Metal Abstract Photography

"A Step Beyond" is part of Christopher Kennedy's "Trees Revered" series that uses his abstract PhotoLuminism technique combined with trees from the real world to create an otherworld...

"Bent Sound" - An ethereal underwater fine art photograph that captures the intersection of music and movement through a portrait of singer Njomza Vitia. This submerged portrait tran...

Geister or 'Ghost Ship' series from Nina Dietzel. Stunning on own, or paired with other images from the series. Surface mounted to polished plexiglass so that the photograph appears ...

Rebecca Skinner’s “Erosion #1” was photographed on the shoreline of Lake Champlain in Burlington, Vermont. The textural beauty is natures own art form. The 18 x 12 inch abstract blac...

​Represented by George Billis Gallery, NYC & LA -- Charney writes of her process: “For many years, I'd been trying to combine painting and photography with very contrived results. O...

Shocks of light -- yellow , indigo, red and white -- zip through the night in this dynamic photographic print by Mark Bartkiw. This C-print is sealed between dibond and plexiglass. T...

"Ecstasy" is a classic example of my abstract PhotoLuminism technique. When light travels, the human eye cannot see its trails, but the camera can and does. Capturing images this way...

"Torquidos" is a painting of light 'unseen.' When light travels, the human eye doesn't see its trails, but the camera does. My usual version of light painting involves leaving the li...

Rebecca Skinner’s “White” is part of her "Simplicity" series taking an up close look at flowers and other botanical subjects. The soft focus alters the image of a white rose into a b...

Rebecca Skinner’s “Run” is part of a her texture series taking an up-close look at rusted and/or weathered metal. With tones of blue and purple, this 12 x 18 inch abstract color phot...

Allan Forsyth AQUA FLORA X N°4 Limited Edition Archival Chromagenic Photographic Print Edition of 12 Artwork Size: H 112cm x W 86cm x D 1cm Diasec Framed Please note that insitu imag...

"Wrapped Series Untitled #38" Photography 1/10 42" x 28" inch by Robert Mack 2017 Photograph, archival exhibition paper Aluminum mount, UV mat protection Edition 1 of 10 + 2AP ...

There is a something about being a child on the beach where the sheer exuberance of running into the waves transcends the normal social barriers, and the shared exhilarance allows fo...

An original Aluminum backed C-print by Roland Richer created in 2001. The work was acquired from Von Lintel Gallery in May of 2002. (71 x 49 1/4 inches)

Ripple Effect II Year: 2018 Medium: Photography (printed on metal) Size: 30" x 20" (larger sizes available - inquire within) 16x24 on metal - 20x30 on metal Made to Order Water Ripp...

Fernanda Naman Abstract Landscape #11, 2017 40 x 40 inches 100 x 100 cm Edition of 6 C-Print Gold Leaf

"Anomalous" is a part of Christopher Kennedy's "Surrealism" series that uses his abstract PhotoLuminism technique combined in this case with a boat and a puffin from the real world t...

Cristian Stefanescu Monochromatic #03 Black and White Abstract Geometry, Limited Edition Digital Photograph Edition of 30 Artists Proofs 3 Ultra HD Photo Prints On Aluminium Dibond developed on matte Fuji Crystal Professional Archive Maxima photo paper. The matte surface prevents glare; surfaces are laminated with a UV protective film that makes them resistant to light. Image Size: 60 cm x 90 cm x 2 cm Sold Unframed Arrive Ready to Hang (integrated wall-mounts on the back using aluminium rail rectangle) Free Shipping Please note that in situ images are purely an indication of how a piece may look. Monochromatic #03 is part of a series of photographs entitled Monochromatic by Cristian Stefanescu. This black and white abstract geometry series is presenting a dialogue with the elements of perceptions and space. Seeing is unconscious using our senses, our intellect and our emotions in order to interpret the world around us according to our own personality, frame of reference or system of beliefs. I like to use as starting point the elements already created in our reality, fragments of nature or made by human hand. I like to restructure the images I am taking, by altering the angles and relative lengths, joining structures or spatial symbols into a combined representation of matter, just as I like to reorganise my thoughts, in order to be able to change my interpretation, or better say my perception and while doing so I add new forms or perspectives to each thought. Cristian Stefanescu, artist, is available for sale online and in our art gallery at Wychwood Art. Oxford based artist Cristian Stefanescu was born in 1968 in Bucharest. He obtained an MSc degree in 1992 at the Technical University of Construction Bucharest, specialisation in Water and Wastewater Treatment followed by the second MSc in 1994 obtained at University of Liège, specialisation in Groundwater Engineering. After having spent more than a decade of his life teaching at the Technical University of Construction Bucharest, Cristian moved from academia to photography working in fashion industry. The passion for photography developed in the early years of college and became a constant element of his life. After long and constant collaborations with fashion brands in Romania, in 2018 Stefanescu moved to London to open his own studio. Photography was born black and white and he chose to continue this tradition, while working on evolving the visual aesthetics of this raw art form rendering his believes. Cristian Stefanescu’s distinctive monochrome photographs are an exploration into the psychological and metaphysical. He captures nature or buildings in specific moments in time – through highly visual heartbreakingly dark images often overlapped with low-contrast minimal landscapes – to create works that stretch the idea of a hypothetical time. His photo installations exist in dialogue with the elements and perceptions of space and time. “Seeing is unconscious using our senses, our intellect and our emotions in order to interpret the world around us according to our own personality, frame of reference or system of beliefs.” he has said. “I like to use as starting point the elements already created in our reality, fragments of nature or made by human hand. I like to restructure the images I am taking, by altering the angles and relative lengths, joining structures or spatial symbols into a combined representation of matter, just as I like to reorganise my thoughts, in order to be able to change my interpretation, or better say my perception and while doing so I add new forms or perspectives to each thought. This is perhaps why I love photography, because it is simply a visual capture of something already created in the world and is always changing through our interpretation, it is more like a reflexion of our thoughts.” Always preferring to focus on the space rather than its subjects Stefanescu is obsessive about the contrast of his photography, in order to channel the intensity of light and texture of the storied buildings or nature elements. He documents concrete buildings, using the subject as representative for its physical referents, while considering metaphorically the world as the concrete representation of our emotions. Concrete thinking requires facts and representation about everyday life, palpable objects in a tree dimensional world. Stefanescu uses his photographs to deconstruct and alter reality in order to obtain abstract images, since by definition the abstract thinking involves a mental process and an abstract object does not exist in time or space, but rather exists as a thought, as an idea. “I use art in a reversed process of creation. I believe thought forms what our eyes can see, so I take what was already created by the thought of another and I try to place it back into what is known forever in the mind” he has said. Cristian Stefanescu believes in the energy of every being, of each object or nature element. He upholds that photography renders the ineffable combination of the object’s energy and the photographer’s one while taking a picture. And what is the energy of a photograph? Is it the energy of the space that is framed in the viewfinder, is it the energy of the photographer? I think it is an ineffable combination of the photographer’s energy when he pressed the shutter button and everything that forms the energy of the photographed space...

Immerse yourself in the captivating world of Topher Straus, where a single image explodes into a mesmerizing dreamscape. "Beachtree" is a testament to Straus' innovative spirit and his ability to push the boundaries of traditional landscape art...

"Corkscrew" is a classic example of my abstract PhotoLuminism technique. When light travels, the human eye cannot see its trails, but the camera can and does. Capturing images this w...

Geister or 'Ghost Ship' series from Nina Dietzel. Stunning on own, or paired with other images from the series. Surface mounted to polished plexiglass so that the photograph appears ...

Orlando Azevedo Cosmica #115, 4 Elements, Archival Pigment Print Unframed Ask us for framing options. 40 x 40 inches Edition of 13 Archival Pigment Print ...

"LB31" Abstract Photography 72" x 48" inch Edition of 4 by Giuliano Bekor 72" x 48" inch Edition of 4 Printed on Archival Metallic Paper Mounted on Aluminum with a 1/4 Museum Acr...

"Inspiration" is a part of Christopher Kennedy's "Trees Revered" series that uses his abstract PhotoLuminism technique combined with trees from the real world to create an otherworld...

Cones is a painting of light 'unseen.' When light travels, the human eye doesn't see its trails, but the camera does. My usual version of light painting involves leaving the light so...

Orlando Azevedo Cosmica #115, 4 Elements, Archival Pigment Print Unframed Ask us for framing options. 40 x 40 inches Edition of 13 Archival Pigment Print Unframed

Fernanda Naman Fenix #10, 2016 40 x 40 inches 100 x 100 cm Edition of 9 C-Print Gold Leaf

Fernanda Naman Abstract Landscape #10, 2017 40 x 40 inches 100 x 100 cm Edition of 6 C-Print Gold Leaf

Vibeke Jensen (Norwegian, b. 1962), "Gun Shot" Series, Four Photographs in Colors on Metal, 2001, one with signed label to verso, unframed. 19.5" H x 19.5" W x 1" D. Provenance: From...

Rebecca Skinner’s “Resolute” is a 11 x 17 inch metal print of graffiti on a wall of peeling paint in a deserted school. The color photograph with hues of peach and brown is almost ab...

“Spark” is a part of Alex Sher’s popular series REFLECTIONS - underwater photographs that could be almost mistaken for abstract paintings as they bring up recollections of masterpieces by Picasso, Dali or Gustav Klimt. In fact REFLECTIONS are straight photographic capturing of the water’s surface from below, with a submerged underwater camera. The photographs freeze natural momentary reflections in water surface - the unique kaleidoscopic fragmentations of human body into nearly unrecognizable forms. It is these bold accents of color, mesmerizing textures, dramatic lines, and distinctive distortions that make Sher’s works unique highly advisable masterpieces. Alex Sher’s underwater photograph “Spark” ignites the water in a boiling fiery scene. The pale tones of the skin contrast sharply against the velvety reflections of red that consume the water. What in reality would be understood as a nude photograph depicting a woman's body, breasts, and limbs, in Sher’s work transforms into a surreal spark of colors and bubbles. Original print on aluminum plate with black wooden backing. Limited edition of 12. The artwork is furnished with certificate of authenticity, signed by artist with artist's name, edition number, edition limit, and other details. The artwork needs no framing; it is being hung by a hidden frame on the back. Additional framing is available upon request. The photograph has been exhibited at: 2024 Roth & Taylor Gallery (Los Angeles, US) 2023 LA Art Show (Los Angeles, US) 2023 Beverly Hills Art Show (Beverly Hills, US) 2023 Roth & Taylor Gallery (Los Angeles, US) 2022 Spectrum (Miami, US) 2022 Beverly Hills Art Show (Beverly Hills, US) 2022 Art...

This surprising abstract photo of a natural landscape, has picked by the well known Italian photographer Giorgio Baroni. The white reflections are look...

Rodolfo Choperena Chacras 13, 2016 Digital print on metal 6 x 96 in (15.24h x 243.84w cm) 1/3

Kaleidescope (Zuma Beach) - 2004 29x28cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory #20434....

"Under the Moon" (2023) by Marisko Karto is a photocollage on metal that measures 27 x 48 inches unframed.

Seeside (Zuma Beach) - 2004 48x47cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid Certificate and Signature label. Artist Inventory #20430. Not m...

“Salsa” is a part of Alex Sher’s popular series REFLECTIONS - underwater photographs that could be almost mistaken for abstract paintings as they bring up recollections of masterpiec...

The strength and patience of the feminine form resound in the echoing smile of Alex Sher’s underwater photograph “Surprise”. The female body becomes almost unrecognizable as the nude...

There is a something about being a child on the beach where the sheer exuberance of running into the waves transcends the normal social barriers, and the shared exhilarance allows fo...

Impact - it all began quite simply I was very happy (Wastelands) - 2003 Edition of 5, 100x100cm. Archival C-Print, based on the Polaroid. Artist inventory Number 1189.08. Mounted...

Radiating with mythic sexuality, the mermaid’s topless body becomes fluid, her multiplying naked breasts and her scaly tail swirling into the hips of a real woman form a Möbius Strip...

“Bordeaux” reveals a gorgeous and haunting purple transformation of a naked body arms, breast, and legs into an amorphous shape, encapsulating the face of the woman. Pouring into the...

In Alex Sher’s “Salsa” we are entranced in the spiraling movements of the topless dancer encased in vibrant reds and electric blues. The nude woman clutches the fabric to her body as...

Alex Sher’s underwater photograph “Spark” ignites the water in a boiling fiery scene. The pale tones of the skin contrast sharply against the velvety reflections of red that consume ...

Vinnytsia a tiny Ukrainian town hit by Russian missiles on July 14 2022. There were no military installations neither industrial objects. Putin’s regime was targeting civilians as a...

“Private Pool” is a part of Alex Sher’s popular series REFLECTIONS - underwater photographs that could be almost mistaken for abstract paintings as they bring up recollections of mas...

Stillness (Zuma Beach) - 2004 29x28cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory #20433. N...

"Climatechange" (2021) by Marisko Karto is a photocollage on metal that measures 25 x 48 inches unframed.

It is within the locality of the dream where we are at once sentient of ourselves within a multitude of reflections. The momentary awareness of self reveals transitions between those...

Ripple Effect IIl Medium: Photography (printed on metal) Size: 30" x 20" (larger sizes available - inquire within) 16x24 on metal - 20x30 on metal Made to Order Water Ripple Effect...

An imposing image of a deep blue sphere dominates the space in this large print by the celebrated Canadian artist Steven Heinemann. This high-quality print was created by Heinemann i...

Underwater nude photograph of a young woman with broken umbrella. The photograph has been edited into a minimalistic abstract image, a photomosaic of terracotta pink shapes. Origina...

Long dark grasses and cattails form a patterned lattice through which the fall sky pushes through. This atmospheric photograph that captures the essence of a wetland is created in tw...

“Surprise” is a part of Alex Sher’s popular series REFLECTIONS - underwater photographs that could be almost mistaken for abstract paintings as they bring up recollections of masterpieces by Picasso, Dali or Gustav Klimt. In fact REFLECTIONS are straight photographic capturing of the water’s surface from below, with a submerged underwater camera. The photographs freeze natural momentary reflections in water surface - the unique kaleidoscopic fragmentations of human body into nearly unrecognizable forms. It is these bold accents of color, mesmerizing textures, dramatic lines, and distinctive distortions that make Sher’s works unique highly advisable masterpieces. The strength and patience of the feminine form resound in the echoing smile of Alex Sher’s disciplined model in his underwater photograph “Surprise”. The female body becomes almost unrecognizable as the nude colors of the skin, the vivacious reds of the garments, and the tranquil blues of the water morph and fuse into one another. Hearkening back to the surrealist paintings of masters...

Mirage (Zuma Beach) - 2004 29x28cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory #20428. Not ...

Rebecca Skinner’s “Hippie” is part of a her texture series taking an up-close look rusted and/or weathered metal. This abstract image is a close up of lichen on a lime green and blue...

Same style different execution. Italian copper leaf and fluorescent thread sewn on Splendorlux Black Gloss

Blue Sky (Zuma Beach) - 2004 50x49cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory #20432. No...

A line in the sky #5 2017 Pigment print with 24k gold leaf 24 x 35 inches (61 x 88.9 cm) $5,700 This work is offered by CLAMP in New York City.

The nude girl of Sher’s “Siesta” drifts to sleep as her dreams encroach upon her. As her naked body begins to shimmer into an aqueous form of its own, the bubbles of air transform in...