Railing Figurative Paintings

Acrylic on Masonite board, signed and dated (lower middle), 70cm x 70cm (91cm x 91cm framed). Price on request This work depicts Alan and his dog, Bella, on Michael Leonard’s balcon...

Raymond Bonilla's "Anoop's Place" is an original, handmade oil painting that depicts the façade of a brick building with balconies as the morning light hits its surface. About the Artist: Raymond Bonilla is a nationally recognized illustrator and fine artist in Buffalo, NY. Raymond graduated from the State University in New York at Fredonia in 2005 with a degree in New Media and Illustration. He continued his studies at the Academy of Art University in San Francisco where he completed his Masters of Fine Art in 2009. He was awarded Best in Show in the Great Lakes Emerging Artist Competition, was a finalist in the Artists Magazine Annual Art Competition, has been awarded Gold Medals in advertising from both Society of Illustrators of New York and Los Angeles, and juried into the Communication Arts Illustration Annual. He currently lives in Buffalo, New York where he spends his time painting and teaching part-time at SmART School and Visual Arts Passage. He is represented by Principle Gallery in Alexandria...

Auguste Chabaud was born in Nimes, France and attended the Ecole des Beaux-Arts in Avignon and Paris.He lived in the area of Montmarte where he had a studio and painted various scene...

Boy. 2014. Oil on canvas 90x63 cm The artist Vadim Kovalev was born in 1968 in the capital of Latvia, Riga, where he is also presently living and creati...

Caroline de Piedoue is a French artist born in 1954 who lives & works in Berchères-sur-Vesgre, Eure-et-Loire, France. Her theme of her paintings is largely urban but also beach scene...

The basis of Beatriz's painted scenes is an exploration of the construction of reality. She represents this by analyzing all the things that are contained in a given space — and what...

ABOUT THE ARTIST MARTA RYNKIEWICZ is a Polish contemporary artist (born in 1983). She studied painting with Professor Henryk Czenik and graphic arts with Professor Jerzy Krechowic...

Medium: Oil on Canvas Signature: Signed Lower Right Sight Size 31.00" x 24.25;" Framed 37.00" x 30.00" Cover of the December 23rd, 1939 issue of The Saturday Evening Post. Literatu...

Medium: Oil and Pencil on Canvas Laid Down on Board Study for the December 23rd, 1939 issue The Saturday Evening Post.

Justin Wheatley's (US based) "Avenida Del Sol" is an original, handmade acrylic painting that depicts the front porch of a grey house with a red door. ...

Joanna Mrozowska Born in 1976 in Warsaw. Studied in the Department of Painting in the Academy of Fine Arts in Warsaw; she graduated with a Master’s de...

Linda Adair's (Germany based) "Seeking Solace" is an oil painting that depicts a figure in an industrial interior space Linda Adair is a contemporary figu...

Jakub Malinowski – Born in 1985. He is a graduate of the Faculty of Painting at the University of Arts in Poznań. He is engaged in painting and drawing. Since 2011 he has been workin...

This artwork is part of a series of oil pastels from Marc Chaubaron, who aimed to keep a record of the old Saint-Goustan French port. The artist used a...

When he whispers "ciao bella" and they kiss, they both know that their lives are about to change on so many levels! This abstract expressionist figurative landscape captures the nurt...

Acrylic on canvas

In "Backyard," the central figure—a woman—commands attention against a backdrop of natural beauty. She stands in her own space, seemingly lost in thought, creating an atmosphere of both stillness and introspection. Adetayo's portrayal of this woman invites viewers to consider the emotions and thoughts that might be coursing through her mind. Is she reflecting on memories? Contemplating her place in the world? The interpretation becomes a personal journey for each observer. The landscape that envelops the woman is not just a passive backdrop but a powerful metaphor. Just as the external world shapes our internal experiences, the landscape symbolizes the myriad influences that contribute to one's sense of self. The woman's connection to the environment around her mirrors the intricate relationship between identity and surroundings. The notion of a "backyard" often evokes a sense of familiarity and intimacy. It is a space that is uniquely personal, and this artwork invites us to ponder what this personal space means for the woman depicted. In much the same way, we are all shaped by our own "backyards"—our histories, cultures, and experiences that come together to form our individual identities. The tranquility of the artwork encourages viewers to embrace the beauty of stillness and contemplation. In a world that often moves at breakneck speed, "Backyard" reminds us of the value of taking a moment to disconnect, reflect, and connect with our own thoughts and emotions. The woman's posture, relaxed and poised, suggests that she is attuned to this moment of quiet introspection. Adetayo's choice to depict a woman adds an additional layer of significance. Historically, women have been portrayed as subjects of scrutiny and objectification, often with their thoughts and emotions overlooked. "Backyard" challenges this norm by presenting a woman as the focal point of a scene that radiates depth and complexity. While "Backyard" is a singular artwork with a specific subject, its themes resonate universally. Regardless of gender or background, the artwork invites viewers to reflect on their own personal landscapes, the spaces they occupy, and the introspective moments that shape their lives. Adetayo's ability to capture such universal themes while maintaining a unique and personal touch is a testament to the power of art to bridge gaps and foster connections across diverse audiences. Adeniyi Joshua Adetayo...

Oil on linen Helen Uter is an established Franco-American painter born in 1955 who lives and works in Donnery, near Orléans, France. Heavily influenced b...

Acrylic on canvas Elena Borstein currently lives and works in New York City and the Adirondack Mountains. Born in Hartford, Connecticut, She received her B.S. Degree from Skidmore C...

Egg tempera on canvas, Shadow joint frame Frank Suplie is a German artist born in 1950 lives and works in Berlin, Germany. He is a member of the Painters Association of the North Ge...

Frank Suplie is a German artist born in 1950 lives and works in Berlin, Germany. He is a member of the Painters Association of the North German Realists since 2006. He paints everyda...

Oil on canvas

Caroline de Piedoue is a French artist born in 1954 who lives & works in Berchères-sur-Vesgre, Eure-et-Loire, France. Her theme of her paintings is largely urban but also beach scene...

Acrylic on canvas

Acrylic on canvas

“Run to Me” portrays a solitary figure leaning against a railing against a vibrant blue background. Dressed in dark clothing with indistinct facial features, the figure appears lost ...

Represented by George Billis Gallery, NYC & LA -- Alex Roulette’s paintings depict false realities. The artist constructs landscapes from numerous source photographs, which he uses a...

Oil on linen

Unique hand painted silkscreen on canvas. Hand signed on verso by Steve Kaufman. Artwork size 48 x 36.5 x 2 inches. Canvas is stretched. Artwork is in excellent condition. Certi...

An abstracted view of the Art Institute of Chicago's Grand Staircase. The lone sculpture fictionally represents an armed officer pointing a gun at an absent figure. [b. 1977 – New York, NY ::: lives & works – New Haven, CT] CHRIS BARNARD received his BA from Yale and his MFA from The University of Southern California (USC) in Los Angeles. Having previously held faculty positions at Denison University, Indiana University, and USC, Barnard is currently associate professor of art at Connecticut College in New London. Barnard’s work has been shown in solo and group exhibitions in Los Angeles, New York, Chicago, and New Haven, among other locations, and can be found in public and private collections nationally and internationally. His work is represented by Fred Giampietro Gallery in New Haven, where he and his partner live. artist statement In my work I focus on white supremacy’s relationship to the privileged spaces of my experiences, such as private art and educational institutions. Amidst widening gaps in wealth and opportunity, discussions about race, power, justice and representation—across visual culture broadly—seem more relevant than ever. In many of my compositions, which reference real sites, I have inserted fictional elements to raise questions about the allegiances and priorities of these institutions, as well as people—including myself—who have benefitted from, or continue to support them. The resulting works are representational, but through gestural passages and color and surface manipulation, I aim to suggest instability, corrosion and decay. In the end, I strive to make engaging paintings that suggest dissonance and ambivalence, that entice and challenge viewers, just as painting them does for me. These paintings are rooted in my contemplating Whiteness and emerge from wrestling with the politics of painting—the connections and gaps between painting and lived experience. They also reflect: a love of paint, the act of painting, and the power of the painted image; a regard for practitioners past and present, as well as those for whom practice has not been possible; and an admission of painting’s complicity with hegemonic power. As always, my process remains driven by questions. In this case, questions like: What role does painting play in the face of concrete social crises? How can my paintings respectfully incorporate¬—rather than exploit—relevant and thought-provoking content and imagery? What does it mean to think about racism, dehumanization, injustice, etc., and then to paint such pictures, and in particular as a straight, White man? These questions and this body of work owe much to the work of others, and most acutely to four scholars’ books in particular: The History of White People, by Nell Irvin Painter; Ebony and Ivy: Race, Slavery, and the Troubled History of America’s Universities by Craig Steven Wilder; The New Jim Crow: Mass Incarceration in the Age of Colorblindness, by Michelle Alexander; and White Rage, by Carol Anderson...

"Stairways to the Stable Mind" is Pop Artist Mark Kostabi's homage to the great MC Escher's "Relativity". Signed and dated lower left and verso.

In his "Immortality" series, Plusch explores how notions of beauty and deformity, eternal and momentary, and life and death intermingle and blur together. This work expresses how all...

In his "Immortality" series, Plusch explores how notions of beauty and deformity, eternal and momentary, and life and death intermingle and blur together. This work expresses how all...