Plastic Wrap Figurative Paintings

Large Original Painting of a Classic 1990's Busy New York City Scene in the Rain, with Yellow Taxis, Cars and Figures, by British Urban Landscape Artist, Angela Wakefield. This is a ...

Fritz Lindström (1874–1962) Mountain Landscape (Pyrenees), 1928 oil on panel unframed 15.5 × 24 cm (6.1 × 9.4 in) framed: 26 × 34 cm (10.2 × 13.4 in) signed on the reverse Frame by...

Lindsey Kustusch's "The Sumatran Tiger" is a stunning handmade original oil on wood panel artwork, with dimensions of 30 x 30 x 1.50 inches. Created in 2023, this piece stands as a p...

Large Atmospheric Black & Yellow Painting of Broadway New York City by British Urban Landscape Artist, Angela Wakefield. This unique original is ...

A striking and historically attentive portrait of the sidewheel steamer Kennebec, built in 1842. Rendered in crisp profile against a soft, painterly sky and calm Atlantic swells, Cameron’s portrait captures the stately elegance of early American steam navigation. The Kennebec, identified in bold red lettering on her paddle box, is shown under partial sail with twin smokestacks active - suggesting both the hybrid nature of early steam propulsion and the vessel’s readiness for sea. Flying period flags, including a U.S. ensign and company pennants, she presents as a proud representative of the Sanford Steamship Line, for whom she plied the route between Boston, Bangor, and the summer resorts of Maine. Her design, with a wood hull, 230-foot length, and distinctive “hogging truss,” speaks to mid-19th century innovation tailored to coastwise packets. Cameron’s style is reminiscent of 19th-century ship portraiture yet refined with contemporary technical precision. This is an excellent example of his work. This work is oil on canvas and is signed in the lower right. It is housed in its original black frame and retains the artist’s description of the ship on the reverse. Size: 22 inches tall by 44 inches wide (painting) 26 inches tall by 48 inches wide by 1 inch deep (frame) Provenance: Private collection; Acquired from the above About the artist: A Delaware artist, Scott Cameron paints the simple elegance of the America’s Cup races, serene coastal marsh scenes, timeless landscape vistas and historic steamboats in a style reminiscent of the era in which they reigned. An admirer of Andrew Wyeth and the Brandywine School of painters, Scott has combined the detail and quiet stillness of that School in his landscapes with the Luminist School’s sense of light glowing from within. A soft gentle atmosphere seems to fall over each scene adding to the peacefulness of the setting, and a sense of a time gone by. His America’s Cup scenes capture the action at a moment in time, allowing the beauty of the wind-filled sails to become the central design element of each painting. Scott Cameron has exhibited his oil paintings in numerous national and regional shows from the Mystic Seaport Museum to solo and group shows in some of the foremost galleries throughout the Northeast and Mid-Atlantic states. Favorite painting locations are the waterways and coastal inlets of Martha’s Vineyard and Maryland’s Eastern Shore and the gentle rolling landscapes of rural Pennsylvania, Delaware and Maryland. Meticulous research is behind every historic steamboat and America’s Cup painting...

This painting titled "Portrait of a Girl" by the Danish realist painter Peder Mørk Mønsted captures an enigmatic young woman whose identity remains unknown. The girl, elegantly posed...

Artist: José Royo (b. 1941, Valencia, Spain) Title: Mother and Child in Flower Garden Date: 1985 Medium: Oil on canvas Dimensions (canvas): 100 × 81 cm 39.37 × 31.89 in Signature: Signed lower right “Royo” Frame: Unframed Condition: Very good overall condition. The canvas is stable and well preserved. The paint surface shows original impasto and expressive brushwork consistent with the artist’s technique. Large Spanish Impressionist figurative oil painting depicting a mother and child seated within a lush flowering garden. Painted in 1985, this expressive composition combines vibrant floral color with dynamic brushwork characteristic of late 20th-century Mediterranean figurative painting. The scene unfolds within a dense garden of pink blossoms and rich greenery, creating a vibrant natural environment that surrounds the two central figures. The mother and child appear seated quietly within this floral setting, rendered with loose and expressive brushwork that gives the painting both movement and depth. The composition is built through energetic strokes and visible impasto, particularly in the flowers and vegetation, where layers of color create texture and visual rhythm. The garments of the figures are treated with softer transitions, balancing the dynamic surface with a sense of calm intimacy. The palette combines warm flesh tones with luminous pinks and greens, reflecting the Mediterranean light and painterly tradition associated with Spanish Impressionist figurative painting. With its substantial scale of 100 × 81 cm (39 × 32 inches), the work has a strong visual presence and functions beautifully as a large statement piece for collectors or interior designers seeking expressive European figurative art. The painting is signed by the artist. José Royo (Valencia, 1941) is a Spanish figurative painter known for his expressive brushwork and vibrant Mediterranean palette. His paintings often depict female figures and intimate scenes set within natural environments. Influenced by the Spanish Impressionist tradition and the Valencian school of painting, Royo developed a gestural style characterized by rich color, textured surfaces and dynamic compositions. His work has been exhibited internationally and is represented in numerous private collections. mother and child painting large oil painting figurative oil painting spanish impressionist painting...

“Eastern White Pines, c. 1910” by Charles Warren Eaton (American, 1857-1937). A wonderful example of Eaton’s renowned compositions of Eastern white pine trees in his mature style. A...

A wonderful realistic portrait of the Penobscot, a mid-19th century coastal sidewheel steamer, rendered in Cameron’s hallmark marine portrait style - technically meticulous, historically informed, and visually serene. Executed with crisp linework and a soft, luminous palette, the ship is shown in profile navigating calm Atlantic waters under both steam and sail, her red paddle box emblazoned boldly with her name. Commissioned in 1843 by Menemon Sanford’s Steamship Line and constructed in New York, the Penobscot was a near twin to her sister ship, the Kennebec, but became especially prized for her seaworthiness. Measuring 228 feet in length with a 48-foot beam and twin 14-foot paddlewheels, she carried schooner rigging fore and aft, providing the added stability necessary for coastal and offshore passages. Initially assigned to the Maine coastal excursion routes, she would later be reassigned to the elite New York–Philadelphia line and eventually sold and renamed Norfolk for pre-Civil War service along the southern coast. This work is oil on canvas and is signed in the lower right. It is housed in its original black frame and retains the artist’s description of the ship on the reverse. Size: 22 inches tall by 44 inches wide (painting) 26 inches tall by 48 inches wide by 1 inch deep (frame) Provenance: Private collection; Acquired from the above About the artist: A Delaware artist, Scott Cameron paints the simple elegance of the America’s Cup races, serene coastal marsh scenes, timeless landscape vistas and historic steamboats in a style reminiscent of the era in which they reigned. An admirer of Andrew Wyeth and the Brandywine School of painters, Scott has combined the detail and quiet stillness of that School in his landscapes with the Luminist School’s sense of light glowing from within. A soft gentle atmosphere seems to fall over each scene adding to the peacefulness of the setting, and a sense of a time gone by. His America’s Cup scenes capture the action at a moment in time, allowing the beauty of the wind-filled sails to become the central design element of each painting. Scott Cameron has exhibited his oil paintings in numerous national and regional shows from the Mystic Seaport Museum to solo and group shows in some of the foremost galleries throughout the Northeast and Mid-Atlantic states. Favorite painting locations are the waterways and coastal inlets of Martha’s Vineyard and Maryland’s Eastern Shore and the gentle rolling landscapes of rural Pennsylvania, Delaware and Maryland. Meticulous research is behind every historic steamboat and America’s Cup painting...

Frans Moormans (Dutch, 1831-1893) The Goldfish Bowl, c. 1870 Oil on panel, 8 1/2 x 6 1/4 inches FRAMED: 19 1/2 x 14 1/4 inches (approx.) Signed at lower right: “Frans. Moormans” B...

Black & white figurative painting. Oil on panel. 36 x 32 inches. In "House Always Wins," David Lyle delivers a cinematic, black-and-white oil painting that is at once nostalgic,...

Roos van der Meijden Le Bistro, Passage Verdeau 26 x 26 cm ( framed 32 x 32 cm, frame is included in price ) Oil paint on panel Dutch artist Roos van der Meijden is famous because o...