Digital Still-life Paintings

David Hockney A Bigger Book, Art Edition B, 2010 Signed dated and numbered at the bottom of the sheet iPad drawing in colours on archival paper, with the accompanying book 70 × 50 cm...

David Hockney 21 April 2021, Yellow Flowers in a Small Milk Churn, 2021 Signed and dated in pencil iPad painting printed on paper 89 x 63.5 cm 35 x 25 inches Edition of 50 David Hoc...

Yellow Peony Painting Hand Embellished Giclee on Canvas 40H X 60W A Light Touch Collector's Edition Embellished Art Canvas Giclee With Brushstrokes and rich texture. State-of-the-a...

Still Life Alone Flower Flower Painting Art Textured Giclee on Canvas 45x45" State-of-the-art HAND EMBELLISHED ∽ MUSEUM QUALITY ∽ DISPLAY READY Giclee Reproduction Each limited edi...

Calvert’s current paintings investigate the relationship between digital media and the reception and perception of images, and utilizes diverse technologies such as fresco, 3D modeling, AI and data manipulation through code. She is especially interested in the evolution of pictorial space. Today we view our screens and the world they occupy as a shallowly layered space of overlapping desktop windows. The picture plane has tilted up again from the flatbed to float in front of our eyes. Calvert’s paintings in turn depict an intermediate space, where the verticality of the still life paintings cohabitate with these digital panes. Dutch floral still life paintings encapsulate multiple concerns. Their subjects were botanical fantasies, emblems of an economic mirage that has contemporary corollaries. Most important to Calvert’s pictorial concerns, they depict ephemeral things in shallow and diagrammatic space - they are all foreground. They contain an abundance of visual information in overwhelming density, creating an allover resolution; a visual field that is equivalent to digital noise. By making painterly interventions into reproductions, Calvert attempts to dissolve the layer between the resolution of the source image and abstraction of the painted mark. ⎯⎯⎯⎯⎯ Tiffany Calvert has exhibited her work in the US and abroad including Lawrimore Project in Seattle, E.TAY Gallery in New York, the Speed Museum in Louisville and Cadogan Contemporary in London. Residencies include the Djerassi Resident Artists Program, I-Park, and ArtOmi International Arts Center where she received a Geraldine R. Dodge Fellowship. Calvert has received grants from the Great Meadows Foundation and the Pollock-Krasner Foundation. Her work was recently profiled by critic John Yau in the online journal Hyperallergic. Her curatorial projects include “Some Abstraction Occurs” at 65GRAND Gallery in Chicago and “Magic” at Mercer College (featuring work by Chris Martin, Karla Knight, and Sarah Peters...

David Hockney 27 July, Some Gladioli, 2021 Three iPad paintings comprising a single work, printed on paper 87 x 45.7 cm 34.3 x 18 inches Edition of 25 David Hockney is a pioneering ...

In this project, exploring the fluid condition between the virtual and real world, the artist seek to materialize my experiences in digital environments - whether browsing through G...

In this project, exploring the fluid condition between the virtual and real world, the artist seek to materialize my experiences in digital environments - whether browsing through G...

2nd March 2021 , 2021 Ipad drawing printed on paper 88.9 x 63.5 cm 35 x 25 inches Edition of 50 David Hockney is a pioneering figure of the 1960s British art movement and one of the...

In this project, exploring the fluid condition between the virtual and real world, the artist seek to materialize my experiences in digital environments - whether browsing through G...

Thomas Arvid Lifting Everyone's Spirits - LE, 2019 Medium: Giclee on Canvas Edition: 288/325 Artwork Size: 24 x 44 in Framed Size: 28 x 48 in This work is Framed

In this piece, I sought to capture the ephemeral beauty of nature, using the giclée print medium to convey the delicate dance between light and shadow. My brushstrokes breathe life i...

Majesty White Black Floral Painting Hand Embellished Giclee on Canvas 40H X 60W State-of-the-art HAND EMBELLISHED ∽ MUSEUM QUALITY ∽ DISPLAY REA...

The Brilliance of the Day Floral Painting Embellished Giclee on Canvas 60WX40H Collector's Edition Embellished Art Canvas Giclee With Brushstrokes and rich texture. State-of-the-ar...

David Hockney 23rd March, Flowers in a Milk Bottle, 2021, 2021 iPad painting printed on paper 89 x 63.5 cm 35 x 25 inches Edition of 50 David Hockney is a pioneering figure of the 1...

David Hockney 20th March 2021, Flowers, Glass Vase On A Table, 2021 Signed and dated in pencil iPad painting printed on paper 89 x 63.5 cm 35 x 25 inches Edition of 50 David Hockney...

Calvert’s current paintings investigate the relationship between digital media and the reception and perception of images, and utilizes diverse technologies such as fresco, 3D modeling, AI and data manipulation through code. She is especially interested in the evolution of pictorial space. Today we view our screens and the world they occupy as a shallowly layered space of overlapping desktop windows. The picture plane has tilted up again from the flatbed to float in front of our eyes. Calvert’s paintings in turn depict an intermediate space, where the verticality of the still life paintings cohabitate with these digital panes. Dutch floral still life paintings encapsulate multiple concerns. Their subjects were botanical fantasies, emblems of an economic mirage that has contemporary corollaries. Most important to Calvert’s pictorial concerns, they depict ephemeral things in shallow and diagrammatic space - they are all foreground. They contain an abundance of visual information in overwhelming density, creating an allover resolution; a visual field that is equivalent to digital noise. By making painterly interventions into reproductions, Calvert attempts to dissolve the layer between the resolution of the source image and abstraction of the painted mark. ⎯⎯⎯⎯⎯ Tiffany Calvert has exhibited her work in the US and abroad including Lawrimore Project in Seattle, E.TAY Gallery in New York, the Speed Museum in Louisville and Cadogan Contemporary in London. Residencies include the Djerassi Resident Artists Program, I-Park, and ArtOmi International Arts Center where she received a Geraldine R. Dodge Fellowship. Calvert has received grants from the Great Meadows Foundation and the Pollock-Krasner Foundation. Her work was recently profiled by critic John Yau in the online journal Hyperallergic. Her curatorial projects include “Some Abstraction Occurs” at 65GRAND Gallery in Chicago and “Magic” at Mercer College (featuring work by Chris Martin, Karla Knight...

Calvert’s current paintings investigate the relationship between digital media and the reception and perception of images, and utilizes diverse technologies such as fresco, 3D modeling, AI and data manipulation through code. She is especially interested in the evolution of pictorial space. Today we view our screens and the world they occupy as a shallowly layered space of overlapping desktop windows. The picture plane has tilted up again from the flatbed to float in front of our eyes. Calvert’s paintings in turn depict an intermediate space, where the verticality of the still life paintings cohabitate with these digital panes. Dutch floral still life paintings encapsulate multiple concerns. Their subjects were botanical fantasies, emblems of an economic mirage that has contemporary corollaries. Most important to Calvert’s pictorial concerns, they depict ephemeral things in shallow and diagrammatic space - they are all foreground. They contain an abundance of visual information in overwhelming density, creating an allover resolution; a visual field that is equivalent to digital noise. By making painterly interventions into reproductions, Calvert attempts to dissolve the layer between the resolution of the source image and abstraction of the painted mark. ⎯⎯⎯⎯⎯ Tiffany Calvert has exhibited her work in the US and abroad including Lawrimore Project in Seattle, E.TAY Gallery in New York, the Speed Museum in Louisville and Cadogan Contemporary in London. Residencies include the Djerassi Resident Artists Program, I-Park, and ArtOmi International Arts Center where she received a Geraldine R. Dodge Fellowship. Calvert has received grants from the Great Meadows Foundation and the Pollock-Krasner Foundation. Her work was recently profiled by critic John Yau in the online journal Hyperallergic. Her curatorial projects include “Some Abstraction Occurs” at 65GRAND Gallery in Chicago and “Magic” at Mercer College (featuring work by Chris Martin, Karla Knight, and Sarah Peters...

One Queen (02) is an Original on Canvas by Agent. ’One Queen (02)depicts silhouette of the Queen. Agent X creates the illusion of a cut-out to reveal a Baroque, floral painting under...

Oracle by Ben Weiner, American (1980) Oil on Canvas, signed verso Size: 64 x 96 in. (162.56 x 243.84 cm)

As an artist, TIFFANY CALVERT applies contemporary painting techniques to historical imagery. Her recent work uses the seventeenth-century Dutch floral still life as a springboard fo...

This painting is based on Rachel Ruysch’s, Vase of Flowers, 1700. The painting contains an example of the Dutch tulip most prized during Tulipomania: Semper Augustus...

This painting is based on Rachel Ruysch’s, Vase of Flowers, 1700. The painting contains an example of the Dutch tulip most prized during Tulipomania: Sem...

Calvert’s current paintings investigate the relationship between digital media and the reception and perception of images, and utilizes diverse technologies such as fresco, 3D modeling, AI and data manipulation through code. She is especially interested in the evolution of pictorial space. Today we view our screens and the world they occupy as a shallowly layered space of overlapping desktop windows. The picture plane has tilted up again from the flatbed to float in front of our eyes. Calvert’s paintings in turn depict an intermediate space, where the verticality of the still life paintings cohabitate with these digital panes. Dutch floral still life paintings encapsulate multiple concerns. Their subjects were botanical fantasies, emblems of an economic mirage that has contemporary corollaries. Most important to Calvert’s pictorial concerns, they depict ephemeral things in shallow and diagrammatic space - they are all foreground. They contain an abundance of visual information in overwhelming density, creating an allover resolution; a visual field that is equivalent to digital noise. By making painterly interventions into reproductions, Calvert attempts to dissolve the layer between the resolution of the source image and abstraction of the painted mark. ⎯⎯⎯⎯⎯ Tiffany Calvert has exhibited her work in the US and abroad including Lawrimore Project in Seattle, E.TAY Gallery in New York, the Speed Museum in Louisville and Cadogan Contemporary in London. Residencies include the Djerassi Resident Artists Program, I-Park, and ArtOmi International Arts Center where she received a Geraldine R. Dodge Fellowship. Calvert has received grants from the Great Meadows Foundation and the Pollock-Krasner Foundation. Her work was recently profiled by critic John Yau in the online journal Hyperallergic. Her curatorial projects include “Some Abstraction Occurs” at 65GRAND Gallery in Chicago and “Magic” at Mercer College (featuring work by Chris Martin, Karla Knight, and Sarah Peters...

This painting is based on Rachel Ruysch’s, Vase of Flowers, 1700. The painting contains an example of the Dutch tulip most prized during Tulipomania: Semp...

Calvert’s current paintings investigate the relationship between digital media and the reception and perception of images, and utilizes diverse technologies such as fresco, 3D modeling, AI and data manipulation through code. She is especially interested in the evolution of pictorial space. Today we view our screens and the world they occupy as a shallowly layered space of overlapping desktop windows. The picture plane has tilted up again from the flatbed to float in front of our eyes. Calvert’s paintings in turn depict an intermediate space, where the verticality of the still life paintings cohabitate with these digital panes. Dutch floral still life paintings encapsulate multiple concerns. Their subjects were botanical fantasies, emblems of an economic mirage that has contemporary corollaries. Most important to Calvert’s pictorial concerns, they depict ephemeral things in shallow and diagrammatic space - they are all foreground. They contain an abundance of visual information in overwhelming density, creating an allover resolution; a visual field that is equivalent to digital noise. By making painterly interventions into reproductions, Calvert attempts to dissolve the layer between the resolution of the source image and abstraction of the painted mark. ⎯⎯⎯⎯⎯ Tiffany Calvert has exhibited her work in the US and abroad including Lawrimore Project in Seattle, E.TAY Gallery in New York, the Speed Museum in Louisville and Cadogan Contemporary in London. Residencies include the Djerassi Resident Artists Program, I-Park, and ArtOmi International Arts Center where she received a Geraldine R. Dodge Fellowship. Calvert has received grants from the Great Meadows Foundation and the Pollock-Krasner Foundation. Her work was recently profiled by critic John Yau in the online journal Hyperallergic. Her curatorial projects include “Some Abstraction Occurs” at 65GRAND Gallery in Chicago and “Magic” at Mercer College (featuring work by Chris Martin, Karla Knight...

Calvert’s current paintings investigate the relationship between digital media and the reception and perception of images, and utilizes diverse technologies such as fresco, 3D modeling, AI and data manipulation through code. She is especially interested in the evolution of pictorial space. Today we view our screens and the world they occupy as a shallowly layered space of overlapping desktop windows. The picture plane has tilted up again from the flatbed to float in front of our eyes. Calvert’s paintings in turn depict an intermediate space, where the verticality of the still life paintings cohabitate with these digital panes. Dutch floral still life paintings encapsulate multiple concerns. Their subjects were botanical fantasies, emblems of an economic mirage that has contemporary corollaries. Most important to Calvert’s pictorial concerns, they depict ephemeral things in shallow and diagrammatic space - they are all foreground. They contain an abundance of visual information in overwhelming density, creating an allover resolution; a visual field that is equivalent to digital noise. By making painterly interventions into reproductions, Calvert attempts to dissolve the layer between the resolution of the source image and abstraction of the painted mark. ⎯⎯⎯⎯⎯ Tiffany Calvert has exhibited her work in the US and abroad including Lawrimore Project in Seattle, E.TAY Gallery in New York, the Speed Museum in Louisville and Cadogan Contemporary in London. Residencies include the Djerassi Resident Artists Program, I-Park, and ArtOmi International Arts Center where she received a Geraldine R. Dodge Fellowship. Calvert has received grants from the Great Meadows Foundation and the Pollock-Krasner Foundation. Her work was recently profiled by critic John Yau in the online journal Hyperallergic. Her curatorial projects include “Some Abstraction Occurs” at 65GRAND Gallery in Chicago and “Magic” at Mercer College (featuring work by Chris Martin, Karla Knight...

This painting is based on Rachel Ruysch’s, Vase of Flowers, 1700. The painting contains an example of the Dutch tulip most prized during Tulipomania: Semper Augustus...

Calvert’s current paintings investigate the relationship between digital media and the reception and perception of images, and utilizes diverse technologies such as fresco, 3D modeling, AI and data manipulation through code. She is especially interested in the evolution of pictorial space. Today we view our screens and the world they occupy as a shallowly layered space of overlapping desktop windows. The picture plane has tilted up again from the flatbed to float in front of our eyes. Calvert’s paintings in turn depict an intermediate space, where the verticality of the still life paintings cohabitate with these digital panes. Dutch floral still life paintings encapsulate multiple concerns. Their subjects were botanical fantasies, emblems of an economic mirage that has contemporary corollaries. Most important to Calvert’s pictorial concerns, they depict ephemeral things in shallow and diagrammatic space - they are all foreground. They contain an abundance of visual information in overwhelming density, creating an allover resolution; a visual field that is equivalent to digital noise. By making painterly interventions into reproductions, Calvert attempts to dissolve the layer between the resolution of the source image and abstraction of the painted mark. ⎯⎯⎯⎯⎯ Tiffany Calvert has exhibited her work in the US and abroad including Lawrimore Project in Seattle, E.TAY Gallery in New York, the Speed Museum in Louisville and Cadogan Contemporary in London. Residencies include the Djerassi Resident Artists Program, I-Park, and ArtOmi International Arts Center where she received a Geraldine R. Dodge Fellowship. Calvert has received grants from the Great Meadows Foundation and the Pollock-Krasner Foundation. Her work was recently profiled by critic John Yau in the online journal Hyperallergic. Her curatorial projects include “Some Abstraction Occurs” at 65GRAND Gallery in Chicago and “Magic” at Mercer College (featuring work by Chris Martin, Karla Knight, and Sarah Peters...

Calvert’s current paintings investigate the relationship between digital media and the reception and perception of images, and utilizes diverse technologies such as fresco, 3D modeling, AI and data manipulation through code. She is especially interested in the evolution of pictorial space. Today we view our screens and the world they occupy as a shallowly layered space of overlapping desktop windows. The picture plane has tilted up again from the flatbed to float in front of our eyes. Calvert’s paintings in turn depict an intermediate space, where the verticality of the still life paintings cohabitate with these digital panes. Dutch floral still life paintings encapsulate multiple concerns. Their subjects were botanical fantasies, emblems of an economic mirage that has contemporary corollaries. Most important to Calvert’s pictorial concerns, they depict ephemeral things in shallow and diagrammatic space - they are all foreground. They contain an abundance of visual information in overwhelming density, creating an allover resolution; a visual field that is equivalent to digital noise. By making painterly interventions into reproductions, Calvert attempts to dissolve the layer between the resolution of the source image and abstraction of the painted mark. ⎯⎯⎯⎯⎯ Tiffany Calvert has exhibited her work in the US and abroad including Lawrimore Project in Seattle, E.TAY Gallery in New York, the Speed Museum in Louisville and Cadogan Contemporary in London. Residencies include the Djerassi Resident Artists Program, I-Park, and ArtOmi International Arts Center where she received a Geraldine R. Dodge Fellowship. Calvert has received grants from the Great Meadows Foundation and the Pollock-Krasner Foundation. Her work was recently profiled by critic John Yau in the online journal Hyperallergic. Her curatorial projects include “Some Abstraction Occurs” at 65GRAND Gallery in Chicago and “Magic” at Mercer College (featuring work by Chris Martin, Karla Knight, and Sarah Peters...

As an artist, TIFFANY CALVERT applies contemporary painting techniques to historical imagery. Her recent work uses the seventeenth-century Dutch floral still life as a springboard fo...

As an artist, TIFFANY CALVERT applies contemporary painting techniques to historical imagery. Her recent work uses the seventeenth-century Dutch floral still life as a springboard fo...

Introducing the latest creation from Lebanese American artist Sally K, this vibrant embellished giclee artwork fuses floral abstraction with intricate detail. Sally's use of hand emb...

Calvert’s current paintings investigate the relationship between digital media and the reception and perception of images, and utilizes diverse technologies such as fresco, 3D modeling, AI and data manipulation through code. She is especially interested in the evolution of pictorial space. Today we view our screens and the world they occupy as a shallowly layered space of overlapping desktop windows. The picture plane has tilted up again from the flatbed to float in front of our eyes. Calvert’s paintings in turn depict an intermediate space, where the verticality of the still life paintings cohabitate with these digital panes. Dutch floral still life...

As an artist, TIFFANY CALVERT applies contemporary painting techniques to historical imagery. Her recent work uses the seventeenth-century Dutch floral still life as a springboard fo...

Calvert’s current paintings investigate the relationship between digital media and the reception and perception of images, and utilizes diverse technologies such as fresco, 3D modeling, AI and data manipulation through code. She is especially interested in the evolution of pictorial space. Today we view our screens and the world they occupy as a shallowly layered space of overlapping desktop windows. The picture plane has tilted up again from the flatbed to float in front of our eyes. Calvert’s paintings in turn depict an intermediate space, where the verticality of the still life paintings cohabitate with these digital panes. Dutch floral still life...

One Queen (2) Black is an Original on Canvas by Agent. ’One Queen (2) Black’ depicts silhouette of the Queen. As snipped from the pure black background, Agent X creates the illusion of a cut-out to reveal a Baroque, floral painting underneath. With its bold composition of the antique with the contemporary, the artwork is a powerful transference of street to Canvas. Agent X, painter, is available for sale online and in our art gallery at Wychwood Art. Agent X, cultural explorer and agent of the unknown, creates experimental, multimedia collages, paintings, and 2D artwork. Described as ‘Pop Art with thought,’ Agent X juxtaposes pop culture, technology, fashion, and music in visually complex amalgamations expressing the anxieties of the global, post-modern world and the dark side of consumerist, media-obsessed culture. His work occupies a unique intersection between the aesthetics and philosophy of Futurism, the social critique of the Dada movement...

In this project, exploring the fluid condition between the virtual and real world, the artist seek to materialize my experiences in digital environments - whether browsing through G...

Thomas Arvid O What a Night - LE, 2019 Medium: Giclee on Canvas Edition: Framed 36/175

The Royal Albert Hall was modelled on a Roman amphitheatre, it has a beautiful frieze to the arts and sciences - It is the home of the 'Proms' and the painting shows a view from Kens...

Framed with archival, museum-quality materials, including Museum Glass, which filters out 99% of UV rays and 90% of reflective glare, promoting the longevity of the artwork.

Imbued with the vigor of expressionism and the gentleness of impressionism, this piece marries the tangible with the emotional. It's a tribute to nature's intricate design and a medi...

In crafting this piece, I poured my soul into capturing the essence of ephemeral beauty. The delicate interplay of light and shadow, the tender petals against the vintage tones, all ...

Digital illustration, print, illustration for a children magazine, suitable for children, signed by the author, limited 5.

Framed with archival, museum-quality materials, including Museum Glass, which filters out 99% of UV rays and 90% or reflective glare.

Teal Rustic Flowers Painting Art Hand Textured Giclee on Canvas 45x45" August State-of-the-art HAND EMBELLISHED ∽ MUSEUM QUALITY ∽ DISPLAY READY Giclee Reproduction Each limited edi...

Green Floral Painting Hand Embellished Giclee on Canvas 40H X 60W Warm Breeze State-of-the-art HAND EMBELLISHED ∽ MUSEUM QUALITY ∽ DISPLAY READY Giclee Reproduction Each limited edi...

In this project, exploring the fluid condition between the virtual and real world, the artist seek to materialize my experiences in digital environments - whether browsing through G...

In this project, exploring the fluid condition between the virtual and real world, the artist seek to materialize my experiences in digital environments - whether browsing through G...

White and Black Floral Painting Hand Embellished Giclee on Canvas 40H X 60W State-of-the-art HAND EMBELLISHED ∽ MUSEUM QUALITY ∽ DISPLAY READY G...

Coral Red Plasma Flows Painting Art Hand Textured Giclee on Canvas 40Hx60W" State-of-the-art HAND EMBELLISHED ∽ MUSEUM QUALITY ∽ DISPLAY READY Giclee Reproduction Each limited edit...

Still Life Flower Painting Art Hand Textured Giclee on Canvas 45x45" Radiance State-of-the-art HAND EMBELLISHED ∽ MUSEUM QUALITY ∽ DISPLAY READY Giclee Reproduction Each limited edi...

Rustic Purple Flower Painting Textured Giclee on Canvas 45x45" Purple Sensation State-of-the-art HAND EMBELLISHED ∽ MUSEUM QUALITY ∽ DISPLAY READY Giclee Reproduction Each limited e...

In this project, exploring the fluid condition between the virtual and real world, the artist seek to materialize my experiences in digital environments - whether browsing through G...

In this project, exploring the fluid condition between the virtual and real world, the artist seek to materialize my experiences in digital environments - whether browsing through G...

Sweet Melody Floral Red Painting Hand Embellished Giclee on Canvas 60W X 40H Collector's Edition Embellished Art Canvas Giclee With Brushstrokes and rich t...

Red Poppy Magic Painting Hand Embellished Giclee on Canvas 60H X 40W Collector's Edition Embellished Art Canvas Giclee With Brushstrokes and rich texture. State-of-the-art HAND EMB...

Green White Blooming Flowers Painting Embellished Giclee on Canvas 60WX40H Collector's Edition Embellished Art Canvas Giclee With Brushstrokes and rich texture. State-of-the-art HA...

Green Bunch Rustic Flowers Painting Hand Textured Giclee on Canvas 45x45" Teal State-of-the-art HAND EMBELLISHED ∽ MUSEUM QUALITY ∽ DISPLAY READY Giclee Reproduction Each limited ed...

One of a kind Mixed Medium on Canvas Artwork: Original abstract mixed media work on canvas, which combines new media - digital original hand painting, printed on canvas, then hand ...