Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 9

Jose Manuel Capuletti
Las damas

Circa 1960

$5,385.76
£3,972.97
€4,500
CA$7,413.23
A$8,008.72
CHF 4,260.71
MX$96,366.64
NOK 53,949.65
SEK 49,338.43
DKK 34,289.58

About the Item

JOSÉ MANUEL CAPULETTI Spanish, 1925 - 1976 LAS DAMAS signed "Capuletti" (lower right) oil on cardboard 21-1/4 x 25-5/8 inches (54 x 65 cm.) framed: 22-5/8 x 27 inches (57.5 x 68.5 cm.) PROVENANCE Private Collection, France Capuletti Lillo del Pozo, José Manuel. Valladolid, 21.III.1925 - Walluf (Germany), 28.IX.1978. Painter. As a child he began to express his hobby and exceptional skills for drawing and painting. Self-taught, his artistic beginnings were first developed in his hometown, where he held his first and controversial exhibitions (Palace of Santa Cruz and Librería Meseta), and shortly thereafter in Madrid, orienting that first work towards drawing, watercolor and portraits. From 1946 he frequented the atmosphere of the Spanish ballets, and since then he dedicated himself to the design of sets and figurines for some of the main companies of the time. In 1950, during a tour abroad, he met Pilar López Fernández, a young dancer from the Spanish ballet company of José Greco, who became his wife a year later. She was the ideal companion for the artist, her almost unique model and her main stimulus. In 1951 he settled in Paris and in March of the following year he held his first solo exhibition at the André Weil Gallery, which was also his dealer. After a difficult time and with economic hardships, he began to make his way in the art world. He participated in various exhibitions and as of 1954 he was already firmly established in the Parisian art media, becoming a young value recognized by the public and critics. That same year he made the figurines and the sets of the show Pure Flamenco Art, which Vicente Escudero's company premiered at the Theater of the Champs Elysees in Paris. From 1958 he made several exhibitions at the Hammer Galleries, in New York, and, while he continued exhibiting in different galleries in Paris, he traveled repeatedly to the United States, where he obtained with his works a great sales success. In the mid-sixties he worked as a designer of figurines and decorations for the Harkness Ballet company in New York. In 1968 he decided to leave Paris and return to Spain, after sixteen years of absence. It is established in Mairena del Alcor (Seville), where a farmhouse is built. Born for his deep love for Andalusia and his passion for flamenco, he devoted much of his work to the themes of the bullfighting, singing and dancing. Thus, among many other works, he made a collection of forty-nine portraits drawn to the white and black tempera of the most famous flamenco singers, dancers and guitarists, a series he exhibited in December 1969 at the Ateneo de Sevilla. In 1973, and after a time of disagreements with his wife, Capuletti leaves his house in Mairena and leaves with what will be his young companion until his death, Irish Henrich. They lived for four months in the farm of the rejoneador Ángel Peralta in La Puebla del Río. The result of his friendship and collaboration with the right-hander was the illustrated book with engravings titled Bullfighter Horse. In 1974, Capuletti and Irish settled in Madrid and the following year their daughter Irish Desirée was born. In September 1978, during the trip to Germany, his partner's native country, the artist died suddenly. He was buried in the cemetery of Walluf. Endowed with great creative fantasy, Capuletti cultivated a pleasing painting and suggestive neorealism. From its beginnings it accuses a strong surreal influence, especially Dalinian, that mixes with evocations of Giorgio de Chirico, Balthus, Delvaux, Magritte and other surrealists. Magnificent artist, he showed an academic technique, very close to hyperrealism in his last creative era. Eroticism was one of the recurring themes of his work, making women and the nude an essential stone of the artist's vision. In addition to the original portraitist, he cultivated, among other subjects, still life paintings, in which he achieves suggestive trompe l’oeil effects. Very interesting is also his production as a creator of scenographies and costumes for flamenco shows and ballets of famous dancers, such as Vicente Escudero, Antonio or Pilar López. Other facets of his fruitful creativity were those of a cartoonist, a corador, an illustrator, an engraver and a posterist. Very prolific artist, his work is widely dispersed and is largely preserved in foreign collections. Works by ~: Nature morte aux escargots, 1953; Portrait of the dancer Antonio, 1955; Il faut qu’une porte soit ouverte, 1960; Primae noctis, 1962; The day of the Annunciation, 1962-1963; The last hour of Lady Godiva, 1965-1966; Famous Flamingos Series (forty-nine drawings in the tempera), 1959-1966; Self Portrait, 1965; The sky of Mairena, 1968-1969; American footbal, 1967; Portrait of Prince Juan Carlos, 1972; Bullfighter horse (fifteen engravings), 1973; The road of the Puebla, 1974. Bibl .: J. J. Martín González, “A surrealist painter: Capuletti”, in Goya, 32 (1959), p. 133-134; A. Corral Castanedo, José Manuel Capuletti, Valladolid, Popular Savings Bank, 1983 (col. Vallisoletanos, quad. No. 14); J. C. Brasas Egido, Capuletti. The painter and his work, Valladolid, Provincial Savings Bank, 1987; VV AA., Capuletti and flamenco, Sevilla, Junta de Andalucía, 1994. José Carlos Brasas Egido
  • Creator:
    Jose Manuel Capuletti (1925)
  • Creation Year:
    Circa 1960
  • Dimensions:
    Height: 21.26 in (54 cm)Width: 25.6 in (65 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
  • Gallery Location:
    Madrid, ES
  • Reference Number:
    1stDibs: LU1281117404262

More From This Seller

View All
Iris con rama de olivo
Located in Madrid, ES
JOSÉ MANUEL CAPULETTI Spanish, 1925 - 1976 IRIS CON RAMA DE OLIVO signed "Capuletti" (lower right) oil on canvas 34-5/8 x 20-1/2 inches (88 x 52 cm.) framed: 38 x 23-3/4 inches (96.5...
Category

1970s Surrealist Nude Paintings

Materials

Canvas, Oil

SCÈNE FAMILLIALLE
By Emilio Grau Sala
Located in Madrid, ES
EMILIO GRAU SALA Spanish, 1911 - 1975 SCÈNE FAMILLIALLE signed "Grau Sala" (lower right) signed, titled, located and dated "GRAU SALA / SCÈNE FALLIALLE / PARIS 1969" (on the reverse)...
Category

1960s Post-Impressionist Figurative Paintings

Materials

Canvas, Oil

"Espagnoles, 1971", 20th Century Oil on Canvas by Artist Emilio Grau Sala
By Emilio Grau Sala
Located in Madrid, ES
EMILIO GRAU SALA Spanish, 1911 - 1975 ESPAGNOLES, 1971 signed "Grau Sala" (lower left) signed again, dated and titled "Grau Sala, 1971, espagnoles" (on the reverse) oil on canvas 1...
Category

1970s Post-Impressionist Figurative Paintings

Materials

Canvas, Oil

Partida de Tresillo
Located in Madrid, ES
JOSÉ JIMÉNEZ ARANDA Spanish, 1837 - 1903 PARTIDA DE TRESILLO signed, located & dated “Jz. Aranda / Madrid. 1893.” (lower right) oil on canvas 31-1/2 x 39-1/3 inches (80 x 100 cm) unframed BIBLIOGRAPHY - This painting being mentioned and reproduced in “LA ILUSTRACION ESPAÑOLA Y AMERICANA”, Madrid, September 15th, 1895 - B. Pantorba, José Jiménez Aranda, 1973, p. 75, 203 - José Jiménez Aranda, 1837-1903: Centro Cultural El Monte, Sevilla, October, 2005, reproduced on p. 102 EXHIBITED Madrid, Esposición Nacional de Bellas Artes, 1895 PROVENANCE Private Collection, USA José Jiménez Aranda (7 February 1837 – 6 May 1903) was a Spanish painter and brother of the painters Luis Jiménez...
Category

1890s Realist Figurative Paintings

Materials

Oil, Canvas

Francisco Bores, Journée claire
By Francisco Bores
Located in Madrid, ES
FRANCISCO BORES Spanish, 1898 - 1972 JOURNÉE CLAIRE signed and dated "Borès 34" (lower left) oil on canvas 18 x 15 inches (46 x 38 cm.) framed: 26 x 23 inches (66 x 58 cm.) BIBLIOGRAPHY: Francisco Bores, Reasoned Catalogue, Volume I - Painting 1917-1944, Museo Nacional Centro de Arte Reina Sofía, Madrid, 2003, nº 1934 / 15, reproduced in p. 231 PROVENANCE Private Collection, Madrid Francisco Bores López (Madrid, May 5, 1898 - Paris, May 10, 1972) was a Spanish painter of the so-called New School of Paris. His artistic training originated both in the Cecilio Pla painting academy, where he met Pancho Cossío, Manuel Ángeles Ortiz or Joaquín Peinado, and in the literary gatherings in Madrid related to ultraism. At this time he made engravings and woodcuts for a large number of magazines such as Horizonte, Cruz y Raya, Index, Revista de Occidente. In 1922 he participated in the National Exhibition of Fine Arts. In 1925 he participated in the first exhibition of the Iberian Artists Society. The limited success of this exhibition pushes him to go to Paris. In this city he shared a studio with the Spanish painter Pancho Cossío and also met Picasso and Juan Gris. In 1927 he held his first solo exhibition in Paris. From this moment on, Bores integrates himself into the Parisian artistic environment where he will live practically his entire life. In 1928, his first exhibition in a gallery in the United States, in 1930 he exhibited again, within a group exhibition at the Museum of Modern Art in New York. In the following years, he continued exhibiting in different galleries in Paris, such as the Georges Petit Gallery, the Bernheim Gallery and the Vavin Raspail Gallery. He also participates in several group exhibitions, highlighting the Exhibition of Contemporary Spanish Art...
Category

1930s Cubist Interior Paintings

Materials

Canvas, Oil

"The Florence Sisters", 19th Century Oil on Canvas, Spanish Artist José Villegas
Located in Madrid, ES
JOSÉ VILLEGAS Y CORDERO Spanish 1844 - 1921 "The Florence Sisters" signed "Villegas" (lower left) oil on canvas 33-1/2 X 40-1/2 inches (84.5 X 102.5 cm.) PROVENANCE Private Collector, Seville, Spain José Villegas Cordero (Seville, August 26, 1844-Madrid, November 9, 1921) was a Spanish painter. He directed the Prado Museum between 1901 and 1918. Biography He was the brother of the painter Ricardo Villegas Cordero. He began his apprenticeship very young with José María Romero, with whom he remained for two years until entering the School of Fine Arts in Seville, where he was under the tutelage of Eduardo Cano. In 1860, when he was only 16 years old, he sold his work Little Philosophy for 2,000 reais at the Seville Exhibition. In 1867 he traveled to Madrid, where he entered Federico Madrazo's studio. There he established friendship with painters Eduardo Rosales and Fortuny. He went regularly to the Prado where he copied Velázquez, from whom he acquired spontaneity and the use of color for his technique. Finally, and out of admiration for Fortuny's orientalist painting, he returned to Seville and organized an excursion to Morocco. At the end of 1868 he decided to travel to Rome accompanied by the painters Rafael Peralta and Luis Jiménez Aranda...
Category

Late 19th Century Realist Figurative Paintings

Materials

Canvas, Oil

You May Also Like

Le Amiche
By Vittorio Maria Di Carlo
Located in San Francisco, CA
This artwork titled "Le Amiche" is an oil painting on canvas by Italian artist Vittorio Maria Di Carlo, 1939-2015. It is hand signed at the lower right corner by the artist. The canv...
Category

Late 20th Century Modern Figurative Paintings

Materials

Oil

Detrás
Located in CAMPO REAL, ES
"Detrás", Behind, it is a work that invites reflection and contemplation. Its square format and careful composition divide the space into two vertical strips, each with its own sym...
Category

21st Century and Contemporary Surrealist Figurative Paintings

Materials

Oil

Waterbearers, Surrealist Oil Painting by Lucio Ranucci
By Lucio Ranucci
Located in Long Island City, NY
Artist: Lucio Ranucci, Italian (1925 - ) Title: Waterbearers Year: 1977 Medium: Oil on Canvas, signed and dated u.r. Size: 24 in. x 36 in. (60.96 cm x 91.44 cm) Frame Size: 32 x 44 i...
Category

1970s Surrealist Figurative Paintings

Materials

Oil

Atracción
Located in Barcelona, BARCELONA
Acrylic painting
Category

2010s Contemporary Figurative Paintings

Materials

Acrylic

Latin American Modern Surreal Figure Painting, 1950's
Located in Washington, DC
Wonderful Surreal Latin American painting. Painting is oil on masonite board with original frame. Appears to be unsigned. Condition is excelle...
Category

1950s Surrealist Figurative Paintings

Materials

Masonite, Oil

L'Angelo Caduto, 2003
By Gigino Falconi
Located in Atlanta, GA
Gigino Falconi was born in Giulianova (Teramo) in 1933. He began painting at the age of sixteen, and in 1954 he obtained a Liceo Artistico of Pescara. During the early years of his c...
Category

21st Century and Contemporary Surrealist Figurative Paintings

Materials

Acrylic