Photogravure Paintings

This Limited Canvas Edition ( #10 of 20 ) is hand painted on Giclée printed Canvas. , finishing by the artist Shizico Yi with original brushstroke and oil paints on 90% of the painti...

This stunning Artist's Proof is an one-off, oil hand-painted by the artist , signed at front and on the back label too; each proof is 80% hand painted by Shizico Yi, because the natu...

This stunning large One-Off Artist Proof is almost 90% handprinted by the artist Shizico Yi and its visual presence promises to bring huge impact to your space. The Proof is an one ...

In With Smiles and Tears color, line, shape, and texture collide on Kozuke ivory paper. This one-of-a-kind, unmounted encaustic monotype illuminates a poetic interior landscape. The ...

In the artist's abstract print series, Pink Cosmos, 2023 by a.muse represents an imaginary cosmos - the universe as a place of longing, dreams, wonder, and ethereal beauty. A 13.75" ...

Stunning horizontal abstracted mesh and gold-leaf lithograph on heavy bond paper with artist's protocol notes (for future projects) by Patricia A. Pearce (American, b. 1948). Unsigne...

Small abstract expressionist style monotype in navy blue, green, light violet, and soft yellow 'Untitled 4' by Jenny Nelson Monotype, mad...

Delicate and layered collotype on both sides of heavy bond paper by Patricia A. Pearce (American, b. 1948). The background of this piece is a collotype. Gold leaf, treated in a varie...

"de Kus" (The Kiss) Abstract Monotype in Ink on Paper Bright and bold abstract monotype by Dutch-American artist Anouk Johanna (b. 1946). Two abstracted human-like dark grey shapes are mirror images of each other, surrounded in a multicolored background. The background has a textured look, with blended variations in shades of yellow, green, teal, and magenta. Signed and dated "Anouk Johanna '93" in the lower right corner. Numbered "1/1" in the lower left corner. Titled "de Kus" in the lower middle. Presented in a wood frame and an off-white mat. Frame size: 17.5"H x 15.75"W Image size: 9.25"H x 7.75"W Anouk Johanna (Dutch, b. 1946) grew up in Amsterdam Holland and already knew as a young child she was going to be an artist. In Amsterdam she was exposed to world class art and early on she showed signs of a multitude of talents in visual as well as performing arts. Her parents fully supported and encouraged her. She studied drama as well as costume and textile design and was part of a traveling theater group before she started studying sculpture at the prestigious Rietveld Akademie. In 1969 she was offered an opportunity to travel to the USA to study sculpture at the Brooklyn Museum Art School in Brooklyn, New York. There she met and married an American sculptor. They traveled and lived all over the US and in Holland and had two daughters. In Amsterdam they bought an old sailboat where they lived a romantic life as true bohemian artists and made art even when the children were very small. In 1971 they moved back to New York City and Johanna created large fiber art wall hangings for several years. In 1975 her husband and she, now living in L.A., learned to be silversmiths and started selling their jewelry at Arts and Crafts Fairs. This was a more lucrative way to raise a family than as sculptors. It was at the Californian Art Fairs that they were first introduced to the art of "scrimshaw" (engraving and inking of images on ivory or bone) and began to create their own scrimshaw pieces happy to be able to combine sculpture and drawing skills. In 1980, after a divorce, Johanna settled with her daughters in Santa Cruz, CA where she started taking classes at Cabrillo College and studied painting, drawing, jewelry, printmaking and art history while continuing to sell her scrimshaw jewelry...

Delicate and layered collotype on heavy bond paper by Patricia A. Pearce (American, b. 1948). The background of this piece is a collotype, whereas the lace, strings, and shadows are ...

Delicate layered collotype on heavy bond paper by Patricia A. Pearce (American, b. 1948). This piece is unsigned, but was acquired with a collection of other Pearce work. No frame. I...

In E'stelle II color, line, shape, and texture collide on Kozuke ivory paper. This one-of-a-kind, unmounted encaustic monotype illuminates a poetic interior landscape. The softness o...