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Style: Renaissance
A Marshal in his forge Large Oil Painting on Canvas by Louvre Copyist

A Marshal in his forge Large Oil Painting on Canvas by Louvre Copyist

Located in Cirencester, Gloucestershire

"A Marshal in his forge" After Louis LE NAIN (1593-1648) oil painting on canvas, late 20th century from the studio of Dagher, Paris (read notes below), stamped...

Category

20th Century Renaissance Nude Paintings

Materials

Canvas, Oil

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The Walk - Contemporary Figurative Oil Painting, Sea, Beach View, Realism, Woman
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By Julita Malinowska

Located in Salzburg, AT

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The pearl necklace and the violets. Women in art!
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Madeleine LemaireThe pearl necklace and the violets. Women in art!, 1910

$48,000Sale Price|20% Off

H 32.68 in W 40.56 in D 1.97 in

The pearl necklace and the violets. Women in art!

By Madeleine Lemaire

Located in New York, NY

“The pearl necklace and the violets” . Oil on canvas 83x103cm, signed, untouched. An excellent example of french academic art from late XIX century. A great example of women in art...

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Paradox of St. Sebastian - Contemporary Oil Painting with Graffiti and Shackles
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Paradox of St. Sebastian - Contemporary Oil Painting with Graffiti and Shackles

By Bruno Surdo

Located in Chicago, IL

This painting is Bruno Surdo’s contemporary reimagining of Saint Sebastian, one of the most enduring subjects in Western art. From Mantegna and Botticelli to Guido Reni and Caravaggio, Sebastian has long been depicted as the bound, arrow-pierced martyr whose physical suffering becomes an image of spiritual transcendence. Surdo clearly situates himself within this lineage: the contrapposto pose, uplifted gaze, and carefully modeled anatomy reflect his atelier training and deep engagement with Renaissance ideals of the heroic nude. The flesh is luminous and sculptural, recalling Michelangelo’s influence on the canon of the male body as both aesthetic and symbolic form. Yet Surdo decisively destabilizes the tradition. The arrows piercing the body are not lethal shafts but rubber suction-cup darts—objects associated with toys and staged play. This substitution transforms martyrdom into performance. The gravity of sacred suffering is undercut by irony, even absurdity. The saint is no longer impaled by instruments of death but by harmless projectiles, suggesting that contemporary suffering may be theatricalized, trivialized, or culturally mediated. At the same time, the figure’s expression remains sincere and emotionally vulnerable; the psychological intensity is real, even if the wounds are not. This tension between authentic emotion and artificial harm introduces a modern critique of spectacle—how pain can be aestheticized, simulated, or consumed. The graffiti-covered urban wall further collapses sacred history into contemporary space. Instead of a devotional landscape or heavenly backdrop, Surdo situates his Sebastian against a chaotic, tagged surface, merging classical beauty with raw urban immediacy. Saint Sebastian has long functioned not only as a symbol of faith but also as an emblem of sensualized male beauty and coded identity in art history. Surdo acknowledges that layered tradition while reframing it through irony and cultural commentary. By replacing deadly arrows with toy darts, he transforms martyrdom into a meditation on vulnerability in an age where suffering may be symbolic rather than fatal—performed, projected, or socially inflicted rather than divinely ordained. As in much of his work, Surdo grounds contemporary psychological tension in the authority of Renaissance form, using the language of history painting to question what sanctity, sacrifice, and spectacle mean today. Bruno Surdo Paradox of St. Sebastian oil on canvas 60h x 36w in 152.40h x 91.44w cm Bruno A. Surdo b. Chicago, 1963 EXHIBITIONS 2018 Liberation, Gallery Victor Armendariz, Chicago, IL Blood Sport, Gallery Victor Armendariz, Chicago, IL Art on Paper 2018, Gallery Victor Armendariz, Pier 36, New York, NY SOFA Chicago 2018, Gallery Victor Armendariz, Navy Pier, Chicago, IL 2017 POP!ARAZZI, Gallery Victor Armendariz, Chicago, IL Coming Attractions, Gallery Victor Armendariz, Chicago, IL 2015 SOFA Chicago 2015, Ann Nathan Gallery, Navy Pier, Chicago, IL Bruno Surdo: Allegories, Ann Nathan Gallery, Chicago, IL 2014 Bruno Surdo: Respond, Ann Nathan Gallery, Chicago, IL Modern Metaphors, Rockford Art Museum, Rockford, IL 2013 Bruno Surdo: Revelations, Ann Nathan Gallery, Chicago, IL Vice + Virtue, Northern Illinois University Museum of Art 2012 Contemporary Realism Biennial, Fort Wayne Museum of Art, Fort Wayne, IN 2011 Bruno Surdo, University of St. Francis School of Creative Arts, Fort Wayne, IN Uncensored, Ann Nathan Gallery, Chicago, IL 2010 Art Chicago 2010, Ann Nathan Gallery, Merchandise Mart, Chicago, IL 2009 Art Chicago 2009, Ann Nathan Gallery, Merchandise Mart, Chicago, IL 2007 Bruno Surdo, Art Institute of Indianapolis, Indianapolis, IN 2006 Context/Content: Making Meaning with the Figure, University of Arkansas, Conway, AR Creative Imaginings, Mobile Museum of Art, Mobile, AL Bruno Surdo: Cycles, Ann Nathan Gallery, Chicago, IL 2005 Art Chicago 2005, Ann Nathan Gallery, Chicago, IL 2004 Tragedy, Memory, & Honor, Richard M. Daley Center, Chicago, IL Art Chicago 2004, Ann Nathan Gallery, Chicago, IL Group Show, Arcadia Gallery, New York, NY Drawings VII, Koplin Del Rio Gallery, West Hollywood, CA Armory Show, New York Armory, New York, NY 2003 Paintings & Drawings, College of Lake County, Grayslake, IL The Art Show, New York, NY Bruno Surdo: New Work, Ann Nathan Gallery, Chicago, IL Art Chicago 2003, Ann Nathan Gallery, Chicago, IL 2003-10 International Show of Contemporary Artists, Chicago Art Open, Chicago, IL 2002 Bruno Surdo: Perception of Appearance, Frye Museum, Seattle, WA Tragedy, Memory, & Honor, Richard M. Daley Center, Chicago, IL Bruno Surdo: Transcendence, Ann Nathan Gallery, Chicago, IL Art Chicago 2002, Ann Nathan Gallery, Chicago, IL Tragedy, Memory, & Honor, Ann Nathan Gallery, Chicago, IL 2001 Magic Vision, Arkansas Art Center, Little Rock, AR 1998 Evanston and Vicinity Artists, Evanston Art Center, Evanston, IL 1996 Bruno Surdo: A Personal View, University of Wisconsin, Kenosha, WI 1995 Bruno Surdo: Recent Works, College of Lake County, IL AIDS in Our Society, Loyola University, Chicago, IL Bruno Surdo: Life, Struggle, and Hope, Chicago Cultural Center, Chicago, IL 2001 Magic Vision, Arkansas Art Center, Little Rock, AR Bruno Surdo: Dualities of Life, Ann Nathan Gallery, Chicago, IL 1999 Group Show, Ann Nathan Gallery, Chicago, IL 1998 Group Exhibition, Fine Arts Building Gallery, Chicago, IL 1995 Spiritual Inquiries, Struve Gallery, Chicago, IL 1994 Recent Works, The 14th Annual Juried Exhibition for Lake County Artists, Grayslake, IL Go Figure, Figurative Works on Paper, Chicago Printmakers Collaborative, Chicago, IL SELECTED COLLECTIONS The Re-Birth of Venus, Temporary Loan, Fort Wayne Museum of Art Arkansas Art Center, Little Rock, AR College of Lake County, Greyslake, IL Flashpoint Academy, Chicago IL John Robert Wiltgen Design Shoemaker Ruud Collection Julie & Thomas Danilek Michael Vozzella and Mike Silver Benjamin Fernandez Tom Braake Betsy Colburn Michael Diemand & Lor LaRose Michael Staab & Kathy Brock Bruce Leep Frank Tzurect Mary Foley Rosalyn Carlson Mimmy Turney Janet Long Halstead Billy Hunt Carol Galli Myles Kerrigan Honorable & Mrs. Edwin Berman Theodore Gage Northrop Art Museum Past Present & Future Company Dr. James & Peggy Kemmler Salvatore Monastero Nix & Virginia Lauridsen Joel Miller David & Marlene Zerkel Ann & Andy Abel Claudia Rush Marc Miller Leonard Goldberg Lawrence Pucci Howard Tullman Collection Susan & Manny Kramer James Rinnert Richar Interiors Michael & Nancy Colt Khalid Altijir Dr. Joe Grodman Beryl & Jack Gore Larry Wolf & Eric Naegle Chuck Wolandi Jack Schwab & David Sandelin Thomas Kaczmarek Marti Dinerstein Craig & Michael Golden...

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21st Century and Contemporary Renaissance Nude Paintings

Materials

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Follower of Roderic O'Connor, Female nude in an interior, large oil painting
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Follower of Roderic O'Connor, Female nude in an interior, large oil painting

By Roderic O'Conor

Located in Harkstead, GB

A very striking and stylishly painted oil of a shapely nude reclining on a draped sofa, dating from the early to mid 20th century . This large scale oil is presented in an attractive...

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Mid-20th Century Renaissance Nude Paintings

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Robert K. White "Study of Otaho by Paul Gauguin, 1893" 2004 Oil on Canvas
Robert K. White "Study of Otaho by Paul Gauguin, 1893" 2004 Oil on Canvas

Robert K. White "Study of Otaho by Paul Gauguin, 1893" 2004 Oil on Canvas

Located in Miami, FL

ROBERT KENNETH WHITE (b. 1950) – "STUDY OF OTAHO (ALONE) BY PAUL GAUGUIN, 1893" Oil on Canvas ⚜ Hand Signed on Verso ⚜ Frameless Display AN HOMAGE TO GAUGUIN’S TAHITIAN PERIOD "Stud...

Category

Early 2000s Renaissance Nude Paintings

Materials

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Desire - Nude Lovers Entangled in a Passionate Kiss, Oil on Paper on Canvas
Desire - Nude Lovers Entangled in a Passionate Kiss, Oil on Paper on Canvas

Desire - Nude Lovers Entangled in a Passionate Kiss, Oil on Paper on Canvas

By Bruno Surdo

Located in Chicago, IL

This painting demonstrates Bruno Surdo’s deep grounding in classical figurative tradition while addressing intimacy in a distinctly contemporary register. The tightly compressed composition—two nude bodies locked in a kiss—recalls Renaissance and Baroque explorations of entwined figures, from Michelangelo’s sculptural studies of interlocking forms to Caravaggio’s emotionally charged chiaroscuro. The anatomical modeling is central: the musculature of the male back, the subtle weight shift in the female torso, and the nuanced transitions of light across flesh reveal Surdo’s atelier training and commitment to Renaissance draftsmanship. The dark, atmospheric background isolates the figures, heightening their sculptural presence and intensifying the psychological focus. Art historically, the pose evokes both sacred and mythological precedents—embraces seen in depictions of Venus and Mars, Cupid and Psyche, or even the sensual gravity of Rodin’s later sculptural couples. Yet Surdo strips away allegorical attributes and narrative setting. The white drapery loosely gathered at the woman’s hip subtly references classical sculpture, where cloth both conceals and accentuates form. Unlike historical idealization, however, these bodies feel lived-in and human rather than mythic. Surdo’s broader practice often stages grand allegories or mythological conflicts; here he distills that tradition into a singular moment of private intensity. The painting bridges past and present, demonstrating how the language of Renaissance form and Baroque light can still articulate modern vulnerability, desire, and connection without relying on overt narrative symbolism. Bruno Surdo Desire oil on paper on canvas 40h x 30w in 101.60h x 76.20w cm BRS086 Bruno A. Surdo b. Chicago, 1963 EXHIBITIONS 2021 Ethos + Truth, Gallery Victor Armendariz, Chicago, IL 2020 Realities, Gallery Victor Armendariz, Chicago, IL 2018 Liberation, Gallery Victor Armendariz, Chicago, IL Blood Sport, Gallery Victor Armendariz, Chicago, IL Art on Paper 2018, Gallery Victor Armendariz, Pier 36, New York, NY SOFA Chicago 2018, Gallery Victor Armendariz, Navy Pier, Chicago, IL 2017 POP!ARAZZI, Gallery Victor Armendariz, Chicago, IL Coming Attractions, Gallery Victor Armendariz, Chicago, IL 2015 SOFA Chicago 2015, Ann Nathan Gallery, Navy Pier, Chicago, IL Bruno Surdo: Allegories, Ann Nathan Gallery, Chicago, IL 2014 Bruno Surdo: Respond, Ann Nathan Gallery, Chicago, IL Modern Metaphors, Rockford Art Museum, Rockford, IL 2013 Bruno Surdo: Revelations, Ann Nathan Gallery, Chicago, IL Vice + Virtue, Northern Illinois University Museum of Art 2012 Contemporary Realism Biennial, Fort Wayne Museum of Art, Fort Wayne, IN 2011 Bruno Surdo, University of St. Francis School of Creative Arts, Fort Wayne, IN Uncensored, Ann Nathan Gallery, Chicago, IL 2010 Art Chicago 2010, Ann Nathan Gallery, Merchandise Mart, Chicago, IL 2009 Art Chicago 2009, Ann Nathan Gallery, Merchandise Mart, Chicago, IL 2007 Bruno Surdo, Art Institute of Indianapolis, Indianapolis, IN 2006 Context/Content: Making Meaning with the Figure, University of Arkansas, Conway, AR Creative Imaginings, Mobile Museum of Art, Mobile, AL Bruno Surdo: Cycles, Ann Nathan Gallery, Chicago, IL 2005 Art Chicago 2005, Ann Nathan Gallery, Chicago, IL 2004 Tragedy, Memory, & Honor, Richard M. Daley Center, Chicago, IL Art Chicago 2004, Ann Nathan Gallery, Chicago, IL Group Show, Arcadia Gallery, New York, NY Drawings VII, Koplin Del Rio Gallery, West Hollywood, CA Armory Show, New York Armory, New York, NY 2003 Paintings & Drawings, College of Lake County, Grayslake, IL The Art Show, New York, NY Bruno Surdo: New Work, Ann Nathan Gallery, Chicago, IL Art Chicago 2003, Ann Nathan Gallery, Chicago, IL 2003-10 International Show of Contemporary Artists, Chicago Art Open, Chicago, IL 2002 Bruno Surdo: Perception of Appearance, Frye Museum, Seattle, WA Tragedy, Memory, & Honor, Richard M. Daley Center, Chicago, IL Bruno Surdo: Transcendence, Ann Nathan Gallery, Chicago, IL Art Chicago 2002, Ann Nathan Gallery, Chicago, IL Tragedy, Memory, & Honor, Ann Nathan Gallery, Chicago, IL 2001 Magic Vision, Arkansas Art Center, Little Rock, AR 1998 Evanston and Vicinity Artists, Evanston Art Center, Evanston, IL 1996 Bruno Surdo: A Personal View, University of Wisconsin, Kenosha, WI 1995 Bruno Surdo: Recent Works, College of Lake County, IL AIDS in Our Society, Loyola University, Chicago, IL Bruno Surdo: Life, Struggle, and Hope, Chicago Cultural Center, Chicago, IL 2001 Magic Vision, Arkansas Art Center, Little Rock, AR Bruno Surdo: Dualities of Life, Ann Nathan Gallery, Chicago, IL 1999 Group Show, Ann Nathan Gallery, Chicago, IL 1998 Group Exhibition, Fine Arts Building Gallery, Chicago, IL 1995 Spiritual Inquiries, Struve Gallery, Chicago, IL 1994 Recent Works, The 14th Annual Juried Exhibition for Lake County Artists, Grayslake, IL Go Figure, Figurative Works on Paper, Chicago Printmakers Collaborative, Chicago, IL SELECTED COLLECTIONS The Re-Birth of Venus, Temporary Loan, Fort Wayne Museum of Art Arkansas Art Center, Little Rock, AR College of Lake County, Greyslake, IL Flashpoint Academy, Chicago IL John Robert Wiltgen Design Shoemaker Ruud Collection Julie & Thomas Danilek Michael Vozzella and Mike Silver Benjamin Fernandez Tom Braake Betsy Colburn Michael Diemand & Lor LaRose Michael Staab & Kathy Brock Bruce Leep Frank Tzurect Mary Foley Rosalyn Carlson Mimmy Turney Janet Long Halstead Billy Hunt Carol Galli Myles Kerrigan Honorable & Mrs. Edwin Berman Theodore Gage Northrop Art Museum Past Present & Future Company Dr. James & Peggy Kemmler Salvatore Monastero Nix & Virginia Lauridsen Joel Miller David & Marlene Zerkel Ann & Andy Abel Claudia Rush Marc Miller Leonard Goldberg Lawrence Pucci Howard Tullman Collection Susan & Manny Kramer James Rinnert Richar Interiors Michael & Nancy Colt Khalid Altijir Dr. Joe Grodman Beryl & Jack Gore Larry Wolf & Eric Naegle Chuck Wolandi Jack Schwab & David Sandelin Thomas Kaczmarek Marti Dinerstein Craig & Michael Golden...

Category

21st Century and Contemporary Renaissance Nude Paintings

Materials

Oil, Archival Paper, Canvas

Previously Available Items
Sitting Nude seen from back (Eva)
Sitting Nude seen from back (Eva)

Sitting Nude seen from back (Eva)

By Cornelis Le Mair

Located in Atlanta, GA

Item is in excellent condition and has only been displayed in a gallery setting. This painting was created in 1994 and was purchased directly from the artist's studio in 1997. This painting was featured in the book "Cornelis le Mair: Schilderijen & Tekeningen (Paintings & Drawings)" on page 70. A copy of the book is included with this purchase. Cornelis le Mair is truly a renaissance man, encompassing all disciplines of the arts. He enjoys painting, drawing, writing, architecture, sculpture, and interior design. Le Mair was born in Eindhoven, The Netherlands in 1944. He began drawing and painting at the young age of five and while in kindergarten, he was often made to show his paintings in other classes even though he was shy about doing so. “When I could not play outside because of bad weather, I would sit in my bedroom and would draw.” His early art studies were widely influenced by the Rembrandt exhibit in the Rijksmuseum (1956) that he attended with his father. There le Mair was inspired by the Old Masters and “the desire to unravel all the mysteries hidden under the cracked varnish” began. Already having painted a lifesize copy of “The Nightwatch” on the wall of his bedroom, le Mair was continually driven by the Rembrandt exhibit. He began to experiment with resins, pigments and oils in order to hone and perfect the technique of the old masters. He studied drawings and paintings and early on developed the feeling of color and composition. After completing high school, he worked for a short period as a designer of woven fabrics. Although his heart desired to paint, he enjoyed having a pencil and brush in hand and a case full of art books and says, “This treasure of inspiring information took me further on track to the traditional trade.” At this same time, le Mair’s artistic endeavors led him to learn the art of music. First learning to play the guitar from friends, he began performing at youth centers. This love of music expanded into him learning to play the mandolin, turning lye, banjo, and bagpipes. Just after his eighteenth birthday, le Mair was accepted into military service where his lack of conforming led him to a maximum solitary confinement sentence. After a month in training, the army physician and le Mair agreed that he was born to be an artist and released le Mair from military services. Once he returned home, with the encouragement from his parents, le Mair began his art schooling at the Art Academy (Kustacademie) in ‘s-Hertogenbosch, The Netherlands. There he found that the school was geared for modernism and after painting a portrait of a fellow classmate, his teachers advised le Mair to look for a school where the traditional ideas were still taught. Longing to study the classical arts, he applied and was accepted to the Academy of Fine Arts (Koninklijke Kunstacademie) in Antwerp, Belgium in 1965. After studying under Professor Victor Dolphijn, le Mair graduated cum laude in portrait and figure paintings in 1968. He was then promoted to study as a student of the Higher Institute, a structure at a higher university level where he studied under Rik Slabbinck...

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1990s Renaissance Nude Paintings

Materials

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Untitled
Untitled

Roni TaharlevUntitled, 2016

Sold

H 58.5 in W 25 in D 2 in

Untitled

By Roni Taharlev

Located in Carmel, CA

Roni's works are in the National Portrait Gallery in London and the Grand Palais museum in Paris. The work in the Grand Palais was chosen by The curator of the Louvre museum. The p...

Category

21st Century and Contemporary Renaissance Nude Paintings

Materials

Oil, Board

The Birth of Venus, Large Oil Painting on Canvas by Louvre Copyist

The Birth of Venus, Large Oil Painting on Canvas by Louvre Copyist

Located in Cirencester, Gloucestershire

"The Birth of Venus" after Sandro BOTTICELLI (c.1445-1510) oil painting on canvas, late 20th century from the studio of Dagher, Paris (read notes below). canvas: 100cm x 65cm (39.5 x 25.5 inches) unframed. provenance: the atelier Dagher...

Category

16th Century Renaissance Nude Paintings

Materials

Canvas, Oil

Marie Magdalene, Large Oil Painting by Louvre Copyist

Marie Magdalene, Large Oil Painting by Louvre Copyist

Located in Cirencester, Gloucestershire

"Marie Magdalene" After Tiziano VECELLIO, dit TITIEN (1488/1490 – 1576) oil painting on board, late 20th century from the studio of Dagher, Paris (read notes below), stamped verso ...

Category

16th Century Renaissance Nude Paintings

Materials

Canvas, Oil

Echo and Narcisse, Large Oil Painting on Canvas by Louvre Copyist

Echo and Narcisse, Large Oil Painting on Canvas by Louvre Copyist

Located in Cirencester, Gloucestershire

"Echo and Narcisse" D'après Nicolas POUSSIN (1594-1665) oil painting on canvas, late 20th century from the studio of Dagher, Paris (read notes below), stamped verso canvas: 54 x 65 cm (21.25 x 25.75 inches) unframed. provenance: the atelier Dagher...

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16th Century Renaissance Nude Paintings

Materials

Canvas, Oil

Beach at Low Tide, Large Oil Painting on Canvas by Louvre Copyist

Beach at Low Tide, Large Oil Painting on Canvas by Louvre Copyist

Located in Cirencester, Gloucestershire

"Beach at Low Tide" After Eugène Isabey (1804-1886) oil painting on canvas, late 20th century from the studio of Dagher, Paris (read notes below), stamped verso canvas: 60 x 80 cm (...

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19th Century Renaissance Nude Paintings

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Canvas, Oil

The Virgin with the Pomegranate, Large Oil Painting on Canvas by Louvre Copyist

The Virgin with the Pomegranate, Large Oil Painting on Canvas by Louvre Copyist

Located in Cirencester, Gloucestershire

"The Virgin with the Pomegranate" after Sandro BOTTICELLI (c.1445-1510) oil painting on canvas, late 20th century from the studio of Dagher, Paris (read notes below). canvas: 55 x 38 cm (21.75 x 15 inches) unframed. provenance: the atelier Dagher...

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16th Century Renaissance Nude Paintings

Materials

Canvas, Oil

Hélène Fourment and her Children, Large Oil Painting on Canvas by Louvre Copyist

Hélène Fourment and her Children, Large Oil Painting on Canvas by Louvre Copyist

Located in Cirencester, Gloucestershire

"Hélène and her Children" After Peter Paul RUBENS (1577-1640) oil painting on canvas, late 20th century from the studio of Dagher, Paris (read notes below), stamped verso canvas: 11...

Category

16th Century Renaissance Nude Paintings

Materials

Canvas, Oil

The Death of Didon, Large Oil Painting on Canvas by Louvre Copyist

The Death of Didon, Large Oil Painting on Canvas by Louvre Copyist

Located in Cirencester, Gloucestershire

"The Death of Didon" After Peter Paul RUBENS (1577-1640) oil painting on canvas, late 20th century from the studio of Dagher, Paris (read notes below), stamped verso canvas: 74 x 56...

Category

16th Century Renaissance Nude Paintings

Materials

Canvas, Oil

The Young Lady, Large Oil Painting on Canvas by Louvre Copyist

The Young Lady, Large Oil Painting on Canvas by Louvre Copyist

Located in Cirencester, Gloucestershire

"The Young Lady" After François BOUCHER (1703-1770) oil painting on canvas, late 20th century from the studio of Dagher, Paris (read notes below), stamped verso canvas: 81 x 65 cm ...

Category

18th Century Renaissance Nude Paintings

Materials

Canvas, Oil

Renaissance nude paintings for sale on 1stDibs.

Find a wide variety of authentic Renaissance nude paintings available for sale on 1stDibs. Works in this style were very popular during the 21st Century and Contemporary, but contemporary artists have continued to produce works inspired by this movement. Many Pop art paintings were created by popular artists on 1stDibs, including Jesus Nodarse, and Roni Taharlev. Frequently made by artists working with Canvas, and Fabric and other materials, all of these pieces for sale are unique and have attracted attention over the years. Not every interior allows for large Renaissance nude paintings, so small editions measuring 8 inches across are also available. Prices for nude paintings made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $900 and tops out at $77,984, while the average work sells for $2,925.