
Silhouette, CA
By Kali
Located in New York, NY
Estate stamped on the reverse
1970s Photography
Polaroid
1968
Joan Marie Archibald was born in 1932 and raised on Long Island, New York. Wed and divorced by the age of 30, she left everything behind for California and a new life — and a new identity as "Kali."
While Kali had studied art and photography previously, no one knows exactly when and how her artistic practice and style developed. She began using an improvised darkroom in the master bath of her Palm Springs home to print 16 by 20 inch photographs. She chose her subjects carefully, which included friends, pets, acquaintances, children, her children’s friends (including a young Cindy Sherman), and surroundings. Late into the night, Kali then used dyes, screens, and organic material in the swimming pool to layer moody and psychedelic abstractions over the photographs and dried the textured prints in the desert sun.
The social and political turbulence of the 1960s and 1970s encouraged a more experimental artistic culture in the Los Angeles area. Artists began recontextualizing photographs as “objects” open to manipulation — rejecting the more straightforward and classical approach of photographers like Ansel Adams and Edward Weston. Kali was a prolific pioneer of this alternative photography and her vibrant images marry a bohemian sensuality indicative of the time period and her lifestyle with a more emotional spontaneity.
In the 1970s, Kali continued her practice with the Polaroid camera. Instead of manipulating the Polaroid prints, she used multiple exposures and projections of light in camera to startling, eerie effect — particularly on a series of haunting self-portraits. Much later in her life, Kali documented her fascination with UFOs and extraterrestrials by monitoring and photographing images of flickering transmissions and unexplained streaks and blobs of light from the security cameras surrounding her property in Pacific Palisades.
Despite her prolific artistic output, Kali revealed her work to few and seems to have retreated just when she may have started to gain recognition. The only known article featuring her work was in the November 1970 edition of Camera 35 magazine and the author noted that Kali’s “Artography” (her trademarked name) was “was beyond the capabilities of mere machines. In fact, there is not a way to reproduce one of her images; as a result each of them is an original.”
In her 80s, Kali began to suffer the effects of Parkinson’s disease and memory loss. Her daughter Susan helped her move in to a nursing home and at the same time discovered the immense collection of Kali’s artwork and writing. Soon after Kali’s death in 2019, the collection was organized and archived by Susan and Kali’s former son-in-law, photographer Len Prince.
Find original Kali art on 1stDibs.
(Biography provided by Staley-Wise Gallery)

Untitled (Collage #11)
By Kali
Located in New York, NY
Vintage polaroid collage in custom frame Image size: 13.25x16.25 inches / 34x41 cm Print size: 13.25x16.25 inches / 34x41 cm Frame size: 20.5x...
Archival Pigment

Lauren, New York
By Patricia Heal
Located in Hudson, NY
Edition #1/10 The listed print is a framed price . It is also is available in 2 additional paper sizes, unframed. In her new collection of photographs, British born photographer H...
Archival Pigment

Emma
By Patricia Heal
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing. Edition of 10. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production. Shipping time depends on method of shipping. Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph. ABOUT: In her ninth solo show at the Robin Rice Gallery, veteran artist Patricia Heal documents her visual narrative of their enchanted home in upstate New York. Hidden within untouched forests lies Peabrook, a babbling brook running through the property. The classic architecture of the house is offset by uniquely quirky interiors designed by the English-born Patricia and her husband, Anthony Cotsifas, which generate an otherworldly existence within the estate. “Peabrook is my Neverland,” Heal states, in reference to J.M. Barrie’s Peter Pan. “It is a fictional place often described as a metaphor for eternal childhood.” Heal hopes that, with just a visit to the gallery and a little imagination, you, too, can see Peabrook. Her use of the large format, now-extinct Polaroid film for her black and white photographs, and the warm soft colors found in many of the other pieces of the collection, contribute to the sense of antiquity and fantasy surrounding Peabrook. The whimsical subject matter, including mythical creatures and extensive taxidermy, complete the “magical” representation of Heal’s home that she strove to depict. The simply framed 4” x 5”, 5” x 7” and 8” x 10” photographs sit within large mattes, in keeping with the classical quality of her images. “I really wanted to work in film again, and this project seemed the right one to do it with,” says Heal, who lists Sarah Moon and André Kertesz as artistic inspirations. The dark and mysterious invitational image, “Willow”, depicts a portrait of a hooded woman, her downward gaze partially obstructed by the soft branches of a fern from the surrounding garden. The earth-toned image contains the unpredictable streaked effect of developed instant film. In another image, entitled “Sitting Room”, we see a positive image of a film negative. Most notable is the hanging rhinoceros head towering impressively over two antique sitting chairs...
Giclée
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