1970s Abstract Paintings

Stuart Bigley is an artist based in New York’s beautiful Hudson Valley. He has been making and showing his artwork for over 40 years. During this time he also co-founded and ran the ...

"So What How?" - Abstract Expressionist Earth Tone Abstract in Oil on Canvas Expressive abstract work in earth tones by Monterey Bay artist and gallery owner John O. Thomson (Americ...

Matt Mullican (born September 18, 1951 in Santa Monica, California) is an American artist and son of artists Lee Mullican and Luchita Hurtado. Mullican received his BFA from CalArts in 1974, and rose to prominence as a member of the "Pictures Generation" along with such artists as Troy Brauntuch, Jack Goldstein, David Salle, James Welling, Sherrie Levine, Cindy Sherman, Louise Lawler...

An elegant, cabinet-size, American School abstract comprising fragmented structural areas of goldenrod, coral, and ebony, superimposed on a soft field of jade and sage green. Signed...

Geometric surrealist composition depicting a totem-like form, composed of colorful surrealist three dimensional interlocking shapes, by Clayton Anderson (American, b. 1943). Signed "Clayton Anderson" and titled "Landscape #10 (Fragment Under Grey Sky)" on verso. Signature embossed into lower left edge of paper. Presented in a custom deep box frame with plexiglass. Image size: 20.75"H x 16"W Clayton Anderson (American, b. 1943) studied at the Pennsylvania Academy of the Fine Arts and worked with Ben Kimihira, Walter...

This work is a bold display of geometrically strong pieces, with charcoal grey and light grey and touches of gold in the strong lines which create this Diptych. "Radio City Music Hall...

Flight on the Flieblies no. 1 is a beautiful tempera on paper, realized by Alan Davie (1920-2014) in 1972. Signature and date in pencil on the lower right margin. Title in pencil on...

Isadore Levy "Brandford" 1971 Oil on canvas dated , signed , titled 70 x 35 cms

George Dannatt (1915-2009) Porthmeor: Two Whites with Circle 1970 Gouache on paper Image: 13.4 x 17.5 cm Frame: 31.4 x 36.2 cm Provenance: The George and Ann Dannatt Estate, T...

Rising Tondo by Ilya Bolotowsky, Russian/American (1907–1981) Date: 1972 Acrylic on Canvas, signed and dated bottom, and signed, titled, and dated on verso Size: 47 x 47 in. (119.38 ...

Work on paper Brown and gold wooden frame with glass window 69.5 x 90 x 5 cm

Snow of planet is a beauty acrylic painting realized by the Italian artists Frida & Raul in 2022. Hand-signed. Perfect conditions.

Artist: Patrice Breteau, French (1942 - ) Title: Cracked Shell Medium: Acrylic on Canvas, signed and dated l.r. Size: 30 x 30 in. (76.2 x 76.2 cm) Frame: 31.5 x 31.5 inches

Artist: Sakurai Takami - Japanese (1928-2016) Title: Invitation to the Paradise ST#11 Year: circa 1972 Medium: Oil on Canvas Sight size: 18 x 24 inches. Framed size: 21 x 27 inches Signature: Unsigned. Label on old frame Condition: Very good Frame: Framed in original frame. Frame in poor condition This oil on canvas is by the noted avant garde Japanese artist Sakurai Takami (1928-2016). It was created sometime between 1971, when Takami lived in San Francisco and was a member of and exhibited with the “Konnyaku Commune” and 1978 when he exhibited with the Vorpal Gallery in San Francisco. This painting was purchased from the Vorpal Gallery. The painting is in very good condition. It is unsigned, but the title is on the side of the metal frame. The frame is fine, but the mat is stained and in poor condition. I will include the frame for protection and provenance. Sakurai was a main member of the avant-garde art group “Kyushu-ha”. Kyushu-ha” created a major trend among contemporary art in post-war Japan, which spread from Fukuoka to the whole country and also France, the United States and other overseas countries. Throughout his life he was very dramatic; his enormous and diverse works are energetic and face us with the true meaning of expression. Initially his main focus was on informal paintings, but it gradually expanded towards anti-artistic objects and performances. His works are characterized by the usage of materials that are connected with the smell of a workers life, such as coal tar, asphalt, woven mats and dungarees (jute bag). Shortly after Kyushu-ha disbanded in 1968, Sakurai Takami moved to San Francisco. From 1973 onward, he lived in France. The people and faces in Sakurai’s paintings are coloured red, so that the colour, a symbol of heat, becomes a “social sign”. Each person has a life of their own, while at the same time expressing the colourful life of human communities, like the hippies. His theme may be drawing “humanity and the universe” with a loving embrace of “peace” and “life”. 1953 graduated Fukuoka Liberal Arts University 1955 40th Nika Art Exhibition, Tokyo Metropolitan Art Museum 1956 Persona Exhibition, outer west side of the Fukuoka prefectural office 1957-68 part of Kyushu-ha 1965 went to the United States (~’67) 1970 “Kanousei e no Ishi“ Kitakyushu Hachiman Museum of Art Kyushu: Trends in Japanese Contemporary Art Exhibition, Fukuoka Bunka Hall Sakurai Takami solo exhibition, Fukuoka Bunka Hall went to the United States for the second time, started working with the konyaku commune (San Francisco) 1971 Konyaku Revolution Art Exhibition (San Francisco) 1973 Nagoya mayor nominating election convention, Azabu public hall moved to France 1974 formed the group “Kusuguri” (Paris) 1975 7th...

Somnath Hore - Wounds Lithograph on Paper 15 x 22 inches, 1975 (Framed & Delivered) Inclusive of shipment mounted not framed, Should you wish to receive the same framed and shipped ...

Clarence Holbrook Carter (American, 1904-2000) Expanding Mandala, c. 1970s Acrylic on scintilla 23 x 30 inches Clarence Holbrook Carter achieved a level of national artistic success...

This ethereal abstract pastel on paper is an early work by Milly Ritsvedt known as one of Canada’s foremost abstract artists. Soft clouds of magenta, sienna and turquoise float acros...

'Lunch at Chez Louis', oil on canvas, by Roland Dubuc (circa 1970s). The outdoor terrace at restaurants and cafés in France goes back centuries as they have always been a gathering place for intellectuals to meet and debate philosophical issues; for the Avant Garde set to display their works; for artists to compare and exchange ideas and for writers to drown their sorrows over their artistic anguish or melancholy. Even the freedom fighters of the French Revolution and later the French Resistance would meet in cafés to plot their course. Regular people of course also enjoy these venues. A very delightful feature of these French institutions is that there is always room for quiet book readers, romantic couples, business meetings and lively groups of friends sharing a bottle of wine. The artist Dubuc captures a slice of this lovely aspect of French culture in this smile-inducing depiction painted in vivid oils. With a background of greenery, the patrons enjoy the outdoors protected from the intense sun by the table's parasols. Ah, the life. The artwork is in good vintage condition, is framed and signed by the artist in the lower left hand corner. Please enjoy the many photos accompanying this listing. Upon request a video may be provided. About the Artist: Roland DuBuc (1924-1998), French artist, the sixth of 13 children and son of a construction worker. The very precariousness of the family's financial situation forced him to go to work at the age of 14. In extreme poverty, he moved to Rouen where he was lodged by the Salvation Army. During that time he struck up friendships with several artists who gave him advice and taught him techniques of drawing. He moved to other cities later where he met painters including, among others, Fred Pailhès...

Signed lower right, 'Schoener' for Jason Schoener (American, 1919-1997) and painted circa 1970. Titled 'Choruscating Landscape' (labels, verso). Accompa...

Detailed surrealist landscape depicting a barren, desert-like scene with small boats by Clayton Anderson (American, b. 1943). Signed "CLAY ANDERSON" on v...

Richard Andres (American, 1927-2013) Erie Shore, c. 1975 acrylic on canvas signed lower right, signed and titled verso 50 x 72 inches Richard Andres was born in Buffalo, New York in 1927. A graduate of the Cleveland Institute of Art in 1950, he was immediately drafted and served for two years in the army as a mural painter. He received his Master of Arts from Kent State in 1961. A frequent exhibitor at galleries and museums and winner of multiple May Show prizes, Andres taught art in the Cleveland Public Schools for 28 years, as well as teaching the University of Buffalo, the Cleveland Institute of Art and the Western Reserve University. Very little in Richard Andres’ childhood would have predicted his love of classical music, mid-century-modern architecture and certainly not his lifelong passion for art and in particular abstract art. Richard’s father, Raymond, had no more than a third-grade education, and his mother, Clara, was one of thirteen children – only three of whom lived into adulthood and none of whom attended high school. They lived, when Richard was a boy, in a dingy area of Buffalo, NY in a walk-up apartment situated above a tavern. Raymond and Clara supplemented the income from their factory jobs in the bar downstairs with Raymond playing ragtime on the piano and Clara serving drinks. This often left Richard and his two older brothers at home alone to fend for themselves. The two older boys, Raymond and Russell, were - unlike Richard- rather rough and tumble and entertained themselves with stickball, boxing and the like. Richard, on the other hand, from a very young age liked to draw, or better yet even, to paint with the small set of watercolors he received for Christmas one year. Paper, however, at the height of the depression, was hard to come by. Luckily, Clara used paper doilies as decoration for the apartment and Richard would contentedly paint and then cut up doilies, gluing the pieces together to create collages. At eight-years-old, he discovered the Albright-Knox Museum (then known as the Albright Art Gallery) and spent several hours a week there studying the paintings. He was particularly fond of Charles Burchfield‘s landscapes, enamored with their ‘messiness’ and thinking that they somehow captured more ‘feeling’ than works he was previously familiar with. For his tenth Christmas, he asked for and received a ‘how-to’ paint book by Elliot O’Hare. Through this self-teaching, he assembled the portfolio needed for acceptance to Buffalo Technical High School where he studied Advertising Arts. In his Junior year, he was encouraged to enter a watercolor painting, “Two Barns,” in the national 1944-45 Ingersoll Art Award Contest and was one of twelve grand prize winners – each one winning one hundred dollars. More importantly the painting was exhibited at the Carnegie Institute Galleries, which resulted in his winning a national scholarship to the Cleveland School of Art (The Cleveland Art Institute). He flourished at the art school under the tutelage of faculty members such as Carl Gaertner, as well as that of visiting artists such as William Sommer and Henry George Keller. He would say in later years that Gaertner, in particular, influenced his attitude toward life as well as art. “Gaertner,” Andres said, “believed that there was no need to be a ‘tortured artist’, that an artist should rather enjoy beauty, family, and life in general.” Free to spend his days as he chose, he wandered the Cleveland Art Museum for most of the hours he was not attending classes or painting; the remaining time was spent drinking coffee at a local hangout with art school friends – which is where he met fellow Henry Keller scholarship winner, Avis Johnson. Richard was immediately smitten with Avis, but being rather shy, it took him the entire summer of 1948 to build up his courage to ask her out. Over that summer he ‘thought about Avis’ and worked in a diner to save money. He also used the hundred-dollar prize money won in High School to visit the first Max Beckmann retrospective in the United States at the City Art Museum in St. Louis. Over a half century later he spoke of that exhibit with a reverence usually reserved for spiritual matters, “I walked in and it was like nothing I had ever seen before... the color...It just glowed.” Returning to campus in the Fall, the first thing he did was go to the coffee shop in hopes of finding Avis. He did, and she, upon seeing him, realized that she was also smitten with him. They quickly became known as ‘the couple’ on campus, and a year later, with Richard being drafted for the Korean war, they were quickly married by a Justice of the Peace, celebrating after with family at Avis’s Cleveland home. As a gift, faculty member John Paul Miller...

Title: Untitled Artist: Isabel Baquedano (1929–2018) Medium: Oil on canvas mounted on board Dimensions: 44.9 x 44.9 in (114 x 114 cm) Estimated date: 1970s–1980s Signature: Not ...

Artist: Ian Hornak (1944-2002) Title: Raphael’s Stairway Year: 1978 Medium: Acrylic on Canvas Size: 48 x 36 inches Condition: Excellent Inscription: Signed recto; signed, dated, and ...

Surrealist painting of a white structure in a barren desert titled "Fungo Atomico" by Italian surrealist painter Luigi Pretin, circa 1976. Signed and dated in lower right corner as w...

Tristan Fabris 1970's, French Surrealist artist Abstract Surrealist Figurative study oil on canvas, unframed inscribed verso canvas: 32 x 24 inches private collection, France The pai...

Reference number A214 The painting is not framed but it could be with a natural oak floated or black frame (see how it would look like on the simulation photo. Price for the frame : ...

Striking in colour and form, this contemporary composition is by Yvonne Lammerich. The Canadian artist has garnered an international reputation for her inspired exploration of abstra...

A dark yet vibrant and expertly executed painting full of personal symbolism concepts to numerous to cover in a few sentences, by Ralph Thompson (aka Akili Nali) (American, B-circa 1...

The Apple Tree Jules Paressant (French, 1917-2001) Oil on found wood panel 17 1/4 x 11 1/4 inches The nature of the apple, as an idea unto itself, is ever young, ever fresh and free...

Work on paper

Clarence Holbrook Carter (American, 1904-2000) Vetriculus, c. 1970s Acrylic on paper 4.5 x 3.5 inches 11 x 10 inches, framed A surrealist mid-century figural abstract painting. Cl...

Modern Abstract Blue Rose, Vintage Abstracted Minimalist Floral by Eleanor Perry Modernist blue and white rose abstract by San Francisco, California artist Eleanor Louise Perry (Ame...

36X30 framed, 31X26.5 unframed. Ezio Gribaudo was born in Turin on January 10, 1929. He trained at the Accademia di Brera, Milan (1949–52), and attended the Faculty of Architecture ...

Jack Stevens (American, XX), Seated Female Nude, Oil on Canvas, 1978, Post-Cubist style, signed and dated upper left, signed and with two Art Students League of New York descriptive ...

Cheung Yee, Cast Paper painting, wall sculpture, black, edition CHEUNG YEE (1936–2019) The Chinese artist Cheung Yee, a pioneer of the contemporary art scene in Hong Kong, died in Los Angeles on December 4 at the age of eighty-three. The Hong Kong Museum of Art confirmed his passing. Best known for his paper castings; bronze relief; and wooden, stone, and bronze sculptures, which mixed Western modernism, traditional Chinese aesthetics, and elements of folklore and ancient philosophies, Cheung cofounded the avant-garde Circle Art Group with Hon Chi Fun, Wucius Wong, and several other peers. The group was active from 1964 to 1971. Born in Guangzhou, China, in 1936, Cheung was raised in Hong Kong but was forced to leave the region when the Japanese invaded China during the Second Sino-Japanese War; his family relocated to Guangzhou. When the conflict ended, Cheung returned to the region and began learning Gongbi, a realist brush technique in Chinese painting. In the 1950s, he studied art at Taiwan Normal University in Taipei, where he met his wife. Throughout his schooling, Cheung pursued his interests in archaeology and began experimenting with different materials and with approaches to copperplate etching, welding, and modeling. In 1964, Cheung’s first major retrospective was organized by the City Museum and Art Gallery at Hong Kong City Hall. The following year, he received a grant from the Institute of International Education to study in the United States and Europe. Since then, he has had solo exhibitions at the Hong Kong Museum of Art, AO Vertical Art...

Tristan Fabris 1970's French Surrealist artist Abstract Surrealist Figurative study signed oil on canvas, framed framed: 26.5 x 22.5 inches canvas: 25.5 x 21.5 inches inscribed vers...

Soni Wallace masters color and form in this Abstract Expressionist painting. Many works from this period in her life reflect coastal landscapes through a lens of minimalism and geome...

"Spiritualistic" - Heavily Textured Abstract Expressionist Oil on Canvas Bold, textured, impasto composition of a figure by California artist Harald "Harry" Dry Schmidt (American, 1...

A substantial pop art style oil painting of famed Olympian Bruce Jenner (now Caitlyn Jenner) composed of contrasting mosaic-like rectangles in rainbow of ...

Touch 1974, photo screen printing, 53x49 cm Atis Ievins (1946) The exhibition by artist Atis Ieviņš reminds the very origins of serigraphy technique in Latvian art in the time of t...

Richard Andres (American, 1927-2013) Garden, 1972 acrylic on canvas signed, dated and titled verso 59.5 x 50 inches Richard Andres was born in Buffalo, New York in 1927. A graduate of the Cleveland Institute of Art in 1950, he was immediately drafted and served for two years in the army as a mural painter. He received his Master of Arts from Kent State in 1961. A frequent exhibitor at galleries and museums and winner of multiple May Show prizes, Andres taught art in the Cleveland Public Schools for 28 years, as well as teaching the University of Buffalo, the Cleveland Institute of Art and the Western Reserve University. Very little in Richard Andres’ childhood would have predicted his love of classical music, mid-century-modern architecture and certainly not his lifelong passion for art and in particular abstract art. Richard’s father, Raymond, had no more than a third-grade education, and his mother, Clara, was one of thirteen children – only three of whom lived into adulthood and none of whom attended high school. They lived, when Richard was a boy, in a dingy area of Buffalo, NY in a walk-up apartment situated above a tavern. Raymond and Clara supplemented the income from their factory jobs in the bar downstairs with Raymond playing ragtime on the piano and Clara serving drinks. This often left Richard and his two older brothers at home alone to fend for themselves. The two older boys, Raymond and Russell, were - unlike Richard- rather rough and tumble and entertained themselves with stickball, boxing and the like. Richard, on the other hand, from a very young age liked to draw, or better yet even, to paint with the small set of watercolors he received for Christmas one year. Paper, however, at the height of the depression, was hard to come by. Luckily, Clara used paper doilies as decoration for the apartment and Richard would contentedly paint and then cut up doilies, gluing the pieces together to create collages. At eight-years-old, he discovered the Albright-Knox Museum (then known as the Albright Art Gallery) and spent several hours a week there studying the paintings. He was particularly fond of Charles Burchfield‘s landscapes, enamored with their ‘messiness’ and thinking that they somehow captured more ‘feeling’ than works he was previously familiar with. For his tenth Christmas, he asked for and received a ‘how-to’ paint book by Elliot O’Hare. Through this self-teaching, he assembled the portfolio needed for acceptance to Buffalo Technical High School where he studied Advertising Arts. In his Junior year, he was encouraged to enter a watercolor painting, “Two Barns,” in the national 1944-45 Ingersoll Art Award Contest and was one of twelve grand prize winners – each one winning one hundred dollars. More importantly the painting was exhibited at the Carnegie Institute Galleries, which resulted in his winning a national scholarship to the Cleveland School of Art (The Cleveland Art Institute). He flourished at the art school under the tutelage of faculty members such as Carl Gaertner, as well as that of visiting artists such as William Sommer and Henry George Keller. He would say in later years that Gaertner, in particular, influenced his attitude toward life as well as art. “Gaertner,” Andres said, “believed that there was no need to be a ‘tortured artist’, that an artist should rather enjoy beauty, family, and life in general.” Free to spend his days as he chose, he wandered the Cleveland Art Museum for most of the hours he was not attending classes or painting; the remaining time was spent drinking coffee at a local hangout with art school friends – which is where he met fellow Henry Keller scholarship winner, Avis Johnson. Richard was immediately smitten with Avis, but being rather shy, it took him the entire summer of 1948 to build up his courage to ask her out. Over that summer he ‘thought about Avis’ and worked in a diner to save money. He also used the hundred-dollar prize money won in High School to visit the first Max Beckmann retrospective in the United States at the City Art Museum in St. Louis. Over a half century later he spoke of that exhibit with a reverence usually reserved for spiritual matters, “I walked in and it was like nothing I had ever seen before... the color...It just glowed.” Returning to campus in the Fall, the first thing he did was go to the coffee shop in hopes of finding Avis. He did, and she, upon seeing him, realized that she was also smitten with him. They quickly became known as ‘the couple’ on campus, and a year later, with Richard being drafted for the Korean war, they were quickly married by a Justice of the Peace, celebrating after with family at Avis’s Cleveland home. As a gift, faculty member John Paul Miller...

Heavy Impasto Portrait of a Man Expressionist Piece by Harald Dry Schmidt Abstract expressionist portrait of a man with his hand raised by California artist Harald "Harry" Dry Schmi...

Stuart Bigley is an artist based in New York’s beautiful Hudson Valley. He has been making and showing his artwork for over 40 years. During this time he also co-founded and ran the ...

Beautiful abstracted geometric landscape of mountains surrounding San Francisco Bay Area titled "Tidal Planes" by Erle Loran (American, 1905-1999). Signed and dated lower right "Lora...

Nude Original Oil Painting, Mid 20th Century, British Artist By British artist, Beryl Darton, Mid 20th Century Oil painting on board, unframed Board size:...

Lyman Kipp Untitled geometric abstraction, 1978 Acrylic painting on paper Hand signed and dated 1978 Unique Frame included: Elegantly floated and framed in a hand made white wood mus...

Winter landscape is an original artwork, realized by Sergio Barletta in the 1970s. Watercolor and tempera. Includes frame: 38 x 3.5 x 48 cm Hand-signed on the lower margin Sergio Barletta (1934) is an Italian cartoonist and illustrator, who has also published some humorous and political satire books. From the age of 22 is active in Rome, where he worked as an illustrator and art director in some monthly magazines like “Costume”, Diners Club house organ, BP Review, IBM, and others. In 1965 started the joint-working with Marino Gallery in Rome, and in 1966 in Milan with Humour Graphic’s group, at Levi Gallery and others in the following years. In these years graphic work and illustration are mixed with painting and photography, also with satirical drawings...

Vintage Abstract Expressionist Nude Figurative - Heavily Textured Oil on Canvas Abstract expressionist figurative composition of a nude woman by California artist Harald "Harry" Dry...

Bolder Strokes 14 Julia Marc, American Date: circa 1980 Oil on Canvas, signed l.r. Size: 48 x 84 in. (121.92 x 213.36 cm)

Extinction, Stylised Surrealist Oil Painting French School, 20th century Oil painting on canvas, unframed Canvas size: 19.5 x 24 inches Quite ...

Modern pastel pink abstract painting by Texas born artist Clark Fox. The work features an intricate geometric pattern of dots against a shaped canvas. Titled...

Orange violet and blue surface is a contemporary artwork realized by Genny Puccini in 1975. Mixed colored acrylic painting on canvas. Hand-signed and dated on the back.

Nancy Genn, American (b. 1929) Marshfield 25 (1977) Handmade paper collage Hand signed verso Dimensions: 20 1/8 x 22 inches Utilizing what is now known as the 'Genn Method,' Nancy Genn created three-dimensional abstract works of handmade paper, gaining international recognition in the 1970s Nancy Genn is an American artist living and working in Berkeley, California known for works in a variety of media, including paintings, bronze sculpture, printmaking, and handmade paper rooted in the Japanese washi paper making tradition. Her work explores geometric abstraction, non-objective form, and calligraphic mark making, and features light, landscape, water, and architecture motifs. She is influenced by her extensive travels, and Asian craft, aesthetics and spiritual traditions. Nancy Genn was born in 1929 in San Francisco, California. She recognized early that she would pursue a career as an artist. Her mother, Ruth Wetmore Thompson Whitehouse, was a painter and UC Berkeley alumna who played a leadership role in the San Francisco Women Artists organization. Genn studied at San Francisco Art Institute (then California School of Fine Arts) with painter Hassel Smith, and at the Art Department at the University of California, Berkeley (1948–49) with Professors Margaret Peterson and John Haley, and fellow students Sam Francis and Sonya Rapoport. In 1949 she married Vernon “Tom” Genn, an engineer raised in Japan, with whom she had three children. Career Genn's first noted solo exhibition was in 1955 at Gump's Gallery in San Francisco. She received international recognition through her inclusion in French art critic Michel Tapié’s seminal text Morphologie Autre (1960), which cited her as one of the most important exponents of post-war informal art. In 1961, Genn began creating bronze sculptures using the lost-wax casting method. Influenced by noted sculptor and family friend Claire Falkenstein, who used open-formed structures in her work, Genn cast forms woven from long grape vine cuttings, and produced vessels, fountains, fire screens, a menorah, a lectern, and, notably, the Cowell Fountain (1966) at UC Santa Cruz. In 1963 her sculptural work was exhibited with Berkeley artists Peter Voulkos and Harold Paris in the influential exhibition Creative Casting curated by Paul J. Smith at the Museum of Contemporary Crafts, New York. Genn was one of the first American artists to express herself through handmade paper, first receiving wide recognition via exhibitions at Susan Caldwell Gallery, New York, beginning in 1977, and in traveling exhibitions with Robert Rauschenberg and Sam Francis. In 1978-1979, supported by the National Endowment for the Arts and Japan Creative Arts Fellowship, she studied papermaking in Japan, visiting local paper craftspeople, working in Shikenjo studio in Saitama Prefecture, and exhibiting her work in Tokyo. She also learned techniques from Donald Farnsworth...

Elegant Portrait, Mother and Child, Abstract Original Oil Painting By French artist, 20th Century Oil painting on canvas, framed Framed size: 12 x 15 ...

Artist/ School: T. Fabris 1973, French Title: Abstract Surrealist Figurative study Medium: oil on canvas, framed Framed: 27 x 20.5 inches Painting: 26 x 19 inches Provenance: pri...

Paisaje original surrealist acrilic painting GENOVART LLOPIS, Jaume (Barcelona, 1941-1994). Basically self - taught painter, was released in 1972. Grandson of typesetter and booksel...

'Ville' Abstract Surrealist Oil Painting, Signed By artist Suzanne Vattier, French 1901-1996 Signed by the artist on the lower right h...

Work on canvas

Luces original surrealist acrylic painting. GENOVART LLOPIS, Jaume (Barcelona, 1941-1994). Basically self - taught painter, was released in 1972. Grandson of typesetter and booksell...

Edward Pechmann Renouf (1906-1999). Oil on panel measures 16 x 24 inches. Signed lower margin. Excellent condition. Provenance: Allan Stone Pr...