Metal Abstract Photography

High Jumper 2021 Signed and numbered on label, verso Layered laser cut dye sublimation prints on aluminum (Edition of 3 + 2 APs) 32 x 24 inches $4,500, including framing This wo...

Rebecca Skinner’s “Trees” is part of her "Dreamscape" series using the camera to paint with light. The 18 x 12 inch color photo has an abstract quality and earth tones. The print has...

Katie Hallam Erosion Limited Edition Digital Photograph Edition of 75 Size of Work: H 80cm x W 40cm x D 1cm Sold Unframed Ready to Hang – Please note that insitu images are purely an...

Rebecca Skinner’s “Rough Terrain” is part of a her texture series taking an up-close look rusted and/or weathered metal. This abstract image is mostly earth tones with a touch of blu...

Brooklyn Bridge (Stay) - 2006 Edition of 5, 100x135cm installed, each piece is 30x29cm, 12 analog C-Prints, printed by the artist on Fuji Archive Crystal Paper, matte surface, b...

Rebecca Skinner’s “Erosion #1” was photographed on the shoreline of Lake Champlain in Burlington, Vermont. The textural beauty is natures own art form. The 24 x 16 inch abstract blac...

"The Stairs" (2019) by Marisko Karto is a photocollage on alluminum that measures 30 x 30 inches unframed.

"Europa" (2018) by Marisko Karto is a photocollage on metal that measures 27 x 48 inches unframed.

Rebecca Skinner’s “Rusted Web” is part of a her "Texture" series taking an up close look at rusted and/or weathered metal. With tones of yellow and orange, this 18 x 12 inch abstract...

Rebecca Skinner’s “Rip” is a 12 x 18 inch color photo on metal that is part of her texture series, which takes an up-close look at rusted and/or weather...

Composition With Pink by Stuart Möller 2010 limited edition to 20 only this size - signed & numbered by the artist A large pink door in Northern Italy. Go...

In a delicate smear of faded blues intermingled with the curves and lines of the pale colors of the skin, Alex Sher’s “Brushstroke” uncovers his phenomenal ability to capture the tr...

LB07 Photography 60" x 40" inch Edition of 4 by Giuliano Bekor Print size 40x60 Inches Artwork finished size 42x62 Inches Limited edition 1 of 4 Artist proof 2 Medium: This artwo...

This photograph is representative of two related series of mine that deal with humanity's impact on and relationship with the earth. This relationship is not sustainable. Lately, I have begun to dream of our tortured earth with the remains of our hubris drifting through space, mined to extinction. This work is an attempt to tear through the ugliness of the world we have made, through the blindness of our voracious appetite to the vastness beyond, where beauty cares not for our perception of it. As Robinson Jeffers wrote: “The beauty of things was born before eyes and sufficient to itself; the heartbreaking beauty/ Will remain when there is no heart to break for it.” -- William Lesch

Katie Hallam Blossom Limited Edition Digital photograph Edition of 25 Image Size: H 50cm x W 40cm x D 1cm Sold Unframed Please note that in situ images are purely an indication of ho...

Orlando Azevedo Cosmica #115, 4 Elements, Archival Pigment Print Unframed Ask us for framing options. 40 x 40 inches Edition of 13 Archival Pigment Print ...

Katie Hallam Dollar Digital Photograph The value of money is always going to be a topical discussion. ‘Dollar’ looks at the current climate of relationships, value and connections...

This large montage of photographs (is not mounted onto aluminum) from Ken Gonzales-Day's dysmorphologies series. Fujifilm Fuji Color Crystal Archive paper color Photo paper. This is not signed or numbered. Ken Gonzales-Day's interdisciplinary and conceptually grounded projects consider the history of photography, the construction of race, and the limits of representational systems ranging from the lynching photograph to museum display. The Searching for California Hang Trees series offered a critical look at the legacies of landscape photography in the West while his most recent project considers the sculptural depiction of race. Profiled began as an exploration of the influence of eighteenth century "scientific" thought on twenty-first century institutions ranging from the museum to the prison and extended to the sculpture and portrait bust collections of several major museums including: The J. Paul Getty Museum; The Field Museum, Chicago; The Museum of Man, San Diego; L'École des beaux-arts,Paris. The Bode Museum, Berlin, Park Sanssouci, Potsdam; The National Museum of Natural History, Paris; The Yale Center for British Art, New Haven; among others. Gonzales-Day lives in Los Angeles and is Chair of the Art Department at Scripps College. Much of Gonzales-Day's work considers the larger political and social representational histories of the Mexican-American experience. His early work draws on the constructed photo methods of artists like Jeff Wall, Cindy Sherman, or Gregory Crewdson. For example, in Bone Grass Boy (1996), Gonzales-Day casts himself as all the central characters in a staged photonovella set during the Mexican American War...

Katie Hallam Blue Haze Limited Edition Digital Photograph on a metal backing and does not need framing. It is mounted securely and ready to hang on a wall. ...

Ripple Effect I Medium: Black & White Photography (printed on metal) Size: 30" x 20" (larger sizes available - inquire within) 16x24 on metal - 20x30 on metal Made to Order Water R...

This extra large montage of photographs is mounted onto aluminum from Ken Gonzales-Day's dysmorphologies series. Photo paper mounted to aluminum. Ken Gonzales-Day's interdisciplinary and conceptually grounded projects consider the history of photography, the construction of race, and the limits of representational systems ranging from the lynching photograph to museum display. The Searching for California Hang Trees series offered a critical look at the legacies of landscape photography in the West while his most recent project considers the sculptural depiction of race. Profiled began as an exploration of the influence of eighteenth century "scientific" thought on twenty-first century institutions ranging from the museum to the prison and extended to the sculpture and portrait bust collections of several major museums including: The J. Paul Getty Museum; The Field Museum, Chicago; The Museum of Man, San Diego; L'École des beaux-arts,Paris. The Bode Museum, Berlin, Park Sanssouci, Potsdam; The National Museum of Natural History, Paris; The Yale Center for British Art, New Haven; among others. Gonzales-Day lives in Los Angeles and is Chair of the Art Department at Scripps College. Much of Gonzales-Day's work considers the larger political and social representational histories of the Mexican-American experience. His early work draws on the constructed photo methods of artists like Jeff Wall, Cindy Sherman, or Gregory Crewdson. For example, in Bone Grass Boy (1996), Gonzales-Day casts himself as all the central characters in a staged photonovella set during the Mexican American War. In a later series entitled Erased Lynchings (2004-2006), Gonzales-Day explores the history of lynching in the American West by appropriating and digitally altering an archive of 19th and 20th century postcards that depict Mexican and Mexican-American lynchings. In 2012, Gonzales-Day received the Creative Capital Award in the discipline of Visual Arts. In 2014, he created his project titled Run Up which pairs together recreated images of lynchings from the 1920s and images of police brutality from Ferguson and Los Angeles. The title, Run Up, stems from the term for an illegal lynching. Court-ordered executions were called hangings while hate crimes were referred to as "run-ups". Along with his artwork, Gonzales-Day has authored two monographs. His first, Profiled, deals with the works of Malvina Hoffman...

We live in a world obsessed with image, what we look like, what our clothes, houses, and cars look like etc. Nick Veasey counters this obsession with superficiality by using x-rays t...

Anyone who has stopped to engage with an oil spill will be familiar with the rainbow colours and the myriad of shapes that appear to the keen observer. The iridescence and depth is a...

"LB19" (FRAMED) Abstract Photography 68" x 48" in Edition of 4 by Giuliano Bekor 68" x 48" inch Printed on Metal Mounted on Dibond TRANSCENDENCE series If the human body contains...

Shot from a 22nd floor balcony in Brickell, downtown Miami. Available in custom sizes and print options. The effect is strictly in camera- achieved via slow shutter speed and camera ...

A magical beach evening, Tulum, Mexico. Fine art photo mounted on di-bond aluminum. Custom printing/mounting/framing options available upon request.

This is a series of photography of California, USA, from various photographers, which we constantly add to. We highlight the various aspects of California: its raw, natural beauty, with its vast expanse of land, clear blue sky and natural light. It is also a metropolis, given to a sense of freedom – to love and re-invent yourself as you please. It is also ancient land – land where dinosaurs roamed, Native Americans called home, Spanish explorers charted its land for more discovery of this gem. In modern times, environmentalists and residents fought to protect the land, setting landmarks in environmental and consumer protection. California leads the nation in many ways- the first to lend itself to causes: the freedom to love whomever and be whomever we want, welcome new peoples with warmth and entrepreneurship, be at the forefront of clean energy, invent new technology that changes the way the world lives and work, and the protection of our Earth. It is La La Land...

Darkening clouds gather over the bay as Autumn approaches. Shot outside of Sag Harbor, N.Y. Printed on archival fine art paper, mounted on dibond aluminum with a float mount backin...

This is a one of a kind color photographic print in framed glass by southern Californian artist Lee Sie. Its size is 24" x 36" x 0.5"(HxWxD). It is already framed. A certificate of a...

An impressionistic photo of the ocean at dusk in Tulum, Mexico. Fine art photo mounted on di-bond aluminum. Custom printing/mounting/framing opti...

Shot on the beach in Tulum Mexico, March 2022. A magical place!! Fine art photo mounted on di-bond aluminum. Custom printing/mounting/framing options av...

JUNE MELODY, 2017 Printed on museum glass, hand finished with White Gold and Silver leaf 61 x 61 cm (including frame), 45 x 45 cm (glass size) Edition of 5 (Each individually hand gi...

Orlando Azevedo Cosmica #115, 4 Elements, Archival Pigment Print Unframed Ask us for framing options. 40 x 40 inches Edition of 13 Archival Pigment Print Unframed

Ed. 5/15, infused dye sublimated on aluminum. Includes floating white frame. Jami Goldman is an American fine art photographer, with over 30 years experience behind the lens. She is...

A line in the sky #7 2017 Pigment print with 24k gold leaf 24 x 35 inches (61 x 88.9 cm) $5,700 This work is offered by CLAMP in New York City.

A line in the sky #8 2017 Pigment print with 24k gold leaf 24 x 35 inches (61 x 88.9 cm) $5,700 This work is offered by CLAMP in New York City.

A line in the sky #9 2017 Pigment print with 24k gold leaf 24 x 35 inches (61 x 88.9 cm) $5,700 This work is offered by CLAMP in New York City.

Orlando Azevedo Cosmica #115, 4 Elements, Archival Pigment Print Unframed Ask us for framing options. 40 x 40 inches Edition of 13 Archival Pigment Print Unframed

Racquets 2021 Signed and numbered on label, verso Layered laser cut dye sublimation prints on aluminum (Edition of 3 + 2 APs) 32 x 24 inches $4,500, including framing This work ...

Oranges Drop Blossoms Tear 2021 Signed and numbered on label, verso Layered laser cut dye sublimation prints on aluminum (Edition of 3 + 2 APs) 32 x 24 inches $4,500, including f...

Prrrrince 2021 Signed and numbered on label, verso Layered laser cut dye sublimation prints on aluminum (Edition of 3 + 2 APs) 32 x 24 inches $4,500, including framing This work...

Power Division Corruption Joy Lies Fact 2021 Signed and numbered on label, verso Layered laser cut dye sublimation prints on aluminum (Edition of 3 + 2 APs) 32 x 24 inches $4,500...

This is a series of photography of California, USA, from various photographers, which we constantly add to. We highlight the various aspects of California: its raw, natural beauty, with its vast expanse of land, clear blue sky and natural light. It is also a metropolis, given to a sense of freedom – to love and re-invent yourself as you please. It is also ancient land – land where dinosaurs roamed, Native Americans called home, Spanish explorers charted its land for more discovery of this gem. In modern times, environmentalists and residents fought to protect the land, setting landmarks in environmental and consumer protection. California leads the nation in many ways- the first to lend itself to causes: the freedom to love whomever and be whomever we want, welcome new peoples with warmth and entrepreneurship, be at the forefront of clean energy, invent new technology that changes the way the world lives and work, and the protection of our Earth. It is La La Land...

"Echoes 5" Abstract Photography 40" x 40" inch Edition 3/20 by Giuliano Bekor Original fine art photography by Giuliano Bekor Signed and numbered by the artist This artwork printe...

Layered laser cut dye sublimation prints on aluminum (Edition of 3 + 2 APs) Signed and numbered on label, verso From the series "Dream Date" This artwork is offered by ClampArt, loc...

Rebecca Skinner’s “Worn" is part of a her "Texture" series taking an up close look rusted and/or weathered metal. The 18 x 12 inch color photo with satin finish is infused directly i...

"JM Basquiat-GB5" Photography (FRAMED) 66" x 48" inch Ed. 2/8 by Giuliano Bekor Original fine art photography by Giuliano Bekor Signed and numbered by the artist Title: Basquiat se...

Katie Hallam Outnumbered Limited Edition Digital Photograph Edition of 75 Size of Artwork: H 60cm x W 40cm x D 2cm Sold Unframed Please note that in situ images are purely an indicat...

This is a series of photography of California, USA, from various photographers. We highlight the various aspects of California: its raw, natural beauty, with its vast expanse of land, clear blue sky and natural light. It is also a metropolis, given to a sense of freedom – to love and re-invent yourself as you please. It is also ancient land – land where dinosaurs roamed, Native Americans called home, Spanish explorers charted its land for more discovery of this gem. In modern times, environmentalists and residents fought to protect the land, setting landmarks in environmental and consumer protection. California leads the nation in many ways- the first to lend itself to causes: the freedom to love whomever and be whomever we want, welcome new peoples with warmth and entrepreneurship, be at the forefront of clean energy, invent new technology that changes the way the world lives and work, and the protection of our Earth. It is La La Land...

Immerse yourself in the captivating world of Topher Straus, where a flock of sheep embarks on a whimsical journey. "Sheep in Transit" is a testament to Straus' artistic innovation an...

Katie Hallam Blue Haze Limited Edition Digital Photograph on a metal backing and does not need framing. It is mounted securely and ready to hang on a wall. ...

Orlando Azevedo Cosmica #115, 4 Elements, Archival Pigment Print Unframed Ask us for framing options. 40 x 40 inches Edition of 13 Archival Pigment Print Unframed

Cristian Stefanescu Monochromatic #03 Black and White Abstract Geometry, Limited Edition Digital Photograph Edition of 30 Artists Proofs 3 Ultra HD Photo Prints On Aluminium Dibond developed on matte Fuji Crystal Professional Archive Maxima photo paper. The matte surface prevents glare; surfaces are laminated with a UV protective film that makes them resistant to light. Image Size: 60 cm x 90 cm x 2 cm Sold Unframed Arrive Ready to Hang (integrated wall-mounts on the back using aluminium rail rectangle) Free Shipping Please note that in situ images are purely an indication of how a piece may look. Monochromatic #02 is part of a series of photographs entitled Monochromatic by Cristian Stefanescu. This black and white abstract geometry series is presenting a dialogue with the elements of perceptions and space. Seeing is unconscious using our senses, our intellect and our emotions in order to interpret the world around us according to our own personality, frame of reference or system of beliefs. I like to use as starting point the elements already created in our reality, fragments of nature or made by human hand. I like to restructure the images I am taking, by altering the angles and relative lengths, joining structures or spatial symbols into a combined representation of matter, just as I like to reorganise my thoughts, in order to be able to change my interpretation, or better say my perception and while doing so I add new forms or perspectives to each thought. Cristian Stefanescu, artist, is available for sale online and in our art gallery at Wychwood Art. Oxford based artist Cristian Stefanescu was born in 1968 in Bucharest. He obtained an MSc degree in 1992 at the Technical University of Construction Bucharest, specialisation in Water and Wastewater Treatment followed by the second MSc in 1994 obtained at University of Liège, specialisation in Groundwater Engineering. After having spent more than a decade of his life teaching at the Technical University of Construction Bucharest, Cristian moved from academia to photography working in fashion industry. The passion for photography developed in the early years of college and became a constant element of his life. After long and constant collaborations with fashion brands in Romania, in 2018 Stefanescu moved to London to open his own studio. Photography was born black and white and he chose to continue this tradition, while working on evolving the visual aesthetics of this raw art form rendering his believes. Cristian Stefanescu’s distinctive monochrome photographs are an exploration into the psychological and metaphysical. He captures nature or buildings in specific moments in time – through highly visual heartbreakingly dark images often overlapped with low-contrast minimal landscapes – to create works that stretch the idea of a hypothetical time. His photo installations exist in dialogue with the elements and perceptions of space and time. “Seeing is unconscious using our senses, our intellect and our emotions in order to interpret the world around us according to our own personality, frame of reference or system of beliefs.” he has said. “I like to use as starting point the elements already created in our reality, fragments of nature or made by human hand. I like to restructure the images I am taking, by altering the angles and relative lengths, joining structures or spatial symbols into a combined representation of matter, just as I like to reorganise my thoughts, in order to be able to change my interpretation, or better say my perception and while doing so I add new forms or perspectives to each thought. This is perhaps why I love photography, because it is simply a visual capture of something already created in the world and is always changing through our interpretation, it is more like a reflexion of our thoughts.” Always preferring to focus on the space rather than its subjects Stefanescu is obsessive about the contrast of his photography, in order to channel the intensity of light and texture of the storied buildings or nature elements. He documents concrete buildings, using the subject as representative for its physical referents, while considering metaphorically the world as the concrete representation of our emotions. Concrete thinking requires facts and representation about everyday life, palpable objects in a tree dimensional world. Stefanescu uses his photographs to deconstruct and alter reality in order to obtain abstract images, since by definition the abstract thinking involves a mental process and an abstract object does not exist in time or space, but rather exists as a thought, as an idea. “I use art in a reversed process of creation. I believe thought forms what our eyes can see, so I take what was already created by the thought of another and I try to place it back into what is known forever in the mind” he has said. Cristian Stefanescu believes in the energy of every being, of each object or nature element. He upholds that photography renders the ineffable combination of the object’s energy and the photographer’s one while taking a picture. And what is the energy of a photograph? Is it the energy of the space that is framed in the viewfinder, is it the energy of the photographer? I think it is an ineffable combination of the photographer’s energy when he pressed the shutter button and everything that forms the energy of the photographed space...

"JM Basquiat-GB4" Photography (FRAMED) 50" x 40" inch Ed. 1/8 by Giuliano Bekor Original fine art photography by Giuliano Bekor Signed and numbered by the artist Title: Basquiat se...

"LB28" (FRAMED) Photography 40" x 54" in Edition of 2/4 by Giuliano Bekor Print size 54x40 Inches trim bleed Artwork finished size 55x41 Inches Limited edition 2 of 4 Artist proof...

"LB17" Photography (FRAMED) 49" x 24" inch Edition of 4 by Giuliano Bekor Top: 8 acrylic circles of 12 inch diameter each, mounted on 1/4 Inch non-refl...

'8.31.15_4:45:54' 2017 by Susan Wides. Dye sublimation aluminum, Ed. of 5, 60 x 40 in. / Frame: 60.75 x 41 in. This color photo features a clo...

Orlando Azevedo Cosmica #45, 4 Elements, Earth, 2016 Dye Sublimation on Aluminum, Framed 40 x 40 inches Edition of 7

It is the luminous colours of Michel Piquette’s works that first catch the eye. His chromatic circles that stir up vision take root in an aesthetic tr...

Orlando Azevedo Cosmica #115, 4 Elements, Archival Pigment Print Unframed Ask us for framing options. 40 x 40 inches Edition of 13 Archival Pigment Print Unframed