Unknown

“William Shakespeare”

Circa 1840

Mill cottage with horse and figure stencil on green slag glass. No known maker. Dragon stencil. Condition is excellent. Circa 1975. Soldered lead frame with double hanger. Provenanc...

Original lithographic print done as a gravure using black ink attributed to the hand of the well known French artist, Jean Dufy. Signed in the plate “Dufy” lower right. Circa 1960. Condition is very good. “Pierre Hautot...

Very rare crewel work artwork of a sailing ship with two sailboats decorated above the main vessel. Most likely American. Done in a primitive, naive style. Circa 1875 and in very goo...

Original hand cast bronze dual figure of a hollow dressed torso of a male and female representing Adam and Eve in the Garden of Eden. The bronze sculpture is attributed to the American sculptor Judith Shea. This piece is a maquette for a life size bronze executed by this artist that is located in an outdoor space in Buffalo, New York. Both are titled “Eden” and were done in 1987. Condition is excellent. Unsigned. Label on the bottom of the thick pine base states the artist and title of the artwork. Provenance: A Long Island, New York collector. Judith Shea has been a notable presence in the New York art world since the 1970s. Trained as a designer at Parsons, she soon found the fashion industry too restrictive and abandoned it in favor of making art. For her first solo show, at The Clocktower in 1976, Shea made a work based on color theory, using transparent silks in a spectrum of colors, worn by a live model. Other early work referenced clothing and its construction, first as flat, minimalist pattern and later as molded draping over implied, absent figures. In the 1981 Whitney Biennial, Shea showed three simple forms that evoked iconic clothes of the 1950s and 60s—the overcoat and the simple sheath dress—which hung from the wall as if on hangers. Five related works were included in the Hirshhorn’s Directions 83 survey. All of these works evoke human presence, felt as absence, as if the clothes were placeholders for missing persons. Thinking about her earlier clothes-based works, Shea has said that she “was looking for characters, for personae, really, to occupy them. I used clothes as stand-ins for people.” With the support of NEA grants, Shea began to learn bronze casting, and she was able to also spend time in Paris studying the statuary of its parks and gardens. This research led to several hollow-figure compositions from the 1980s that were designed to be sited in public spaces, such as Eden (John Hancock Tower, Chicago), Shepherd’s Muse (Oliver Ranch), Shield (Sheldon Museum of Art), and Without Words (Walker Art Center). In the 1990s, after a residency at Chesterwood—the site of Daniel Chester French’s studio in Stockbridge—Shea began to use woodcarving to make monumental public sculpture. The first of these full-scale wooden figures were shown in 1992 at the Whitney Museum at Phillip Morris in New York. In 1994 her wooden equestrian statue The Other Monument, a monumental image of a black man on a black horse, was installed at Doris Freedman Plaza in New York, in the same plaza as the William Tecumseh Sherman...

Unknown Artist (English or American, nineteenth century) William Shakespeare Oil on canvas, mounted on board; 9 x 7 1/4 inches FRAMED: 14 1/2 x 13 inches (approx.) This work depicts...

After Andrea Del Sarto 1486 - 1530, who was an Italian Renaissance painter and draughtsman. Del Sarto worked in Fresco decorating, portrait painting and as a painter of alter pieces,...

Earl Edward Collins (1925-1992) Oil painting on canvas Titled Batchelor . Gold black frame &Linen the linen does have light staining . Oil painting is in good condition. Painting ...

French school from the beginning of the 19th century Three-quarter bust portrait of a man Oil on panel 28 x 21 cm Circa 1820 This portrait of a man, typical of the French school o...