Deer Photography

Frida with Granizo by Nickolas Muray is a portrait of Frida Kahlo with her pet deer, Granizo. She places her hand lovingly on the deer while looking towards the viewer, with a cigare...

Signed by the artist on the front of the mount. Printed later circa 1980-90s. Excellent condition. The piece does NOT include the frame. Frame shown just for reference. From the esta...

Francois' Animalia series is described as “a photographic menagerie of startling, sensitive portraits.” The series started when the artist saw a giraffe poking its head over a fence ...

Francois' Animalia series is described as “a photographic menagerie of startling, sensitive portraits.” The series started when the artist saw a giraffe poking its head over a fence ...

This work is offered by CLAMP in New York City. Edwardo 1992 Signed, titled, and dated in ink, recto Gelatin silver print 8.5 x 6 inches (21.6 x 15.2 cm), image 10 x 8 inches (25...

Burn to Shine, limited edition photograph, archival pigment, signed and numbered From Tom Chambers' series Animal Visions All my life I have held a fas...

Pando Forest #5 is available in an Edition of 5 + 2 Artist Proofs. Laval's new body of work continues her ongoing exploration of light in nature. Combining the natural landscape wit...

Human and Animal Locomotion. Plate 693. Elk; galloping. 14 x 20 inch original vintage collotype print from 1887 Image size 9 1/4 x 12 1/8 inches Muybridge copyright imprint below i...

Pando Forest #3 is available in an Edition of 5 + 2 Artist Proofs. Laval's new body of work continues her ongoing exploration of light in nature. Combining the natural landscape wit...

"Churchill In Richmond Park" by Terry Fincher British wartime prime minister Winston Churchill (1874 - 1965) feeds the deer in Richmond Park, accompanie...

In this series, Zilberberg creates animal montages as an expression of self-therapy, drawing attention to mindfulness and nature conservation. As an urbanite, functioning day-to-day ...

Churchill in Richmond Park (1963) - Silver Gelatin Fibre Print (Photo by Terry Fincher/Express/Hulton Archive/Getty Images Archive) British wartime pri...

In this series, Zilberberg creates animal montages as an expression of self-therapy. As an urbanite, functioning day-to-day in a fast-paced, built environment can be emotionally unse...

I present unspoken stories which illustrate fleeting moments in time and which are intended to evoke a mood in the viewer. These mythical illustrations might address the fragility of...

In this series, Zilberberg creates animal montages as an expression of self-therapy. As an urbanite, functioning day-to-day in a fast-paced, built environment can be emotionally unse...

Edition of 15 Other Editions: 15 x 15" Edition of 15- $3,200 22 x 22" Edition of 10- $5,000 36 x 36" Edition of 9- $9,000 After completing her prodigious series of illustrations fo...

Maggie Taylor creates evocative single-scene narratives in her whimsical and elaborate photomontages. Working intuitively, Taylor combines 19th Century photographs, found objects, ...

The Gentleman Caller (Nick Simpson Sepia Victorian Styled Theatrical Photograph) 12 x 16 inches, 21 x 26 inches framed in unique, vintage frame, anti-reflective glass, 8 ply off-white mat board. C-type archival print, edition of 7 This antique style figurative photograph was created by London based photographer, Nick Simpson, in 2013. This scene depicts 4 characters in period dress including a blindfolded man touching a woman's leg as two others peek on. Simpson's aesthetic is enhanced by his playfulness and nostalgia for the Victorian era. Simpson includes a slight patina around the sepia toned photograph's edge to accentuate its antique inspired quality. The Duratran print is paired with a dark wood frame. About the work: London based artist, Nick Simpson, is celebrated for his fictional series entitled The Bumforth Man Collection. The series consists of archival prints inspired by a mythical story concerning a quantity of glass photographic plates discovered in an old oak chest on the Bumforth Manor estate in rural England, the family home of the Gascoigne-Simpson's for over nine generations. These plates, which had laid gathering dust for over a hundred years, were supposedly the work of Simpson’s great grandfather, Samuel Heracles Gascoigne-Simpson, a disciple of William Henry Fox Talbot, commonly considered to be the father of photography. To bring this story to life, Simpson starts by building a set, authentically styled and dressed to re-create the Victorian photographic salons of the late 1900s. This becomes the stage upon which he places his eclectic choice of models and actors, all following his original tight narrative to create a richly detailed tableau. The scene is then captured in a single sitting using an original 1867 'Petzval' lens mounted on a mahogany plate camera...

Edition 5 of 7. Signed on signature label. Produced by Jim Krantz. Krantz occupies a unique place in the history of contemporary art for his imagery blending western landscape photography with the figure of the cowboy as depicted and romanticized in American popular culture. The technical underpinning of his work was established when he studied with Ansel Adams and Paul Caponigro, but perhaps more importantly, Krantz’s work reflects a dictum that he learned from Adams: “Technical proficiency leads to artistic freedom.” His range and versatility are his forte, working with ease in demanding and ever-changing conditions. If Krantz’s work looks familiar, it is not surprising. Krantz, had been documenting the cinematic vistas of the American West for 20 years on commercial assignments and these much published images caught the eye of appropriation artist, Richard Prince, known for re-photographing advertisements and presenting the resulting images in a new “conceptual” context. Prince’s most famous series is his large scale reproductions of the cowboy images from Marlboro ads, and in something of an ironic compliment, when Prince had his mid-career retrospective at the Guggenheim Museum not only were Krantz’s re-photographed images included in the exhibit but the image on all the banners flying along 5th Avenue was also one of Krantz’s. All uncredited. Krantz’s art has been embraced by the worlds of fashion and popular culture with collaborations with Supreme, Adam Kimmel...

Human and Animal Locomotion. Plate 564. Hauling; broken leg chain; dark-gray Belgian horse Dusel. 14 x 20 inch original vintage collotype print from 1887 Image size 9.5 x 12.25 inch...

U. S. Information Agency- Vintage Photograph is an original black and white photograph realized in the U.S in the Mid-20th Century in a series on American life in the 20th Century. ...

Available sizes: 32x47 inches (80 x 120 cm) - Edition of 20 Archival Pigment Print Unframed Ask us for framing options. Björn Persson is an internationally renowned artist based i...

The Gamekeeper's Charge, limited edition photograph, archival, signed and numbered I present unspoken stories that illustrate fleeting moments in time and which are intended to evok...

Archival pigment print Signed and numbered, verso 18 x 24 inches 30 x 40 inches 40 x 53 inches 48 x 64 inches (Total edition of 15) This artwork is offered by ClampArt, located in ...

'Renée's Dream' no. 10 (Dauys of Heaven), 26 x 32cm, 2005 Archival C-Print, Edition of 10, Artist Proof 4/4. based on an expired Polaroid. Artist inventory 8088. Signature Label...

"Covid Vanitas: The Pandemic Still Lifes" On the first day of quarantine I began photographing the people-less quiet of a home and studio in isolation. The still lifes are a visual ...

In this series, Zilberberg creates animal montages as an expression of self-therapy. As an urbanite, functioning day-to-day in a fast-paced, built environment can be emotionally unse...

From the Still Beating Series Narrative Art refers to visual imagery which tells stories, engages the imagination, and stirs the emotions. These stories transcend culture and are re...

Animal Visions All my life I have held a fascination with the animal kingdom, which began in my childhood growing up on a farm and extended into my adult years. On some inexplicab...

The Reindeer in Lapland is a black and white vintage photo, realized in Mid-20th Century Good conditions and aged. It belongs to a historical and nostalgic album including historic...

The Old Days  Photo - Animals is a black and white vintage photo, realized in the early 20th century.  It belongs to a historical album including historical moments, royal families,...

Frida with Granizo by Nickolas Muray is a black and white portrait of Mexican surrealist painter Frida Kahlo with her pet fawn, Granizo. Platinum Print Image size: 11 x 10.5 in. Pa...

Elk is a Vintage Photograph was realized in the 1960s. Good conditions. Stamped on the rear.

White Horse in Moonlight by Keith Carter is a limited edition black and white photograph of a horse grazing in a dark field. Edition of 50 Signed, titled, dated and numbered. Paper...

Photographer Jerry Siegel was born and raised in Selma, Alabama and graduated from the Art Institute of Atlanta. His first monograph, “Facing South: Portraits of Southern Artists,” w...

Edition of 25 Signed, titled, dated and numbered in pencil on print verso. Paper size: 22 x 17 in. Image size: 20 x 16 in. Series: Ghostland Keith Carter is an American photographer...

Listing is for FRAMED print. Edition of 1. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow t...

Horse, panoramic, black and white, English, England, UK, United Kingdom, British, wild horses, b&w, black & white, motion, motion blur, vignette, field, nature, europe, photography, ...

This is an unframed photographic print. Francois' Animalia series is described as “a photographic menagerie of startling, sensitive portraits.” The series started when the artist saw...

Hand printed by the artist. Museum quality frame with 8ply over mat. Framed in black wood.

All available sizes & editions for each size of this photograph: 90 cm. x 120 cm. Edition AP 1 `Residence of Impermanence` 2017-2019 My performance series, `Residence of Impermanence`, explores our relationship to animals, fire and nature. Through the element of fire, I have found a way to express myself in totemic ritualistic performance by burning decaying trophy animals. The element of fire is very symbolic. It represents both destruction and creation. Animals and fire have, in many ways, formed our culture since the dawn of Mankind. They have also served as essential symbols in myth, spirituality, art and religion. Fire has protected us and given us hope. Given us a means to evolve in all culture. In Greek mythology, remember Prometheus. In the hand of Man, fire can be anything. It is our ethics that define it. We have always mirrored ourselves in Nature. What we see staring back at us may not be the image we were hoping for. This series is a reminder to where we have come regarding our relation to Nature and the huge effects of climatechange in the Anthropocene. My work often juxtaposes the visually aesthetic and uneasiness. An underlying feeling of that which is lost often plays an important role. I like to explore work themes that emanate a cognitive dissonance in the viewer to reveal more profound truths. I regard trophy animals as symbols of Man´s vanity and presumed victory over Nature. To me, they also serve as symbols of our general attitude towards Nature. The flames gives each animal a last breath of life as it creates a new portrait. The animal is set free again, ending a symbolic circle of life. A closure if you will, both physically and existentially. The English-inspired wallpapers represent imperialism and a colonial idea from a time when we were obsessed by conquering Nature and other lands. These too are burned with the animals symbolizing a protest toward our autocracy towards Nature itself. The repetitive performance of burning each animal serves as both an offering and a liberation. This is a violent act, but also a meaningful and beautiful act to me. The animals` personality changes dramatically throughout the burning process. This cannot be planned and therefore the animals give off a sense of further individuality. In the process of burning animals, I am also taking an object of desire off the market for further sales. An act that hopefully will spark dialog our use of Nature, as well as where we want to be heading in the near future. Dialog foments change and action. I spent seven years collecting old trophy animals and taxidermy of different sorts. Many were bought through auctions, while others were given to me by hunters` or the widows of hunters for this specific project. During the following three years, I went through a somewhat cathartic process of burning and obsessively exploring the symbolism of fire and our relation to animals with my performance. The intention with my series is to connect the public to the crucial matters at hand through something tangible, personal, and symbolic. These three years of working with this series has made me so much more conscious of how delicate nature is and how we have taken it for granted for too long. A reminder of how crucial both animals, fire and nature, for our so-called progress in survival and progress. Through this process, exploring new questions and inviting a larger audience to ask their own crucial questions in the massive global changes we all are witnessing, is what I strive for. Loss of animal diversity, poaching and massive forest fires are increasing so rapidly that Nature itself is at a major turning point. A call for action is needed. Working so close to the animals in my project has been as uplifting as it has been obsessive and heartbreaking, as the animal's eye connects with you on a personal level as a human does in non-verbal communication. In 2016, the government in Kenya burned poached ivory worth an estimated 130 million dollars, making a clear statement that these tusks should only belong to a living animal. This dramatic action created meaningful dialog around the world beyond news and statistics. Fires are destroying critical areas of much-needed land vegetation, thus creating considerable effects on climate change. The meeting between Nature`s fragility and Mans` ego has shown that forests disappear, glaciers are melting, sea levels are rising and species become extinct. Humans have too easily exploited all parts of nature with our own culture and growth. In this short process, we have lost the very essence of what we are a part, and thus forget the very nature in ourselves. What can photography do to create questions regarding climate change, and help us move towards a sustainable future? In photography, we can ask important questions about changes in our surroundings and who we are—Man’s condition. Background: `Residence of Impermanence` has been exhibited at five museums and several galleries already (including a big solo show at Fotografiska, Stockholm (2019), and Arles Fotofestival (2019). Work from `Residence of Impermanence' is currently exhibited at the UCR: California Museum of Photography in Los Angeles with the exhibition `Facing Fire,` Art, Wildfire and The End of Nature in the New West.` This exhibition explores the ever-worsening Californian forest fires due to climate change. My previous environmental work has been nominated for the Prix Pictet Award twice before with my previous series for both Earth and Power themes. In 2005, my series `Arctic Technology` was shortlisted for the BMW Prize at Paris photo (through Scout Gallery, London). My other series has been shown in museums, including a symposium at Johnson Museum, N.Y. and been part of travelling exhibitions with WHATCOM (Museum of Washington) with the exhibition `Vanishing Ice` and a China tour on environmental issues with Three Shadows Photography...

90 x 120 cm Edition 7 `Residence of Impermanence` 2017-2019 My performance series, `Residence of Impermanence`, explores our relationship to animals, fire and Nature. Through the...

Michael WOLF (1954 – 2019, Germany) Street View: A Series of Unfortunate Events #2, 2011 C–print Sheet 151.9 x 121.4 cm (59 3/4 x 47 3/4 in.) Edition of 3 plus 1 AP; Ed. no. 1/3 Pri...

Nature's Splendor is captured with deer grazing at sunset on East Hampton's famous Louse Point. This image is signed, dated and numbered 3/15 lower right recto. Other sizes are avai...

Running Dog with Long Shadows is an image filled with moving forms and patterns frozen in time. The flatness of the image is accentuated by the dog and his enlarged cast shadow, whi...

Signed and dated on lower right, numbered on verso, Edition 2 of 15, Unframed

Inscribed with Muybridge's letterpress credit, series title, plate number and date Stamped on reverse with Museum of Edinburgh 'Science and Art' stamp Collotype print 18 x 23 1/2 inc...

Black and White Image of a majestic deer photographed by David Yarrow. All prints are limited edition. Available in multiple sizes. High-end framing on request. All prints are done...

The Winter Season Jackson Hole, Wyoming - 2024 Archival Pigment Print on 315gsm Hahnemuhle Photo Rag Baryta Paper. Available Sizes: Standard 37" x 51" Unframed 52" x 66" Framed...

Closeup Portrait of a male Deer with Antlers, photographed by David Yarrow. All prints are limited edition. Available in multiple sizes. High-end framing on request. All prints are...

Jura 2016 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Edition Size: 12 Available sizes: Standard Image Size: 43" x 37" Framed Size: 58" x 52" Large Ima...

Homeland (Color) Lochcarron, Scotland 2020 Available sizes: 52 x 66 inches 71 x 93 inches "More often than not, a sense of place is an integral ingredient of a strong contextual p...

Inspired by her love for nature, Griet Van Malderen (Belgium, 1970), a self-taught wildlife photographer from Flanders in Belgium, has been exploring Africa’s wild places for the pas...

Edition of 10

Lochcarron, Scotland 2020 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 12 Available sizes: 48 ...

Audrey Hepburn on the MGM set of Green Mansions, 1958 - Bob Willoughby Worldwide Shipping Available Signed by Christopher Willoughby, executor of the Es...

Other Editions: 15 x 15" Edition of 15- Price Upon Request 22 x 22" Edition of 10- Price Upon Request 36 x 36" Edition of 9- Price Upon Request After completing her prodigious serie...

Nine Francois produces close-up photographs of animals which are presented against a stark white background. Traveling to various animal preserves, the artist shoots up close – very ...