1970s Abstract Paintings

Artist: Gustavo Úbeda Romero (Herencia, Ciudad Real, Spain, 1930 – São Paulo, Brazil, 1994) Title: Homage to Picasso Medium: Acrylic on tablex Style: Abstract Figurative with Pica...

Waterline Fine Art, Austin, TX is pleased to present the following work: Acrylic and paper collage on canvas. Signed and dated lower left; signed, ...

Calvert Coggeshall Meridian, 1974 Signed, titled, and dated on the reverse Acrylic on canvas 67 x 45 inches Calvert Coggeshall worked as an abstrac...

Red, orange, and yellow toned abstract impressionist beach landscape painting by Louisiana and Texas artist Lamar Briggs. The work features an ombre of warm tones with birds througho...

Purple toned abstract collage featuring a variety of everyday objects such as a car, an ice cream cone, a fork, a glass of water, and a camera. Signed,...

*UK BUYERS WILL PAY AN ADDITIONAL 20% VAT ON TOP OF THE ABOVE PRICE Serie "U no és ningú" No. 21 by Antoni Tàpies (1923-2012) Acrylic, felt and pencil on cardboard 50 x 65 cm (19 ³...

Scorpion is a contemporary artwork realized in 1973 by Genny Puccini. Mixed colored acrylic on canvas. Hand signed and dated on the lower margin and on...

Red toned scene with figures lined up walking down the beach. The painting was done of hippies from the 1970's. It is framed in a wooden frame. It is signed by the artist and titled....

Artist: Dan Teis, American (1925 - 2002) Title: White X on Red with Orange Dots Year: 1978 Medium: Acrylic on Canvas, signed l.r. Size: 54 x 54 in. (137.16 x 137.16 cm) Frame Size: 5...

Great, fun oil on canvas! Wonderful colors and textures. Dated January 1974 and signed illegibly. Canvas is in great condition, could use a light cleaning, would be perfect if framed...

Orange, pink, and blue geometric abstract painting/ wall sculpture by Gary Jurysta titled "Ripple Corner". Meant to be hung in the corner of a room. Acrylic on stretched canvas, cir...

William Weege (b. 1935). American Pop Art Artist. Colorful mixed media on a vintage vinyl LP record Hand signed and dated 1976 recto. Born in Milwaukee, Wisconsin in 1935, Weege studied printmaking, collage and sculpture at the University of Wisconsin. In the late 60's Vietnam war era his politically charged radical anti war posters...

Professor George De Goya. PhD. MA. FRSA. Born In Budapest, 1915-1992, related to the Spanish artist Goya on his mother’s side. Educated in Budapest and France where he received a de...

Serge Poliakoff, born on January 8, 1900, in Moscow, Russia, was a prominent figure in 20th-century abstract art. After relocating to Paris in 1923 and briefly pursuing a career as a...

"A vibrant interplay of pastel tones and textured rhythm, evoking a delicate energy rooted in French lyrical abstraction." Pierre Coquet (1926–2021) Abstract Composition Oil on boar...

Waterline Fine Art, Austin, TX is pleased to present the following work: Acrylic on canvas. Signed and dated lower right, titled verso. 69 x 68.25 in. 70.5 x 70 in. (framed) Custom framed in a solid maple floater. Provenance Private Collection, Hilton Head Island, SC Cleve Gray was born Cleve Ginsberg in New York on September 22, 1918. The family subsequently changed its surname to ‘Gray’ in 1936. He attended the Ethical Culture School in New York, and completed his college preparatory studies at Phillips Academy in Andover, MA, where he won the Morse Prize for most promising art student. In 1940, Gray graduated summa cum laude from Princeton University with degrees in art and archaeology. He wrote his thesis on Chinese landscape painting, which would later become an important influence on his own painterly practice. Gray joined the U.S. Army in 1942 and was deployed to the U.K., France, and Germany, where he sketched wartime destruction. After the liberation of Paris in 1944, he began informal studies with the French artists André Lhote and Jacques Villon, which continued following the conclusion of the war. Soon after, he began to exhibit his work at the Galerie Durand-Ruel in Paris, followed shortly by his first solo exhibition at the Jacques Seligmann Gallery in New York in 1947. Before 1950, Gray would participate in group exhibitions at such venerable institutions as the Metropolitan Museum of Art, New York; the Corcoran Gallery, Washington, D.C.; the Whitney Museum of American Art, New York; and the Art Institute of Chicago. In the 1960s, he formed a close friendship with the first generation Abstract Expressionist Barnett Newman. It was during this time that Gray experienced an artistic metamorphosis, dissolving his earlier cubist compositions in a sea of distilled color. This dramatic body of work marked the beginning of an artistic meditation that would last for over 40 years. The rigors of French modernism, the ethos of Abstract Expressionism, and the meditative restraint of Chinese and Japanese scroll painting commingle with astounding affect. The atmospheric, subdued tones of his 1960s paintings gradually gave way to bright, monochromatic fields of color, hazily washed onto the canvas in stain like swathes. Much of his work from the last three decades of his career feature striking graphic brushwork that conjures the influence of Japanese and Chinese calligraphy. Beginning with his marriage in 1957 to the French author and New Yorker staff writer, Francine Du Plessix, Gray would spend the remainder of his life working out of his home base in Warren, CT, while continuously exhibiting and participating in residencies around the world. He enjoyed representation and exhibitions with some of the most influential galleries of the day, including the Betty Parsons Gallery, Staempfli Gallery, Salander-O’Reilly Galleries, Eva Cohon Gallery, and Berry-Hill Gallery. Cleve Gray died in Hartford, CT in 2004, at the age of 86. Gray's work is included in the collections of the Metropolitan Museum of Art, the Museum of Modern Art (MoMA), the Whitney Museum of American Art, the Brooklyn Museum, the Solomon R. Guggenheim Museum, and many other museums and institutional collections around the world. Source: The New York Times and Loretta Howard...

"A bold orchestration of textured forms and earthy tones, capturing the raw elegance of French mid-century abstraction." Pierre Coquet (1926–2021) Abstract Composition Oil on canvas...

"An elegant interplay of line, texture, and subtle color, embodying the essence of French mid-century abstraction." Pierre Coquet (1926–2021) Abstract Composition Oil on board, 44.5...

Gene Hedge Untitled, circa 1970 Acrylic on canvas 29 x 20 3/4 inches (P097) Gene Hedge was born (1928) and raised in rural Indiana. After military service, he briefly attended Ball State University in Muncie, Indiana. There he encountered the writing of Laszlo Moholy-Nagy, and the following year (1949) went to study at the Institute of Design in Chicago. He received a B.S. degree in Visual Design from the Institute of Design (1953), and he also took courses at the Art Institute of Chicago and began working in collage. During this period, the influence of Eugene Dana...

5145 Vintage American abstract on canvas red flower in a meadow

Jim Bird - tribute to Vasarely 16 Photolithography 1972 Signed and numbered 58/75 Paper size : 68x68 Image size : 61x61 Perfect condition Published by Poligrafa, Barcelona 290€

Toko SHINODA (Japanese, 1913‐2021) QUIETUDE Sumi ink and watercolor on paper laid on board 22 by 32.5 in. (55.9 x 82.6 cm.) Sealed on the front; titled and signed on the reverse Executed in 1979 The present art work is accompanied by a registration card issued by Gallery Sankaibi. PROVENANCE Betty Parsons Gallery, New York Don Brady Bondi collection, acquired on March 26th, 1981 Sale: Clark’s Fine Art and Auctioneers, Van Nuys...

Oil on linen. Estate stamp verso. Unsigned. 71.25 x 40.5 in. 72.75 x 42 in. (framed) Custom framed in a solid maple floater with a polyurethane clear coat finish. Provenance Estat...

Professor George De Goya. PhD. MA. FRSA. Born In Budapest, 1915-1992, related to the Spanish artist Goya on his mother’s side. Educated in Budapest and France where he received a de...

A large and impressive abstract oil on canvas by noted Mexican artist Leopoldo Flores. It is intemporal and yet to me also perfectly embodies the 1970s...

Juliette Gordon (American, b. 1934) Untitled (Modern Woman), circa 1973 Collage on board 30 x 20 inches Provenance: Allan Stone Gallery, New York (ASG-JuG8) Sold with certificate of authenticity signed by the artist. Juliette Gordon is a witty, perceptive, and highly intelligent artist. Her most iconic works are wickedly funny and sometimes highly political photocollages that were inspired by her involvement in the women’s movement of the early 1970s. At the time, she was exhibiting with the likes of Nancy Spero and May Stevens...

Mala Breuer grew up attending classes in painting and drawing from a young age at the California College of Arts and Crafts. After high school she attended the, now, San Francisco A...

Professor George De Goya. PhD. MA. FRSA. Born In Budapest, 1915-1992, related to the Spanish artist Goya on his mother’s side. Educated in Budapest and France where he received a degree in philosophy from the Sorbonne, Paris. Returned to Budapest to study art at the Fine Arts Academy, then continued his studies at the Academie Julienne, Paris, where he was influenced by the post impressionist artists including Picasso, Salvadore, Dali and Chagall. His motto was “history is the inevitable conveyance of great situations by great personalities.” He came to England due to the Hungarian uprising in 1956 where he taught history of art and art appreciation. Started receiving commissions for book and commercial illustrations...

Oil on canvas Signed and dated top right 1972 Painting exhibited at the National Arts Club, New York Nahum Tschacbasov Retrospective, June 2013

oil and wax on canvas 1927 - 2017 Mala Breuer grew up attending classes in painting and drawing from a young age at the California College of Arts and Crafts. After high school she...

Antique American modernist abstract oil painting. Oil on canvas. Measuring 46 by 46 inches overall. In excellent original condition. Excellent condition, ready to hang and enjoy.

Wyona Diskin, American (1915 - 1991) Elephant Acrylic on canvas mixed with collage cut out paper, foam, Signed. Measurements: H 60 x W 50 x D 1.0 inches Wyona Diskin, an American p...

Professor George De Goya. PhD. MA. FRSA. Born In Budapest, 1915-1992, related to the Spanish artist Goya on his mother’s side. Educated in Budapest and France where he received a de...

This is an Abstract Expressionist torn and folded paper painted collage. The paper is metallised through some process. they are very luminous and beautiful. it is mounted on heavy ...

Professor George De Goya. PhD. MA. FRSA. Born In Budapest, 1915-1992, related to the Spanish artist Goya on his mother’s side. Educated in Budapest and France where he received a de...

Orange violet and blue surface is a contemporary artwork realized by Genny Puccini in 1975. Mixed colored acrylic painting on canvas. Hand-signed and dated on the back.

Waterline Fine Art, Austin, TX is pleased to present the following work: Oil on canvas. Signed, dated, and stamped verso. 23.75 x 24 in. 25 x 25.5 in. (framed) Custom framed in a ...

Professor George De Goya. PhD. MA. FRSA. Born In Budapest, 1915-1992, related to the Spanish artist Goya on his mother’s side. Educated in Budapest and France where he received a de...

Oil on linen. Unsigned. 58.25 x 46.75 in. 59.75 x 48 in. (framed) Custom framed in a solid maple floater with a polyurethane clear coat finish. Provenance Estate of Gottfried Mair...

Jan MEIJER (Jan MEYER, called) Abstraction in Black and Red, 1970 Original Oil on Canvas Signed in the lower left corner Signed, dated on the back On canvas 81 x 54 cm (c. 32 x 22 i...

Seated Nude - Original Abstract Expressionist on Canvas Abstract expressionist figurative composition of a woman in Blue by California artist Harald "Harry" Dry Schmidt (American, 1...

Up for sale we have a Tor Hoff (1925-1976) abstract important Norwegian painting. Painting depicts a vibrant blue abstract painting with metallic s...

"The Three Fates Confused" is a captivating 1970s figural abstraction oil painting by the renowned Denver modernist, Edward Marecak (1919-1993). This strik...

Mixed media on canvas signed Genny Cardillo, very brightly colored. With wooden frame mis. cm. h.50x50x2

oil and wax on linen 1927 - 2017 Mala Breuer grew up attending classes in painting and drawing from a young age at the California College of Arts and Crafts. After high school she ...

Víctor Valera Umbria, 1975 Polychromed wood and vinyl 68 x 68 x 10 cm 26.7 x 26.7 x 3.9 in. Signed in back. Victor Valera was born in Maracaibo, Venezu...

oil and wax on canvas Mala Breuer grew up attending classes in painting and drawing from a young age at the California College of Arts and Crafts. After high school she attended ...

An African village scene is characterized by bold colors and a punchy flat orange sky combined with a post-impressionist paint application for the tree and the house. In the foreground, we see an African mother with two children standing outside her "Home." The work is created by African American artist Vincent D. Smith. It is signed lower right, Vincent, showing homage to Vincent Van Gogh, from whom the art word borrows some influence. Clearly, Smith has developed his own personal style, combining an African American persona with an African subject matter. Original metal frame under glass. The uploaded video is coming up light. Use the still image as a reference for color. Vincent DaCosta Smith (December 12, 1929 – December 27, 2003) was an American artist, painter, printmaker and teacher. He was known for his depictions of black life. Early life Vincent DaCosta Smith was born on December 12, 1929, in the Bedford-Stuyvesant[1] neighborhood of Brooklyn, to Beresford Leopole Smith and Louise Etheline Todd. Both were immigrants from Barbados.[2] He was raised in Brownsville, Brooklyn and Smith drew what he saw around him.[citation needed] He attended an integrated school where he studied piano and the alto sax. worked a range of jobs before he became a full-time artist. At 16, he worked for the Lackawanna Railroad repairing tracks. At 17, Smith enlisted in the army and traveled with his brigade for a year.[3] It wasn't until after his time in the army that Smith began to paint and printmaking.[4] At the age of 22, Smith was working in a post office where he grew to be friends with fellow artist Tom Boutis.[1] Art education Tom Boutis took Smith to a Paul Cézanne show at the Museum of Modern Art in 1951. After seeing the Cézanne show, Smith resigned from his position at the post office and began reading extensively about art. He studied at the Art Students League of New York with Reginald Marsh.[citation needed] Later, he began to sit in on classes at the Brooklyn Museum Art School, where the instructors would let him join in on the lessons and the criticisms.[3] After attending classes at the Brooklyn Museum Art School and the Art Students League of New York, he was accepted and received a scholarship to the Skowhegan School of Painting and Sculpture in Maine,[4] where he studied from 1953 to 1956. Beginning in 1954,[5] he started taking official classes at the Brooklyn Museum Art School, and studied painting, etching, and woodblock printmaking.[4] Career Smith was a figurative painter who used abstractions and materiality to make something new.[6] Smith's work depicts the rhythms and intricacies of black life through his prints and paintings.[7] Many of his paintings and prints rely heavily on patterns.[6] According to Ronald Smothers, Vincent D. Smith's work "stood as an expressionistic bridge between the stark figures of Jacob Lawrence and the Cubist and Abstract strains represented by black artists like Romare Bearden and Norman Lewis."[7] Smith has described his own work as "a marriage between Africa and the West."[3] Over his life, he worked in both painting and printmaking. In 1959, Smith won the John Hay Whitney Fellowship which allowed him to travel to the Caribbean for a year.[8] During this year he was deeply inspired by the customs and lifestyle of the native people.[8] Throughout his life, Smith attended various art schools but it was not until turning 50 he returned to college to earn an official degree.[7] From 1967 until 1976 he taught at the Whitney Museum’s Art Resource Center.[2] Later in 1985, he taught printmaking at the Center for Art and Culture of Bedford Stuyvesant. Death and legacy Smith died in Manhattan on the December 27, 2003 from lymphoma and related complications.[7] Smith was aged 74.[7] His work is included in many public museum collections including Art Institute of Chicago,[9] Newark Museum of Art,[1] Museum of Modern Art (MoMA),[1] Metropolitan Museum of Art,[1] Yale University Art Gallery,[10] Davidson Art Center,[11] Fitzwilliam Museum,[12] Brooklyn Museum,[13] Albright-Knox Art Gallery,[14] Rhode Island School of Design Museum,[15] among others. Exhibitions Over the course of his career, he had over 25 one-man shows and had his work shown in over 30 group shows.[7] Vincent D. Smith had shown in a range of galleries and museums over his life-span. In 1970, he had his first individual exhibition at the Fisk University in Nashville, Tennessee. His first retrospective was in 1989 at the Schenectady Museum in Schenectady, New York.[2] Solo shows: 1974 - The Portland Museum of Art, Portland, Maine[2] 1974 - Studio Museum in Harlem, New York, New York[2] 1989 - Schenectady Museum (Retrospective 1964-1989), Schenectady, New York Awards and honors This section needs additional citations for verification. Please help improve this article by adding citations to reliable sources in this section. Unsourced material may be challenged and removed. (May 2020) (Learn how and when to remove this template message) 1959 – John Hay Whitney Fellowship, John Hay Whitney Foundation, New York City, New York[8] 1967 – Artist in Residence, Smithsonian Conference Center 1968 – Grant, The American Academy and National Institute of Arts and Letters, New York 1971 – Creative Public Service Award for the Cultural Council Foundation, New York 1973 – National Endowment of the Arts and Humanities Travel Grant, New York 1973-1974 – Childe Hassam Purchase Award, American Academy of Arts and Letters, New York City, New York 1974 – Thomas P. Clarke Prize, National Academy of Design, New York 1981 – Windsor and Newton Award, National Society of Painters in Casein and Acrylic , New York. 1985-1986 – Artist-in-Residence, Kenkeleba House Gallery, New York. Works Below are some selected works: Study for Mural at Boys and Girls High School, 1972, Metropolitan Museum of Art, New York, New York A Moment Supreme, 1972, Metropolitan Museum of Art, New York, New York The Triumph of B.L.S., 1973, Metropolitan Museum of Art, New York, New York Jonkonnu Festival, 1996, Metropolitan Museum of Art, New York, New York Murals Mural for Crotona/Tremont Social Service Center, The Human Resource Administration, New York, New York 1980[1] Mural for Oberia D. Dempsey Multi-Service Center of Central Harlem, New York, New York 1989[1] Publications Print portfolios Impressions: Our World, Volume I (a portfolio of seven etchings - five with aquatint, two with embossing). Emma Amos, Benny Andrews, Vivian Browne, Eldzier Cortor...

Professor George De Goya. PhD. MA. FRSA. Born In Budapest, 1915-1992, related to the Spanish artist Goya on his mother’s side. Educated in Budapest and France where he received a de...

Waterline Fine Art, Austin, TX is pleased to present the following work: Acrylic on canvas. Signed, titled, and dated on verso. 34.25 x 87.5 in. 36 x 89.5 in. (framed) Custom framed in in a natural cherry floater. Provenance Dunkelman Gallery, Toronto Born Josef Drapell in German-occupied territory near Prague in the present-day Czech Republic, his interest in art was piqued as a young boy growing up in a country that traded one occupier for the next. Czechoslovakia - under communist Soviet control following the war - would never allow Drapell to enjoy true freedom of artistic expression. He eventually fled his homeland, first stopping in Vienna, before ultimately settling in Canada in 1966. After a brief spell at the venerable Cranbrook Academy of Art in Bloomfield Hills, MI, Drapell returned to Canada in 1970, settling in Toronto - though he frequently traveled between the two countries in pursuit of exhibition opportunities in both Toronto and New York. Those opportunities arrived almost immediately, as he enjoyed solo exhibitions with both Robert Elkon Gallery in New York, and Dunkelman Gallery back home in Toronto. Drapell splits time between his homes in Toronto and Georgian Bay on Lake Huron...

painting on canvas Mala Breuer grew up attending classes in painting and drawing from a young age at the California College of Arts and Crafts. After high school she attended the...

Professor George De Goya. PhD. MA. FRSA. Born In Budapest, 1915-1992, related to the Spanish artist Goya on his mother’s side. Educated in Budapest and France where he received a de...

This work was commissioned in 1977 by the Baker Furniture Company and featured in the entryway of one of their flagship showrooms when they first introduced their Mastercraft line em...

Artist: Sakurai Takami - Japanese (1928-2016) Title: Invitation to the Paradise ST#11 Year: circa 1972 Medium: Oil on Canvas Sight size: 18 x 24 inches. Framed size: 21 x 27 inches Signature: Unsigned. Label on old frame Condition: Very good Frame: Framed in original frame. Frame in poor condition This oil on canvas is by the noted avant garde Japanese artist Sakurai Takami (1928-2016). It was created sometime between 1971, when Takami lived in San Francisco and was a member of and exhibited with the “Konnyaku Commune” and 1978 when he exhibited with the Vorpal Gallery in San Francisco. This painting was purchased from the Vorpal Gallery. The painting is in very good condition. It is unsigned, but the title is on the side of the metal frame. The frame is fine, but the mat is stained and in poor condition. I will include the frame for protection and provenance. Sakurai was a main member of the avant-garde art group “Kyushu-ha”. Kyushu-ha” created a major trend among contemporary art in post-war Japan, which spread from Fukuoka to the whole country and also France, the United States and other overseas countries. Throughout his life he was very dramatic; his enormous and diverse works are energetic and face us with the true meaning of expression. Initially his main focus was on informal paintings, but it gradually expanded towards anti-artistic objects and performances. His works are characterized by the usage of materials that are connected with the smell of a workers life, such as coal tar, asphalt, woven mats and dungarees (jute bag). Shortly after Kyushu-ha disbanded in 1968, Sakurai Takami moved to San Francisco. From 1973 onward, he lived in France. The people and faces in Sakurai’s paintings are coloured red, so that the colour, a symbol of heat, becomes a “social sign”. Each person has a life of their own, while at the same time expressing the colourful life of human communities, like the hippies. His theme may be drawing “humanity and the universe” with a loving embrace of “peace” and “life”. 1953 graduated Fukuoka Liberal Arts University 1955 40th Nika Art Exhibition, Tokyo Metropolitan Art Museum 1956 Persona Exhibition, outer west side of the Fukuoka prefectural office 1957-68 part of Kyushu-ha 1965 went to the United States (~’67) 1970 “Kanousei e no Ishi“ Kitakyushu Hachiman Museum of Art Kyushu: Trends in Japanese Contemporary Art Exhibition, Fukuoka Bunka Hall Sakurai Takami solo exhibition, Fukuoka Bunka Hall went to the United States for the second time, started working with the konyaku commune (San Francisco) 1971 Konyaku Revolution Art Exhibition (San Francisco) 1973 Nagoya mayor nominating election convention, Azabu public hall moved to France 1974 formed the group “Kusuguri” (Paris) 1975 7th...

This painting can be hung horizontally or vertically. Robertino Fatica was born in 1948 in Cleveland, Ohio. In 1970 he completed a three-year program at the Cooper School of Art in...

Work on paper

Geometrical Birds is Singer's geometric interpretation of Birds in Flight. Singer was influenced by Stravinsky's music.

Exhibited: 1973 San Francisco Museum of Art 2003 Oakland Museum of California "Fred Martin Retrospective" A native Californian, Fred Martin was born...