1970s Abstract Paintings

Impressionist Nude, British Artist, Strong Colours, Original Oil Painting By British artist, Beryl Darton, Mid 20th Century Oil painting on board, unframe...

5212 Italian Modernist Cubic colorful painting Framd Signed on verso Patrick Poletti

"A bold orchestration of textured forms and earthy tones, capturing the raw elegance of French mid-century abstraction." Pierre Coquet (1926–2021) Abstract Composition Oil on canvas...

Oil on canvas. Signed lower right Tschacbasov. Original painting by Nahum Tschacbasov. Condition is excellent. Presently unframed. Provenance: Estate of the artist Nahum Tschac...

Original oil on canvas painting by the American artist, Susan Wilmarth. Signed, titled and dated 1973 verso. Condition is excellent. Unframed. Provenance: A Long Island, New York collector. This painting might of been the 2nd part of a diptych to “Open Shell” also being sold on my site. Susan Wilmarth was born in 1942 and is known for her abstract paintings. She exhibited at MoMA in 1972 and her paintings are in many private collections. She was the wife of Christopher Wilmarth...

Work on paper White wooden frame with glass pane 43 x 53 x 1,5 cm

Joy Walker (Canadian, b.1942) Pattern painting Acrylic on canvas, This is heavily textured acrylic with a sculptural quality to it Dimensions: approx. 12-1/2" x 12-1/2" Verso of each is signed and dated, Joy Walker / 1978 / Acrylic. Provenance: the Estate of Andre Zarre Sowulewski Joy Walker (1942– ) is a mixed media abstract painter born in Tacoma, Washington. Walker studied at the University of Oregon and Columbia University with art historian Meyer Shapiro. She also attended the New York Studio School with instructors Sidney Geist, Philip Guston, Alex Katz, and Esteban Vicente. Throughout Walker’s career, which began in 1970, she has exhibited at galleries in Canada and in the United States. Her work has subsequently been collected by Citibank and JPMorgan Chase banks. Joy Walker: 1970 - 1995: 25 Years, George Woodman New York, NY: 55 Mercer St. Gallery, 1995.Includes essays by George Woodman, Gary Michael Dault, Yvonne Lammerich, and Andre Zarre; Accompanied a 1995 exhibition. "One has the sense of peering through a sharp-edged hole in the wall at parts of some unknown visual expanse. In fact, implied continuation of a field is a constant in Walker's oeuvre, along with an emotive display of color held in check by powerfully graphic shapes, whether geometric or organic." Janet Koplos, Art in America, September 1995. Her work relates to the Pattern and Decoration art movement from the mid-1970s to the early 1980s. The movement has sometimes been referred to as "P&D" or as The New Decorativeness. The movement was championed by the gallery owner Holly Solomon. The Pattern and Decoration movement was influenced by sources outside of what was considered to be fine art. Blurring the line between art and design, many P&D works mimic patterns like those on wallpapers, printed fabrics, and quilts. These artists also looked for inspiration outside of the United States. The influence of Islamic tile work from Spain and North Africa are visible in the geometric, floral patterns. They looked at Mexican, Roman, and Byzantine mosaics; Turkish embroidery, Japanese woodblocks; and Iranian and Indian carpets and miniatures. They often retained the same 'flattening grid' frequently employed by Minimalist painters. There is a close connection between the Pattern and Decoration movement and the feminist art movement. The P&D movement arose in opposition to the Minimalist and Conceptualist movements. Artists included Valerie Jaudon, Joyce Kozloff, Robert Kushner, Susan Michod, Miriam Schapiro, Betty Woodman, and Robert Zakanitch. Joy Walker has been exhibiting paintings for thirty years. She is the winner of grants from the Adolph and Esther Gottlieb Foundation, Artists Space, Change, Inc., the Canada Council and the Ontario Arts Council and the New York Studio School. She exhibited at MoMA NY PS1 in 1980 along with Jaime Ardila, Allen Bertoldi, Catharina Cosin, Peter Downsbrough, Barry Feuerstein, Jasper Halfmann, Jene Highstein, Frances Hynes, John Massey, Dennis Oppenheim, Maura Sheehan, Bernard Tschumi, Joel-Peter Witkin. She has attended the following art colonies: Yaddo, MacDowell, Edward Albee, Millay, Byrdcliffe, Pouch Cove, Baie-Saint-Paul, Sheffield Lake, Cummington and Palisades Park. This work also bears the influence of Op Art and Kinetic Art Vasarely, Bridget Riley, Julian Stanczak, Anni Albers and Richard Anuszkiewicz, She showed at Andre Zarre Gallery including a solo show. This came from his collection of painting and sculpture. Andre Zarre Gallery showed Sonia Delaunay, Nassos Daphnis, Sari Dienes...

"A vibrant, rhythmic composition of bold color and texture, with mid-century French soul." Pierre Coquet (1926–2021) Abstract Composition Oil on canvas, 38 x 46 x 2 cm (15 x 18.1 x...

Artist: Arthur Boden, American XXth Title: Untitled (Hexagon) Year: 1975 Medium: Acrylic on Canvas, signed verso Size: 54 x 51.5 (104.14 cm x 152.4 cm)

Antique American abstract oil painting by Joachim Probst (1913 - 1980). Oil on canvas. Signed. Framed. Measuring 18 by 18 inches overall and 17 by 17 painting alone.

'Composition in Orange and Red', gouache on paper, by James Pichette (circa 1970s). A dynamic, lively abstract composition by an artist known for such s...

Mid-Century Modern Abstracted Cubist Table Still-Life in Acrylic on Masonite Vibrant mid-century modern still life with abstracted synthetic cubist elements in warm colors, highligh...

Sebastian Matta-Clark was born in 1943, twin of Gordon Matta-Clark. Son Of Chilean Surrealist Roberto Matta Sebastian, known as Batan died in 1976. He showed 3 exhibitions in his sho...

Artist: George Chemeche, Iraqi/American (1934 - ) Title: Composed Flower Garden Year: circa 1979 Medium: Six Acrylic on Canvas Panels mounted to Canvas, signed l.r. Image Size: 43.25...

This superb oil on canvas painting of a nude study is dated 1970 and signed lower left. We have not been able to decipher the artist's signature (please check the pictures for inform...

Richard Andres (American, 1927-2013) Garden, 1972 acrylic on canvas signed, dated and titled verso 59.5 x 50 inches Richard Andres was born in Buffalo, New York in 1927. A graduate of the Cleveland Institute of Art in 1950, he was immediately drafted and served for two years in the army as a mural painter. He received his Master of Arts from Kent State in 1961. A frequent exhibitor at galleries and museums and winner of multiple May Show prizes, Andres taught art in the Cleveland Public Schools for 28 years, as well as teaching the University of Buffalo, the Cleveland Institute of Art and the Western Reserve University. Very little in Richard Andres’ childhood would have predicted his love of classical music, mid-century-modern architecture and certainly not his lifelong passion for art and in particular abstract art. Richard’s father, Raymond, had no more than a third-grade education, and his mother, Clara, was one of thirteen children – only three of whom lived into adulthood and none of whom attended high school. They lived, when Richard was a boy, in a dingy area of Buffalo, NY in a walk-up apartment situated above a tavern. Raymond and Clara supplemented the income from their factory jobs in the bar downstairs with Raymond playing ragtime on the piano and Clara serving drinks. This often left Richard and his two older brothers at home alone to fend for themselves. The two older boys, Raymond and Russell, were - unlike Richard- rather rough and tumble and entertained themselves with stickball, boxing and the like. Richard, on the other hand, from a very young age liked to draw, or better yet even, to paint with the small set of watercolors he received for Christmas one year. Paper, however, at the height of the depression, was hard to come by. Luckily, Clara used paper doilies as decoration for the apartment and Richard would contentedly paint and then cut up doilies, gluing the pieces together to create collages. At eight-years-old, he discovered the Albright-Knox Museum (then known as the Albright Art Gallery) and spent several hours a week there studying the paintings. He was particularly fond of Charles Burchfield‘s landscapes, enamored with their ‘messiness’ and thinking that they somehow captured more ‘feeling’ than works he was previously familiar with. For his tenth Christmas, he asked for and received a ‘how-to’ paint book by Elliot O’Hare. Through this self-teaching, he assembled the portfolio needed for acceptance to Buffalo Technical High School where he studied Advertising Arts. In his Junior year, he was encouraged to enter a watercolor painting, “Two Barns,” in the national 1944-45 Ingersoll Art Award Contest and was one of twelve grand prize winners – each one winning one hundred dollars. More importantly the painting was exhibited at the Carnegie Institute Galleries, which resulted in his winning a national scholarship to the Cleveland School of Art (The Cleveland Art Institute). He flourished at the art school under the tutelage of faculty members such as Carl Gaertner, as well as that of visiting artists such as William Sommer and Henry George Keller. He would say in later years that Gaertner, in particular, influenced his attitude toward life as well as art. “Gaertner,” Andres said, “believed that there was no need to be a ‘tortured artist’, that an artist should rather enjoy beauty, family, and life in general.” Free to spend his days as he chose, he wandered the Cleveland Art Museum for most of the hours he was not attending classes or painting; the remaining time was spent drinking coffee at a local hangout with art school friends – which is where he met fellow Henry Keller scholarship winner, Avis Johnson. Richard was immediately smitten with Avis, but being rather shy, it took him the entire summer of 1948 to build up his courage to ask her out. Over that summer he ‘thought about Avis’ and worked in a diner to save money. He also used the hundred-dollar prize money won in High School to visit the first Max Beckmann retrospective in the United States at the City Art Museum in St. Louis. Over a half century later he spoke of that exhibit with a reverence usually reserved for spiritual matters, “I walked in and it was like nothing I had ever seen before... the color...It just glowed.” Returning to campus in the Fall, the first thing he did was go to the coffee shop in hopes of finding Avis. He did, and she, upon seeing him, realized that she was also smitten with him. They quickly became known as ‘the couple’ on campus, and a year later, with Richard being drafted for the Korean war, they were quickly married by a Justice of the Peace, celebrating after with family at Avis’s Cleveland home. As a gift, faculty member John Paul Miller...

Artist: Miriam Bromberg, American XXth Title: Blue Cubist Abstract Year: 1970's Medium: Oil on Canvas Size: 30 x 40 in. (76.2 x 101.6 cm)

5083 Rose star burst shades of red

Edward Avedisian Gouache Watercolor Abstract Painting on Arches paper. (notebook cover not included) Unsigned, (bears name verso in pencil.) Dimensions: 10" X 14" Late 1970s, early 1...

Rudolf Baranik Stars Elegy II, 1975 Signed, titled and dated on stretcher bar Oil on canvas 72 x 72 inches Born in Lithuania, he immigrated to the United States in 1938, when his family sent him to live with a relative in Chicago. His parents were secular Jewish socialists and were killed by the Nazis during the Second World War. Baranik was well known in the art world for his political advocacy, and was one of the first artists to organize protests against the war in Vietnam. Some of his best known works are the Napalm Elegies, a series of 30 antiwar paintings created between 1967 and 1974. His art was inspired by his sense of the gross inequities around the world, and he led virtually every progressive political movement within the New York art world from the 1960s to the mid-1990s. Significant exhibitions and awards include:1981 Guggenheim Fellowship in Fine Arts, 1982 "Art Couples 1: May Stevens and Rudolf Baranik," P.S. 1, New York, NY, and 1966 Peace Tower. Baranik's art is included in many collections, including the Museum of Modern Art in New York, the Whitney Museum of American Art and the Hirshhorn Museum. Baranik died in Eldorado, New Mexico in 1998. The paintings of Rudolf Baranik are increasingly thought to be among the most important works of the New York School painting...

RALPH ROSENBORG – "NIGHT MOUNTAIN LANDSCAPE, 1974" Oil on Canvas ⚜ Signed Lower Left and on Verso ⚜ Custom Conservation Frame A VIVID ABSTRACT VISION OF MOUNTAINOUS NIGHTSCAPE In "N...

Work on cardboard This captivating work features a dynamic abstract composition dominated by intertwined organic geometric shapes. The use of bold colors, primarily reds, blacks, and...

Abstract featuring graceful, sweeping lines evocative of bone fragments by an unknown artist. Illegibly signed lower left and dated "77". Presented in a metal frame. Image size, 18"H...

Ennio Finzi (born 1931, Venice) Transcromatic light vibration, Abstract composition. Year 1978 This painting on paper by Ennio Finzi, untitled, from 1978. Dimensions 35x50 cm With ...

"A vibrant interplay of pastel tones and textured rhythm, evoking a delicate energy rooted in French lyrical abstraction." Pierre Coquet (1926–2021) Abstract Composition Oil on boar...

Geometric surrealist composition depicting a totem-like form, composed of colorful surrealist three dimensional interlocking shapes, by Clayton Anderson (American, b. 1943). Signed "Clayton Anderson" and titled "Landscape #10 (Fragment Under Grey Sky)" on verso. Signature embossed into lower left edge of paper. Presented in a custom deep box frame with plexiglass. Image size: 20.75"H x 16"W Clayton Anderson (American, b. 1943) studied at the Pennsylvania Academy of the Fine Arts and worked with Ben Kimihira, Walter...

David Hare Summer Land, 1970 Acrylic or oil paint and collage on board Dimensions: 26 X 36 inches. Framed measuring 29 x 38 inches. Hand signed, dated and titled on tape to verso 'Summer Land 1970 Hare'. Provenance: Hamilton Gallery of Contemporary Art, New York David Hare (1917 – 1992) was an American artist, associated with the Surrealist movement. He is primarily known for his sculpture, though he also worked extensively in photography and oil painting. The VVV Surrealism Magazine was first published and edited by Hare in 1942. Born March 10, 1917 in New York City, New York to father Meredith Hare, a lawyer and mother Elizabeth Sage Goodwin, an art collector. In the 1920s the family moved first to Santa Fe, New Mexico and later to Colorado Springs, Colorado, in hope that the fresh air would help heal Meredith Hare's tuberculosis. His mother founded the Fountain Valley School, where David attended high school. After high school Hare married and moved to Roxbury, Connecticut where he worked as a color photographer. He attended Bard College in Annandale-on-Hudson from 1936 to 1937, studying biology and chemistry. In the late 1930s, with no previous artistic training, he began to experiment with color photography. Using his previous education in chemistry Hare developed an automatist technique called "heatage" in which he heated the unfixed negative from an 8 by 10-inch plate, causing the image to ripple and distort. Hare's Surrealist experiments in photography were only one of his many projects. In 1938 he met Susanna Winslow Wilson and the couple soon married. Both David and Susanna pursued their interests in Surrealism and regularly attended Surrealist gatherings in New York Larre French restaurant on 56th street and at Breton's Greenwich Village apartment. In 1940 he received a commission from the American Museum of Natural History to document the Pueblo Indians of the American Southwest, for which he eventually produced 20 prints developed using Eastman Kodak's then-new dye transfer process (a time-consuming and complicated technique). In the same year, he also opened his own commercial photography studio in New York City and exhibited his photographs in a solo show at the Julien Levy Gallery. In the next few years, through his cousin the painter Kay Sage, he came into contact with a number of Surrealist artists who had fled their native Europe because of World War II. Hare became closely involved with the émigré Surrealist movement and collaborated closely with them on projects such as the Surrealist journal VVV, which he co founded and edited from 1941 to 1944 with André Breton, Max Ernst, and Marcel Duchamp. With numerous illustrations by Breton, Leonora Carrington, Marc Chagall, Roberto Matta, Giorgio de Chirico, MarcelDuchamp, Max Ernst, Andre Masson, Joan Miro, Enrico Donati, Dorothea Tanning, and others. Published in only four issues between 1942-44, VVV was an experimental New York-based magazine devoted to the dissemination of Surrealism. Edited by David Hare, the short-lived magazine featured contributions from some of the leading avant-garde artists of the period. David and Susanna divorce in 1945 and Breton’s wife Jacqueline Lamba...

Modern Abstract Blue Rose, Vintage Abstracted Minimalist Floral by Eleanor Perry Modernist blue and white rose abstract by San Francisco, California artist Eleanor Louise Perry (Ame...

Optical Composition is an original artwork realized by the Italian contemporary master, Carlo Montesi in the 1970s. In good conditions. Tempera, oil p...

"Carnival" Heavily Textured Abstract Expressionist Figurative Oil on Canvas Bold, textured, Figurative, abstract composition by California artist Harald "Harry" Dry Schmidt (American...

Artist: Sakurai Takami - Japanese (1928-2016) Title: Invitation to the Paradise ST#11 Year: circa 1972 Medium: Oil on Canvas Sight size: 18 x 24 inches. Framed size: 21 x 27 inches Signature: Unsigned. Label on old frame Condition: Very good Frame: Framed in original frame. Frame in poor condition This oil on canvas is by the noted avant garde Japanese artist Sakurai Takami (1928-2016). It was created sometime between 1971, when Takami lived in San Francisco and was a member of and exhibited with the “Konnyaku Commune” and 1978 when he exhibited with the Vorpal Gallery in San Francisco. This painting was purchased from the Vorpal Gallery. The painting is in very good condition. It is unsigned, but the title is on the side of the metal frame. The frame is fine, but the mat is stained and in poor condition. I will include the frame for protection and provenance. Sakurai was a main member of the avant-garde art group “Kyushu-ha”. Kyushu-ha” created a major trend among contemporary art in post-war Japan, which spread from Fukuoka to the whole country and also France, the United States and other overseas countries. Throughout his life he was very dramatic; his enormous and diverse works are energetic and face us with the true meaning of expression. Initially his main focus was on informal paintings, but it gradually expanded towards anti-artistic objects and performances. His works are characterized by the usage of materials that are connected with the smell of a workers life, such as coal tar, asphalt, woven mats and dungarees (jute bag). Shortly after Kyushu-ha disbanded in 1968, Sakurai Takami moved to San Francisco. From 1973 onward, he lived in France. The people and faces in Sakurai’s paintings are coloured red, so that the colour, a symbol of heat, becomes a “social sign”. Each person has a life of their own, while at the same time expressing the colourful life of human communities, like the hippies. His theme may be drawing “humanity and the universe” with a loving embrace of “peace” and “life”. 1953 graduated Fukuoka Liberal Arts University 1955 40th Nika Art Exhibition, Tokyo Metropolitan Art Museum 1956 Persona Exhibition, outer west side of the Fukuoka prefectural office 1957-68 part of Kyushu-ha 1965 went to the United States (~’67) 1970 “Kanousei e no Ishi“ Kitakyushu Hachiman Museum of Art Kyushu: Trends in Japanese Contemporary Art Exhibition, Fukuoka Bunka Hall Sakurai Takami solo exhibition, Fukuoka Bunka Hall went to the United States for the second time, started working with the konyaku commune (San Francisco) 1971 Konyaku Revolution Art Exhibition (San Francisco) 1973 Nagoya mayor nominating election convention, Azabu public hall moved to France 1974 formed the group “Kusuguri” (Paris) 1975 7th...

Jay Milder (born 1934) is an American artist and a figurative expressionist painter of the second generation New York School. Old Testament themes such as Jacob's Ladder and Noah’s Ark, and the Jewish mystical beliefs of the Kabbalah, are recurring themes in Milder’s paintings which are presented as archetypal images that recur in the basic karma, make-up and need of human nature. Internationally exhibited, Milder is included in the collections of many national and international museums. He has been the subject of two, recent retrospectives in Brazil in 2007 at the National Museum Brasilia and, in 2006, at the Museum of Modern Art, in Rio de Janeiro. He is renowned in Sao Paulo, one of the major international centers for street and public art, as a seminal influence on graffiti artists. Jay Milder was born in Omaha, Nebraska, in 1934. His grandparents, who came from the Ukraine, were descendants of the Hasidic mystic, Rabbi Nachman. As he listened to family stories his interest in spiritualism and mysticism increased, and became an important influence on his philosophy of life and art. Later, when he arrived in New York, he was drawn to the Theosophical Society and the teaching of Helena Blavatsky. In 1954 Milder visited Europe where he studied painting with André L’Hote, and sculpture with Ossip Zadkine. He spent much time studying at the Louvre Museum, and at the studio of Stanley Hayter. During his Paris years the paintings of the Jewish painter Chaim Soutine, primarily influenced him. Milder returned to the United States in 1956, and he began studying painting at the Chicago Art Institute. He exhibited with the Momentum Group, an alliance of artists who were particularly dedicated to the progression of figurative art and its global origins. In 1957, Milder spent the summer in Mexico for a summer where he exhibited in Puebla. That year he received the Mexican Government’s Honor Award for artists. In the summer of 1958, Milder studied with Hans Hofmann in Provincetown, Massachusetts. He exhibited his work at the Sun Gallery, with his contemporaries, including Mary Frank, Red Grooms, Bob Thompson, Lester Johnson, Emilio Cruz and Alex Katz, among others. During this period his painting began to incorporate iconography of birds, animals, humans and animal/human hybrids. In 1958, Milder, Bob Thompson and Red Grooms, founded the City Gallery in the Chelsea section of New York City. The gallery moved downtown and became the Delancey Street Museum and an early site for ‘Happenings’,which Milder participated in. He showed his first major series called Subway Runners in 1960 at the Martha Jackson Gallery in New York City. Milder began a group of smaller paintings, entitled “Messiah Series”, in the late 1960s. These were fully expressionistic earth toned pictures, and he completed around 250 paintings in the series, based on biblical themes from the Old Testament. When 40 of these paintings were shown in a traveling exhibition premiering at the Richard Green Gallery in New York City, in 1987, art critic Donald Kuspit wrote in ArtForum Magazine: “after Nolde’s biblical pictures, these are the best and most integral group of biblical pictures in the 20th century.” During the 1970s, Milder co-founded a collective group called Rhino Horn with Peter Passuntino, Peter Dean, Benny Andrews, Nicholas Sperakis, Michael Fauerbach, Ken Bowman, Leonel Gongora, and Bill Barrell...

Abstract violet and beige surface is a contemporary artwork realized by Genny Puccini in 1971. Mixed colored acrylic painting on canvas. Hand signed and dated on the back.

Colorful abstract composition by Michael William Eggleston (American, 20th Century). Bold colors and shapes interlock to form a high-contrast composition. Sections of orange, yellow,...

An abstract diptych by James Caughlin (American, 1926-1979). Signed lower right. Artist's studio label on verso. Displayed in a white mat with two win...

Thomas Edward Nozkowski (American, 1944-2019). Original mixed media abstract composition art utilizing colored rock gravel. Titled, "Gravel Piece." Hand signed on verso, dated 5/73. Provenance: Collection of the Bass Museum of Art, Miami Beach, Florida (Museum Inventory No. t.13.2000.053.) Thomas Nozkowski was an American contemporary painter. He achieved a place of prominence through his small scale paintings and drawings that push the limits of visual language. His work appeared in more than 300 exhibitions over the past 40 years. He had more than 70 solo exhibitions, and 24 of his paintings were featured in a large-scale retrospective in 1987 at Corcoran Gallery of Art in Washington, DC Nozkowski was born in Teaneck, New Jersey and raised in Dumont, where he graduated from Dumont High School in 1961. He spent his youth in the New Jersey suburbs, admiring New York culture from afar before moving there after graduating high school. His father worked in an Alcoa Aluminum factory and then as a postman. His mother worked in factories and as a bookkeeper. One of his aunts was a schoolteacher who gave him and his younger sister art supplies. When he was a senior in high school he won a scholarship to attend a painting class at New York University's School of Education, where he studied with Robert Kaupelis and Hale Woodruff. While he earned his BFA at Cooper Union, Nozkowski was making sculpture. He graduated in 1967. He later transitioned to large scale abstract expressionist painting, and exhibited some of his earliest works in group shows at the storied Betty Parsons Gallery. Richard Tuttle had his first show a year after he began assisting Betty Parsons. Thomas Nozkowski worked for her after graduating from Cooper Union. Between 1949 and 1951. In the course of 36 years, the Betty Parsons Gallery mounted important early shows of Robert Rauschenberg, Kenzo Okada, Richard Pousette-Dart, Leon Polk Smith, Forrest Bess, Sonia Sekula, Herbert Ferber, Seymour Lipton, Eduardo Paolozzi, Alexander Liberman, Barbara Chase-Riboud, Richard Lindner, Agnes Martin, Ellsworth Kelly, John Walker, Patrick Ireland...

Edward Pechmann Renouf (1906-1999). Oil on panel measures 16 x 24 inches. Signed lower margin. Excellent condition. Provenance: Allan Stone Pr...

Chimeras, 1974 Acrylic and pastel on textured paper Mid-century figural abstract blue acrylic painting Clarence Holbrook Carter achieved a level of national artistic success that w...

Hilda Epner, born 1929, was an American Female Abstract painter from Rockland County New York Up for sale is a beautiful brightly colored Abs...

Tristan Fabris 1970's, French Surrealist artist Abstract Surrealist Figurative study oil on canvas, unframed inscribed verso canvas: 32 x 24 inches private collection, France The pai...

Paul Rigoulet is a french artist from Nice (Cote d'Azur). He was born 1924 and is an abstract painter. No frame

Stuart Bigley is an artist based in New York’s beautiful Hudson Valley. He has been making and showing his artwork for over 40 years. During this time he also co-founded and ran the ...

Work on canvas Golden wooden frame 52.5 x 63.5 x 3 cm

Isadore Levy "Brandford" 1971 Oil on canvas dated , signed , titled 70 x 35 cms

Paisaje original surrealist acrilic painting GENOVART LLOPIS, Jaume (Barcelona, 1941-1994). Basically self - taught painter, was released in 1972. Grandson of typesetter and booksel...

Ron Gorchov Untitled, inscribed to Robert Vogele, 1978 Watercolor and etching on paper with 2 deckled edges. Hand signed in pencil and inscribed on lower front. Inscription reads as ...

Elegant Portrait, Mother and Child, Abstract Original Oil Painting By French artist, 20th Century Oil painting on canvas, framed Framed size: 12 x 15 ...

Original acrylic painting on paper ( the paper has been glued on a book page, very usual practice of the artist) The page is free and the book is not included The painting can be e...

A large and impressive abstract oil on canvas by noted Mexican artist Leopoldo Flores. It is intemporal and yet to me also perfectly embodies the 1970s...

Edward Pechmann Renouf (1906-1999). Oil on panel measures 16 x 24 inches. Signed lower margin. Excellent condition. Provenance: Allan Stone Pr...

Max Epstein, Canadian (1932 - 2002) - Bound, Year: 1976, Medium: Acrylic on Canvas, Signed and dated l.r., Size: 37 in. x 25 in. (93.98 cm x 63.5 cm)

David Hare Cronus Descending, 1971 Acrylic on linen 64 x 46 inches “Freedom is what we want,” David Hare boldly stated in 1965, but then he added the caveat, “and what we are most ...

Happy in ‘72 Josep Grau-Garriga, Spanish (1929–2011) Date: 1972 Acrylic and Collage on Paper Size: 24 x 32 in. (60.96 x 81.28 cm) Provenance. Arras Gallery, NYC

Robots, or "Strange Self-Sufficient Machine" by Giuliano Ghelli ( Florence, 1944- 2014, Chianti). Painting in a wooden frame with glass. Oil on canv...

Clarence Holbrook Carter (American, 1904-2000) Entr'acte, 1977 Pastel on board Signed and dated lower right 8 x 10 inches A surrealist mid-century figural abstract painting. Clare...

Tristan Fabris 1973, French surrealist artist Abstract Surrealist composition oil on canvas, framed framed: 33 x 27 inches canvas: 32 x 25 inches private collection, France The pain...

Vintage Abstract Expressionist Nude Figurative - Heavily Textured Oil on Canvas Abstract expressionist figurative composition of a nude woman by California artist Harald "Harry" Dry...

An acrylic painting by Roy Ahlgren circa 1970. A geometric abstract painting utilizing bright contrasting color blocks in a modern form. Signed verso, unframed. Artist: Roy Ahlgren, American (1927 - 2011) Title: Red Blue Variations...

An abstract expressionist painting by Duayne Hatchett . Oil on canvas, circa 1990. Signed verso. Framed. Image size, 54"H x 54"L. Duayne Hatchett was a visual artist whose work...

An original acrylic on linen canvas by American artist Martica Miguens. The artist's estate was recently unearthed and acquired by Benjaman Gallery. ...