Pier Paintings

Signed Adolfo Perez Frameless

This artwork titled "Monte Carlo" c.1990, is a large oil on canvas by noted Italian artist Mario Sanzone, b.1946. It is signed and titled at the lower left corner by the artist. the ...

Rafael Duran Benet (1931-2015) - Fishing port - Oil on panel Measures work 53x75 cm. Frameless. Rafael Duran Benet (Terrassa, 1931 - Barcelona, 2015) is a Catalan painter, nephew of...

This artwork vividly captures a serene marina scene, showcasing a cluster of sailboats gently nestled on shimmering water. The reflection of the boats creates a mesmerizing mirror ef...

The artwork depicted in the framed piece above the piano is a serene landscape painting, capturing a tranquil coastal scene. The image portrays a sunlit waterfront, where calm waters...

Signed Adolfo Perez Frameless

Title: Mediterranean Fishing Boats Coastal Harbour Scene Watercolour by Pierre Neveu Artist: Pierre Neveu (French b.1929) Medium: Watercolour on artist paper, unframed Size (H x W): ...

Work on canvas Golden wooden frame with glass pane 61.5 x 79.5 x 3 cm

This work by Lucien Adrion is a wonderful representation of his Post-Impressionist works at the seashore by the French Riviera. Using a bright palette of colors, Adrion executes this piece with much attention to detail with many boats situated along the marina. There are palm trees and buildings placed in the distance, as we can feel the warmth of the sun contrasted with the cool breeze of the water. The boats are wonderfully executed by the artist in a very whimsical way that leaves us with an essence of enjoyment from that sunny day at the marina. As this tourist destination was a favorite of the artist to find inspiration and highly attractive subjects and compositions to represent, we can find several of his works like this subject and others. The piece is signed by the artist lower left and it comes housed in a French giltwood frame with linen liner and hanging wire on verso ready to be displayed. Art measures 19 x 23.5 inches Frame measures 27 x 32 inches Lucien Adrion was born May 25, 1889 in Strasbourg, France. He was a French Post-Impressionist painter, draftsman, and printmaker known for his depictions of the French countryside and beaches, as well as Parisian life including landscape, still life, figure, and landmarks paintings. He began his initial studies in Strasbourg as a technical draughtsman. In 1907, at the age of 18, he left his hometown Strasbourg and traveled to Paris, where he found employment in a large drafting company to work as a fashion illustrator. Adrion changed his mind upon arrival and rather than working for a large company, he decided to peruse his artistic career by traveling to London, Munich, and Frankfurt. As the World War broke out he had to go to Berlin, where he studied as an engraver with Hermann Struck, who was also the teacher of Marc Chagall. He remained in Berlin until the war ended and after the demobilization, Lucien would study engraving under Franz Ritter von Struck...

Leigh Ann Van Fossan's "The Inlet" is an original, handmade oil painting that depicts a group of sailboats docked in the darkness as their lights cast glimmering reflections on the i...

"Portofino Memories," with rippling water reflections below the iconic Portofino harbor is a quintessential example of Tom Swimm's enhanced realism. This colorful oil painting is on ...

Title: Original Watercolour Southwold Harbour Scene with Fishing Boats and Jetty 1994 By Tony Herbert (1927-2024) Medium: Watercolor on artists paper Size: 11 x 15 inches Condition: ...

"Le Port de Marseille" Eugène Galien Laloue (French, 1854-1941) Gouache and watercolor on paper, original carved and gilded frame. 12 3/8 x 7 3/4 (14 1/2 x 9 5/8 frame) inches Signe...

Vintage impressionist dock scene painting. Oil on canvas. Framed. No signature found.

Through vibrant pinks cascading like joyous laughter, I captured a serene harbor’s embrace. Using oil with impressionist touches, I wanted to evoke the gentle warmth of sunlit moment...

This vibrant artwork vividly captures a bustling harbor scene with an array of colorful fishing boats gently bobbing on the reflective water. Each vessel, painted with meticulous det...

Signed Adolfo Perez Frameless

Rustic Dockside signed by Georges Bordonave (French contemporary) dated 1993 oil painting on canvas, unframed canvas: 20 x 25 inches condition: very good provenance: from a large pr...

Title: 1982 Watercolour of Dittisham River Dart Devon with Boats and Woodland Hills By Tony Herbert (1927-2024) Medium: Watercolor on artists paper Size: 10.75 x 14.75 inches Annotat...

Beautiful watercolor landscape of boats along the wharf by Henry Hank Volle (American, 20th Century). Presented in a rustic wooden frame. Signed "Henry Volle" lower left. Artists bio...

Alexander Bower (1875 - 1952) Portland Harbor, Maine, 1910 Oil on canvas 27 x 33 inches Signed and dated lower right An American Impressionist, Alexande Bower was born in New York, studied at The Pennsylvania Academy of Fine Art, and was living with his wife in Cliff Island, Maine by 1914. Despite his urban upbringing, the coast and the sea fascinated Bower. A large portion of his paintings are seascapes, particularly scenes depicting the coast of Cape Elizabeth...

Original Summers Point Bridge to Ocean City, NJ oil/canvas 20 x 28 image size 26 x 34 framed (frame shows some age with marks, etc. on sides but shows well front on) An oil painting ...

The South of France by Georges Bordonave (French contemporary) oil painting on canvas, unframed unframed: 15 x 22 inches condition: very good provenance: from a large private coll...

Gustaf Theodor Wallén (1860–1948) Swedish  Afternoon Mood, c. 1886-1887 oil on canvas signed G.T.Wallén unframed 100 x 150 cm (39 ⅜ x 59 in) framed 130 x 180 cm (51 ⅛ x 70 ⅞ in) ...

This artwork vividly captures a serene lakeside scene, dominated by the rich interplay of colors and textures. The foreground features a small dock with boats securely moored, their ...

I painted this view of the Venice canal on a foggy gray morning, playing with the chromaticism of the scene to alter the colors and create a special luminosity. I used soft tones to ...

woman on boat,lake,1967,russian art LEONID VAICHLIA (St. Petersburg, 1922) Works by Leonid Vaichlia can be found in various private collections in Eur...

Viking Village is a Commercial Fishing village in the town of Barnegat LIght on Long Beach Island NJ. I love boats of all type, and was attracted to the...

Pavilosta 2021. Oil on canvas, 50x70 cm

This attractive oil painting depicts an estuary location near the coastal village of Walberswick. A single figure can be seen resting at the end of the wooden jetty, taking in the im...

Beautiful oil on wooden panel realized by Piero Marussig between 1928 and 1930. Very good conditions. Published in the general catalogue of the Artist...

A painting of boats docked in a harbor. Loose brushstrokes in the lower lefthand corner indicate ripples in shallow water, shades of green and teal. The water becomes a deeper richer...

Original Oil painting by Ukrainian artist Evgeny Chernyakovsky ""Yacht at the pier" 60.0 X 80.0 CM / 23.6 X 31.4 IN HIGH QUALITY oil on canvas Signed on the front and back D...

"Saint-Malo Sailboats" is a plein air painting created in Northwestern France. A pair of sailboats rest along the harbor's wharf, their masts intersect the warm atmostphere, and thei...

An original landscape painting by contemporary artist John L. Harris. Signed to the lower right. Presented in a contemporary wooden frame with a crisp white mount. On board.

The beauty of the Golden City, where nature and civilization co-exist in ease, is something to be witnessed. Cradled by the prolific San Francisco Bay, with the Pacific Ocean but a s...

This work is an initial exploration of the iconic Venice canal, conceived as a preliminary study with the intention of developing it into a larger format in the future. In this study...

Author: Francesc Torneró Gómez (Barcelona, 1934) Title: Port of Cambrils Date: ca. 1970s Medium: Oil on canvas Dimensions: 54 × 65 cm Signature: Signed lower left: Torneró Framing: U...

Original Oil painting by Ukrainian artist Evgeny Chernyakovsky "Croatia" 70.0 X 90.0 CM / 27.5 X 35.4IN HIGH QUALITY oil on canvas Signed on the front and back Dated 2024 Goo...

I painted this view of the Venice canal on a foggy gray morning, playing with the chromaticism of the scene to alter the colors and create a special luminosity. I used soft tones to ...

Title: Harbour Boats Quayside Reflections Dieppe Watercolour Artist: Pierre Neveu (French b.1929) Medium: Watercolour on card, unframed Size (H x W): 8.75 x 6 inches Inscribed lower ...

Title: Beached Fishing Boats on Mediterranean Shore Coastal Watercolour by Pierre Neveu Artist: Pierre Neveu (French b.1929) Medium: Watercolour on artists paper, unframed Size (H x W): 8.75 x 6 inches Condition: good overall; clean surface and bright palette with minimal handling marks. Provenance: From the artist’s studio sale in France; all works by this artist in our collection originate from the artist’s estate. Description: In this exquisite Mediterranean harbour scene, Pierre Neveu captures a row of fishing boats resting on the sun-bleached shore — their hulls painted in vivid blues, yellows, and reds, glowing against the white sand and turquoise sea beyond. The composition balances stillness and vitality: the boats lie quietly in the midday heat, yet every line and shadow suggests movement, texture, and light. Neveu’s masterful handling of watercolour transparency lends the work its distinctive luminosity. Cool washes of aquamarine and indigo melt into warm ochres and siennas, evoking the sharp coastal light of the French Riviera or southern Italy. The artist’s loose, confident brushstrokes and layered perspective show both precision and spontaneity — hallmarks of his plein-air approach. The painting embodies Neveu’s fascination with everyday maritime life, transforming the humble working boats of the Mediterranean into studies of rhythm, geometry, and colour harmony. There is an intimacy here — a sense of the artist pausing mid-journey, quietly observing the relationship between land, sea, and human craft. This is a quintessential Neveu composition: joyful yet restrained, rooted in observation yet lifted by artistic freedom. A perfect choice for collectors of vintage coastal paintings...

In this oil painting, I explore the interplay of light and reflection, capturing the serene ambiance of a marina bathed in the warm glow of sunset. The textured strokes convey a sens...

Sunny Sailboats In Blue Marina By Green Hills At Calm Harbor French Oil Painting Artist: Pierre Neveu (French b.1929) signed lower left Medium: oil on canvas, unframed Canvas: 39.5 x...

Title: Mediterranean Harbour with Boats French Modernist Watercolour by Pierre Neveu Artist: Pierre Neveu (French b.1929) Medium: Watercolour and felt pen on artist paper, unframed S...

Boats at the lake. Alla prima oil painting with few final touches when dry. Beautiful weather with a big shining sun. And I'm standing there taking it all in. The many spectacular si...

The Old Port (Cassis?) Artist: Pierre Neveu (French b.1929) Signed Lower Left Medium: oil on canvas, unframed Canvas: 19.75 x 19.75 inches Signed verso Condition: Good and sound cond...

Title: Château and Harbour at Pornic Brittany French Coastal Watercolour Artist: Pierre Neveu (French b.1929) Medium: Watercolour on artist paper, unframed Size (H x W): 5.75 x 8.75 ...

It is infrequent, to say the least, that a diagnosis of tuberculosis proves fortuitous, but that was the event, in 1921, that set Paul Starrett Sample on the road to becoming a professional artist. (The best source for an overview of Sample’s life and oeuvre remains Paul Sample: Painter of the American Scene, exhib. cat., [Hanover, New Hampshire: Hood Museum of Art, 1988] with a detailed and definitive chronology by Sample scholar, Paula F. Glick, and an essay by Robert L. McGrath. It is the source for this essay unless otherwise indicated.) Sample, born in Louisville, Kentucky, in 1896 to a construction engineer and his wife, spent his childhood moving with his family to the various locations that his father’s work took them. By 1911, the family had landed in Glencoe, Illinois, settling long enough for Paul to graduate from New Trier High School in 1916. Sample enrolled at Dartmouth College, in Hanover, New Hampshire, where his interests were anything but academic. His enthusiasms included the football and basketball teams, boxing, pledging at a fraternity, and learning to play the saxophone. After the United States entered World War I, Sample, to his family’s dismay, signed on for the Naval Reserve, leading directly to a hiatus from Dartmouth. In 1918 and 1919, Sample served in the U.S. Merchant Marine where he earned a third mate’s license and seriously contemplated life as a sailor. Acceding to parental pressure, he returned to Dartmouth, graduating in 1921. Sample’s undergraduate life revolved around sports and a jazz band he formed with his brother, Donald, two years younger and also a Dartmouth student. In November 1933, Sample summarized his life in a letter he wrote introducing himself to Frederick Newlin Price, founder of Ferargil Galleries, who would become his New York art dealer. The artist characterized his undergraduate years as spent “wasting my time intensively.” He told Price that that “I took an art appreciation course and slept thru it every day” (Ferargil Galleries Records, circa 1900–63, Archives of American Art, Smithsonian Institution, available on line). In 1920, Donald Sample contracted tuberculosis. He went for treatment to the world-famous Trudeau Sanitorium at Saranac Lake, in New York State’s Adirondack Mountains for the prescribed regimen of rest, healthful food, and fresh air. Visiting his brother in 1921, Paul also contracted the disease. Tuberculosis is highly contagious, and had no certain cure before the development of streptomycin in 1946. Even for patients who appeared to have recovered, there was a significant rate of recurrence. Thus, in his letter to Price, Sample avoided the stigma conjured by naming the disease, but wrote “I had a relapse with a bad lung and spent the next four years hospitalized in Saranac Lake.” The stringent physical restrictions imposed by adherence to “the cure” required Sample to cultivate an alternate set of interests. He read voraciously and, at the suggestion of his physician, contacted the husband of a fellow patient for instruction in art. That artist, then living in Saranac, was Jonas Lie (1880–1940), a prominent Norwegian-American painter and an associate academician at the National Academy of Design. Lie had gained renown for his dramatic 1913 series of paintings documenting the construction of the Panama Canal (The Metropolitan Museum of Art, New York; United States Military Academy, West Point, New York). Primarily a landscape artist, Lie had a particular affinity for scenes with water. His paintings, impressionistic, atmospheric, and brushy, never strayed from a realistic rendering of his subject. Sample regarded Lie as a mentor and retained a lifelong reverence for his teacher. Sample’s early paintings very much reflect Lie’s influence. ` In 1925, “cured,” Sample left Saranac Lake for what proved to be a brief stay in New York City, where his veteran’s benefits financed a commercial art course. The family, however, had moved to California, in the futile hope that the climate would benefit Donald. Sample joined them and after Donald’s death, remained in California, taking classes at the Otis Art Institute in Los Angeles. In Sample’s account to Price, “I couldn’t stomach the practice of painting a lot of High Sierras and desert flowers which seemed to be the only kind of pictures that were sold here so I got a job teaching drawing and painting at the art school of the University of Southern California.” Initially hired as a part-time instructor, Sample progressed to full-time status and ultimately, by the mid-1930s, to the post of Chairman of the Fine Art Department. Sample, however, did not want to wind up as a professor. “Teaching is all right in small doses,” he wrote, “but I have a horror of drifting into being a college professor and nothing more.” At the same time as he taught, Sample began to exhibit his work in a variety of venues at first locally, then nationally. Though he confessed himself “a terrible salesman,” and though occupied with continued learning and teaching, Sample was nonetheless, ambitious. In 1927, he wrote in his diary, “I am eventually going to be a painter and a damned good one. And what is more, I am going to make money at it” (as quoted by Glick, p. 15). In 1928, Sample felt sufficiently solvent to marry his long-time love, Sylvia Howland, who had also been a patient at Saranac Lake. The Howland family were rooted New Englanders and in summertime the Samples regularly traveled East for family reunion vacations. While the 1930s brought serious hardship to many artists, for Paul Sample it was a decade of success. Buttressed by the financial safety net of his teacher’s salary, he painted realist depictions of the American scene. While his work addressed depression-era conditions with a sympathetic eye, Sample avoided the anger and tinge of bitterness that characterized much contemporary realist art. Beginning in 1930, Sample began to exhibit regularly in juried exhibitions at important national venues, garnering prizes along the way. In 1930, Inner Harbor won an honorable mention in the Annual Exhibition of the Art Institute of Chicago. That same year Sample was also represented in a show at the Albright-Knox Gallery in Buffalo and at the Biennial Exhibition of the Corcoran Gallery of Art, Washington, D.C. In 1931, Dairy Ranch won the second Hallgarten Prize at the Annual Exhibition of the National Academy of Design, in New York. Sample also made his first appearances at the Carnegie Institute, Pittsburgh, and The Pennsylvania Academy of the Fine Arts, Philadelphia. In 1936, Miner’s Resting won the Temple Gold Medal at the Pennsylvania Academy’s Annual Exhibition. Always interested in watercolor, in 1936, Sample began to send works on paper to exhibitions at the Whitney Museum, New York. While participating in juried exhibitions, Sample also cultivated commercial possibilities. His first New York art dealer was the prestigious Macbeth Gallery in New York, which included his work in a November 1931 exhibition. In 1934, Sample joined the Ferargil Galleries in New York, after Fred Price arranged the sale of Sample’s Church Supper to the Michele and Donald D’Amour Museum of Fine Arts in Springfield, Massachusetts. In 1937, The Metropolitan Museum of Art purchased Sample’s Janitor’s Holiday from the annual exhibition of the National Academy of Design, a notable honor. As prestigious as this exhibition schedule may have been, by far Sample’s most visible presence in the 1930s and 1940s was the result of his relationship with Henry Luce’s burgeoning publishing empire, Time, Inc. Sample’s first contribution to a Luce publication appears to have been another San Pedro...

This artwork titled "Goletas Pesqueras On La Bahia De San Antonio, Chile" is a large oil painting on canvas by Culean artist Ernesto Romero Diaz. I...

Vintage 1970's Harbour Scene with Moored Boats & Figures by British Artist, William Stockman (1935-2021) Art measures 31 x 15 inches Frame measures 36 x 20 inches Professionally cleaned and re-framed in a high quality contemporary black moulding with a white insert 20th Century Vintage Original...

Gabino Rey Santiago (1928-2006) - Oil on canvas - Port of Barcelona Oil measures 54x65 cm. Frameless.

Domingo Alvarez (Spain 1942) - Boats - oil on canvas Canvas size 33x41 cm. Unframed.

The old fortress and port of Mandraki on the island of Rhodes in Greece is a tourist harbor where both very large cruise ships and small ships dock. People are eager to see local att...

Signed Adolfo Perez Frameless

Title: Original Watercolour Southwold Harbour Coastal Scene with Boats and Jetty By Tony Herbert (1927-2024) Signed: Bottom left Medium: Watercolor on artists paper Size: 11.25 x 15....

Li Xiao Biography Chinese, b. 1957 Li Xiao was born in 1957 in Shanghai, China. Xiao commenced showing interest in the fine arts at a very young age and has been consistently devel...

Title: French Brittany Harbour Scene Coastal Watercolour Seascape by Pierre Neveu Artist: Pierre Neveu (French b.1929) Medium: Watercolour on artist's paper, unframed Size (H x W): 6...

Title: Harbour at La Trinité sur Mer Brittany French Coastal Watercolour Artist: Pierre Neveu (French b.1929) Medium: Watercolour on artist paper, unframed Size (H x W): 5.75 x 8.5 i...

Title: Southwold Harbour Fishing Boats and Jetty Coastal Watercolour Scene 1995 By Tony Herbert (1927-2024) Inscribed: “Southwold Sept 95” Medium: Watercolor on artists paper Size: 1...