Carole Anne

Ecaille

2017

Evelyne Ballestra expresses a unique movement in each painting with a very subtle sensuality and a juxtaposition of colors to reveal light and shadows, creating a synergy between the...

As one of the last generation to remember a childhood lived in the desert hunting and gathering with her family, Walangkura Napanangka's paintings recall the stories of country and the location of specific sites in her traditional homeland west of the salt lake of Karrkurutinjinya (Lake Macdonald). Born around 1946, at Tjitururrnga west of Kintore, in the remote and arid country between the Northern Territory and Western Australia, she lived with her father Rantji Tjapangati and mother Inyuwa Nampitjinpa and later, while still a teenager, travelled by foot with her family over the hundreds of kilometres from their remote desert home eventually joining Uta Uta Tjangala's group as they walked in to the settlements of Haasts Bluff and then Papunya. The lure of settlement life with its promise of plentiful food and water belied the harsh conversion they would make to an alien lifestyle with its many problems and unfamiliar demands. The upheaval however, was ameliorated to some degree by the proximity of her immediate family including her mother Inyuwa, adoptive father Tutuma Tjapangati, and sister Pirrmangka Napanangka (now deceased) all of whom became artists. Relocated to the community of Kintore in 1981 when the outstation movement began, Walangkura participated in the historic women's collaborative painting project (1994) that was initiated by the older women as a means of re-affirming their own spiritual and ancestral roots. It was a time of specifically female singing, ceremony and painting, away from the gaze of outsiders and men folk. The huge and colourful canvases that emerged from the women's camp were 'alive with the ritual excitement and narrative intensity of the occasion' (Johnson 2000: 197). Within a year, Papunya Tula Artists, now established at Kintore, had taken on many of these women as full-time artists, revitalising the company after the deaths of many of the original 'painting men'. While individual women forged their own stylistic trajectory, these paintings were immediately distinguishable from the men's more cerebral and symmetrical style. They radiated an exuberant and vibrant energy, the felt heart-beat of women's affinity to country and spirit. Walangkura's early works, created from 1996 onward, are characterized by masses of small markings and motifs covering large areas of canvas. Her favorite colour, a deep sandy orange predominates, accentuated against more somber blacks and reds and dusky greens or yellows. More recent works show a gestural quality though still tightly packed with an intensity of geometric line work representing sandhills. In a sense this provides a strong visual and contextual link to the men's linear style as exemplified by the works of George Tjungurrayi...

Born in the South of France in 1926 and raised by very strict parents, Jean Sanglar was prohibited from playing with same age mates. Truly talented, as a young boy he drew frequentl...

Born in the South of France in 1926 and raised by very strict parents, Jean Sanglar was prohibited from playing with same age mates. Truly talented, as a young boy he drew frequentl...

"Tranquil Beach" is a peaceful dog painting on panel by Kazaan Viveiros features a soulful brown dog sitting quietly amid coastal grasses under a blue sky with soft clouds. A tranqui...

Ifeoluwa Alade ( Nigeria based) "Grow with Me II" is an original, handmade acrylic painting that depicts flowers and butterflies with a heavily textured tan background. Artist bio:...

In this vibrant creation I have released a kaleidoscope of emotions through a vibrant spectrum of colors and dynamic shapes. Each curve and shade sings a song of freedom and joy. C...

Tom Judd Casey (for the "Patrick Eddington Cat Project), 2000 Acrylic, Mixed Media and Metal painting on board Signed and dated in pencil on the front 12 × 10 1/2 inches This is a unique painting Tom Judd Biography This is a lovely mixed media painting by popular Philadelphia based artist, Tom Judd. Provenance: Estate of Patrick Eddington. Patrick Eddington was a Utah school teacher who had the improbable idea of writing to his favorite artists and asking them to draw or paint pictures of cats. “This project is a labor of love," Eddington wrote of his endeavor in a 2004 letter. “It will culminate as a large book and traveling exhibition. It will also help Best Friends Animal Sanctuary. I’ve asked individuals I admire to create cat-related works. They are not the typical cat images but creative works.” Patrick Eddington passed away in early 2016 and his vision was, unfortunately, never realized. Nonetheless, artists like Keith Haring, Joel Peter Witkin...