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Benjamin HellerDrift, Wisconsin, 20072007
2007
$1,750
£1,332.81
€1,536.26
CA$2,448.24
A$2,751.66
CHF 1,432.99
MX$33,466.97
NOK 18,336.87
SEK 17,388.76
DKK 11,465.66
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About the Item
CURRENT EXHIBITION - runs through February 26th, 2017. Any framed photographs purchased during the show will be available then. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production.
Shipping time depends on method of shipping.
Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current exhibition of the photograph.
In his latest show, Benjamin Heller invites us to enter a poetic space of echo and convergence. As a photographer, sculptor, and performer, movement is key in this body of work, that is punctuated by self portraits selected from the series “The Long Walk: Analog Narratives”. This series features pieces collected over an extended period of time spent traveling. It is a window to the interior landscapes he seeks to find reflected in the world, to contain a sense of this intimate vastness. All of the images can be viewed as variations on a self-portrait.
The places of intimacy and sense of vastness contained in the photographs can convey a sense of transport that enhances the viewer’s visual experience. The "echoes" we find in the show reside in multiplicities of human and physical forms, rolling natural curves, and animals in flight; all intended to provide a resonance with the contours of earth, water, and wind. The result is an array of images captivating in themselves, but also given new meaning in the context of Robin Rice's skillful curatorial arrangement. Her intuitive placement creates a graphic narrative for the viewer to follow and decipher, encouraged by the convergence of the poetic titles of the works.
Traces of poetry, sculpture, the lines of the body, lived experience are also evoked in Heller’s photographs, in movement and action. He also finds inspiration in photographer Duane Michal’s’ framing of expressive narratives, and in Sally Mann’s felt sense of powerful physical presence. Photographer Miranda Penn Turin, in reviewing the exhibition, said, “I can almost hear a soundtrack, and it's the sound of wind”.
The invitational image is entitled “Fall,” a graceful figure, suspended in a glowing arc, light streaming upwards, eyes closed in rapture. This light sits in contrast to the infinite shadow of the black background, conjuring a certain atmosphere. Heller believes that it is shadows that allow the viewer to reside in the experience – this image does just that. These imagined environments speak to our converging lives and the echoed moments we experience, embodying for each viewer, just what Benjamin Heller connects with while photographing.
Another view of self-portraiture at the front sign in desk, is an image reading, “and the soul wanted to move,” between the keys of a typewriter. This show is a mirror of a desire to move. The black & white images capture simultaneously this movement and stillness, asking us to pause between the natural forces that rise and fall. Heller employs multiple-exposure and a fixed 4x5 camera to set a stage for a female figure flowing across the moss and rock of a waterfall in “Reaching”. The cavernous rocks in the background contrast with the ghostly greys and whites of the body. She can be seen treading multiple positions along a serpentine path – thus the converging self, and a looking glass to enter the imagination.
Benjamin Heller has exhibited his photography, video, and sculptural performance work at the Baryshnikov Arts Center, Brooklyn Museum, Wave Hill, New York Live Arts, ICP International Center of Photography, Robin Rice Gallery, Cheryl Hazan Gallery, Fresh Window, Eyebeam, New York Foundations for the Arts, and Honey Space Gallery in New York. In 2013, he was selected for the Bronx Museum AIM residency program and Biennial Exhibition. This is his first solo show.
Black and White, Beach, Boats, Water, Portrait, Man, Sleeping, Lake, Nature, Figurative
- Creator:
- Creation Year:2007
- Dimensions:Height: 19 in (48.26 cm)Width: 24 in (60.96 cm)
- More Editions & Sizes:11” x 14” Price: $1,00016" x 20" Price: $1,20030" x 40"Price: $3,000
- Medium:
- Movement & Style:
- Period:
- Framing:Framing Options Available
- Condition:
- Gallery Location:Hudson, NY
- Reference Number:1stDibs: LU111374943

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View AllSt. Croix River, Minnesota, 2002
By Robin Rice
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing.
Edition 4 of 20
After 30 years on West 11th Street, The Robin Rice Gallery celebrates its first ever exhibition for Robin Rice. For decades, Robin has exhibited a wide variety of photographers at the gallery but never her own work. As the show’s title denotes, “It’s About Time.” The opening reception will be held on Wednesday, January 23rd from 6pm to 8pm. The exhibit runs through March 17, 2019.
While her photography spans five decades and multiple continents, Rice maintains a cohesive, candid voice that carries throughout all of her work. Observing the world around her in a cinematic way, she possesses an uncanny ability to recognize and capture moments of beauty and the spontaneity of the human spirit. By evoking a wonderstruck sensibility, Rice expresses a deep-rooted love for both people and landscapes using her distinct bohemian style.
In this salon-style retrospective, Rice uses an “old school” approach and shoots with her Nikon on Tri-X film. When creating her art, she insists, “the camera has a mind of its own.” The scenes captured in her photography are unedited and thus born purely from the magic of the in-camera composition.
In the invitational image, “Tree Farm, Long Lane, East Hampton, NY”, 1999, a naked woman wearing nothing but a large straw hat is captured from behind, centered between a long line of trees on either side, as she bikes down the lane. In another image, “Bubbles, Piazza Rondanini, Roma”, 1995, friends linger before a vine-covered building, extending their arms up in joyful wonder, catching bubbles descending from above.
Receiving her first camera at the age of 11, she has since been an avid fine art photographer. After moving from Philadelphia to New York in 1976, Rice was immediately swept up in the electrifying, fast-paced art world of the city. In 1977, Discoworld Magazine hired her to photograph the opening night of Studio 54. After enjoying 23 years of success as a commercial photographer, she shifted her career to become a gallerist, opening The Robin Rice Gallery in 1990.
Curating 175 shows, Robin developed her own “school” of artists, cultivating a keen eye for curating and in doing so enriching the aesthetic of her own fine art photography. Despite devoting much of her energy to the gallery, Rice has never stopped creating her own art, and has exhibited in several galleries nationally and abroad. Influenced by photographer and gallerist Alfred Stieglitz, who curated the art of others and exhibited his own work, Rice is ready to showcase her photography on her own turf. In her spare time, Robin has recently taken up DJing: you can often find DJ Redshoes spinning vinyl at her loft in Beacon.
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Edition of 12.
Shipping time depends on method of shipping.
ABOUT:
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Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing.
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By Benjamin Heller
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing.
Edition of 12.
Shipping time depends on method of shipping.
ABOUT:
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Category
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