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Period: 1780s
Topographical Map of Pompeii, 1785, by Francesco Piranesi, Reprint
Located in New York, NY
Francesco Piranesi (Italian, 1758-1810) Topographical Map of Pompeii Originally executed 1785, modern reprint (likely 20th Century) Engraving Framed: 4...
Category

Realist 1780s More Art

Materials

Engraving

"Premiere Vue Des Environs Du Lac Leman Du Cote Du Midi" c1780
Located in Bristol, CT
Classic c1780 engraving of topiary gardens overlooking Geneve, Switz. Provenance: a Newport, RI estate Image Sz: 12 1/8"H x 20 7/8"W Frame Sz: 16"H x 24"W w/ gilt wood period frame
Category

1780s More Art

Materials

Engraving

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This oil on canvas painting is of a boat ride in the Connemara, a traditional and naturalistic area in the West of Ireland. The boat presents itself gliding on the reflective water as the countryside passes by. The color scheme is very light and is reminiscent of a dream or memory. This painting is sold framed, and is signed by the artist in the front and the back. Bob Blackmon...
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The Guardian Angel
Located in Missouri, MO
"Guardian Angel" late 19th c. Original hand-painted KPM Porcelain In Jewel Encrusted Frame approx. 6 3/8 x 5 inches
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The Lazy Frog - Original Lithograph by J.J Grandville - 1852
Located in Roma, IT
The Lazy Frog is an original lithograph by J.J. Grandville from "Scènes de la vie privée et publique des animaux, 1852. Published by Manesq & Harvard, Paris. Good Conditions but ag...
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Strawberries in a Cup - original still life painting - contemporary art
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14th and California
Located in San Francisco, CA

Artist Comments
At an intersection in Santa Monica, silence holds sway beneath a rapturous composition of clouds at sunset.

About the Artist
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Pair of Early 19th Century "Conchology" Conch Shells Color Etchings c.1802
Located in San Francisco, CA
Pair of Early 19th Century "Conchology" Color Etchings c.1802 Fantastic pair of hand colored etchings titled "Conchology". Published in London on December 24th, 1802. Each plate s...
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Along the Coast, Walberswick, Large Print, Limited Edition, Landscape
Located in Deddington, GB
Along the Coast, Walberswick – Large Canvas Print Limited edition canvas prints by Michael Sanders. These stunning prints are created using fine art archival quality inks and canvas ...
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Artist Comments
The setting is an arm of the Prospect Park Lake, known as the Lullwater for its stillness. In the foreground is the Prospect Park Audubon Center in the Boatho...

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Complementary colors take center stage in this still life. Purple plums rest in a yellow bowl, creating an immediate impact of bright hues. Above, a brightly ye...

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Watercolor

Oil on Canvas -- Allium
Located in Troy, NY
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Previously Available Items
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"Paysage avec Chateau et Cours d'Eau" Landscape with Castle and Stream
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Located in Houston, TX
Lovely soft gouache landscape scene titled "Paysage avec Chateau et Cours d'Eau" (Landscape with Castle and Stream) by artist Louis Gabriel Moreau in 1787. Framed in gold gilt frame. Artist Biography: Louis Gabriel Moreau, a gifted draughtsman, etcher and painter of landscapes, had a prodigious career. After studying with Pierre-Antoine de Machy, who specialized in painting Grand Tour themes - landscapes redolent with Classical ruins and tromp-l'oeil architectural scenes, he went on to become a member of the Academie de St. Luc, artist to Comte d'Artois (later King Charles X), and curator of the National Museum in Paris. Moreau, a master of watercolors and gouaches, combined the picturesque architectures of his master de Machy with naturalistically, almost plein-air-rendered, topographical landscapes in the Ile-de-France region just outside of Paris. Moreau's fascination with the effects of light at different times of the day precipitated his use of a lighter palette, characterized by warm yellows and verdant foliage punctuated by deep ultramarine blues instead of browns. Moreau's predilection for natural light made him equally successful following the French Revolution, in which the Third Estate toppled the landed gentry and their royal established academies. Before 1789, French castles and estates in lush settings of abundance were Moreau's preferred subject; the painting offered exemplifies this style - a style upon which he established himself as an artist for nearly twenty-five years exhibiting annually at the Academie de St. Luc. Following the Revolution, Moreau's, bright palette and light drenched compositions with voluminous clouds and ruins dotting the low horizon remained; his subjects, on the other hand, became distinctly more humble, showcasing the daily life of farmers, fishermen, modest structures and gardens. Both Moreau's pre- and post-Revolutionary paintings...
Category

Impressionist 1780s More Art

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