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Melanie Sherman Vase (Handmade, Pastel, Warm Tones, Smooth, Curvy) Porcelain, Glaze, Cone 6 Firing 2025 Size: 10.5 x 5 x 7.5 inches (26.67 x 12.07 x 19.05 cm) Signed by hand COA pro...

"Remains (Stack of Cups)" is an original ceramic sculpture by Yoonmi Nam made from directly slip casting the negative space of precariously stacked to-go cups in a tray and wood firi...

Artist Comments
Pansies bloom in spring, filling the white vase with their colorful petals. The composition focuses on the earthenware, creating a focal point for the flowers...

LARGE ITALIAN RENAISSANCE MARBLE CAPITAL Florence, 15th/16th Century marble 38 x 47 x 47 cm 15 x 18 1/2 x 18 1/2 in

Isaac Grünewald ( 1889-1946 ) Swedish & jewish Expressionist painter . Rare & unique ceramic work circa 1940 Glazed stoneware . signed . decorated with nude male and f...

Allyson George Not the Priceless Historical Ceramic Jar! (Funny, Witty, Installation) Porcelain, glaze, stoneware, enamel spray paint, epoxy Year: 2025 Size Large Sitting Cup: 20 x 1...

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A stack of glass plates rests on a white tablecloth. Soft shifts in light reveal the delicate details of the dishes, adding depth to the nearly monochromatic co...

Artist Comments
Artist Onelio Marrero captures a lively moment inside a flower shop at Philadelphia’s Reading Terminal Market, just before Mother’s Day. Surrounded by a daz...

Artist Comments
A vibrant still life depicts proteas bursting from a square vase and pansies blooming from two slender vases. Through the delicate interplay of pottery, flowers...

Artist Comments
This painting draws inspiration from the architecture of quintessential Italian villages. The sunlight accentuates the stone walls and shutters, while a pot o...

Artist Comments
This still-life painting depicts white roses arranged in a brass vase, with a pink one at the bottom. The earth-toned palette and thick bravura brushstrokes impart a timeless aura to the piece. Against the brown background, the elements stand out with their soft and endearing details.

About the Artist
Sherri Aldawood didn't intend to always paint flowers, but over time her love of gardens started to permeate her art. She focuses on the light and color of the flowers on the canvas. Sherri prefers alla prima, working with wet layers of paint instead of letting them dry. She keeps the paint as wet as possible by using walnut and clove oil...

Divyendu Anand - Wisdom Tree Hand Painting and Patina over Metal Skin Granite, Edition of 9 H 44 x W 26.5 x D 18 inches Growing up with the thoughts of altruism, idealism and beauty...

Jar with lid Stoneware with volcanic ash glaze

Glass sculpture Merkuce from the series The Italians 2008, glass, 37, 5x11x10 cm

Artist Comments
Pink and red roses bloom from a porcelain vase, while tomatoes overflow from a bowl below. A painting of a bug, framed in gold, hangs on a floral-themed wall. I...

This stylish black and leopard print dress is an artwork on paper blending paint, pencil and collage elements. Intuitive mark-making and loose textured detail make for an outcome bot...

Artist Comments
A soft blue and gray clay vase overflows with vibrant orange flowers, rendered in chiaroscuro. Light and shadow bring some petals into sharp detail while others...

"Zinnias and Cosmos" is an impressionistic still life oil painting of bright glowing flowers by British born, but Florence-based painter Amy Florence. Signed at bottom right in red ...

Rahim Mirza - Untitled Acrylic on Canvas, 12 x 12 inches (unframed size) Born in 1969, Rahim Mirza completed his art education at Bharat Bhavan in Bhopal, where he studied printmaking. Mirza’s current body of work however, is largely made up of acrylics on canvas. The leaf occupies a central motif in much of his work, representing, perhaps, a multiplicity of emotions; while the appearance of the first leaf signifies Spring and renewal, the shedding of the brown leaves in Autumn heralds the onset of winter. It is these subtleties and the complexity of the simple motif that intrigue the artist. While Mirza focuses on the leaf, he chooses to remove it from its natural environment. Thus while the leaf is a prominent symbol in his work, there generally is no sign of a tree or any context beyond its form. In its multiplicity, the artist creates rhythm and meaning that is far beyond its reach. Mirza had his first solo exhibition at Crimson Art Gallery, Mumbai, in 2000. This was followed by others at Archer Art Gallery, Ahmedabad, in 2001; and Diara art Gallery in 2002. His work has also been a part of group shows like 'Collective Spaces' at M.E.C. Art Gallery, New Delhi, in 2006; 'Anadi' at the Lalit Kala Akademi, New Delhi, in 2000; and 'Vibgyor' at the Lalit Kala Akademi, New Delhi, also in 2000. Mirza has also participated in 'Samvet', the Madhya Pradesh exhibition at the Lalit Kala Akademi, New Delhi, in 1999; the Tokyo International Print Triennial in 1998; the 8th All India Art...

A fine impressionist still life of a samovar amongst flowers on a table by American artist Dorothy Ochtman (1892-1971). Ochtman was born in Riverside, Connecticut, and became a renow...