Bunker Photography

This print is signed in pencil on the front of the mount and stamped on the back of the mount. Despite Morley Baer’s adherence to the West Coast landscape tradition, his interests i...

Los Carpinteros (Cuban, 1992-present). Silver gelatin print photograph, large format. From the series "Tuneles Populares" (The People's Tunnels) 1999 Edition 1/5 Provenance: Bliss Fi...

Irish megalithic Tomb, Ireland - no. 11552- Black and white fine art landscape photography. Archival pigment ink print as part of a limited edition of 9. All Gerald Berghammer print...

Photographer Mark Klett is best known for cool, impersonal images of desert landscapes in the American Southwest, taken from a similar vantage points and under similar lighting conditions as 19th-century photographs by the likes of seminal surveyors William Henry Jackson and Timothy O’Sullivan. These photos consider changes in landscape, history, culture, aesthetics, technology, representation, and perception. Klett has collaborated with several artists, including Byron Wolfe...

"I like to go back to a place. Seasons change. Light, which is theater, changes. Nature is tumultuous, and our contact with it makes life happen.” - David H. Gibson David H. Gibso...

Old days Photo - Old Tower is a black and white vintage photo, realized in the early 20th century. Good conditions and aged. It belongs to a historical and Nostalgic album includin...

From the Vanishing Vernacular series. Vanishing Vernacular features a selection of color works by photographer Steve Fitch focusing primarily on the distinctive, idiosyncratic, and ...

There is something beautiful about the decay. Something ironic about the contrast of the shiny RV life. The RV is this thing which is mobile, here it's been frozen in salt, it has be...

These photos were shown at the exhibition 'A Fatal Pass at the Wolfsonian FIU Museum in 2015'. The Exhibition was part of Myth and Machine: The First World War in Visual Culture cura...

The artist looks for a path between tangled branches. Reconfiguring a personal archive of diverse Colombian landscapes, experimenting with a variety of printing materials to reconstr...

The artist looks for a path between tangled branches. Reconfiguring a personal archive of diverse Colombian landscapes, experimenting with a variety of printing materials to reconstruct a whole from these fragments, recreating a forest in the center of Bogotá. Wynograd also examines a historical archive of landscapes, the roots of his own vision. He believes that the old mimetic dream of photography is still alive. These exercises aim to weave a series of visual connections and reflect on the complex web of interdependencies between humans and nature. If there is a light of hope in the midst of overlapping crises, it is the awareness that we all belong to a whole. Perhaps these images can help in that reflection. Miguel Winograd...

In 2015 I visited many ancient olive groves in Italy. The Province of Lecce is known for having the oldest trees. The groves, only accessible by stone paths or mule tracks, give a se...

Photographer Mark Klett is best known for cool, impersonal images of desert landscapes in the American Southwest, taken from a similar vantage points and under similar lighting conditions as 19th-century photographs by the likes of seminal surveyors William Henry Jackson and Timothy O’Sullivan. These photos consider changes in landscape, history, culture, aesthetics, technology, representation, and perception. Klett has collaborated with several artists, including Byron Wolfe...

An urban landscape where manmade structure meets nature, evoking a sense of quiet introspection... Silent and steadfast, the weathered bridge stands against time, blending with nature's embrace... This is a study in geometry, shadows, and time, this piece captures the quiet strength of a forgotten underpass. "David George has been exploring photographic representations of the contemporary British landscapes for forty years and has incorporated themes prevalent in nineteenth century painting practice and aesthetic, to aid this exploration. He has appropriated the sublime, melancholy, the romantic, the pastoral and the uncanny to create something that not only represents the contemporary landscape in a pictorial way, but also making work that can be still viewed as documenting the landscape." David George's interest in British landscape began under the tutelage of John Blakemore at Derby University and continues to be a major part of his practice, now mainly concerned with ideas of classical and romantic visual semantics in the contemporary British landscape. His work looks at the decline of traditional industries, incorporating his interest in 19th century European landscape painting. David George (b.1957, Cheltenham and brought up in County Durham) lives and works in east London and in 2009 he co- founded the Uncertain States project which championed contemporary thinking and practice in UK photography...

Old days Photo - Burg is a black and white vintage photo, realized in the early 20th century. Good conditions and aged. It belongs to a historical and Nostalgic album including his...

Churches are an original Silver salt photograph on paper, four images applied on paper, two on the front and two on the rear, with the description belonging to churches of A.D. 1300 ...

'Jumbo Rocks Skull' 2023 Limited edition of 20 Photograph shot using mid-century large format film camera Linhof. Printed on archival Hahnemühle Photo Rag Baryta paper. Signed bot...

These photos were shown at the exhibition "A Fatal Pass at the Wolfsonian FIU Museum in 2015". The Exhibition was part of Myth and Machine: The First World War in Visual Culture cura...

There is something beautiful about the decay. Something ironic about the contrast of the shiny RV life. The RV is this thing which is mobile, here it's been frozen in salt, it has be...

Limited Black and white photograph of a large, balanced rock formation on a sandy beach landscape with a cloudy sky in the background. Archival pigment ink print as part of a limite...

Black and white fine art landscape photography. Huge Rock on the pink granite coast beach in Brittany, France. Archival pigment ink print as part of a limited edition of 9. All Geral...

In 2015 I visited many ancient olive groves in Italy. The Province of Lecce is known for having the oldest trees. The groves, only accessible by stone paths or mule tracks, give a se...

Rolling waves crashing against the breakwater in St Monan’s calmed by a long exposure after dark. James Sparshatt’s black and white landscapes have an ethereal beauty. They are mom...

Linda Connor's imagery of ancient and sacred places explores the relationship between nature, civilization and spirituality. Appropriately, her subject matter is often in spiritual c...

In The Spyfrost Project, photographer David Trautrimas hypothesizes the origins of iconic modern appliances by reassembling them into top secret, Cold War era military outposts. Thes...

"I like to go back to a place. Seasons change. Light, which is theater, changes. Nature is tumultuous, and our contact with it makes life happen.” - David H. Gibson David H. Gibson ...

This beautiful fine art photograph of San Francisco de Asis Mission in Taos, NM is a standout in any room. :: Photograph :: Black & White :: This piece comes with an official certif...

Photograph of a Painting by Beppe Guzzi is a black and white vintage photo realized by an anonymous artist in the 20th Century. Good conditions except for some minor fixings. The a...

Photograph of a painting by Beppe Guzzi is a black and white vintage photo realized by an anonymous artist in the early 20th Century. Good conditions except for some minor fixings. ...

Photograph of a Painting by Beppe Guzzi is a black and white vintage photo realized by an anonymous artist in the 20th Century. Good conditions except for some minor fixings. The a...

Photograph of Vintage Painting is a black and white vintage photo realized by an anonymous artist in the early 20th Century. Good conditions except for some minor fixings. The artw...

Vintage Photograph of Vintage Painting by Beppe Guzzi is a black and white vintage photo realized by an anonymous artist in the early 20th Century. Good conditions except for some m...

Photograph of a Painting by Beppe Guzzi is a black and white vintage photo realized by an anonymous artist in the mid-20th Century. Good conditions except for some minor fixings. T...

In expressing his narrative of “The Western Abandon” Cody concentrates his focus on abandoned farms, crumbling homes, neglected churches, aging cemeteries, forgotten cars and other o...

Storm clouds gather over Penitente Morada in Abiquiu, NM. This beautiful fine art photograph is a standout in any room. Gallery Deluxe print face mounted to acrylic with recessed...

Shipped in a tube Digital Photography HP Premium Satin Photo Paper with archival inks Edition 2 of 9 Born in Japan in 1940 and educated at The Art Center College of Design in Cal...

14" x 18" Unframed Limited Edition Archival Photograph of 15 Hand Signed by Simeon Posen

14" x 18" Unframed Limited Edition Archival Photograph of 15 Hand Signed by Simeon Posen

14" x 18" Unframed Limited Edition Archival Photograph of 15 Hand Signed by Simeon Posen

14" x 18" Unframed Limited Edition Archival Photograph of 15 Hand Signed by Simeon Posen

30"x30" archival pigment print photograph, ed. 5 signed and editioned on reverse by the New York artist, Phillip Buehler This photograph is from “(UN)THINKABLE,” the culmination of 25 years of Phillip Buehler’s work photographing remnants of the Cold War throughout the United States and Europe. Buehler has visited NATO airbases, Cape Canaveral, the Airplane Graveyard, missile bunkers and silos (even within New York City’s borders) among many other sites that are historic, and yet hidden, forbidden, and forgotten. Following the Soviet Union’s detonation of its first thermonuclear bomb in 1953, the United States began actively developing an intercontinental ballistic missile (ICBM). The Titan II Missile program was a Cold War weapons system featuring fifty-four launch complexes in three states. For anyone growing up during the Cold War the sense of dread of the world’s annihilation was all to concrete. It was evidenced in films like “Dr. Strangelove” and “The Day After.” Everyone knew the U.S. had enough nuclear weapons to destroy the world 5 times over, and assumed something similar about the Russians. For those not old enough to remember this built in fear, don’t worry (worry) it is reawakening. We don’t need another Cuban Missile Crisis to push us to the brink, the renewed tension with the Russians, and now North Korea’s recent entry in the nuclear weapons club is more than enough to unnerve anyone who is watching these conflicts unfold. Phillip Buehler is watching closely. Through this comprehensive series Buehler’s photos show many aspects of this non-war war. In Buehler’s aerial photographs from a military airplane storage yard in Arizona the repetition of the same model of bomber aircraft are so abstractly pattern-based that the overall effect beginnings to feel like a Middle Eastern tapestry...

The cover that became "Who's Next" was entirely improvised and unplanned. Who knew what these things were? This was another take. They were making it up as they went. Limited Editio...

This photograph is signed by the photographer. Please see additional editions listed below. Larger sizes may be available upon request.

Edition of 15 Available in additional sizes Signed, numbered, and dated on verso.

Signed by the photographer. A portion of the proceeds from the exhibition sales will be donated to the Grand Staircase Escalante Partners, a non-profit 501(c)(3) organization founde...

Signed by the photographer. A portion of the proceeds from the exhibition sales will be donated to the Grand Staircase Escalante Partners, a non-profit 501(c)(3) organization founde...

This photograph is signed by the photographer and is printed using the Fresson printing process. Size varies.

Signed on the front. Contact gallery for prices and available sizes.

From the "Horizon" series. Archival digital pigment print. Available a few various sizes: 24 x 30 inches (edition of 15) 32 x 40 inches (edition of 7) 40 x 50 inches (edition of...