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Bernard Buffet
Geraniums

$225,000List Price

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Urban Abstraction (ripped off posters) Italian Expressionist Painting on Canvas

Urban Abstraction (ripped off posters) Italian Expressionist Painting on Canvas

By Andrea Spinelli

Located in Firenze, IT

The present work of art titled "Urban Abstraction (ripped off posters)" is part of a series of paintings that the artist composed in the 1980s and 1990s inspired by the observation of the urban reality of those years. The artist take the cue from his walks in Florence, both in the center and in the suburbs, and by the observation of billboards and posters scattered throughout the city. The mass of information, colors, messages and words were carried on the canvas with acrylic colors, ideally reconstructing the tears and overlaps of all the information and advertising contained on these huge sheets of paper that invade our cities. The geometric lines are overlaid with jagged lines, overlaps and color dripping and also the choice in the color palette, with different shades of white, gray, rose, orange red and blue helps in rendering the result of the tears and ripped paper. The result is a beautiful multicolored modern abstract canvas, both aesthetically and ethically, with many rich layers of color, texture and expression in which the artist leaves his own message. The painting is housed in a simple modern white lacquer wood frame. Andrea Spinelli...

Category

Late 20th Century Abstract Expressionist Abstract Paintings

Materials

Canvas, Acrylic

Italian Oil on Canvas Painting Coat of Arms in Gold Leaves Panel and Black Frame

Italian Oil on Canvas Painting Coat of Arms in Gold Leaves Panel and Black Frame

Located in Firenze, IT

This huge Italian 19th century armorial painting features the coat of arms of Montini, a noble Italian family that has among its ancestors the Archbishop of Milan, later known as Pope Paul VI. The large oval canvas has a brown and red background, the latter shaped like a shield, in which six mountains (from the etymology of the surname) and three white fleur de lis are painted. This big scale palatial oil painting...

Category

Late 19th Century Italian School Figurative Paintings

Materials

Oil, Canvas, Wood

Aeneas Fleeing the Burning of Troy, 17th Century Flemish Oil on Canvas Painting

Aeneas Fleeing the Burning of Troy, 17th Century Flemish Oil on Canvas Painting

Located in Firenze, IT

This oil painting on canvas, created by an artist from the 17th Century Flemish School, depicts one of the most significant scenes from Greco-Roman mythology: Aeneas saving his famil...

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17th Century Dutch School Figurative Paintings

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Italian Oil on Alabaster Painting Pompeian Interior Scene in Ormolu Frame

Italian Oil on Alabaster Painting Pompeian Interior Scene in Ormolu Frame

Located in Firenze, IT

This Italian 19th century oil on alabastrer painting depicts an opulent interior in full ancient neoclassical Pompeian style with people festing. The figurative inner scene is painted on a rectangular alabaster slab and housed in a wonderful giltbronze frame resting on casted arrow feet. This is a single section of a bigger surtout de table. You can now use it as a decorative centrepiece on a table or on a console or turn it into a wall decoration. We can provide framing options in this case. The characters enjoy a rich banquet in an elaborate interior, the room renderings...

Category

19th Century Italian School Interior Paintings

Materials

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Oil on Canvas Painting Portrait of the Italian Noble Family of Zanardi Count

Oil on Canvas Painting Portrait of the Italian Noble Family of Zanardi Count

By Lucia Casalini Torelli

Located in Firenze, IT

This museum quality old master oil on canvas formal portrait painting depicting the family of the Count Zanardi is signed by the artist- the female painter Lucia Casalini Torelli- and published in a book dedicated to Casalini Torelli’s workshop and academy. This palatial masterpiece artwork comes directly from the ancient Villa Maraini Guerrieri - Palidano di Gonzaga (Mantua), an historic Italian heritage building owned by the descendants of the family portrayed for more than two centuries, until 1998. The big scale of this oil on canvas masterpiece painting states the relevance of Lucia Casalini Torelli as a painter. The present artwork is a formal family portrait painting that aim to introduce the characters depicted according to their social role in the society. The noble family is all gathered under a loggia overlooking a park, the landscape in the background is partially covered by a beautiful red cloth on the right side. The father stands up and holds the hand of his eldest son, proudly introducing his future heir. The son wears a light-blue dress and red boots, he is depicted in a serious pose holding a black tricorn hat under his arm and a rapier sword on his belt. The mother wears an elegant gold and dark green brocade dress, she is sitting with her youngest daughter on her knees while her second son is by her side. The little daughter wears a lovely long red and dress with white lace and holds an apple on her hand. The son stands next to his mother and is dressed in a brown priestly clothes. This palatial old masters piece was probably painted in 1740 due to the similarities with Cardinal Doria’ s portrait, now on display at the Doria Palace Museum, the official residence of the Prince of Genoa. The painting features original canvas (“prima tela”) and antique original patina, it is in excellent overall condition considering the age, use and its large scale. A formal detailed condition report and the results of the inspection with the UV lamp accompanied by photos is available on request. As well as for its exceptional quality and quite perfect state of conservation, this painting is particularly important and even more valuable both for the artist who painted it and for its absolutely exclusive provenance. Lucia painted the most prominent and powerful noble families of her time, the location of these paintings is unknown to the art market as it is extremely likely that the portraits are still kept in private collections. Furthermore, Lucia was one of the most appreciated artists of her time, so important that she was admitted as a member of the academy at a time when women were forbidden to attend these studies. In 1706, Felice Torelli...

Category

18th Century Old Masters Portrait Paintings

Materials

Canvas, Oil

Italian Impressionist Oil on Board Marine Landscape Painting Naples Bay View

Italian Impressionist Oil on Board Marine Landscape Painting Naples Bay View

By Francesco Coppola Castaldo

Located in Firenze, IT

Everyday fishermen life is captured in this wonderful Italian impressionist late 19th century oil painting on thin board titled fishermen ashore. We love the neutral and natural colo...

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Late 19th Century Impressionist Landscape Paintings

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Figurative Ink Painting N.2 'Vessels II' by Dmitry Samygin

Figurative Ink Painting N.2 'Vessels II' by Dmitry Samygin

By Dmitry Samygin

Located in Paris, FR

Figurative Ink on Cotton paper Painting N.1 'Vessels II' by Dmitry Samygin H.27 x 19.5 cm About Dmitry Samygin Furniture and Product Designer. His approach relies on simple forms and clarity in ideas with carefully chosen materials to expose the essence of an object. His products exemplify humanistic design, comfort in everyday use and ergonomic function. He is a prize-winner in international competitions. He has taken part in exhibitions in Paris, Milan and Moscow, collaborates with European and Russian production, architectural and design companies. Since 2021 Dmitriy's design has been presented in a permanent exhibition at the Museum of Arts and Crafts in Moscow. Dmitry's graphics and designs are in private collections all over the world. Samygin's Awards 2023 I+D / Design Now / winner (product design & decor) 2021 Red dot / Modul 2021 I+D magazine award / Shelter (covers for the sculptures of Moscow State Architectural Museum) 2020 Best 2020 AD Russia 2019 Andrew World...

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21st Century and Contemporary Contemporary Figurative Drawings and Water...

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'Agay, le château et le Sémaphore'. Oil on canvas. Signed.

'Agay, le château et le Sémaphore'. Oil on canvas. Signed.

By Armand Guillaumin

Located in Paris, FR

'Agay, le château et le Sémaphore'. Oil on canvas. +/- 1922 Signed lower right Measurements : 60 x 73 cm. This painting will be recorded in the second volume of the Catalogue Raisonn...

Category

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Portrait of Girl with Flowers by Andrei Belichenko & Maria Boohtiyarova

Portrait of Girl with Flowers by Andrei Belichenko & Maria Boohtiyarova

By Andre Belichenko

Located in Uppingham, GB

A Wonderful Oil on canvas by Andrei Belichenko & Maria Boohityarova. Two excellent Russian artists who have been exhibiting in France, their works are centred around exquisite detail...

Category

2010s Realist Portrait Paintings

Materials

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Sir Alfred Munnings Watercolour Titled 'The Hunt'

Sir Alfred Munnings Watercolour Titled 'The Hunt'

By Alfred Munnings

Located in Uppingham, GB

Sir Alfred James Munnings, P.R.A., R.W.S. (1878-1959) 'The hunt' Signed and dated 'A.J. Munnings. 1913.' (lower right) pencil, watercolour and bodycolour on a prepared sheet of paper...

Category

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Materials

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Emprunt 6% Souscrivez (War Loan 6% Subscribe) by Raoul Dufy

Emprunt 6% Souscrivez (War Loan 6% Subscribe) by Raoul Dufy

By Raoul Dufy

Located in New Orleans, LA

Emprunt 6% Souscrivez (War Loan 6% Subscribe) Signed "Raoul Dufy" (lower right) Gouache on paper This vibrant gouache on paper by the renowned Raoul Dufy is not only a work of exceptional artistry, but also represents an important period in world history. The piece was a special commission ordered by the French government, who sought to encourage the French people to join in the post-war reconstruction efforts. Following World War I, the French government was destitute. The cost of the Great War had been tremendous not only in lives lost, but also in terms of infrastructure and finances. In order to reclaim its place as a great power on the world stage, France needed funds to reconstruct its key industries, and quickly. Thus, the government turned to one of the most famous French artists of the day - Raoul Dufy - to create this gouache on paper as an advertisement for the country's war bonds. The extraordinary work represents Dufy's own sense of patriotic duty. Entirely unique in his oeuvre, it is clear that Dufy wished to create something truly special to help his war-torn country. The artist deftly captures the industry of France in the colorful composition, showcasing bridges, buildings, ships and other key elements of the country's infrastructure in order to evoke the viewers' pride, patriotism and willingness to help. The words Emprunt 6% Souscrivez (War Loan 6% Subscribe) are boldly written across the top, seeking subscribers to a 6% interest loan to help rebuild the country - a very healthy return for the age. The powerful painting represents one of the most effective and extensive patriotic campaigns of all time. France relied heavily on the willingness of its citizens to lend money...

Category

20th Century Post-Impressionist Landscape Paintings

Materials

Paper, Gouache

Saint Cosmas And Saint Damian Attributed To Bonifacio Bembo

Saint Cosmas And Saint Damian Attributed To Bonifacio Bembo

By Bonifacio Bembo

Located in New Orleans, LA

Attributed to Bonifacio Bembo c.1444-1477 Italy Saint Cosmas and Saint Damian Tempera on panel These exceptionally rare early Renaissance panels of Saint Cosmas and Saint Damian are an extraordinary new discovery. Based on the research of art historians Marco Tanzi and Andrea de Marchi, it is believed that these represent the missing panels from the famed polyptych formerly displayed on the altar of the Chapel of San Nicola da Tolentino in the Church of Sant’Agostino in Cremona, Italy. To find two matching early Renaissance panels outside of a museum or church, particularly in such remarkable condition, is an extraordinary rarity. The central and left-sided panels of the original five-part polyptych are currently in the collection of the Museo Civico Ala Ponzone in Cremona. These panels have luckily remained intact, and respectively portray the Madonna and Child Enthroned with Angels and Donor, Saint Nicholas of Tolentino (the chapel’s namesake) and Saint George. While the present panels have since been reduced, that they belong to the Cremonese altarpiece is confirmed by a number of stylistic elements. All five panels contain the same rich decorative arabesque pattern on their stamped gold background, while the figures’ knurled haloes are identical in both their fineness of line and use of perspective. The proportions of the figures coincide perfectly; Saints Cosmas and Damian would have originally also been depicted as full-length figures, fitting into the vertical, Gothic style of the altarpiece. According to the Christian religion, Saint Cosmas and Saint Damian were 3rd century physicians born in Arabia. Little is known about their lives except that they were reputedly twin brothers and that they were martyred in Syria during the persecution of Emperor Diocletian. It was believed that the saints were skilled in healing, and when their medicines failed, their faith and prayers could always perform miracles. Thus, the saints are often depicted with their medical equipment while wearing the traditional medieval doctor’s garb of crimson robes and distinctive round red hats. The saints are similarly depicted in the present panels, though considering the manner in which they have been cut, their medical tools are not immediately evident. The saints were highly popular as patrons of wealthy families during the Gothic and Renaissance eras, particularly the Medici, and thus they occur frequently in art from the era. The twins, for instance, are found in the famed San Marco Altarpiece by Fra Angelico in the San Marco Museum (Florence), as well as in a set of Medici panels crafted by Filippo Lippi...

Category

15th Century and Earlier Renaissance Portrait Paintings

Materials

Tempera, Panel

Dance of the Nymphs

Dance of the Nymphs

By Paul Desire Trouillebert

Located in New Orleans, LA

This lyrical landscape entitled Dance of the Nymphs was composed by the French Barbizon painter Paul Désiré Trouillebert. A joyful scene of nymphs dancing the morning fog, the work closely resembles an important work by the great Camille Corot, which is now housed at the Musée d'Orsay (Paris). Renowned for his unique individuality that toed the line between the traditional and modern, Corot and his landscapes helped pave the way for an entire generation of Impressionists who followed him. Trouillebert perfectly captures the poetic atmosphere of Corot’s groundbreaking works, while also imbuing this scene with a freshness and character that is all his own. Trouillebert's oil on canvas is exemplary of the tradition of historical painting. The work perfectly combines a realistic depiction of the natural world with a spirited romanticism as his idealized nymph figures frolic playfully beneath a crisp morning sky. As a whole, it is a lovely composition executed with a level of skill and artistry that proves Trouillebert's exceptional talent in the arts. Born in Paris in 1831, Paul Désiré Trouillebert was a student of the academic painters Ernest Hébert...

Category

19th Century Academic Landscape Paintings

Materials

Canvas, Oil

Autumn Garden Walk

Autumn Garden Walk

By John Atkinson Grimshaw

Located in New Orleans, LA

The golden-red glow of the autumnal sun illuminates this countryside scene by British painter John Atkinson Grimshaw. Showcasing the celebrated painter’s mastery of light and atmosph...

Category

19th Century Pre-Raphaelite Landscape Paintings

Materials

Canvas, Oil

Dimanche au Champ de Course (Deauville) (Sunday at the Racetrack)

Dimanche au Champ de Course (Deauville) (Sunday at the Racetrack)

By Hughes Claude Pissarro

Located in New Orleans, LA

Hugues Claude Pissarro b.1935 French Dimanche au champ de course (Deauville) (Sunday at the Racetrack) Signed “H. Claude Pissarro” (lower left) Pastel on card French artist Hugues Claude Pissarro offers a unique perspective of the racetrack in Deauville in this exceptional pastel. The spectators are as much his subject as the sport in this artistic tribute to a leisurely Sunday at the tracks. Following the impressionist tradition of his father and grandfather before him, Pissarro infuses this pastel with dynamic light and vibrant colors. Entitled Dimanche au Champ de Course (Deauville), it showcases the artist's highly distinctive and sophisticated style. Hailing from a long lineage of painters, Pissarro's artistic talents were cultivated at an early age. He exhibited his first works at the young age of 14 and later studied in Paris at the École du Louvre and École Normale Supérieure. A 1959 White House commission to paint the portrait of President...

Category

20th Century Post-Impressionist Landscape Paintings

Materials

Oil Pastel, Cardboard

Femme aux Souliers Noir (Woman in Black Shoes)

Femme aux Souliers Noir (Woman in Black Shoes)

By Jules Pascin

Located in New Orleans, LA

This intimate portrait was composed by the Bulgarian-born French Expressionist painter Jules Pascin. Known as the "Prince of Montparnasse," Pascin made a name for himself throughout ...

Category

Early 20th Century Modern Portrait Paintings

Materials

Canvas, Oil