Tissue Paper Interior Paintings

Silhouettes of trees, drawn in a fine, nervous black, rise up on the canvas in a dense cluster at its centre. Their branches claw at a shifting light — gold, orange, blue-grey, white...

Serge de Vries, Dutch artist Interior with secretary Desk 90 x 70 cm Oil on canvas A jug, a sugar bowl, a tea bag – these are objects that we hold carelessly every day, but Dutch f...

Elisabeth Voigt (German, 20th Century, d. 1977) Oil on board (likely hardboard / Masonite); Dimensions: • Image: 22 × 16 cm • Framed: 35x29x5 cm Signed lower left. A charming and...

Still Life Roses Technique: oil, acrylics and ink on thick paper (430g) 48x36cm ■■ 18.9x14.2 in ⏩》-------------------SHIPPING -----FLAT----------------《⏪ 🟢 → Original signed wor...

The harbor town hummed with a low, rhythmic energy as the sun dipped below the horizon. Shadows stretched long and ominous, swallowing the vibrant colors of the day. But as the last ...

Flowers Starwars Vibrant floral still life Technique: oil, acrylics and ink on canvas 70x50cm ■■ 27.6x19.7 inch ⏩》R E A D Y -- T O -- H A N G《⏪ 🟢 → Original signed work. Certifi...

As the moon climbed higher, the stories grew darker, more fantastical. Whispers of mermaids, shipwrecks, and buried treasure filled the air. The harbor town, once a bustling hub of a...

Colorful Modernist Portrait of Two Women in a Mediterranean Interior Artist: Miquel Torner de Semir Title: Two Women in a Mediterranean Interior Medium: Oil and mixed media on canvas Dimensions: 54 × 65 cm / 21.26 × 25.59 in Orientation: Landscape Signature: Signed lower right Frame: Unframed Country of origin: Spain Period: Late 20th century Style: Modernist, Figurative, Neo-Expressionist Subject: Female figures, portraiture, interior scene, Mediterranean landscape Condition: Good vintage condition. The surface presents pronounced impasto, visible texture and intentional irregularities characteristic of the artist’s technique. Description A vibrant and highly decorative modern figurative painting by Catalan artist Miquel Torner de Semir, depicting two stylized women within a richly textured Mediterranean interior. The composition presents one standing woman dressed in vivid red, holding a small turquoise object, while a second female figure appears in profile in the foreground. Their pale faces, large expressive eyes, elongated necks and carefully arranged hairstyles create the enigmatic, timeless presence that defines Torner de Semir’s most recognizable paintings. Behind the figures, the artist constructs a fragmented interior through architectural forms, dark window-like structures and a distant view of white Mediterranean buildings beneath an intense blue sky. The result combines female portraiture, interior painting and Mediterranean landscape within a single layered composition. Strong black outlines organize the scene into flattened areas of cobalt blue, crimson red, turquoise, ochre, brown and violet. Thick impasto, graphic marks and collage-like passages give the canvas a tactile, almost sculptural surface. The contrast between the monumental figures and the abstracted background creates both decorative impact and psychological tension. The painting reflects Torner de Semir’s fascination with Catalan Romanesque frescoes, Gothic portraiture, early Renaissance painting and modern European figuration. The frontal poses, hieratic expressions and simplified forms recall medieval religious imagery, transformed here into a colorful and unmistakably contemporary vision of Mediterranean womanhood. A particularly representative example of the artist’s mature figurative language, combining expressive female portraiture, bold color, textured surfaces and a sophisticated Mediterranean atmosphere. Its compact dimensions and strong visual presence make it especially suitable for a modern interior, eclectic collection or gallery wall. About the artist Miquel Torner de Semir was born in Santa Pau, Girona, in 1938. He studied at the Sant Jordi School of Fine Arts in Barcelona and continued his artistic education at the San Fernando School of Fine Arts in Madrid. He was also a pupil of Catalan muralist, engraver and illustrator Ricard Marlet. Torner de Semir developed a deeply personal figurative style rooted in the visual traditions of Catalonia and the wider Mediterranean world. His work draws inspiration from Romanesque mural painting, Gothic art, Italian primitive painters, Renaissance portraiture and the major European artistic movements of the 20th century. He is especially known for his stylized female figures, characterized by almond-shaped eyes, elongated necks, strongly outlined features and elaborate hairstyles. These mysterious women often inhabit imaginary interiors, theatrical settings or fragmented Mediterranean landscapes. His compositions combine flattened perspective, saturated color and heavily worked surfaces. Through the use of impasto, graphic lines and collage-like textures, Torner de Semir gives his paintings an almost architectural construction. His figures appear simultaneously ancient and modern, combining the solemnity of medieval icons with the expressive freedom of modern figurative art. He held his first solo exhibition in Terrassa in 1968 and subsequently exhibited extensively in Spain and abroad, including France, other European countries, the United States and Japan. His distinctive female portraits and Mediterranean compositions have made his work highly recognizable among collectors of Catalan and Spanish modern art. Pictorial inspiration The composition evokes the expressive female figures of Pablo Picasso, the chromatic intensity and decorative freedom of Henri Matisse, the poetic atmosphere of Marc Chagall, the elongated elegance of Amedeo Modigliani and the simplified, sculptural forms of Paul Gauguin. Its bold outlines, flattened perspective and Mediterranean palette also connect the work with modern European figurative painting and the tradition of Catalan Romanesque art. Colorful modernist painting, female portrait painting, two women painting...

In the late 1960', computers were different then they are today. A whole room was required to accommodate an IBM mainframe. It's here that this romantic scene takes place: in the p...

Eric Hallström (1893-1946) Swedish Party Time pastel on paper signed Eric Hallström image dimensions approx 19.29 x 23.22 inches (49 x 59 cm) frame 26.37 x 30.70 inches (67 x 78 cm...

John Appleton Brown’s A Path Through the Spring Trees is a radiant pastel on paper that beautifully captures the tenderness of early spring. A softly worn path curves gently through ...

Winter Squall [2022] original Mixed Media on Paper Image size: H:20 cm x W:28 cm Complete Size of Unframed Work: H:20 cm x W:35.5 cm x D:27.7cm Sold Unframed Please note that insitu images are purely an indication of how a piece may look This piece reflects the dark menacing cloudscapes over the moors on a dark winters day, I like to use colour to emphasise the dramatic landscapes and to give an element of energy to the piece. Even on the dark days...