1970s Abstract Paintings

Waterline Fine Art, Austin, TX is pleased to present the following work: Acrylic and mixed media on canvas. Signed, titled, and dated verso. 40 x 76.5 in. 41.75 x 78.25 in. (framed) Custom framed in a solid, unfinished maple floater. Provenance Watson/de Nagy & Company, Houston Private Collection, New York Sherron Francis was born in 1940, in Downers Grove, IL outside of Chicago. She originally enrolled at the University of Oklahoma, but later transferred to the Kansas City Art Institute to focus more on art. Initially, Francis' practice was focused on figurative art, with visiting professor and renowned modern realist Philip Pearlstein remarking on Francis’ draftsman acumen. In the early 1960s, art dealers and gallerists from New York would visit the Institute to entice promising artists by offering scholarships and financial aid. Because such financial arrangements were only made for men, Francis had to persuade the school's leadership to allow for women to also be eligible for merit-based aid. Her advocacy was successful, and she ultimately graduated from the Kansas City Art Institute in 1963. She would then proceed to obtain her MFA from the University of Indiana, before assuming a teaching position at Eastern Michigan University. In 1968, with only $300 on hand, Francis moved to 16 Waverly Place in SoHo, New York. The neighborhood was a hotbed for young AbEx artists of the day, and she quickly befriended the likes of Peter Reginato, Walter Darby Bannard, Michael Steiner, Peter Young, Peter Bradley...

Artist: Roy Ahlgren, American (1927 - 2011) Title: Megalopolis Year: 1972 Medium: Acrylic on Canvas, signed and dated verso Size: 34 x 34 inches

An original acrylic on linen canvas by American artist Martica Miguens. The artist's estate was recently unearthed and acquired by Benjaman Gallery. Miguens was relatively unknown ...

Artist: Max Epstein, Canadian (1932-2002) Title: Maple Syrup Year: 1976 Medium: Acrylic on Canvas, signed and dated Size: 33 x 33 in. (83.82 x 83.82 cm)

Large bright vivid drawing done in oil crayon or oil pastel. Abstract floral drawing. David Kimball Anderson’s work is bold and graceful, respectful and spiritual. A practicing Bud...

Artist: Clarence Holbrook Carter, American (1904 - 1998) Title: Transection No. 7 Year: 1970 Medium: Acrylic on Canvas, signed verso Size: 77 in. x 75.5 in. (195.58 cm x 191.77 c...

Tulips on a turquoise background. Oil on cardboard, 47x45,5 cm Aleksandr Rodin (1922-2001) Painter Born in a family of farmers. Wife Rasma Lace - art scholar. Studied at the Staling...

Clifford Fishwick (1923-1997) British. Abstract Composition' circa 1974. paper media 38cm x 58cm and original period glazed frame, 51cm x 64cm. Signe...

Artist/Designer: Cleve Gray (American, 1918-2004) Marking(s); notes: signed; 1976 Materials: acrylic on canvas Dimensions: 82″h, 81″w; 83″h, 83″w frame Additional Information: Work i...

Jay Rosenblum (1933 - 1989) Untitled, 1973 Acrylic on canvas 54 x 128 inches Signed twice and dated on the reverse Provenance: Private Collection, Long Island Jay Rosenblum experim...

'Composition with Circles II', gouache on art paper, by James Pichette. A dynamic, lively abstract composition by an artist known for such stunning, viv...

Composition. 1973, canvas, synthetic tempera, cold encaustic, 87x64 cm Cubistic composition in red, yellow, green, blue colors

Abstract Expressionist design. Sealed on the back with the design studio name and number . Ilegible signature We offer a small number of these original illustration designs by this ...

Oil on linen. Unsigned. 58.25 x 46.75 in. 59.75 x 48 in. (framed) Custom framed in a solid maple floater with a polyurethane clear coat finish. Provenance Estate of Gottfried Mair...

Oil on canvas, signed lower left. Georges Gaston Arnulf est un peintre et graveur français, né à Monte-Carlo (Monaco) le 23 mars 1921 et mort le 19 novembre 1996 au Thillay.

Houses of town. 1972, watercolor on paper, 55x75,5 cm Olgerts Jaunarajs (1907-2003) He was so-called legend of abstract expressionism in the Latvia...

Jean-Paul Jérôme, Canadian, 1928-2004 La fenaison, 1976 Oil on canvas 6.5 x 9.5 in 16.5 x 24.1 cm signed and dated 1976 lower right; signed, titled and dated “Mont. 1976” on the back...

7 tulips. 1979. Oil on canvas, 65x51 cm Aleksandr Rodin (1922-2001) Painter Born in a family of farmers. Wife Rasma Lace - art scholar. Studied at the...

Stuart Bigley is an artist based in New York’s beautiful Hudson Valley. He has been making and showing his artwork for over 40 years. During this time he also co-founded and ran the ...

Professor George De Goya. PhD. MA. FRSA. Born In Budapest, 1915-1992, related to the Spanish artist Goya on his mother’s side. Educated in Budapest and France where he received a degree in philosophy from the Sorbonne, Paris. Returned to Budapest to study art at the Fine Arts Academy, then continued his studies at the Academie Julienne, Paris, where he was influenced by the post impressionist artists including Picasso, Salvadore, Dali and Chagall. His motto was “history is the inevitable conveyance of great situations by great personalities.” He came to England due to the Hungarian uprising in 1956 where he taught history of art and art appreciation. Started receiving commissions for book and commercial illustrations...

Artist: Elwood Howell, American (1933 - ) Title: Benders Fog Fold Sweep Year: 1976 Medium: Acrylic on Canvas, signed l.r. Size: 50 x 50 in. (127 x 127 cm)

Surrealist painting of white maple seeds and seashells on a blue background by artist Luis Eades in 1977 titled "In Transit." Signed, dated, and titled on t...

Klaus Oldenburg (*1942 Berlin), Eccentric discharges of a turquoise-yellow core, around 1975. paint and cast resin on chipboard, 39 x 59 cm (inside dim...

This mid-century abstract composition employs a dynamic interplay of geometric planes and gestural brushwork, rendered in a vibrant yet balanced palette of pastel pinks, acid yellow...

Oil on canvas, 28 x 31 inches overall, 25 x 30 inches image size. A dynamic abstract expressionist composition with an energetic interplay of saturated primaries and gestural impasto...

Painting of an established contemporary artist Jan Wunderman. Oil on canvas.

Blue Composition is an original abstract artwork realized by Marcello Grottesi in 1977. Oil on canvas. Hand-signed and dated in light-blue color on the back. The artwork has been...

Phenomena Spectrum Guardian by Paul Jenkins (1923 - 2012) Acrylic on canvas 76 x 101.5 cm (29 ⁷/₈ x 40 inches) Signed lower middle Paul Jenkins Executed in 1970 Provenance: Gallerie Iris Wazzau, Davos, Switzerland Private collection, Cologne, Germany Artist biography: Born at Kansas City in Missouri (USA), the multi-media artist, poet and playwright Paul Jenkins studied at the Kansas City Art Institute and the Art Students League in New York City. After his discharge from military service at the end of February 1946, he briefly studied playwriting with dramatist George McCalmon at the Carnegie Institute of Technology in Pittsburgh. Thereafter, Jenkins spent four years studying with Japanese American artist Yasuo Kuniyoshi in New York City. His first solo exhibitions were held at Studio Paul Facchetti in Paris in 1954 and the Martha Graham Gallery in New York City in 1956. Over the past thirty years, numerous retrospectives have been curated across the globe and Jenkins’ work can found in national collections from Europe and the United States to Israel, Australia and Japan. The diversity of his work springs from Jenkins’ wealth of eclectic influences. Some of his earliest works included what he called "interior landscapes" influenced by ancient natural forms like the caves he visited in the Ozark Mountains in his native-Missouri. Frequent student visits to the Frick Collection in New York fostered a love of the great masters: Bellini, Holbein, Vermeer, Rembrandt, de la Tour, Turner and Goya. In compliment, lingering student visits to the renowned Eastern collection of the Nelson-Atkins Museum of Art in Kansas City evoked powerful sympathy for a monumental Chinese fresco...

Moises Zabludovsky (Mexican, 1959-) Bull Fight Mixed Media Work on paper, watercolor; ink and pastel on paper 1979 Hand signed and dated. Dimensions: Frame: 28.5 X 36.5. Image: 22.5 X 30 Abstract Modernist Mexican bullfighting image. Born in Mexico City. His first training in art was in 1969 when he started working with Silvia Gonzalez and later on in the Arcai Atelier in Paris. At 18, he held his first exhibition at the Museo de Arte Moderno of Mexico City and he went on to display his work at the International Biennale of the Bronx Museum in New York City. He grew up around the Mer Kup Gallery, run by his maternal grandmother, Merl de Kuper, where he presented his work in several group exhibitions and three solo shows (1979, 1981, and 1985). She was a champion of many important mexican modernist artists including artists like Pedro friedeberg, Feliciano Bejar, Mathias Goeritz, Diego Rivera, Sebastián, and José Luis Cuevas.Moises Zabludovsky exhibited at the National Center for the Arts in 2011 and at the Museo El Eco of the National Autonomous University of Mexico. He has exhibited paintings and sculptures at the Museum of Modern Art, the Jose Luis Cuevas Museum, Metropolitana in Mexico City. He has successful shows at prominent art galleries like the Miro Gallery in Monterrey, Palacio de Bellas Artes and Museo Carrillo Gil in Mexico City. He also had some international shows in Florida and Latin America. In 1982 he was awarded a degree in graphic design from Parsons University. He has received numerous awards and exhibited widely since the early 1990's. He is known both for his oil painting as well as for his ceramic and bronze bullfighting sculpture. In 1978, he received an honorable mention at the First Ibero-American Painting Biennial, where Carlos Merida and Rufino Tamayo were on the jury. He was part of the Emerging Decade generation whose members participated in the exhibitions bearing that name at the Museo Universitario del Chopo in 1984 and 1994, the latter titled An Emerging Decade, a Decade Later . He also participated in the Salón dès Aztecs, a renowned alternative space for Mexican art In the show Nuevas tendencias (New Trends) at the Museum of Modern Art in Mexico City. That same year, he also exhibited at the International Biennial at the Bronx Museum in New York. He continued his studies at the Metropolitan University of Mexico City and simultaneously exhibited at various galleries and museums: the Mer-Kup Gallery and the Miró Gallery in Monterrey, Nuevo León; the Palacio de Bellas Artes; the Carrillo Gil Art Museum; and, outside the country, in Florida and at the Traveling Young Art Exhibition organized by the Mexican Ministry of Foreign Affairs. as well as in art galleries in Mexico and the United States. His father was the famous professor and architect Abraham Zabludovsky known for his brutalist architecture masterpieces among them the iconic Museo Rufino Tamayo. His work is featured in two buildings designed by his father, Abraham Zabludovsky (1924-2003): the Byzantine mosaic mural 'The Applause' in the Guanajuato State Auditorium (1990) and the sculpture 'The Caravan' in the Poliforum, Auditorium and Convention Center in Tuxtla Gutiérrez, Chiapas (1993). Moises Zabludovsky has shown with Antonio Galvan Duque, Jose Sacal, Tomas Gomez Robledo, Renato Gonzalez, Fitzia, Luis Argudin, Luis Granda, Jose Antonio Gurtubay, Heriberto Mendez, Vlady, Omar Manueco, Jesus Urbieta, Miguel Angel Garrido, Carlos Nakatani, Miguel Castro Lenero, Jose Luis Serrano, Humberto Oramas, Gabriel Macotela, Nicolas Moreno, Luis Nishizawa, Gilberto Navarro, Fernando Castro Pacheco...

Gene Hedge Untitled, circa 1970 Acrylic on canvas 29 x 20 3/4 inches (P097) Gene Hedge was born (1928) and raised in rural Indiana. After military service, he briefly attended Ball State University in Muncie, Indiana. There he encountered the writing of Laszlo Moholy-Nagy, and the following year (1949) went to study at the Institute of Design in Chicago. He received a B.S. degree in Visual Design from the Institute of Design (1953), and he also took courses at the Art Institute of Chicago and began working in collage. During this period, the influence of Eugene Dana...

Luces original surrealist acrylic painting. GENOVART LLOPIS, Jaume (Barcelona, 1941-1994). Basically self - taught painter, was released in 1972. Grandson of typesetter and booksell...

Framed, unique strike with significant hand coloring in acrylic paint on printed 2 color lithograph on paper by American artist Robert Motherwell (1915-1991). Signed in upper left c...

Robert O'Meara (American, XX-XXI), Miniature Landscape, Oil on Board, circa 1975, apparently unsigned, in ebonized wood frame. Image: 4" H x 5" W; frame: 6" H x 7" W. Provenance: Fro...

oil and wax on canvas 1927 - 2017 Mala Breuer grew up attending classes in painting and drawing from a young age at the California College of Arts and Crafts. After high school she...

This colourful abstract expressionist painting is by the award-winning artist Milly Ristvedt. For decades, Milly Ristvedt has explored the unlimited potential and power of colour to...

Abstract Mid-20th Century Oil Non Objective NYC Radio City Music Hall. Oil on board, 23 x 20 inches. Signed lower right. Provenance: Michael Desk...

5-3551 Mixed media on paper Set in a custom wood frame

3723 Oil on artist board Set in a custom wood frame

Waterline Fine Art, Austin, TX is pleased to present the following work: Oil on canvas. Signed lower right; signed, titled, dated along rear stretcher. 48.25 x 52.25 in. 49.5 x 53.5 in. (framed) Custom framed in a solid maple floater, painted a light gray. Provenance Marian Locks Gallery, Philadelphia Exhibited 1996 - Locks Gallery, Philadelphia (Warren Rohrer...

Antique American modernist realist still life oil painting. Oil on canvas. Signed verso.

F. AC (Ficelle AC Bristol) by JEAN-PAUL RIOPELLE (1923-2002) Acrylic on paper laid down on canvas 89.7 x 49.5 cm (35 1⁄4 x 19 1⁄2 inches) Signed with initial lower right, R and titl...

Cleve Gray 'End of October,' 1978 Acrylic on canvas 55 x 55 inches Signed verso This work was donated to the Foundation for Contemporary Arts (FCA) by the The Estate of Cleve Gray for FCA's 2021 benefit exhibition held at Greene Naftali.

Elliott Thompson Eleven Thirteen, (Dancing Line Series), 1972 Signed, Elliott Thompson, dated, 2/72, and inscribed, Eleven Thirteen, on verso and agai...

Roger Williams (b. 1945) Untitled Oil on canvas 32 1/2 x 32 1/2 in. Framed: 33 1/4 x 33 in. Signed and dated verso: Roger Williams 74 Roger Williams was an American artist that work...

Waterline Fine Art, Austin, TX is pleased to present the following work: Acrylic on canvas. Signed and dated lower right, titled verso. 69 x 68.25 in. 70.5 x 70 in. (framed) Custom framed in a solid maple floater. Provenance Private Collection, Hilton Head Island, SC Cleve Gray was born Cleve Ginsberg in New York on September 22, 1918. The family subsequently changed its surname to ‘Gray’ in 1936. He attended the Ethical Culture School in New York, and completed his college preparatory studies at Phillips Academy in Andover, MA, where he won the Morse Prize for most promising art student. In 1940, Gray graduated summa cum laude from Princeton University with degrees in art and archaeology. He wrote his thesis on Chinese landscape painting, which would later become an important influence on his own painterly practice. Gray joined the U.S. Army in 1942 and was deployed to the U.K., France, and Germany, where he sketched wartime destruction. After the liberation of Paris in 1944, he began informal studies with the French artists André Lhote and Jacques Villon, which continued following the conclusion of the war. Soon after, he began to exhibit his work at the Galerie Durand-Ruel in Paris, followed shortly by his first solo exhibition at the Jacques Seligmann Gallery in New York in 1947. Before 1950, Gray would participate in group exhibitions at such venerable institutions as the Metropolitan Museum of Art, New York; the Corcoran Gallery, Washington, D.C.; the Whitney Museum of American Art, New York; and the Art Institute of Chicago. In the 1960s, he formed a close friendship with the first generation Abstract Expressionist Barnett Newman. It was during this time that Gray experienced an artistic metamorphosis, dissolving his earlier cubist compositions in a sea of distilled color. This dramatic body of work marked the beginning of an artistic meditation that would last for over 40 years. The rigors of French modernism, the ethos of Abstract Expressionism, and the meditative restraint of Chinese and Japanese scroll painting commingle with astounding affect. The atmospheric, subdued tones of his 1960s paintings gradually gave way to bright, monochromatic fields of color, hazily washed onto the canvas in stain like swathes. Much of his work from the last three decades of his career feature striking graphic brushwork that conjures the influence of Japanese and Chinese calligraphy. Beginning with his marriage in 1957 to the French author and New Yorker staff writer, Francine Du Plessix, Gray would spend the remainder of his life working out of his home base in Warren, CT, while continuously exhibiting and participating in residencies around the world. He enjoyed representation and exhibitions with some of the most influential galleries of the day, including the Betty Parsons Gallery, Staempfli Gallery, Salander-O’Reilly Galleries, Eva Cohon Gallery, and Berry-Hill Gallery. Cleve Gray died in Hartford, CT in 2004, at the age of 86. Gray's work is included in the collections of the Metropolitan Museum of Art, the Museum of Modern Art (MoMA), the Whitney Museum of American Art, the Brooklyn Museum, the Solomon R. Guggenheim Museum, and many other museums and institutional collections around the world. Source: The New York Times and Loretta Howard...

A richly layered oil on canvas by renowned American painter Alan Gussow, dated 1975. This intimate composition features undulating bands of sienna, burgundy, and umber, evoking the r...

Edward Avedisian (American, 1936-2007) Abstract Large Painting Acrylic on panel heavily textured with a 3D effect. Dimensions: 48"h x 75"w Circa late 1970s, early 1980s Provenance: ...

Oil pastel on paper realized by Sirio Pellegrini in 1970s. includes a wooden frame realized by the Artist cm. 49x39. Sirio Pellegrini, born in Rome on March 1, 1922, of Abruzzo ori...

Paul Resika Skowhegan-Wesserunsett, 1976 Oil on board painting: Abstract Expressionist landscape Signed 'Resika' lower left, also signed, titled and dated on the reverse; verso also ...

Surrealist painting of a white structure in a barren desert titled "Fungo Atomico" by Italian surrealist painter Luigi Pretin, circa 1976. Signed and dated in lower right corner as w...

Waterline Fine Art, Austin, TX is pleased to present the following work: Oil on canvas. Signed, titled, dated verso. 40 x 44 in. 41.5 x 45.5 in. (framed) Custom framed in a natura...

FLECK Size: 31 x 34.5 cm Oil on Canvas A small but very engaging and brilliantly executed abstract composition, painted in oil onto canvas and dated 1973. Set against a tranquil b...

Abstract Expressionist design. Sealed on the back with the design studio name and number . Ilegible signature We offer a small number of these original illustration designs by this ...

Ron Stonier (1933-2001) was a dedicated Vancouver artist celebrated for his exploration of abstract painting, influenced by his mentors Gordon Smith and Jack Shadbolt, as well as by ...

3574 Oil on board set in a gilt wood frame

"An elegant interplay of line, texture, and subtle color, embodying the essence of French mid-century abstraction." Pierre Coquet (1926–2021) Abstract Composition Oil on board, 44.5...

Víctor Valera Umbria, 1975 Polychromed wood and vinyl 68 x 68 x 10 cm 26.7 x 26.7 x 3.9 in. Signed in back. Victor Valera was born in Maracaibo, Venezu...

Acrylic and graphite on canvas. Signed and titled verso. 59 x 58.5 in. 61 x 60.25 in. (framed) Custom framed in a maple floater with a polyurethane clear coat finish. Provenance B...

Ross Bleckner (American, b. 1949) Untitled, c. 1970 Oil on canvas 43 x 34 in. Signed verso: Ross B/ho Ross Bleckner grew up in Hewlett, Long Island, New York; drawing all the time without being aware that other artists existed. He was the middle child between two sisters; his father manufactures electronic parts He attended New York University where Sol Lewitt, Chuck Close and others were his teachers. He graduated in 1972, then spent a year at the California Institute of Arts. His contacts in the next few years were very fortuitous; Sol Lewitt and Chuck Close, Carl Andre, David Salle, Julian Schnabel, etc. Bleckner is on the nervous side, beset by self-doubt, insomnia, and gloom. He is unpretentious, although he is bluntly handsome, with olive complexion, and a compact build. He is "10 percent that is superficial and 90 percent that has to do with the depths and that is threatened by living. He is a very complicated individual. He is a very, very morose, deeply feeling, hardworking artist- he takes a lot from within himself - but always, no matter how successful he is, he feels he is going to fall into those depths." 1 Bleckner first exhibited his work in New York in 1974. The following year he was given his first one-man show; he was included in the 1975 Whitney Biennial.. Since about 1985 has addressed many of his paintings to the subject of AIDS- both documenting it as a historical phenomenon and commemorating specific individuals who have died. Written and submitted by Jean Ershler Schatz, artist and researcher from Laguna Woods, California. Bio sourced from the Archives of askArt. Sources include: Ross Bleckner's Mood Indigo by Lisa Liebmann, in ARTnews, May 1993...

Hannes Grosse Wave Form (Wellenform) (Square, Round, Wavy, Modern, Mid-Century) Oil and Acrylic on Canvas Year: 1971 Size: 34.62 x 34.62 inches Signed and dated verso Framed (simply...