Edmund Quincy

Table by the Window

Unknown

A contemporary figurative painter whose art is rooted in both the past and the present, Alan Feltus specializes in enigmatic depictions of women. Notable for their purity and simplic...

William Bailey’s still life paintings present seemingly everyday objects, including bowls, pitchers, and cups, in groupings that conjure the familiar world while offering a metaphysi...

In the latter half of the nineteenth century and into the first decade of the twentieth, New York City art aficionados could count on finding recent work of Seymour Joseph Guy hanging on the walls of the city’s major galleries. Primarily a genre artist, but also a portraitist, between 1859 and 1908 Guy showed more than seventy works at the National Academy of Design. From 1871 to 1903 he contributed over seventy times to exhibitions at the Century Club. From 1864 to 1887, he sent about forty pictures to the Brooklyn Art Association. A good number of these works were already privately owned; they served as advertisements for other pictures that were available for sale. Some pictures were shown multiple times in the same or different venues. Guy was as easy to find as his canvases were omnipresent. Though he lived at first in Brooklyn with his family and then in New Jersey, from 1863 to his death in 1910 he maintained a studio at the Artist’s Studio Building at 55 West 10th Street, a location that was, for much of that period, the center of the New York City art world. Guy’s path to a successful career as an artist was by no means smooth or even likely. Born in Greenwich, England, he was orphaned at the age of nine. His early interest in art was discouraged by his legal guardian, who wanted a more settled trade for the young man. Only after the guardian also died was Guy free to pursue his intention of becoming an artist. The details of Guy’s early training in art are unclear. His first teacher is believed to have been Thomas Buttersworth...

Signed and dated (at lower left): W. R. Miller 1891; (at lower right): No. 10

JOSEPH FLOCH 1894-1977 Vienna 1894 – 1977 New York (Austrian) Title: Still Life at the Window, 1960 Technique: Oil Painting on Canvas Size: 94 x 66 cm. / 37 x 26 in. Additional ...

Jim’s of Lambertville is proud to offer this artwork. Signed lower right. Complemented by a hand carved and gilt frame. Illustrated in "Alexander Farnham: Brought to Light", 2007 ...

A fine still life study depicting a small table and chair positioned by a window. The artist uses an accomplished hand to captures the fine deta...

Charles Gresham "Reading by the Window" Original Oil Painting c.1970 Fine vintage oil painting by San Francisco artist and philanthropist Charles Gres...