Condiments More Art

"Remains (Stack of Cups)" is an original ceramic sculpture by Yoonmi Nam made from directly slip casting the negative space of precariously stacked to-go cups in a tray and wood firi...

Pichet gravé gris Ed. 500 pcs, 1954 White clay with grey engobe painting, partially glazed in white and black with incised decor. H. 30 cm Stamped underside : Madoura, Edition Picass...

Glass sculpture Merkuce from the series The Italians 2008, glass, 37, 5x11x10 cm

LARGE ITALIAN RENAISSANCE MARBLE CAPITAL Florence, 15th/16th Century marble 38 x 47 x 47 cm 15 x 18 1/2 x 18 1/2 in

A fine impressionist still life of a samovar amongst flowers on a table by American artist Dorothy Ochtman (1892-1971). Ochtman was born in Riverside, Connecticut, and became a renow...

"Zinnias and Cosmos" is an impressionistic still life oil painting of bright glowing flowers by British born, but Florence-based painter Amy Florence. Signed at bottom right in red ...

Divyendu Anand - Wisdom Tree Hand Painting and Patina over Metal Skin Granite, Edition of 9 H 44 x W 26.5 x D 18 inches Growing up with the thoughts of altruism, idealism and beauty...

This vase is a delicate purple and was created by Ioan Nemtoi. The artist signed the vase. The vase has a black rim, gray lines throughout, and gray and orange speckles for decorativ...

3 black and white Raku fired bottles with a striped pattern. Set consists of small, medium, and large bottles. ADDITIONAL INFORMATION: Ceramic on Stone 30 H x 10 W x 10 D cm (11.81 ...

Jar with lid Stoneware with volcanic ash glaze

Albrecht was half way through his MFA program (ceramics) at the University of Iowa when he was deployed to Iraq (03-04 medic/security work). His work explores the collision of war m...

Rahim Mirza - Untitled Acrylic on Canvas, 12 x 12 inches (unframed size) Born in 1969, Rahim Mirza completed his art education at Bharat Bhavan in Bhopal, where he studied printmaking. Mirza’s current body of work however, is largely made up of acrylics on canvas. The leaf occupies a central motif in much of his work, representing, perhaps, a multiplicity of emotions; while the appearance of the first leaf signifies Spring and renewal, the shedding of the brown leaves in Autumn heralds the onset of winter. It is these subtleties and the complexity of the simple motif that intrigue the artist. While Mirza focuses on the leaf, he chooses to remove it from its natural environment. Thus while the leaf is a prominent symbol in his work, there generally is no sign of a tree or any context beyond its form. In its multiplicity, the artist creates rhythm and meaning that is far beyond its reach. Mirza had his first solo exhibition at Crimson Art Gallery, Mumbai, in 2000. This was followed by others at Archer Art Gallery, Ahmedabad, in 2001; and Diara art Gallery in 2002. His work has also been a part of group shows like 'Collective Spaces' at M.E.C. Art Gallery, New Delhi, in 2006; 'Anadi' at the Lalit Kala Akademi, New Delhi, in 2000; and 'Vibgyor' at the Lalit Kala Akademi, New Delhi, also in 2000. Mirza has also participated in 'Samvet', the Madhya Pradesh exhibition at the Lalit Kala Akademi, New Delhi, in 1999; the Tokyo International Print Triennial in 1998; the 8th All India Art...

This stylish black and leopard print dress is an artwork on paper blending paint, pencil and collage elements. Intuitive mark-making and loose textured detail make for an outcome bot...