Cord Abstract Photography

'Spring Couplet' ('Mono No Aware' Series) 24 x 36" edition Limited edition archival photograph, hand signed and numbered. Unframed _________________ The dance of the cherry blossoms ...

'Spring Rain' ('Mono No Aware' Series) 24 x 36" edition Limited edition archival photograph, hand signed and numbered. Unframed _________________ The cherry blossoms burst from naked...

Shuli Sadé, Israeli (b. 1952) Pipe Bending (1995) Hand painted silver gelatin photo print Hand signed in pencil lower right, numbered 1/10 Framed: 23.25 X 29.25 sight, 15 x 19 inches Provenance: Estate of Gideon Gartner Shuli Sade (Shuli Sadeh Goshen) is an Israeli Postwar & Contemporary artist born in Israel in 1952. Shuli Sadé studied at the Bezalel Academy of Art, Jerusalem and the School of Visual Arts. Her work, which uses urban movement as a central theme, explores technology and its potential to impact still, moving, and two- and three-dimensional images. Sadé has lectured at the University of Pennsylvania School of Architecture, Parsons The New School for Design, and Barnard College. Her Sadé's cross-disciplinary artwork blends theory and practice with a focus on memory, space, and urbanism. Her work creates maps of urban memory, reflecting the DNA of a city. She mixes mediums including photography, video, augmented reality, site-specific installations, sculpture, and drawing. Her recent exhibitions include Upstream Downstream, a site-specific augmented reality installation, Riverside Park, NYC, part of Re: Growth, public art exhibition (2021), Fluid Formations, Gensler DC, (2019), Wild_Heterotopias, AR installation at the HighLineNine Galleries, and the High Line, (2019), Solid Red, Galeria Ethra, Mexico City, (2018) Day Dreams, AR installation at Montefiore Medical Center, the Bronx, NY (2017) and group shows including Timing is Everything, Mead Art Museum collection (2018), Making Time, AR installation Index Art Center, Newark, NJ (2019), Anniversario, Datasets, Galeria Ethra, Mexico City (2019) Israeli Modernism in the 1970s from the Collection, Haifa Museum of Art (2016). She had collaborated with Neural scientists at the Neurobiology of Cognition Laboratory, Center for Neural Science, New York University, and with architects and designers across the US. Sadé creates large-scale site-specific murals in the Corporate environment. She is an Israeli contemporary woman artist. Her recent artworks are permanently installed in Manhattan, Philadelphia, Boston, North Carolina., Miami, Mexico City, Jersey City, and more. Sadé received the Pollock Krasner Foundation Grant, (2014), the National Endowment for the Arts Fellowship (1991), New York Foundation for the Arts Emergency Grant (2001), Lower Manhattan Cultural Council Fund, NY- Israel Cultural Cooperation Commission Grant, AICF study grant, NY Art Development Committee grants. Her work is in private and public collections. Shuli Sade is a NY artist and architectural photographer. Sade studio photographed Renzo Piano renovations at the Morgan library, Norman Foster Hearst tower, Weiss Manfredi Nexus at Barnard College, Shiseido at Grey Art Gallery by Marble Fairbanks, Sade works on international commissions, Published in Metropolis magazine, Architectural Digest, Eating Architecture, MIT, Avroko Design, Regan books and others. She lives in NYC and works at her studio at Mana Contemporary, NJ. Her work is represented by Galleria Ethra in Mexico City. Select Exhibitions 2012 Reconfiguring Memory, (permanent installation), Center for Neural Science, New York University 2012 Conference of the Birds, CYNTHIA-REEVES Projects at Mana Contemporary, New Jersey 2011 Conceptualizing the Body Gaze, Masquerade, and Spectacle 2011 ENCODE/ DECODE: Work in Progress, The City of Herzliya Art Gallery, Herzliya, Israel 2009 H20 Film on Water, Brattleboro Museum, Bratleboro, NH 2009 Meeting/Place Cabri Gallery of Israeli Art, Kibbutz Cabri: Yigal Ozeri, Alex Kremer, Ofer Lellouche, Lea Nikel, Moshe Kupferman, Ori Reisman...

Marie Craig's "Dilexit 4" is an original deep blue photograph of an old cathedral with superimposed leaves and branches. This piece was created using cyanotype, an early photographic...

Fernanda Naman Fenix #14, 2016 40 x 40 inches 100 x 100 cm Edition of 9 C-Print Gold Leaf

Fernanda Naman Fenix #10, 2016 40 x 40 inches 100 x 100 cm Edition of 9 C-Print Gold Leaf

Monoprint on canvas. Hand painted by artist 38 x 26 inches 96.5 x 66 cm Born in Venice in 1955, Marco Nereo Rotelli lives and works in Milan and Paris. He holds an MBA in Archit...

“Spark” is a part of Alex Sher’s popular series REFLECTIONS - underwater photographs that could be almost mistaken for abstract paintings as they bring up recollections of masterpiec...

Collaged image from artist's TORN series. Archival pigment piece with plexiglass mount. About the Artist: Andrew Schwartz is an internationally published, award winning photographer. Based in NYC, he is an alumni of The Rhode Island School of Design, and a veteran member of both The International Cinematographers Guild/ICG and The Society of Motion Picture Still Photographers/SMPSP. His work is on permanent collection at The Margret Herrick Gallery at The Academy of Motion Picture Arts and Sciences, and he has served as Unit Still Photographer on more than 75 films including School of Rock, Men In Black, Fatal Attraction, When Harry Met Sally...

Double Tree - Unique, 2017 Hand-embellished archival Pigment print on 300gsm Hahnemuhle paper, hand-coloured with mixed-media, mounted on diabond, resin coated. Spanish/Australian A...

Fernanda Naman Abstract Landscape #10, 2017 40 x 40 inches 100 x 100 cm Edition of 6 C-Print Gold Leaf

This is a beautiful layered, mixed media piece using acrylic ink, salt water and salt crystals, on unprocessed photographic paper. 20x24 in. Signed en verso. Singular piece. The video shows close up of the salt crystals listening off the paper as a visual texture in the pictures The layering of works, creating depth, process and nature are important elements of the artist' work . For example, salt crystallization has been used on found objects and encrusted on photo based works on paper. The salt crystallization process is similar to preserving some objects, while disintegrating others with time. By incorporating salt crystals onto the photo based paintings, the image presents a mystical otherworldly feel, capturing and refracting light and the slippage of time. Art exclusively at gallery. Inquire to view series, collection. Inquire to commission projects. Framing available. --- Christine Nguyen is a Los Angeles based artist. She received her B.F.A from California State University, Long Beach and M.F.A from University of California, Irvine. As an artist, she is inspired by literature, science, nature, astronomy, geology, marine biology. Using photography’s processes as a point of departure, Christine Nguyen’s pioneering spirit led her to begin manipulating negatives and onward–creating her own by cutting, layering, and adding on. Nguyen’s subsequent explorations embrace drawing...