1850s Interior Paintings

The White Horse in the Stable English School, indistinctly signed lower right dated 1842 signed, oil on canvas, framed framed: 24 x 29 inches canvas : 21.5 x 26.5 inches provenance: ...

W. Howden (British, 19th century) dated 1893 signed oil painting on canvas, framed framed: 24 x 29 inches canvas: 22 x 27 inches provenance: private collection, England condition: o...

Frank Moss Bennett British, (1874-1952) Papers to Discuss Oil on canvas, signed & dated 1922 Image size: 13.5 inches x 19.5 inches Size including frame: 20.25 inches x 26.25 inches A finely painted scene by Frank Moss Bennett depicting three gentlemen in 18th century costume conversing at a table. One of the men, dressed as a lawyer, looks over a document whilst the others smoke from clay tobacco pipes. Frank Moss Bennett was a portrait and genre painter who was born in Liverpool on November 15, 1874. He was the son of the Iron Founder Henry Mellor Bennett who was also became mayor of Liverpool. His family’s wealth enabled him to receive a good education, initially with a governess and then at Clifton College in Bristol. His talent for art emerged at a young age, however it was not until he left Bristol that he decided to follow a career in painting. He moved to London in 1892, most likely with his family who went to live in Croydon after his father’s retirement. There he studied at the Slade School of Art where he was taught by Henry Tonks and John Singer Sargent. He also met fellow artist Eddie Wells who became his friend, travel partner and brother-in-law. He later attended the St John’s School of Art and in 1896 entered the Royal Academy school, winning a gold medal and a scholarship to travel. He began exhibiting at the Royal Academy from 1898 with a work entitled ‘A Book Plate’, continuing to exhibit there until 1929. He also exhibited at the Paris Salon, the Royal Institute of Oil Painters and the Royal Institute of Painters in Watercolour. In 1900, Bennett used his scholarship money to go on a painting expedition to Italy with his friend Wells. On his return he lived with his family at 18 Warrington Road, Croydon and took a studio nearby at Alipore, Duppas Hill, where he began specialising in historical genre and portraits. His work portrayed life in seventeenth and eighteenth century England, depicting figures in tavern interiors, gentlemen discussing affairs of State or at leisure in their homes. He wanted his works to be historically accurate and used authentic props and antiques. He also accrued a large collection of costumes, some of which were later given to the Platt Hall Museum, Manchester and the Museum of London. He also developed an interest in historical architecture, particularly Tudor and made many sketches of buildings...

Marcel Brunery French, (1893-1982) A Good Hand Oil on panel, signed Image size: 18.75 inches x 23.5 inches Size including frame: 26.75 inches x 31.5 inches Provenance: Frost & Reed ...

A FEAST OF THE GODS WITH VENUS AND BACCHUS Collections: With Appleby Brothers, London, June 1957; Hazlitt, Gooden & Fox, London, 1961; John and Eileen Harris, acquired from the above, to 2015. Literature: Jacob Simon and Ellis Hillman, English Baroque Sketches: The Painted Interior in the Age of Thornhill, 1974, cat. no.12 (as by Louis Laguerre); Elizabeth Einberg (ed.), Manners and Morals: Hogarth and British Painting, 1700-1760, exh. cat., London (Tate Gallery), 1987, cat. no.10 (as by Louis Laguerre); Tabitha Barber and Tim Bachelor, British Baroque: Power and Illusion, exh. cat., London (Tate Britain), 2020. Exhibited: Twickenham, Marble Hill House, English Baroque Sketches: The Painted Interior in the Age of Thornhill, 1974, no.12 (as by Louis Laguerre); London, Tate Gallery, Manners and Morals: Hogarth and British Painting, 1700-1760, 1987, no.10 (as by Louis Laguerre); London, Tate Britain, British Baroque: Power and Illusion, cat. no 92, 2020. CUPID AND PSYCHE BEFORE JUPITER Collections: With Appleby Brothers, London, June 1957; Hazlitt, Gooden & Fox, London, 1961; Anthony Hobson, acquired from the above, to 2015. These recently re-united paintings are the most ambitious surviving baroque ceiling sketches made in Britain in the early eighteenth century. From the Restoration until the rise of Palladianism in the 1720s decorative history painting formed the preeminent artistic discipline in Britain. It was a field dominated by Continental artists including the Italian Antonio Verrio and the Frenchmen Louis Laguerre and Louis Chéron...

Bartolomeo Passerotti ( Bologna 1529 – 3 giugno 1592) Ritratto di Gentiluomo con cane Olio su tavola, Sec. XVI, cm 84x69; con cornice 101x87 // Bartolomeo Passerotti (Bologna 1529...

Jonathan Pratt British, (1835-1911) Spinning Wool Oil on canvas, signed Image size: 12 inches x 17.75 inches Size including frame: 17.25 inches x 23 inches A pleasing genre paintin...

A wonderful depiction of a dapper Parisian dandy, dating from 1848. I love his air of decadence! It is a work by F de Korff, a mysterious French aristocratic portrait artist who had ...

Kate Ruiz is an American Artist living in Nicaragua. Leaving Los Angeles for central America in 2015 with her family, she now lives on a small farm they have carved out of the land. ...

The Young Puppy British School, 19th century indistinctly signed with a monogram oil on canvas, framed framed: 18.5 x 21 inches canvas: 14 x 16 inches provenance: private collection,...

Nicely painted early 1900's oil painting. by Richard Hook. Great color and composition. Nicely framed.

The Family Meal German School, mid 19th century oil on canvas, unframed canvas : 10.75 x 11.75 inches provenance: private collection condition: very good and sound condition