museum in Los Angeles was covered by the Los Angeles Times, KCRW, and LALA Magazine. His last solo exhibition was titled "Impossible Architectures" at The University of North Carolina at Chapel Hill in 2017. Recent group shows include "Abstract Mind" at the Czong Institute of Contemporary Art, South Korea, "Small Works 2017 at Trestle Gallery, Brooklyn, "Checkered History", Outpost Artist Resources, Brooklyn, N.Y. 2015;
Collections include High Museum Atlanta, Ing Investments, Hartsfield Jackson International Airport - Atlanta + Atlanta Gas & Light Co. Pepsi Cola, Tate Properties, Heath Gallery, Harold Dawson Properties, Turner Field/Atlanta Braves...
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PVB-7600 is part of Eric Mack's ongoing body of work utilizing multi-media, complex compositions, and a grid centered around urban design. Using a grid to create the framework of the painting, Mack has utilized paper adhered by a matte medium to create graphic imagery of text and color blocks on top of a canvas dyed in ink. This painting is gallery wrapped with canvas on top of stretcher bars. Mack's paintings have been described as "intellect on top of emotion".
Eric Mack (b.1976, Charleston) creates mathematically based renderings with a distinct post-modern twist. Works are informed with super imposed grids, patterns, and portals. Layered surfaces are created with paint, found objects, natural fibers, and synthetic substrates that explore the systems of our visual world.
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MTB-4276 - Vibrant Contemporary Abstract Collage Painting w/ Glitter on Canvas
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MTB-4276 is one of Mack's strongest paintings. This piece part of his ongoing body of work utilizing multi-media, complex compositions, and a grid centered around urban design. Using...
Category
Early 2000s Abstract Abstract Paintings
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