Assembly Line Photography

Born in Cologne in 1922, died in Hamburg in 2004. Apprenticeship as a machinist from 1937, then studied engineering (not completed due to the war). Served in the war and imprisoned....

Historica Photo - Factory is a  vintage photo, realized in the 1960s. The artwork is a well-balanced composition.

Women Working -Women's Rights  Photos is a vintage black and white photograph realized in the1960s in Italy, it belongs to album of women rights, protests, manifestation for their ri...

Packing Industry - American Vintage Photograph is an original black and white photograph realized in the U.S in the mid-20th Century in a series of American life in the 20th Century....

Frozen Food Industry - American Vintage Photograph is an original black and white photograph realized in the U.S in the mid-20th Century in a series on Ame...

The drugs offered by VEB is an original black and white photograph realized by an anonymous photographer With the note in five languages on the rear. Good conditions. 200 differe...

Modern newspaper Plant - American Vintage Photograph is an original black and white photograph realized in the U.S in the mid-20th Century in a series of American life in the 20th Ce...

The inside the barricade, Algeria is an original black and white vintage photograph realized by an Anonymous photographer. With the stamp of copyright "Associated Press Photo" on the...

To see our other original vintage warbird aeroplane posters, photographs and paintings, scroll down to "More from this Seller" and below it click on "...

Women's Rights Movement - Historical Photos is a vintage black and white photograph realized in the 1960s in Italy, it belong to album of women rights, protests, manifestation for th...

Women's Rights - Historical Photos is a vintage black and white photograph realized in the 1960s in Italy, it belongs to an album of women rights, protests, manifestation for their r...

American Labor Unity- American Vintage Photograph is an original black and white photograph realized in the U.S in the Mid-20th Century in a series of American life in the 20th Centu...

Library of Congress - American Vintage Photograph is an original black and white photograph realized in the U.S in the Mid-20th Century in a series...

Presses in Operation- American Vintage Photograph is an original black and white photograph realized in the U.S in the Mid-20th Century in a series on American life in the 20th Centu...

Monitoring Steel Production - American Vintage Photograph is an original black and white photograph realized in the U.S in the Mid-20th Century in a series on American life in the 20...

Steel Factory - American Vintage Photograph is a vintage albumen print realized in the U.S in the Mid-20th Century in a series on American life in the 20...

Milk Distribution - American Vintage Photograph is an original black and white photograph realized in the U.S in the mid-20th Century in a series on American life in the 20th Century...

Modern newspaper Plant - American Vintage Photograph is an original black and white photograph realized in the U.S in the mid-20th Century in a series of American life in the 20th Ce...

Packing Industry - American Vintage Photograph is an original black and white photograph realized in the U.S in the mid-20th Century in a series of American life in the 20th Century....

Mount Vernon, An American Shrine - Vintage Photograph is an original black and white photograph realized in the U.S in the 20th century in series of American life by an anonymous pho...

Women at work- Historical photographs about women rights is an original black and white photograph realized by Roberto Schezen. With the copyright, the ...

After his visit to the United States, where Marcello Mastroianni received the Gold Globe, the actor bought a new sports car at Zagato car store. Vintage b/w photo, 1965. Good cond...

SStéphane COUTURIER (*1957, France) Usine Toyota n°1 (Valenciennes), 2005 C-Print with Diasec Face in Artist's Frame Sheet 182 x 240.5 cm (71 5/8 x 94 5/8 in.) Frame 189 x 247.5 cm (74 3/8 x 97 1/2 in.) Edition of 5; Ed. no. 2/5 Framed Born in 1957 in Neuilly sur Seine, Stéphane Couturier currently lives and works in Paris. In 1994, Stéphane Couturier showed his first works in a series called 'Urban Archaeology', viewing the city as a living organism with multiple aspects. He photographed it deliberately avoiding anything that suggested poetry, nostalgia or strangeness. From 1999 on, Stéphane Couturier was increasingly drawn to suburbs and began to focus on a different type of landscape: on the one hand, by tackling housing blocks and high-rises in his 'Monuments' series; on the other, by photographing mushrooming housing developments.These generic cities soon became his favorite subject. In 2002, the uniformity and repetitiveness of these landscapes around the world drove him to begin working on the concept of the polyptych: the combinations and interchangeability of each of the elements in a polyptych give rise to a play with 'Landscaping' (the title of a new series), with the spectator recomposing a landscape between reality and fiction. WStéphane Couturier series ‘Melting Point’ presents a Toyota assembly plant in Valenciennes (France). Emphasizing the cycles of construction and demolition endemic to modern industrialized life, the photographs possess dynamic vertical and horizontal lines, elegant curves, and brilliant effects of light and indigenous colour. Using a large-format camera, Couturier creates crisply detailed prints that expand the viewer’s awareness of how a photograph can look and how urban occurrences can be conceptualized. Each picture is printed from a sandwiching of two moments in time, creating highly abstract yet precisely detailed images. People, machines, car parts, wires and more all compete for the viewer’s attention—images of industry simultaneously out of control and in perfect harmony. – Art, Contemporary, Colour, Architecture, Photography, Geometry, Graphics, Structured, Pattern, Car Factory...

Stéphane COUTURIER (*1957, France) Usine Toyota n°9 (Valenciennes), 2005 Sheet 180 x 248.2 cm (70 7/8 x 97 3/4 in.) Frame 187 x 255.2 c (73 7/8 x 100 1/2 in.) Edition of 5; Ed. no. 4/5 Framed Born in 1957 in Neuilly sur Seine, Stéphane Couturier currently lives and works in Paris. In 1994, Stéphane Couturier showed his first works in a series called 'Urban Archaeology', viewing the city as a living organism with multiple aspects. He photographed it deliberately avoiding anything that suggested poetry, nostalgia or strangeness. From 1999 on, Stéphane Couturier was increasingly drawn to suburbs and began to focus on a different type of landscape: on the one hand, by tackling housing blocks and high-rises in his 'Monuments' series; on the other, by photographing mushrooming housing developments.These generic cities soon became his favorite subject. In 2002, the uniformity and repetitiveness of these landscapes around the world drove him to begin working on the concept of the polyptych: the combinations and interchangeability of each of the elements in a polyptych give rise to a play with 'Landscaping' (the title of a new series), with the spectator recomposing a landscape between reality and fiction. WStéphane Couturier series ‘Melting Point’ presents a Toyota assembly plant in Valenciennes (France). Emphasizing the cycles of construction and demolition endemic to modern industrialized life, the photographs possess dynamic vertical and horizontal lines, elegant curves, and brilliant effects of light and indigenous colour. Using a large-format camera, Couturier creates crisply detailed prints that expand the viewer’s awareness of how a photograph can look and how urban occurrences can be conceptualized. Each picture is printed from a sandwiching of two moments in time, creating highly abstract yet precisely detailed images. People, machines, car parts, wires and more all compete for the viewer’s attention—images of industry simultaneously out of control and in perfect harmony. – Art, Contemporary, Colour, Architecture, Photography, Geometry, Graphics, Structured, Pattern, Car Factory...

Stéphane COUTURIER (*1957, France) Usine Toyota n°9 (Valenciennes), 2005 Sheet 182 x 241 cm (71 5/8 x 94 7/8 in.) Frame 189 x 241 cm (74 3/8 x 97 5/8 in.) Edition of 5; Ed. no. 3/5 Framed Born in 1957 in Neuilly sur Seine, Stéphane Couturier currently lives and works in Paris. In 1994, Stéphane Couturier showed his first works in a series called 'Urban Archaeology', viewing the city as a living organism with multiple aspects. He photographed it deliberately avoiding anything that suggested poetry, nostalgia or strangeness. From 1999 on, Stéphane Couturier was increasingly drawn to suburbs and began to focus on a different type of landscape: on the one hand, by tackling housing blocks and high-rises in his 'Monuments' series; on the other, by photographing mushrooming housing developments.These generic cities soon became his favorite subject. In 2002, the uniformity and repetitiveness of these landscapes around the world drove him to begin working on the concept of the polyptych: the combinations and interchangeability of each of the elements in a polyptych give rise to a play with 'Landscaping' (the title of a new series), with the spectator recomposing a landscape between reality and fiction. WStéphane Couturier series ‘Melting Point’ presents a Toyota assembly plant in Valenciennes (France). Emphasizing the cycles of construction and demolition endemic to modern industrialized life, the photographs possess dynamic vertical and horizontal lines, elegant curves, and brilliant effects of light and indigenous colour. Using a large-format camera, Couturier creates crisply detailed prints that expand the viewer’s awareness of how a photograph can look and how urban occurrences can be conceptualized. Each picture is printed from a sandwiching of two moments in time, creating highly abstract yet precisely detailed images. People, machines, car parts, wires and more all compete for the viewer’s attention—images of industry simultaneously out of control and in perfect harmony. – Art, Contemporary, Colour, Architecture, Photography, Geometry, Graphics, Structured, Pattern, Car Factory...

Stéphane COUTURIER (*1957, France) Usine Toyota n°15 (Valenciennes), 2005 Sheet 182 x 236 cm ( 71 5/8 x 92 7/8 in.) Frame 189 x 243 cm (74 3/8 x 95 5/8 in...