Ken Gonzales-Day

Untitled, #94 from the Dysmorphologies Series Abstract Large Color Photograph

This large montage of photographs (is not mounted onto aluminum) from Ken Gonzales-Day's dysmorphologies series. Fujifilm Fuji Color Crystal Archive paper color Photo paper. This is not signed or numbered. Ken Gonzales-Day's interdisciplinary and conceptually grounded projects consider the history of photography, the construction of race, and the limits of representational systems ranging from the lynching photograph to museum display. The Searching for California Hang Trees series offered a critical look at the legacies of landscape photography in the West while his most recent project considers the sculptural depiction of race. Profiled began as an exploration of the influence of eighteenth century "scientific" thought on twenty-first century institutions ranging from the museum to the prison and extended to the sculpture and portrait bust collections of several major museums including: The J. Paul Getty Museum; The Field Museum, Chicago; The Museum of Man, San Diego; L'École des beaux-arts,Paris. The Bode Museum, Berlin, Park Sanssouci, Potsdam; The National Museum of Natural History, Paris; The Yale Center for British Art, New Haven; among others. Gonzales-Day lives in Los Angeles and is Chair of the Art Department at Scripps College. Much of Gonzales-Day's work considers the larger political and social representational histories of the Mexican-American experience. His early work draws on the constructed photo methods of artists like Jeff Wall, Cindy Sherman, or Gregory Crewdson. For example, in Bone Grass Boy (1996), Gonzales-Day casts himself as all the central characters in a staged photonovella set during the Mexican American War...

FLORA & FAUNA SERIES, c.1998, Fuji crystal archive paper. Unsigned. Photographer Jeffrey Rothstein focuses on different elements within Nature for his subject matter, ranging from f...

Ellen Kaplowitz "Eiffel Tower, Paris", photograph print, Hand signed and titled verso, 15.75"h x 23.75"w (sight), 17"h x 25"w (frame) Ellen Kaplowitz has been globetrotting and snapping photos along the way for more than two decades. She has traveled to all seven continents, has worked in China, Ghana, Cambodia, Laos, India, Ethiopia, Bhutan, France, Cuba, Morocco and Libya (to name only a few of her locales). Kaplowitz’s photographs have been seen in numerous museums across the United States, including the Field Museum, the Newark Museum, the American Museum of Natural History, the Pacific Asia Museum, the Asia Society, the Museum for African Art, the Peabody Essex Museum, the Carnegie Museum of Natural History, the New-York Historical Society, the Los Angeles County Museum of Art, Houston Museum of African American Culture and galleries, Tyler Rollins, New York and Carl Schlosberg’s Fine Arts, Los Angeles, Artless Gallery, Tokyo. Her photographs have been published in magazines such as Time and Natural History, as well as her book A World of Decent Dreams: Vietnam Images. She is working on a book of Eastern Tibet. Photographs by Ellen Kaplowitz have been published in Natural History, Time, and other magazines, as well as in her book, A World of Decent Dreams: Vietnam Images (Weatherhill, 2003). Her images have also appeared in a number of museums, including the American Museum of Natural History in New York City and the Field Museum in Chicago, and in galleries in Los Angeles and New York City. Kaplowitz, a member of the Explorers Club...

Shuli Sadé, Israeli (b. 1952) Pipe Bending (1995) Hand painted silver gelatin photo print Hand signed in pencil lower right, numbered 1/10 Framed: 23.25 X 29.25 sight, 15 x 19 inches Provenance: Estate of Gideon Gartner Shuli Sade (Shuli Sadeh Goshen) is an Israeli Postwar & Contemporary artist born in Israel in 1952. Shuli Sadé studied at the Bezalel Academy of Art, Jerusalem and the School of Visual Arts. Her work, which uses urban movement as a central theme, explores technology and its potential to impact still, moving, and two- and three-dimensional images. Sadé has lectured at the University of Pennsylvania School of Architecture, Parsons The New School for Design, and Barnard College. Her Sadé's cross-disciplinary artwork blends theory and practice with a focus on memory, space, and urbanism. Her work creates maps of urban memory, reflecting the DNA of a city. She mixes mediums including photography, video, augmented reality, site-specific installations, sculpture, and drawing. Her recent exhibitions include Upstream Downstream, a site-specific augmented reality installation, Riverside Park, NYC, part of Re: Growth, public art exhibition (2021), Fluid Formations, Gensler DC, (2019), Wild_Heterotopias, AR installation at the HighLineNine Galleries, and the High Line, (2019), Solid Red, Galeria Ethra, Mexico City, (2018) Day Dreams, AR installation at Montefiore Medical Center, the Bronx, NY (2017) and group shows including Timing is Everything, Mead Art Museum collection (2018), Making Time, AR installation Index Art Center, Newark, NJ (2019), Anniversario, Datasets, Galeria Ethra, Mexico City (2019) Israeli Modernism in the 1970s from the Collection, Haifa Museum of Art (2016). She had collaborated with Neural scientists at the Neurobiology of Cognition Laboratory, Center for Neural Science, New York University, and with architects and designers across the US. Sadé creates large-scale site-specific murals in the Corporate environment. She is an Israeli contemporary woman artist. Her recent artworks are permanently installed in Manhattan, Philadelphia, Boston, North Carolina., Miami, Mexico City, Jersey City, and more. Sadé received the Pollock Krasner Foundation Grant, (2014), the National Endowment for the Arts Fellowship (1991), New York Foundation for the Arts Emergency Grant (2001), Lower Manhattan Cultural Council Fund, NY- Israel Cultural Cooperation Commission Grant, AICF study grant, NY Art Development Committee grants. Her work is in private and public collections. Shuli Sade is a NY artist and architectural photographer. Sade studio photographed Renzo Piano renovations at the Morgan library, Norman Foster Hearst tower, Weiss Manfredi Nexus at Barnard College, Shiseido at Grey Art Gallery by Marble Fairbanks, Sade works on international commissions, Published in Metropolis magazine, Architectural Digest, Eating Architecture, MIT, Avroko Design, Regan books and others. She lives in NYC and works at her studio at Mana Contemporary, NJ. Her work is represented by Galleria Ethra in Mexico City. Select Exhibitions 2012 Reconfiguring Memory, (permanent installation), Center for Neural Science, New York University 2012 Conference of the Birds, CYNTHIA-REEVES Projects at Mana Contemporary, New Jersey 2011 Conceptualizing the Body Gaze, Masquerade, and Spectacle 2011 ENCODE/ DECODE: Work in Progress, The City of Herzliya Art Gallery, Herzliya, Israel 2009 H20 Film on Water, Brattleboro Museum, Bratleboro, NH 2009 Meeting/Place Cabri Gallery of Israeli Art, Kibbutz Cabri: Yigal Ozeri, Alex Kremer, Ofer Lellouche, Lea Nikel, Moshe Kupferman, Ori Reisman...

Igor Vishnyakov is a Russian Postwar & Contemporary artist who was born in 1968 in Moscow. Igor spent his childhood in Africa and Southeast Asia. After returning to Moscow in the mid-80’s he started painting and photographing key figures of the Russian avant-garde movement, and began to widely exhibit his work. In his youth Vishnyakov became a significant figure in the Moscow and St. Petersburg art community. He became a permanent member of the New Academy of Fine Arts soon after it was founded by Timur Novikov in 1989. He was first made aware of alternate photographic printing processes while studying in the New Academy. Amongst other photographers such as Novikov, Egelskiy, Alexandrov, Ostrov and other Academy members, Vishnyakov was engaged in reviving precious photo printing techniques widely spread in the XIX century, such as gum arabic pigment print, bromoils, calotypes, chirotypes, carbon process, Savrasov and Sery methods and many others. In 1990 Vishnyakov moved to New York to establish himself as a reporter and then as a fashion photographer and soon got his work published in a dozen of American and European magazines. Soon after, he continued his art education in the New York studio of a French painter, Emmanuel Flipo. Although living as an emigrant, Vishnyakov retained his connections with the Russian art world, especially with the New Academy, and participated in a number of group exhibitions. In 1997 he joined the movement that gathered neo-academics from Moscow and St. Petersburg. His very own established technique is mixed media, combining classical photography, gum arabic pigment printing, tempera painting and printing. The smallest details, such as the peculiarities and nuances of applying an emulsion, with the pressure of brush strokes, or paper texture, give a strange, mystic significance, to his whole work. Photographic details show through and then dissolve in the layers of paint, leaving the image slightly unexposed and the philosophical background unrevealed, impelling the viewer to come back over and over again. Vishnyakov’s work has a feeling of ephemerality, conveying a sense of never being truly finished, leaving the viewer in a truly meditative state. In his never ending reconnaissance of an ideal image of beauty, Vishnyakov is inspired by esoteric and Oriental spiritual practices. Everything finds a place in his art, whether it is Tao doctrine of five elements, symbols of Tarot’s Major Arcana, majestic temples of ancient India or plain netsuke figures. Whatever it is, his major principle is harmony, both inner and outward, spiritual and visual. Vishnyakov also teaches photography in America and Japan, practices kung fu and remains a Shaolin monk’s novice, a practice he has been doing for eleven years. At present he is living between New York and Moscow with his muse, the Russian supermodel, and talented painter, Sasha Pivovarova. SELECTED GROUP SHOWS Beauty of the Beast, Mimi Ferzt Gallery New York Mystical Neo-Realism, Barbarian Art Gallery Passion Bild. Bern Kunstmuseum Bern MIR Faberge, Royal Academy of Arts, London Russian House photography...

FLORA & FAUNA SERIES, c.1998, Fuji crystal archive paper. Unsigned. Photographer Jeffrey Rothstein focuses on different elements within Nature for his subject matter, ranging from f...

Impressionistic photo of an autumn sunset reflected in tidal flats at low tide. Shot in Glen Cove, Long Island. Printed on archival fine art paper, mounted on dibond aluminum with ...

Geister or 'Ghost Ship' series from Nina Dietzel. Stunning on own, or paired with other images from the series. Surface mounted to polished plexiglass so that the photograph appears ...

Geister or 'Ghost Ship' series from Nina Dietzel. Stunning on own, or paired with other images from the series. Surface mounted to polished plexiglass so that the photograph appears ...

40"x30" urethane casting resin, gold dust, and photo correction fluid on archival C-Print. presented framed. New York City based artist Kelly Parr holds an MFA in Sculpture from Yale and BA in Fine Art from the University of California, Davis, with additional studies at the Accademia di Belle Arti di Venezia. Residencies include Sambans Íslanskra Myndlistarmanna (SIM) Reykjavík, Iceland; The Millay Colony for the Arts (Austerlitz, NY); Socrates Sculpture Park (Long Island City, NY); The Experimental TV Center...

Impact - it all began quite simply I was very happy (Wastelands) - 2003 Edition of 5, 100x100cm. Archival C-Print, based on the Polaroid. Artist inventory Number 1189.08. Mounted...

Blue Sky (Zuma Beach) - 2004 50x49cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory #20432. No...