Mold Photography

Rebecca Skinner’s “Inward” is a 12 x 18 inch color photograph of vines growing through a window into the interior of an abandoned building. Layers of peeling paint in green, pink and...

Rebecca Skinner’s “Discarded” was photographed at an abandoned lace factory and is part of a series documenting the loss of industry in America. The 20 x 30 inch color photo of a yel...

The colours of the past inside a wooden shack in California – Cawston’s eye for colour, structure and the beauty of the mundane finds a world-in-waiting as he journeys across the Ame...

The colours of the past inside a wooden shack in California – Cawston’s eye for colour, structure and the beauty of the mundane finds a world-in-waiting as he journeys across the Ame...

Contemporary still life photograph of faint orange wall with white plaster patches archival pigment print, ed 2 of 10 22.25 x 40 inches unframed 28.75 x 46 inches in dark wood frame with non-glare glass In this series, Halliday captures the interiors of his home and studio. The photograph depicts a light orange painted wall with white plaster patches over a mantelpiece. The artist likens the patches to clouds hovering over a horizon. Light blue styrofoam resting in the foreground provides an elegant detail of color. This still life photograph is complimented with a dark wood frame with non-glare glass. About the artist: American, b. 1958, Glen Cove, NY, United States, based in Schodack Landing, NY, United States Elegant still lifes bathed in natural light, so masterfully composed one could forget that it is, in fact, a photograph – this is how we’ve come to recognize David Halliday’s work. The artist first gained recognition for his sepia toned silver gelatin prints of common place objects and food staples, emphasized by sublime balances of form, texture, and shadow one could liken to classical painting. In more recent years the artist began embracing his subject matter with modern pops of color in surreal arrangements; vegetables and fruits eccentrically coupled with fish nets and cutlery balanced on undefined tabletops, seeming to float in midair. Now the photographer is retracting his lens to encompass the studio itself as his subject. In a self-portrait of sorts, Halliday skillfully combines elements of his craft in a modest interior...

Rebecca Skinner’s “Empty” was photographed in an abandoned building in New York. The 18 x 12 inch color photo is of an empty orange chair in a dark and gritty hallway. With satin fin...

24" x30" edition 2 of 5 available unframed Phillip Buehler has been photographing abandoned places around the world since he rowed to the (then abandoned) Ellis Island in 1974. Many, like Greystone Park Hospital, have since been demolished; some, like Ellis Island and the High Line, have been restored, and some, like the S.S. United States and the New York State Pavilion, are now in jeopardy. Photographs from the (now demolished) Greystone Park Hospital are featured in this exhibition and in the book "Wardy Forty" which he wrote in 2013 about the last days of Woody Guthrie.

24"x 30" photograph, edition of 5, signed on reverse This photograph taken at Greystone Park Hospital shows an old single bed that has been abandoned. The bed has been decayed to the point of simply being a decayed bed frame and piled wooden bed boards...

Jun AHN (*1981, South Korea) One Life (2015) #001, 2015 HDR Ultrachrome Archival Pigment Print Image 61 x 91,4 cm (24 x 36 in.) Sheet 73,7 x 104,1 cm (29 x 41 in.) Frame 77,5 x 108 x...

Torino (from Under Construction series) The photographer is based in Florence, and is fascinated how his architectural subject matter allows him to control the composition of his ...

Esko Mannikko

Archival Pigment Print Edition 1/5 Signed, titled, editioned on verso