1970s Abstract Paintings

Gustavo Úbeda (1930-1994) - Picasian scene - Oil panel Oil measurements 50x41 cm. Frameless. The painting by Gustavo Úbeda Romero (Herencia, 1930 – Sao ...

Antique American modernist realist still life oil painting. Oil on canvas. Signed verso.

French painter, sculptor, engraver, James Coignard was born in Tours in 1925. He lived and worked in Antibes, in the Maritime Alps, and he died in March 2008. Coignard began his studies in 1948 at the School of Fine Arts in Nice; however, his journey as an artist began in the Côte d'Azur, where he settled. In fact, Coignard traveled a lot, living for a period from 1985 to 1988 in New Orleans. His artistic career was marked by collective and personal exhibitions both in France and abroad (Sweden, Switzerland, the United States...), where he enjoyed fame and recognition. Until the 1960s, his artistic development was characterized by an expressionistic style; then Coignard found himself moving towards an abstract one with random spots, regular shapes, typographical characters, and mixed media backgrounds. He was a painter but also a sculptor, who experimented with bronze and with glass. His work as an engraver was also quite well-known. James Coignard created his first glass sculpture in the 1970s at the Fucina degli Angeli. Only later, after meeting Adriano Berengo...

Work part of the series "New International Abstraction" produced from 1972 to 2002 accompanied by certificate of authenticity on photograph issued by the Sarenco Foundation. Coming f...

Antique American modernist abstract oil painting. Oil on canvas. Framed. Signed on verso.

SALE ONE WEEK ONLY “Untitled #34” was created by Sam Gilliam, one of the great innovators in postwar American painting. It is dated and signed on the lower front. The thick handmade paper is rich with folds and texture and the colors lively. In addition to Acrylic paint on the surface there appears to be imbedded color in the handmade paper which has additional embossed accents. Unframed the piece measures 16 x 14. Provenance of Yaw Gallery, Birmingham, Michigan is on the verso along with the note that the Paper Surfaces in contact with this artwork are acid free. In the mid-1960s he emerged from the Washington D.C. scene with works that elaborated upon and disrupted the ethos of Color School painting. A series of formal breakthroughs would soon result in his canonical Drape paintings, which expanded upon the tenets of Abstract Expressionism in entirely new ways. One profound manner was the sculpture aspect of the painting giving it a free flowing expression of pure color. In the latter half of the 1950s, Washington D.C. saw a flourishing of abstract art that emphasized the form-making capabilities of pure color. Known as The Washington Color School, the loosely affiliated group of abstract painters knew each other through various teaching experiences. The moniker has an uncertain origin but likely originated with the title of a 1965 exhibition at the Washington Gallery of Modern Art, "Washington Color Painters," curated by Gerald Nordland. The show exhibited the works of Kenneth Noland, Paul Reed, Morris Louis, Howard Mehring, Thomas Downing, and Gene Davis. Additionally, Leon Berkowitz...

Antique American modernist abstract oil painting. Oil on canvas. Framed.

Katharyn Gwendoln Truesdell - (American; 1909-1996) This colorful painting depicts a Southern California valley, likely near Sun City, over the mountains from Los Angeles and San Di...

Antique American modernist signed sunflower still life oil painting. Oil on canvas. Signed. Framed. Image size, 28L x 36H.

Antique American modernist abstract seascape oil painting. Oil on canvas. Framed.

Vintage Oil Painting of the Cullin Hills - the iconic Mountain Range on Isle of Skye in the Scottish Highlands, by 20th Century Artist, Roger Gallaher Art measures 20 x 16 inches ...

Signed lower right, 'Schoener' for Jason Schoener (American, 1919-1997) and painted circa 1970. Titled 'Kennebec Race' (labels, verso) Previously with M...

Vintage greek impressionist landscape oil painting. Oil on board. Framed. Signed.

Interesting abstract of a stillife of oranges by the American artist, Clifford Johnson. Signed lower left. Titled verso. Condition is excellent. Circa 1970. Presently unframed. ...

Gustavo Úbeda (1930-1994) - Picasian scene - Oil panel Oil measurements 41x50 cm. Frameless. The painting by Gustavo Úbeda Romero (Herencia, 1930 – Sao ...

Antique American modernist abstract oil painting. Oil on canvas. Framed. Signed.

Tristan Fabris 1970's French Surrealist artist Abstract Surrealist Figurative study signed oil on canvas, framed framed: 26.5 x 22.5 inches canvas: 25.5 x 21.5 inches inscribed vers...

Rene Couturier lives in the Netherlands and France. Rene Couturier is known for abstract still life, figure and landscape painting. Rene' Couturier is an artist whose works displays...

Signed lower right, 'Inman' for Robert Inman (American, 1927–2016) and dated, lower right, '79'. Retaining original, card, mat and backing boards. Titled on board, 'City Dwellings #2...

Antique American modernist signed abstract oil painting. Oil on canvas. Signed. Framed. Image size, 36L x 36H.

Clarence Holbrook Carter (American, 1904-2000) Night Garden, 1972 Acrylic on scintilla Signed and dated lower right 21.5 x 21.5 inches 24.25 x 24.25 inches, framed Clarence Holbroo...

#5-3325a Figurative Still Life painting,vintage acrylic on artist board displayed in a wood-black frame,signed by E.Zoran .Image size 18 H x 14 w

Etching by the renowned Chinese French artist Zao Wou-ki. This work was created in 1978, when Zao Wou-ki began to come back to the Chinese ink painting techniques he learned in China...

Over the course of his 40-year career German-American artist, Gunnar Theel, has created a rich body of work largely comprised of painting and sculpture. S...

Chuta KIMURA (also "Tchuta" or "Tshuta") is an allusive landscape painter and pastellist. His name - composed of the words Ki (tree) and Mura (village) -...

Chuta KIMURA (also "Tchuta" or "Tshuta") is an allusive landscape painter and pastellist. His name - composed of the words Ki (tree) and Mura (village) -...

Tempera on paper, signed and dated 1970 lower right. Frame in white lacquered wood and glass, ext. cm. 22 x 22

Chuta KIMURA (also "Tchuta" or "Tshuta") is an allusive landscape painter and pastellist. His name - composed of the words Ki (tree) and Mura (village) -...

Chuta KIMURA (also "Tchuta" or "Tshuta") is an allusive landscape painter and pastellist. His name - composed of the words Ki (tree) and Mura (village) -...

This superb oil on canvas painting of a nude study is dated 1970 and signed lower left. We have not been able to decipher the artist's signature (please check the pictures for inform...

Professor George De Goya. PhD. MA. FRSA. Born In Budapest, 1915-1992, related to the Spanish artist Goya on his mother’s side. Educated in Budapest and France where he received a de...

Dan Christensen Untitled, circa 1970-71 Acrylic and enamel on canvas 44 x 20 inches Provenance: The artist Sherron Francis (gift from the above) Dan Christensen was an American abs...

Hyper Cuber Series. 1978. Gouache on Acrylic on Canvas. 20 x 24 inches

ALFRED MCNAMARA "INTERIOR " OIL ON PANEL, SIGNED TITLED AMERICAN, DATED 1978 30 X 36 INCHES Alfred McNamara (1911 - 1994) Alfred McNamara was born in Tompkinsville, Staten Island and lived most of his life in Staten Island. He was heavily influenced by John Sloane...

Abstract Expressionist design. Sealed on the back with the design studio name and number . Ilegible signature We offer a small number of these original illustration designs by this ...

Artist: Catherine Warren Title: Untitled Year: 1978 Medium: Acrylic and Japanese Paper on Canvas Size: 54.5 x 72 in. (138.43 x 182.88 cm) An abstract expressionist painting on a l...

5-3311 Abstract Figurative Painting Set in a hand painted wood frame Image size 12x15"

School of Paul Feeley Untitled, c. 1960s Oil on canvas 20 x 59 5/8 in. Signed lower right Primarily a painter, Paul Feeley (American, 1910 - 1966) favored canvases with simple geome...

Josef Alan Levi (1938) is an American artist whose works range over a number of different styles, but which are unified by certain themes consistently present among them. Josef Levi began his artistic career in the 1960s and early '70s, producing highly abstract and very modernist pieces: these employing exotic materials such as light fixtures and metallic parts. By 1975, Levy had transitioned to painting and drawing still lifes. At first these were, traditionally, of mundane subjects. Later, he would depict images from art history, including figures originally created by the Old Masters. Around 1980, he made another important shift, this time toward creating highly precise, though subtly altered reproductions of pairs of female faces which were originally produced by other artists. It is perhaps this work for which he is most well known. Since around 2000, Josef Levi has changed the style of his work yet again: now he works entirely with computers, using digital techniques to abstract greatly from art history, and also from other sources. Levi's works of art in the collections of the Museum of Modern Art, NYC, the National Gallery of Art, and the Albright-Knox Museum, among many others. Levi's art has been featured on the cover of Harper's Magazine twice, once in June 1987, and once in May 1997. Josef Levi received a Bachelor of Arts degree in 1959 from the University of Connecticut, where he majored in fine arts and minored in literature. From 1959 to 1960, he served to a first lieutenant in the U.S. Army, and from 1960 through 1967 he was in the U.S. Army Reserves. In 1966, he received the Purchase Award from the University of Illinois in 1966, and he was featured in New Talent U.S.A. by Art in America. He was an artist in residence at Appalachian State University in 1969, taught at Farleigh Dickenson University in 1971 and was a visiting professor of art at Pennsylvania State University in 1977. From 1975 to 2007, Levi resided in New York City. He now lives in an apartment in Rome, where he is able to paint with natural light as he was unable in New York. From 1959 to 1960, Josef took some courses of Howard McParlin Davis and Meyer Schapiro at Columbia University which initiated him into the techniques of reproducing the works of the Old Masters. His first works, created in the 1960s, were wood and stone sculptures of women. His first mature works were abstract pieces, constructed of electric lights and steel. In 1970, Levi's materials included fluorescent light bulbs, Rust-Oleum and perforated metal in addition to paint and canvas. By 1980, Josef Levi's art had transformed into a very specific form: a combination of reproductions of female faces which were originally depicted by other artists. The faces which he reproduces may be derived from either portraits or from small portions of much larger works; they are taken from paintings of the Old Masters, Japanese ukiyo-e, and 20th-century art. Artists from whom he has borrowed include: Vermeer, Rembrandt, Piero della Francesca, Botero, Matisse, Utamaro, Correggio, Da Vinci, Picasso, Chuck Close, Max Beckmann, Pisanello, Lichtenstein. The creation of these works is informed by Levi's knowledge and study of art history. Josef Levi's paintings from this period are drawn, then painted on fine linen canvas on wooden stretchers. The canvas is coated with twenty-five layers of gesso in order to produce a smooth surface on which to work. The drawing phase takes at least one month. Levi seals the drawing with acrylic varnish, and then he may apply layers of transparent acrylic in order to approximate the look of old paintings. After the last paint is applied, another layer of acrylic varnish is sprayed on to protect the work. Most of the figures in his contemporary pieces are not paired with any others. SELECTED COLLECTIONS MUSEUM OF MODERN ART, NEW YORK, NY ALBRIGHT- KNOX GALLERY, BUFFALO, NY ALDRICH MUSEUM OF CONTEMPORARY ART, RIDGEFIELD, CT NATIONAL GALLERY OF ART, WASHINGTON, DC BROOKLYN MUSEUM OF ART, BROOKLYN, NY SMITHSONIAN NATIONAL MUSEUM OF AMERICAN HISTORY, WASHINGTON, DC CORCORAN GALLERY, WASHINGTON, DC UNIVERSITY OF NOTRE DAME ART...

Mortimer Borne, Printmaker, painter, sculptor, and educator was born in Rypin, Poland in 1902 and emigrated to the US in 1916. He studied at the National Academy of Design, The Art Students League, The Beaux-Arts Institute of Design, and with Charles Webster Hawthorne, founder of the Cape Cod School of Art in Provincetown. Painted in a thick impasto style similar in technique to Samuel Rothbort and David Burliuk. Borne himself taught at The New School for Social Research in New York City from 1945-1967. From the 1920s through the 40s he was a prolific producer of New York City cityscapes and genre scenes. In later decades, he adopted a more modernist style apparently influenced by Picasso, producing color drypoints of abstracted figures. His works were widely exhibited in museums in the U.S. and abroad from 1931 and later, including the Art Institute of Chicago, the American Institute of Graphic Arts, Museum of Modern Art, Metropolitan Museum of Art, Corcoran Gallery of Art, New York Public Library, Carnegie Institute, and Royal Society of Painters, Etchers and Engravers in London. He taught at The New School for Social Research in New York City from 1945-1967, and at the Tappan Zee...

3750e Pink Palettes Abstract, a vintage acrylic on canvas signed by Kevin Bray displayed in a gilt wood new frame.Image size19.5 H 23.75 W

5-3180a Acrylic on artist board signed Millian Image size 6.5x9" Set in a vintage wood frame

TAILLANDIER Yvon Paris 1926 † Avignon 2018 Sans titre (Personnages). 1975. Acrylique sur papier journal. Composition sur deux pages du journal "The H...

Ben Wilson Rock Candy Mountain, ca. 1970 Oil on masonite board (Hand Signed, titled and dated) Hand signed, titled and dated by Ben Wilson on the back Frame Included: held in artist'...

A tapestry of glorious colour meets the viewer’s eye in this gorgeous abstract work by Milly Ristvedt. The master colourist uses bright yellow as a brilliant backdrop to a cloud of g...

Vibrant depiction of a group of bathers in a lush, colorful forest of fauvist invention by California artist Don Klopfer (1920-2009). The stylized nude fig...

Victor Mirabelli (b. 1949) Untitled, c. 1970s Oil on canvas 63 7/8 x 53 3/4 x 1 in. Mirabelli attributes his style to his art education and execution of his early abstract oil paint...

Rust abstract painting ,a MCM acrylic on canvas signed by E.Donati lower left.Unframed

Acrylic on canvas. Signed and dated lower right, titled verso. 69 x 68.25 in. 70.5 x 70 in. (framed) Custom framed in a solid maple floater. Provenance Private Collection, Hilton ...

Antique American modernist industriala oil painting. Oil on canvas. Signed. Framed.

Antique American modernist signed abstract oil painting. Oil on canvas. Signed. Framed. Image size, 36L x 24H.

Sergio de Castro (15 September 1922 – 31 December 2012) was a French-Argentinian Sergio de Castro was born in Argentina, in an aristocratic family of Spanish origins (Galicia and the Basque Country), the House of Castro. His father was a diplomat, which is why, from 1923 until 1932, Castro lived in Switzerland with his parents and his two sisters. During these years he visited cities like Lausanne, Geneva and Turin. In 1933 he entered a Jesuit school in Montevideo and he started studying music. He discovered poetry by learning to speak and write in Spanish. He was specially touched by the works of César Vallejo. Through the years Castro would become close friends with writers like Octavio Paz, Julio Cortázar, Samuel Beckett, Kostas Papaioannou and Georges Schéhadé. Later, during a trip to Uruguay, he met Joaquín Torres García, with whom he studied painting and monumental art from 1941 until 1949. In 1942 he moved to Argentina, where he would live until 1949. Castro was also friends with other artists like Nikos Hadjikyriakos-Ghikas, Maria Helena Vieira da Silva and Arpad Szenes. In 1945 he found a job as a secretary in the Astronomy Observatorium of the city of Córdoba, where we also worked as the assistant to the musician Manuel de Falla in Alta Gracia, until his death in 1946. In 1945 and 1946 he had a grant from the French government to study musical composition. During the year of 1946 he had an exhibition in New York City among other members of Torres Garcia's workshop. That same year he traveled to the northeast of Argentina and the south of Perú to study pre-columbian art with Gonzalo Fonseca, Julio Uruguay Alpuy and Jonio Montiel. In 1949 he started teaching History of Music in the new music school of the city of La Plata. His work as a musician drew attention from relevant figures such as Wilhelm Furtwängler, Aaron Copland and Juan José Castro. He quit this job when he got a grant from the French government to improve his musical studies in Paris, where he settled in November 1949. Since 1951 he devoted himself exclusively to painting. In 1955, his friend the German writer and translator Edith Aron introduced him to Julio Cortázar, who would become a close friend of him. Castro inspired the character of Etienne in Cortázar's novel Rayuela (Hopscotch). In the book is featured the intimate friendship of the protagonist, Horacio Oliveira, with his companion in the Serpent Club, whom he often visited in his studio in Paris. In 1960 he won the Hallmark Prize in New York. In 1979 he obtained the French nationality. In 1980 he showed his works at the Argentinian pavilion in the 39th Venice Biennale. He was associate professor in the Human Sciences Faculty of the University of Strasbourg from 1981 until 1986. In 1997 he became Officer in the Ordre des Arts et des Lettres. In 2006, Sergio de Castro made a 220-work donation to the Fine Arts Museum of Saint-Lô. He was also a close friend of the musician Alberto Ginastera, who made reference to Sergio de Castro and his first works in his notes on modern Argentinian music. Castro died 31 December 2012 in Paris. He is buried in the Montparnasse cemetery, in Paris, close to his dear friend Samuel Beckett. Monumental works Two wall paintings for the Martirené Pavilion of the Hospital Saint-Bois (1942), in Montevideo (Uruguay), in collaboration with Joaquín Torres García and his disciples, among which Castro was the youngest. The Creation of the Universe (1956–1958), 6m x 20m stained-glass window. Castro worked with painter and glass-maker J. J. K. Ray (1898–1979) in Paris. Selected Exhibitions 1952 Galerie Jeanne Castel Paris 1954 Galería Bonino Buenos Aires and Galerie Pierre Loeb, Paris 1956 Galerie Rive Gauche, Paris 1958 Matthiesen Gallery, London 1959 documenta 2 Kunst nach 1945 Kassel 1961 Matthiesen Gallery, London 1963–64 Galeria Lorenzelli, Bergamo and Milano 1964 Galería Bettie Thommen, Basel 1965 Kunstverein Hamburg Retrospektive 1966 Musée d'Art et d'Histoire, Fribourg, Switzerland (retrospective) 1966 Recklinhausen, Variationen über ein Thema, Städtische Kunsthalle 1970 Retrospektiven in Oslo, Kunstforering, and Kunst Industriemuseet, Copenhagen, Kunstforening, Oslo, Kunstforening, Holstebro 1972 Wildenstein Gallery, London Landscapes of Light 1974 Galerie Jacob, Paris 1975 Kunsthalle Bremen, Retrospektive, Berlin Tempelhof, Kunstamt (Berlin Festival) 1975–76 Retrospective exhibition the Musée des Beaux-Arts de Caen (68 artworks from 1956 to 1966), France 1979 Hommage à Pierre Loeb, Musée d'Art Moderne de la Ville de Paris 1980 39th Venice Biennale 1987 French Institute London. Museo de Arte Moderno de Buenos Aires 1988 Galerie des Ambassades y Galerie Galarte, Sergio de Castro, Natures Mortes, 1958–1965. Paris/ Bayeux, Diocesan Museum of Sacred Art 1989 Galerie des Ambassades, Paris 1991–92 Romont, Swiss Stained Glass...

Inspired by nature’s palette and form, Milly Ristvedt continued her exploration of colour. In this lyrical abstract piece, colour continues to dominate as a rich green covers the can...

It is somewhat hard to reconcile Gershon Iskowitz's (1921-1988) joyful aesthetic with his personal history. Born to a religious family in Poland, Iskowitz was allowed to leave yesh...

Colored lithograph, signed in the lower right and dated '75 in pencil, numbered in the lower left, and presented in a chrome frame.

Hyper Cube Series. 1978. Gouache on Acrylic on Canvas.

Aldo Caselli. Venice. Industries and the Dragon. Dated 1978. Born in Venice, in 1942 where he lives and works. The painting, at first impression abstract, with more accurate observ...

Valerie Markwood (American, 20th Century) Black & White & Gray All Over, 1976 Acrylic on linen 42 x 48 x 1 1/2 in. While there is limited information available on Valerie Markwood, ...