19th Century Photography

Yokohama, Japan: c 1890. Hand-tinted albumen print, 8 x 10 1/2 inches (203 x 266 mm), numbered B04 in negative, small spots of fixer on lower right corner, pencil inscription on ver...

With a socially critical eye and Berlin humor, the prints by Heinrich Zille (1858 - 1929) capture the milieu of the "little people" around 1900. The fact that the famous artist was a...

With a socially critical eye and Berlin humor, the prints by Heinrich Zille (1858 - 1929) capture the milieu of the "little people" around 1900. The fact that the famous artist was a...

Yokohama, Japan: c 1880. Hand-tinted albumen print, 8 1/8 x 10 1/2 inches (205 x 267 mm), numbered 1625 and captioned "Dancing" in negative at lower right; pencil inscription in Jap...

This dome-topped albumen silver print is mounted to card, bearing another albumen print by Watkins of Sentinel Rock, mounted to the reverse. Printed in the 1880s.

Terry O'Neill's photograph of Brigitte Bardot in Spain is a timeless portrayal of the iconic actress exuding effortless allure. Captured in black and white, Bardot is depicted from t...

circa 1890. Hand-tinted albumen print, 7 7/8 x 10 1/4 inches (200 x 260 mm), numbered B 289 and captioned in negative at lower right. Unmounted; housed in an archival mat with clear...

Yokohama, Japan: c 1885. Hand-tinted albumen print, 10 1/2 x 8 inches (268 x 204 mm), hand-numbered 1103 in negative. Unmounted; housed in an archival mat with clear mounting corner...

Yokohama, Japan: c 1900. Hand-tinted albumen print, 7 7/8 x 10 1/4 inches (200 x 260 mm); numbered B 435 and captioned on lower right corner. Unmounted; housed in an archival mat wi...

An intimate, rich, dome-topped albumen print of a scene in the Calaveras Grove, north of Yosemite and Mariposa on the western edge of the Sierras. This print is mounted to a thick al...

Tokyo, Japan: c 1890. Hand-tinted albumen print, 7 5/8 x 10 inches (200 x 255 mm), pasted on light album board, numbered 956 and captioned in negative at lower right; housed in an a...

The Original American Colony was a colony established in Jerusalem in 1881 by members of a utopian society led by Anna and Horatio Spafford. Now a hotel in East Jerusalem, it is still known by that name today. After suffering a series tragic losses following the Great Chicago Fire of 1871 (see hymn "It is Well with My Soul"), Chicago residents Anna and Horatio Spafford led a small American contingent in 1881 to Jerusalem to form a utopian society. The "American Colony," as it became known, was later joined by Swedish Christians. The society engaged in philanthropic work amongst the people of Jerusalem regardless of religious affiliation, gaining the trust of the local Muslim, Jewish, and Christian communities.During and immediately after World War I, the American Colony carried out philanthropic work to alleviate the suffering of the local inhabitants, opening soup kitchens, hospitals, orphanages and other charitable ventures. Towards the end of the 1950s, the society's communal residence was converted into the American Colony Hotel. The hotel is an integral part of the Jerusalem landscape where members of all communities in Jerusalem still meet. In 1992 representatives from the Palestine Liberation Organization and Israel met in the hotel where they began talks that led to the historic 1993 Oslo Peace Accord. Panorama of Jerusalem, c. 1890-1920 The Colony moved to the large house of a wealthy Arab landowner, Rabbah Husseini, outside the city walls in Sheikh Jarrah on the road to Nablus. Part of the building was used as a hostel for visitors from Europe and America. A small farm developed with animals, a butchery, a dairy, a bakery, a carpenter's shop, and a smithy. The economy was supplemented by a shop selling photographs, craft items and archaeological artifacts. The American Colonists were embraced by the Jewish and Palestinian communities for their good works, among them, teaching in both Muslim and Jewish schools. Photography Around 1900, Elijah Meyers, a member of the American Colony, began taking photographs of places and events in and around the city of Jerusalem. Meyers's work eventually expanded into a full-fledged photographic division within the Colony, including Hol Lars (Lewis) Larsson and G. Eric Matson, who later renamed the effort as the Matson Photographic Service. Their interest in archeological artifacts (such as the Lion Tower in Tripoli pictured here), and the detail of their photographs, led to widespread interest in their work by archeologists. The collection was later donated to the Library of Congress. World War I When the Ottoman Empire entered World War I as an ally of Germany in November 1914, Jerusalem and Palestine became a battleground between the Allied and the Central powers...

Titled in ink mount recto. Derived from a significant 19th-century album acquired in the 1980s in Washington, D.C., which contained several Watkins mammoth plates, as well as additio...

This albumen silver print mounted to board is signed in ink beneath the image, with a title in pencil at the bottom of the mount. Naef 103.

With a socially critical eye and Berlin humor, the prints by Heinrich Zille (1858 - 1929) capture the milieu of the "little people" around 1900. The fact that the famous artist was a...

This loose albumen silver print is signed and numbered in the negative. Printed c. 1880s.

Stillfried, Raimund von Japan, Girl Winter Costume Yokohama, Japan: c 1880. Hand-tinted albumen print, 10 1/4 x 7 3/4 inches (260x 200 mm), numbered B 1080 and titled in the lower r...

Princess Victoria and Prince Gustaf of Sweden is a photographic reinforced albumen print applied on cardboard. Print of photographic studio on front and back of cardboard: "Thschuhmann & Sohn Karlsruhe ". Slight abrasion on corners, otherwise excellent conditions. Dim: cm 17 x 11 In the full-length portrait, Victoria and Gustaf of Sweden show the wedding rings in an informal pose. The photograph was taken in Karlsruhe, the wedding venue of the two future royals of Sweden...

Yokohama, Japan: c 1890. Hand-tinted albumen print, 10 1/8 x 7 3/4 inches (258 x 198 mm), numbered B 1161 and captioned in negative at lower right; very light cockling, brightly col...

Circa 1890 Hand-tinted albumen print, 10 1/2 x 8 inches (266 x 203 mm), small handwritten number '285' in negative, lower left. Unmounted; housed in an archival mat with clear mounting corners. [Nagasaki University Library, Catalog Number : 1889] A woman wearing a towel over her head Anesama kaburi style picks up shells. The background is the sea. There are boats with sails on the beach. It is probably a dramatized photo. Ogawa Katsumasa (1860 – 1936) was a pivotal figure in early Japanese photography. He adapted cutting-edge Western technology in photo-printing processes to produce numerous half-tone and collotype publications which transformed the market which had previously concentrated on the more expensive souvenir albums. Ogawa's publications were also instrumental in introducing Japanese art and culture to a mass international audience. He built one of the most successful photographic businesses in late-Meiji Japan. He opened his first portrait studio in Tomioka, Gumma Prefecture, in 1877. [Bennett, Terry. Old Japanese Photographs...

Jumping A Hurdle (1886) - Silver Gelatin Fibre Print (Photo by Eadweard J. Muybridge/George Eastman Museum/Getty Images). Jumping a hurdle; saddle; bay horse, Daisy, between 1884 a...

This early albumen silver print from an imperial plate was printed prior to 1876, when it was included in an album compiled at the Centennial Expositio...

Photogravure from Camera Work Issue #1 Great Condition Loose attached by tape - see pictures. Over matted. Was framed upon purchase in 80's

With a socially critical eye and Berlin humor, the prints by Heinrich Zille (1858 - 1929) capture the milieu of the "little people" around 1900. The fact that the famous artist was a...

"Henry Diltz and Neil Young were walking around his ranch one morning and stopped in one of his little barns to look at some guitars. Neil's little dog, Harte followed. It looked so ...

With a socially critical eye and Berlin humor, the prints by Heinrich Zille (1858 - 1929) capture the milieu of the "little people" around 1900. The fact that the famous artist was a...

This albumen silver print is signed and numbered in the negative. Printed c. 1880s.

In 1865 Marville was retained by the Historical Works Commission to make a record of a Paris about to be destroyed by major new town planning projects- LAMP POSTs chronicled/auctione...

"Le Verdon à son entrée dans le lac de Sainte Croix – Coté Canyon", Provence, France “The Verdon at its entrance to Lake Sainte Croix - Coté Canyon”, Provence, France Oil on canvas s...

Ancient Views of Vaparaiso, Chile, is a set of three albumen prints realized in 1880s. Prints in very good condition, applied on a single cardboard. Caption in Italian ink hand-wri...

Original oil on canvas in good condition Art 25” x 17.5”. Frame 31” x 23.5. Signed

With a socially critical eye and Berlin humor, the prints by Heinrich Zille (1858 - 1929) capture the milieu of the "little people" around 1900. The fact that the famous artist was a...

Original Photograph / Photographer unattributed Yokohama, Japan: 1890s. Hand-tinted albumen print, 7 3/4 x 10 1/4 inches (198 x 260 mm), numbered in negative 40, and captioned at lo...

Gelatin silver print made by Berenice Abbott Signed in pencil by Berenice Abbott, verso 10 x 8 inches, sheet size 9.25 x 7 inches, image size This artwork is offered by ClampArt, l...

Woman and Dog is a drawing realized by an unknown artist in the Late 19th century. Ink on paper with Passepartout. Good conditions, aged and foxing.

Portrait of Victor Hugo is a photografic albumen print in CDV size. The print was made around 1870 by J.M. Lopez in Paris, for the publisher Hautecoeur. Photographer's logo on fron...

Fall- Vintage Photograph is a Silver salt print realized in the late 19th Century. Applied on a Passepartout Good conditions with folding on the lower and...

Yellowstone Park - Castell Geyser - September 23, 1893 - is an original vintage black and white photo realized part of a journey throughout the world ...

Granite Pylon, Karnac Original gold toned albumin photograph, c. 1862 Unsigned as is usual From: Upper Egypt and Ethiopia, c. 1862, Vol 1, (36 plates) Published by William Mackenzie,...

Late 19th century portrait of a young boy by Arnold Genthe (German, 1869-1942). Signed "Arnold Genthe" lower left. "Billie 11 mo." on verso in the artist...

Early Signed Portrait of Giuseppe Garibaldi is an albumen print signed on clichè and dated 26 June 1860. Excellent conditions, size 11 x 17,5 This very rare and unpublished photogr...

Doorway in the Temple of Kalabshe, Nubia Original gold toned albumin photograph, c. 1862 Unsigned as is usual From: Upper Egypt and Ethiopia, c. 1862, Vol 1, (36 plates) Published by...

H. Simon 1879, Two Friends, Terrier with Rat Trapped Oil on canvas Gilded frame 20 x 24 unframed, 27 x 31 framed

The key - Signed limited edition monochrome pigment print - Edition of 5 Brighton, UK, 2002 This image was captured on film. The negative was scanned creating a digital file which was then printed on Hahnemühle Photo Rag® Baryta 315 gsm (Acid-free and lignin-free paper, Museum quality paper for highest age resistance and a popular alternative to analogue baryta paper) using pigment inks which are known for their longevity. Signed + numbered by artist with certificate of authenticity Please note. There are three sizes of this print; each is an edition of five (5) making the total that can be printed as fifteen (15). This will include any custom sizes requested. Archival pigment print available sizes ( Image size , the white margin is not counted) : 52 x 31 cm / 20,74 x 12,20 in. - Edition of 5 75 x 45 cm / 29,53 x 17,72 in. - Edition of 5 117 x 70 cm / 46,06 x 27,56 in. - Edition of 5 Geoff Halpin...

Very rare Albumen Print by Charles Marville. Original. Titled and annotated '112' and '41' on back. Made circa 1863.

Signed and mount bears original blind stamp and attached captions.

The Original American Colony was a colony established in Jerusalem in 1881 by members of a utopian society led by Anna and Horatio Spafford. Now a hotel in East Jerusalem, it is still known by that name today. After suffering a series tragic losses following the Great Chicago Fire of 1871 (see hymn "It is Well with My Soul"), Chicago residents Anna and Horatio Spafford led a small American contingent in 1881 to Jerusalem to form a utopian society. The "American Colony," as it became known, was later joined by Swedish Christians. The society engaged in philanthropic work amongst the people of Jerusalem regardless of religious affiliation, gaining the trust of the local Muslim, Jewish, and Christian communities.During and immediately after World War I, the American Colony carried out philanthropic work to alleviate the suffering of the local inhabitants, opening soup kitchens, hospitals, orphanages and other charitable ventures. Towards the end of the 1950s, the society's communal residence was converted into the American Colony Hotel. The hotel is an integral part of the Jerusalem landscape where members of all communities in Jerusalem still meet. In 1992 representatives from the Palestine Liberation Organization and Israel met in the hotel where they began talks that led to the historic 1993 Oslo Peace Accord. Panorama of Jerusalem, c. 1890-1920 The Colony moved to the large house of a wealthy Arab landowner, Rabbah Husseini, outside the city walls in Sheikh Jarrah on the road to Nablus. Part of the building was used as a hostel for visitors from Europe and America. A small farm developed with animals, a butchery, a dairy, a bakery, a carpenter's shop, and a smithy. The economy was supplemented by a shop selling photographs, craft items and archaeological artifacts. The American Colonists were embraced by the Jewish and Palestinian communities for their good works, among them, teaching in both Muslim and Jewish schools. Photography Around 1900, Elijah Meyers, a member of the American Colony, began taking photographs of places and events in and around the city of Jerusalem. Meyers's work eventually expanded into a full-fledged photographic division within the Colony, including Hol Lars (Lewis) Larsson and G. Eric Matson, who later renamed the effort as the Matson Photographic Service. Their interest in archeological artifacts (such as the Lion Tower in Tripoli pictured here), and the detail of their photographs, led to widespread interest in their work by archeologists. The collection was later donated to the Library of Congress. World War I When the Ottoman Empire entered World War I as an ally of Germany in November 1914, Jerusalem and Palestine became a battleground between the Allied and the Central powers...

The Original American Colony was a colony established in Jerusalem in 1881 by members of a utopian society led by Anna and Horatio Spafford. Now a hotel in East Jerusalem, it is still known by that name today. After suffering a series tragic losses following the Great Chicago Fire of 1871 (see hymn "It is Well with My Soul"), Chicago residents Anna and Horatio Spafford led a small American contingent in 1881 to Jerusalem to form a utopian society. The "American Colony," as it became known, was later joined by Swedish Christians. The society engaged in philanthropic work amongst the people of Jerusalem regardless of religious affiliation, gaining the trust of the local Muslim, Jewish, and Christian communities.During and immediately after World War I, the American Colony carried out philanthropic work to alleviate the suffering of the local inhabitants, opening soup kitchens, hospitals, orphanages and other charitable ventures. Towards the end of the 1950s, the society's communal residence was converted into the American Colony Hotel. The hotel is an integral part of the Jerusalem landscape where members of all communities in Jerusalem still meet. In 1992 representatives from the Palestine Liberation Organization and Israel met in the hotel where they began talks that led to the historic 1993 Oslo Peace Accord. Panorama of Jerusalem, c. 1890-1920 The Colony moved to the large house of a wealthy Arab landowner, Rabbah Husseini, outside the city walls in Sheikh Jarrah on the road to Nablus. Part of the building was used as a hostel for visitors from Europe and America. A small farm developed with animals, a butchery, a dairy, a bakery, a carpenter's shop, and a smithy. The economy was supplemented by a shop selling photographs, craft items and archaeological artifacts. The American Colonists were embraced by the Jewish and Palestinian communities for their good works, among them, teaching in both Muslim and Jewish schools. Photography Around 1900, Elijah Meyers, a member of the American Colony, began taking photographs of places and events in and around the city of Jerusalem. Meyers's work eventually expanded into a full-fledged photographic division within the Colony, including Hol Lars (Lewis) Larsson and G. Eric Matson, who later renamed the effort as the Matson Photographic Service. Their interest in archeological artifacts (such as the Lion Tower in Tripoli pictured here), and the detail of their photographs, led to widespread interest in their work by archeologists. The collection was later donated to the Library of Congress. World War I When the Ottoman Empire entered World War I as an ally of Germany in November 1914, Jerusalem and Palestine became a battleground between the Allied and the Central powers...

Cassius Clay, 5th Street Gym, Miami, 1963 13 x 19 in. (33 x 48 cm) Archival Pigment Print Edition of 10 The photographer Marvin E. Newman (b. 1927) was one of the first recipi...

Human and Animal Locomotion. Plate 691. Fallow deer; doe; galloping; and kid; jumping. 14 x 20 inch original vintage collotype print from 1887 Image size 7 1/2 x 14 1/2 inches Inv...

Original Photograph Yokohama, Japan: c 1880 Hand-tinted albumen print, 10 1/2 x 8 inches (266 x 203 mm). Edges a little faded and some cockling, image is clear and beautifully color...

Yokohama, Japan: c 1900. Hand-tinted albumen print, 7 3/4 x 9 1/2 inches (190 x 242 mm), numbered A 536 in negative and captioned on lower right. Unmounted; housed in an archival ma...

Yokohama, Japan: c 1880. Hand-tinted albumen print, 7 3/4 x 10 1/4 inches (200 x 260 mm), numbered A 425 and titled at lower right; very light toning on the edges. Unmounted; housed...

Héliogravure after photographs by Loewy and Puiseux depicting the Moon’s surface, from Atlas Photographique de la Lune. [Published: Imprimerie Nationale,...

Indien - Nepal, Cattani Camp is a vintage black and white photograph. It is part of a journey to Asia performed by prince Franz Ferdinand von Osterreich Este (1863-1914) , heir to t...

Grand tour 19th century photograph of Notre Dame Cathedral, late 19th century. Matted. Unframed.

Vintage platinum/palladium print 66NNF Titled in pencil on recto Variously numbered in pencil with plate number printed on verso. The English photographer, Peter Henry Emerson, promoted photography as an independent art form and created an aesthetic theory called “naturalistic photography.” Trained as a physician, Emerson first began to photograph as part of an anthropological study of the peasants and fishermen of East Anglia. These black-and-white photographs, published in books such as Life and Landscape on the Norfolk Broads...

Original Photograph / Photographer Unattributed Yokohama, Japan: c1890 Hand-tinted albumen print, 7 7/8 x 10 1/4 inches (192 x 260 mm). Unmounted; housed in an archival mat with cle...

Yokohama, Japan: 1890s. Hand-tinted albumen print, 7 7/8 x 10 1/4 inches (200 x 260 mm), captioned in negative at lower right. Unmounted; housed in an archival mat with clear mounti...

Original Photograph / Photographer unattributed Yokohama, Japan: c 1885. Hand-tinted albumen print, 7 3/4 x 10 1/4 inches (197 x 260 mm), numbered B 86 and captioned caption on lowe...