Enamel More Art

Judy Chicago Logo Pin and Pendant, 1993 Enameled pin with pendant loop in original presentation box 2 1/2 × 2 1/2 × 1/5 inches Judy Chicago's incised name and date on the verso Comes in original presentation gift box Poignant enameled Holocaust Project Logo pin & pendant based on the logo designed by Judy Chicago for the Holocaust Project: From Darkness into Light More about pioneering artist Judy Chicago Judy Chicago (born Judith Sylvia Cohen; July 20, 1939) is an American feminist artist, art educator, and writer known for her large collaborative art installation pieces about birth and creation images, which examine the role of women in history and culture. During the 1970s, Chicago founded the first feminist art program in the United States at California State University, Fresno (formerly Fresno State College) which acted as a catalyst for feminist art and art education during the 1970s. Her inclusion in hundreds of publications in various areas of the world showcases her influence in the worldwide art community. Additionally, many of her books have been published in other countries, making her work more accessible to international readers. Chicago's work incorporates a variety of artistic skills, such as needlework, counterbalanced with skills such as welding and pyrotechnics. Chicago's most well known work is The Dinner Party, which is permanently installed in the Elizabeth A. Sackler Center for Feminist Art at the Brooklyn Museum. The Dinner Party celebrates the accomplishments of women throughout history and is widely regarded as the first epic feminist artwork. Other notable art projects by Chicago include International Honor Quilt, Birth Project, Powerplay, and The Holocaust Project. She is represented by Jessica Silverman...

This dynamic and compelling sculpture was realized by the esteemed 20th Century sculptor Norman Zammitt in 1968. Constructed from baked enamels, acrylic and phenolic vinyls, the piece offers an a pair of identical amorphic lobe-like forms that are recur in multiplicity. The rectangular form composed of clear vinyl has two sheets of the same material within, each offering the aforementioned abstract motif- consisting of two royal blue tear drops with sable hued interiors and orange-cream ombre accents. These tear drop forms are adjoined by two translucent amber curved forms with opaque carnelian centers. Each of these identical abstract forms are affixed to each sheet of lucite at increasing heights, giving them a staggered appearance and the sculpture a subtle dynamism reminiscent consistent with the best examples of Op-Art from this period. Seen from each side, the work appears transparent, consisting of blue lines and revealing the layered construction of the piece. Phenomenological, dynamic and aesthetically compelling, this piece is sure to delight collectors of first rate 20th century art, as well as those with a penchant for rare and beautiful objects. Zammits' solo exhibits include the Los Angeles Museum of Contemporary Art (LACMA) and Corcoran Gallery of Art in Washington D.C.. Group shows include two hallmark exhibits, “American sculpture of the Sixties” in 1967 and “The Spiritual in Art: Abstract Painting,” 1890-1985 that inaugurated the Robert O. Anderson Building at LACMA and the Hague, Holland. Among the museum and institutional collections in which he is represented are the MOMA in New York, the Corcoran Gallery of Art, and the Hirschhorn Museum. Private collections include those of Truman Capote (estate), John Kluge (estate) and Norman Lear...

A cloisonné enamel abstract plaque in black and white by American artist Joseph Trippetti (b. 1928). Trippetti was born in Philadelphia and developed a love for medieval imagery thr...

This stunning painting was realized by the celebrated abstract expressionist artist John Moyers, circa 1960. It features a circular ruby form in the center...

This stunning painting was realized by the celebrated abstract expressionist artist John Moyers, circa 1960. It features a orange garnet orbital form in th...