Victorian Interior Paintings

Abundant Still Life of Flowers in a Classical Setting French School, early/ mid 19th century, unsigned Follower of Jean-Baptiste Monnoyer (Franco-Flemish, 1636-1699) oil on canvas, f...

Still Life of Fruit by George Clare (1830-1900) *see notes below signed oil on canvas, framed framed: 12 x 14 inches canvas : 7 x 9 inches Provenance: private collection, UK Conditio...

Still Life of Fruit by Frederick J Stanier (1830-c.1912) oil on canvas, unframed canvas: 8.25 x 10 inches provenance: private collection, England condition: a few minor scuffs and m...

The Young Puppy British School, 19th century indistinctly signed with a monogram oil on canvas, framed framed: 18.5 x 21 inches canvas: 14 x 16 inches provenance: private collection,...

Collie Dog with Kittens English artist, 19th century oil on canvas, framed framed: 22 x 30 inches canvas: 16.5 x 23.5 inches Provenance: private collection, England Condition: The ...

Artist/ School: David Wilkie Wynfield, (British 1837-1887) Title: Elegant Ladies in a Drawing Room interior scene Medium: oil on panel, framed Framed: ...

Artist/ School: French School, late 19th century/early 20th century, signed by Barthelemy Title: Profusion of flowers in a deep blue vase. Medium: oi...

Portrait of a Spaniel English School, 19th century based on a comparable work by Sir Edwin Landseer oil on board with cardboard backing, framed in antique deep gilt frame framed: 21 ...

Artist/ School: David Wilkie Wynfield (1837-1887) British Title: Elegant Figures in an Interior Medium: oil painting on canvas, framed. Indistinctly Ins...

Ornate Still Life of Classical Flowers by Frank Lonsdale, British early 20th century signed oil on board, unframed dated 1936 or 8 board : 28 x 25 inches Provenance: private collecti...

James Cassie was born at Keithhall near Inverurie, Aberdeenshire, the son of a prosperous tea and spirit merchant. Although briefly a pupil of the artist James Giles, Cassie was largely self-taught. He began his career as a painter of animals and portraits, but on moving to Aberdeen he increasingly turned his attention to local seascapes and coastal scenes, especially at dawn and sunset. He favored these outdoor scenes but continued to paint some domestic subjects and portraits throughout his life. In 1869 he moved to Edinburgh and was elected an associate of the Royal Scottish Academy. Shortly before his death in 1879 he was elected an Academician. This piece is framed in its original frame and the painting is signed lower right and inscribed on the reverse. From the inscription on the reverse, this painting was purchased from an important house sale...

The Two Puppies by Gabriel Metsu, Continental artist late 20th century signed oil on panel, framed framed: 11 x 13.5 inches panel : 7 x 9.5 inches Provenance: private collection, UK ...

Still Life of Fruit by Oliver Clare (British 1853-1927) oil on canvas, framed framed: 11 x 14 inches canvas : 6 x 9 inches Provenance: private collection, England Condition: very go...

Farm yard Friends English artist, mid 19th century circle of John Frederick Herring Snr (1795-1865) bears signature verso oil on canvas, unframed canvas: 7 x 8 inches provenance: pri...

Three Terrier Dogs in Barn Interior Attributed to George Armfield (British 1808-1893) oil on canvas, framed within antique oval inset gilt swept frame framed: 27 x 31 inches canvas: ...

Chasing the Rat! by Frank Cassell (British 1862-1908) oil on canvas, framed framed: 14.75 x 19.75 inches canvas : 12 x 16 inches Provenance: private collection, UK Condition: very go...

The Victorian Interior English School, 19th century oil on board, framed behind glass hence photo reflection glare framed: 7 x 8.5 inches board: 4 x 5 inches inscribed verso provenan...

This superb, large British Victorian portrait in an interior oil painting is attributed to circle of Ralph Peacock. Peacock painted a large number of children of wealthy 19th century families, often with luscious ornate backgrounds and textiles such as the wall paper, marquetry piano...

Terriers Ratting in the Barn by Frank Cassell (British 1862-1908) signed and dated 1889 oil on canvas, framed framed: 14.75 x 19.75 inches canvas : 12 x 16 inches Provenance: private...

Item is in excellent condition and has only been displayed in a gallery setting. Item includes frame; framed dimensions are approximately 31 x 38 inches. Cornelis le Mair is truly a renaissance man, encompassing all disciplines of the arts. He enjoys painting, drawing, writing, architecture, sculpture, and interior design. Le Mair was born in Eindhoven, The Netherlands in 1944. He began drawing and painting at the young age of five and while in kindergarten, he was often made to show his paintings in other classes even though he was shy about doing so. “When I could not play outside because of bad weather, I would sit in my bedroom and would draw.” His early art studies were widely influenced by the Rembrandt exhibit in the Rijksmuseum (1956) that he attended with his father. There le Mair was inspired by the Old Masters and “the desire to unravel all the mysteries hidden under the cracked varnish” began. Already having painted a lifesize copy of “The Nightwatch” on the wall of his bedroom, le Mair was continually driven by the Rembrandt exhibit. He began to experiment with resins, pigments and oils in order to hone and perfect the technique of the old masters. He studied drawings and paintings and early on developed the feeling of color and composition. After completing high school, he worked for a short period as a designer of woven fabrics. Although his heart desired to paint, he enjoyed having a pencil and brush in hand and a case full of art books and says, “This treasure of inspiring information took me further on track to the traditional trade.” At this same time, le Mair’s artistic endeavors led him to learn the art of music. First learning to play the guitar from friends, he began performing at youth centers. This love of music expanded into him learning to play the mandolin, turning lye, banjo, and bagpipes. Just after his eighteenth birthday, le Mair was accepted into military service where his lack of conforming led him to a maximum solitary confinement sentence. After a month in training, the army physician and le Mair agreed that he was born to be an artist and released le Mair from military services. Once he returned home, with the encouragement from his parents, le Mair began his art schooling at the Art Academy (Kustacademie) in ‘s-Hertogenbosch, The Netherlands. There he found that the school was geared for modernism and after painting a portrait of a fellow classmate, his teachers advised le Mair to look for a school where the traditional ideas were still taught. Longing to study the classical arts, he applied and was accepted to the Academy of Fine Arts (Koninklijke Kunstacademie) in Antwerp, Belgium in 1965. After studying under Professor Victor Dolphijn, le Mair graduated cum laude in portrait and figure paintings in 1968. He was then promoted to study as a student of the Higher Institute, a structure at a higher university level where he studied under Rik Slabbinck...

Charles Hunt Jnr British, (1829-1900) A Visitor Calls Oil on canvas, signed Image size: 24.75 inches x 34.75 inches Size including frame: 32.25 inches x 42.25 inches A wonderful genre painting by Charles Hunt of two men and two boys with horses and other animals in a cottage. A farmer and his two sons can be seen eating lunch at a table in rustic interior as a visitor approaches. Perhaps encouraged by the boys, a piglet seems to have found its way onto the table whilst a rabbit and guinea pig eat cabbage leaves on the floor. To the far right, a horse is shown in a stable area along with some piglets. To the far left, a terrier waits on the step by its master. Charles Hunt was a genre and figure painter born in Kensington, London in 1829. His sons Reuben Hunt...

James William Cole English, 19th century Children Playing Dress-Up Oil on canvas Signed and dated lower right A finely observed Victorian genre scene depicting two young children ...

After the painting by John Lomax,who was an English genre painter The scene is great fun, as we can see different groups all enjoying the Classic English Pub interior...

Feeding Time, the Cottage Interior Scottish School, 19th century signed lower corner oil on board, framed framed: 19 x 24 inches board: 14.5 x 18 inches Provenance: private collecti...

Framed size: 37" x 46.5" Signed bottom right "Making the Next Move" is a very typical example of Schroder's work. The figures sitting around the table debating their "next move" t...

The Cottage Interior English artist, 19th century oil on canvas, unframed canvas: 24 x 36 inches provenance: private collection, UK condition: a few small scuffs to the surface and m...

This charming British Victorian oil painting is by noted artist Albert Chevalier Tayler. Painted in 1896 the composition is four women in a sitting room. One young woman is holding u...

Still Life of Flowers by Frederick J Stanier (1830-c.1912) signed oil on canvas, unframed canvas: 8.25 x 10 inches provenance: private collection, UK condition: a very few scuffs and...

Alfred Holst Tourrier British, (1835-1892) The Prisoner Oil on canvas, signed with monogram & dated (18)78 Image size: 28.5 inches x 18.75 inches Size including frame: 35 inches x 2...

This lovely British Victorian oil painting is by noted artist John Eaton Walker. Painted circa 1855 it is portrait in an interior of a beautiful young woman in a yellow satin dress. ...

Frank Cassell (British 19th century) signed oil painting on canvas, framed framed: 18.5 x 22 inches canvas: 12 x 16 inches provenance: private collection...

Signed and dated 92 lower left. Oil on canvas. Frank Bramley British, 1857-1915 Frank Bramley is considered one of the most important artists of the Newlyn School, the group of artists who settled in Newlyn, Cornwall during the 1880s and 1890s, drawn by the light, lifestyle and the example of Alexander Stanhope Forbes, and were at the forefront of 'British Impressionism'. He was particularly ‘in the news’ when his painting of a woman reading in a garden made the astonishing price of $590,000 at Sotheby's New York in late May 1996. As the seminal catalogue of the famous Newlyn School exhibition states, Bramley's reputation has rested for some time on Hopeless Dawn, his major RA exhibition of 1888, and which in recent years has been hung almost constantly at the Tate Gallery. Bramley was born in Lincolnshire and trained at Lincoln Art School, later at Verlat's Academy in Antwerp, from where he went to Venice in 1882-83, where our painting was executed. He first showed at the Royal Academy in London in 1884 (both paintings were Venetian scenes), and it was in the winter of 1884/5 that Bramley settled in Newlyn. He was a quiet and reserved figure, prone to bouts of melancholy. He worked on his own in a tiny studio in an old thatched cottage - the cottage consisted of two rooms, one at ground level (which was the studio) and one which was below ground which was inhabited by a woman who'd lost her arms and who managed to look after a set of tiny children as well as a small potato and turnip shop. Bramley moved to a purpose-built glass studio in 1889. He is known as the master of the so-called 'square-brush technique' which characterizes much of the best Newlyn School work and he used this until 1893, later than most of his colleagues. Bramley was friendly with the great artist Sargent and with him was elected an associate of the Royal Academy in 1894, being elected a full member in 1911. In 1891 he had married, and 4 years later they moved to the Midlands where his work became less socially orientated and more purely decorative. His last years were spent in a London flat...

Lucienne Lemercier was a French painter from the latter part of the 19th century through the early 20th century. She came from a family of creative people and took to painting at a...

Artist/ School: French School, early 20th century Title: Still Life of Roses Medium: signed oil painting on canvas, unframed. canvas: 17 x 21.75 inches Provenance: private col...

A fine Scottish Victorian interior scene by George Hay RSA. A very vibrant stunning Scottish historical interior painting which dates to about 1870. It depicts two women curtsying...

The Country House Interior British School, 19th century oil painting on canvas, framed canvas: 21 x 17 inches framed: 24 x 20 inches conditon: very sound, presentable and good. Frame...

James Cassie was born at Keithhall near Inverurie, Aberdeenshire, the son of a prosperous tea and spirit merchant. Although briefly a pupil of the artist James Giles, Cassie was larg...

Oil on canvas, signed in the lower right. Measures 36" x 41" including the frame. Johann Georg Meyer Von Bremen (German 1813-1886) was a genre painter. He was the son of master baker Johann Georg Meyer. His mother was strictly religious. From 1833 he studied at the Düsseldorf Academy of Fine Arts , which was led since 1826 by Friedrich Wilhelm von Schadow, the son of the sculptor Johann Gottfried Schadow. In addition to Schadow, Karl Ferdinand Son was his teacher there. Meyer acquired the necessary craftsmanship skills to make a living from the sale of his paintings, but he was initially unable to do so. From 1841 to 1852 he maintained his own studio in Düsseldorf. On his travels to Brussels and Antwerp Meyer experienced the works of Peter Paul Rubens and Anthonis van Dyck. In 1851 he married the singer Julia Beer...

This superb Victorian animal portrait oil painting is by noted listed artist Carl Suhrlandt. Painted in 1884 it is a lovely portrait of a cat and dog in a living room at supper time....

This superb French Victorian portrait oil painting is by noted French society painter Jules-Elie Delaunay. Painted in 1883 it is a three-quarter length profile portrait of the Marquesa de Escombreras. Her full name was Trinidad Maria Piedad Fulgenico de Aguirre. She was born in 1824 in Cartagena, Spain, the seventh and last child of Jose de Aguirre, a retired naval officer. On October 22nd 1843 she married Frenchman Hilarion Roux (1819-1898) who was a banker from Marseille who settled in Cartegena in January 1843. After her marriage she was known as Trinidad Roux. Hilarion Roux had arrived in Cartagena first to trade silver. He quickly became one of the main lead industrialists in Catagena then in the Mediterranean area. The couple later lived in France again, in Marseille and later in Paris, where Trinidad died in 1905 aged 81. Interestingly there is no similar portrait of her husband. In this superb painting, the Marquesa, aged about 60 in reality, is wearing a black off the shoulder dress...

An original oil on canvas painting measuring 17 x 8 inches by F.S. Muschamp, signed lower right. In the nineteenth century, the Neo-Classical movement bloomed, bringing forth a new style and interpretation of the past. F. Sydney Muschamp...

Letitia Bonnet Hart (American, 1867-1953) Victorian Ladies Oil on canvas, 21 x 16 1/4 inches FRAMED: 28 x 23 inches (approx.) Signed at lower right: "Letitia B. Hart" Label on stretcher: "Marbella Gallery, New York" Daughter of the Hudson River School painter James McDougal Hart, Letitia was born into an extended family of accomplished artists. After preliminary study with her father and mother, she attended the Brooklyn Academy of Design and the National Academy of Design. She began exhibiting at the age of eighteen, and continued to exhibit in Brooklyn, Philadelphia, Massachusetts, Louisiana Purchase Exhibition, and the 1893 World’s Columbian Exposition...

Arthur Batt (British, 19th century) Scottie with Parrot Oil on canvas Circa 1880 In the original frame Signed bottom right This charming and unusual animal subject is a fine example...

Classical Still Life English School, signed and dated 1968 signed oil on board, unframed board : 28 x 25.5 inches Provenance: private collection, England Condition: a very few minor ...

Arthur Wardle 1864 - 1949 At the Window Oil on board, signed lower left Image size: 13 1/2 x 7 3/4 inches (34.25 x 19.5 cm) Hand made gilt frame Arthur Wardle Wardle, who was self-...

Marcel Brunery French, (1893-1982) A Good Hand Oil on panel, signed Image size: 18.75 inches x 23.5 inches Size including frame: 26.75 inches x 31.5 inches Provenance: Frost & Reed ...

Still Life of Roses French School, circa 1930's period signed oil on board, unframed board: 10 x 15 inches provenance: private collection, France condition: very good and sound condi...

Robert Alexander Hillingford British, (1828-1904) The Duke’s Musicians – A Reminiscence of Hardwick Hall, Derbyshire Oil on canvas, signed Image size: 40 inches x 59 inches Size including frame: 47.5 inches x 66.5 inches Exhibited at the Royal Academy in 1883, no. 844 Exhibited at the Yorkshire Institute A large-scale Royal Academy painting...

Discussing Ailments by ALEXANDER AUSTEN (1859-1924) signed with monogram oil on canvas, framed framed: 13.5 x 17 inches canvas: 9 x 12 inches Provenance: Private collection, Yorkshir...

'A Game of Cards' George Goodwin Kilburne (1839-1924) British signed watercolor on board, framed framed: 10 x 11 inches board: 9.5 x 10.5 inches Provenance: private collection, Engla...

This absolutely charming exhibited British Victorian oil painting is by female artist Maria Louisa Angus. Painted in 1891, it was exhibited at the Royal Academy that same year. The composition is an interior scene with two young girls on a sofa, looking at a picture book and keeping 'out of mischief' as it is entitled. The room holds an exotic mix of oriental objects and a gorgeous umbrella plant in a gleaming terracotta pot. The girls themselves are sat on a beautifully detailed fur throw, looking at a book, with a marine painting on the wall behind them. The brushwork and colouring are superb and the pink of the older girl's dress is picked up throughout the room. A really lovely painting by a very talented Victorian female artist. Signed and dated M.L. Angus 1891 lower left. Provenance. Exhibited at the London, Royal Academy, 1891, no. 841 entitled Out of Mischief. Anonymous, sale, Doyle, New York, May 20, 1998, lot 161, illustrated. Private collection, Newport, Rhode Island. Condition. Oil on canvas, 27 inches by 20 inches unframed and in good condition. Frame. Housed in a gilt frame, 34 inches by 27 inches framed and in good condition. Maria Louisa Angus (1863 - 1934) was born in Southwark on 29th July 1863, the daughter of a printer. She studied at the Lambeth School of Art in 1886 and established a studio at 1a Cowley Street in Westminster, later she worked out of Powers Studio in Ruskin House, Rochester Row. She specialised in genre subjects and some landscapes. She exhibited 10 pictures at the Royal Academy between 1888 and 1893 as well as many London Galleries and Societies. In 1913 she exhibited in the Anglo German Exhibition...

Fruit Still Life Attributed to Ferdinand Cirel (Welsh 1884 - 1968) signed bottom right oil on board, framed framed: 14 x 15 inches painting: 10 x 12 inches provenance: from a collect...

Card Game in the Parlour by ALEXANDER AUSTEN (1859-1924) signed oil on canvas, framed framed: 17 x 15 inches canvas: 12 x 10 inches Provenance: Private collection, Yorkshire, England...

'A Game of Cards' George Goodwin Kilburne (1839-1924) British watercolor on board, framed framed: 10 x 11 inches board: 9.5 x 10.5 inches Provenance: private collection, England Cond...

This superb, large British Victorian oil painting is by noted Newlyn and Menton artist Arthur Alfred Burrington. It was painted circa 1890 when Burrington was most likely in Newlyn, ...

Playing for her Father by William Maw Egley (British, 1827-1916) inscribed verso oil on board, framed framed: 13 x 16 inches board: 9 x 12.5 inches provenance: private collection, En...

Very decorative animal scene of two dogs in an interior surprising a cat walking towards them. Grover Hawking was a late 20th-century painter active in New Jersey and Long Island. ...

Charles Hunt Jnr British, (1829-1900) A Deal to be Done Oil on canvas, signed Image size: 24.75 inches x 34.75 inches Size including frame: 32.25 inches x 42.25 inches A superb genre painting of two men and a boy with donkeys and other animals in cottage by Charles Hunt. Two men are depicted conversing at a table in rustic surroundings as a boy watches on. Meanwhile, two donkeys and a pig can be seen chewing the leaves of a turnip on the floor nearby as a small dog stares out at the viewer. Through the open door to the far left, we are shown a glimpse of a garden path leading to a gate with trees and a landscape beyond. Charles Hunt was a genre and figure painter born in Kensington, London in 1829. His sons Reuben Hunt...

This lovely Scottish Edwardian interior portrait oil painting is by noted Scottish artist Arthur Percy Dixon. Painted in 1906 it is a seated portrait of a lady in the corner of a roo...

This oil on canvas is signed and dated in the lower right and measures 32.5" x 37" including the frame. The scene depicts a young lady playing her guitar by the light of the fire. Th...