Tomato Photography

Artist: Walter Nelson – American (1942- ) Title: Sunflowers. From the Fleur portfolio Year: 1981 Medium: Dye transfer color photograph Sight size: 14.25 ...

Black and white photograph of Edward Weston's desk, by Kim Weston (American, b. 1953). This photograph was taken in the former home of Edward Weston, Kim We...

R2DR - STAR WARS Exhibition Poster from series "The Toys" A retrospective on 80's and 90's pop culture by pop artists "Destro" Original offset lithograph poster printed on acid-free...

From the transformative to the ephemeral, the birth and death of a bright green butterfly is reimagined in Roberta Fineberg's photo based on a poem by the 13th Century Persian poet Rumi who believed: ‘Whatever you know, or don’t - only love is real...

"Drift 36" Landscape Photography 30" x 40" Edition of 5 by Rowan Daly Digital print on Ultra Smooth Fine Art Paper Unframed - ships rolled in a tube DRIFT Behind the scenes of ...

This is an exclusive limited edition color Giclée print, printed on matte photographic paper. The print measures 36 x 24 inches total, with an image size of 32 x 20 in. and a 2 inch...

Hang gliding in Kitzbuhel, Austria, 1980 Estate stamped and hand numbered edition of 150 with certificate of authenticity from the estate. Chromogenic ...

Untitled Flower # 86 Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink Edition of 25 Available sizes: 11" x 14” 20" x 24” 30" x 30” 30" x 40” 40" x 40" 48" x 48” 48" x...

Untitled Flower # 156 Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink Edition of 25 Available sizes: 11" x 14” 20" x 24” 30" x 30” 30" x 40” 40" x 40" 48" x 48” 48" ...

Contemporary color still life photograph of a ceramic pitcher with assorted fruits and vegetables Archival pigment print, ed. of 25 15 x 19.5 inches unframed Signed and editioned, verso In this series, Halliday captures the beauty of everyday life with a contemporary still life image of various objects and vegetation arranged on a wooden plank. The imagery calls to mind a Baroque still life, highlighting the beauty and simplicity found in every day objects. Here a sienna colored ceramic pitcher is captured besides an arrangement of yellow lemons, curly green zucchini, black olives, and brown nuts. The pop of white from the napkin in addition to the stark black background accentuates the simplistic color and shapes of the fruits and vegetables. About the Artist: David Halliday's photographs are about beauty, pure and simple. His primary subjects are carefully composed still lifes, portraits and landscapes which he shoots in black and white film with only natural light. He is a purist behind the lens, rarely manipulating his negatives in any way, and a master in the darkroom. His work has an ethereal quality that's translated not only through the subject, but also by the warm colors and sepia tones he uses in his printing. More about the work: A master of light, David Halliday produces lush and elegant images that are both classical and modern. Celebrated for his ‘purist’ eye, he poetically captures the nude male body in a selection of sepia-toned prints from 1996. Rarely revealing the model's face, Halliday prefers to focus on the natural drape of limbs, soft folds of flawless skin, and curvature of the spine. Overall, a stunningly intimate portrayal of the male form done with elegance and charm. Resume: Born 1958, Glen Cove, New York Lives in Schodack Landing, NY EDUCATION 1998 Penland School of Crafts, Penland, North Carolina 1988 The Maine Photographic Workshops, Rockport, Maine 1976-79 Syracuse University, New York 1974-76 Wooster School Community Art Center, Danbury, Connecticut SELECTED SOLO EXHIBITIONS 2013 Threadbare/New Photographs, Arthur Roger Galley, New Orleans, LA McMurtrey Gallery, Houston, TX 2012 The Past Still Present, Ogden Museum of Southern Art, New Orleans, LA 2010 Arthur Roger Gallery, New Orleans, LA Wessel+O’Connor Fine Art, Lambertville, NJ Julie Heller Gallery, Provincetown, MA Graficas Gallery, Nantucket, MA 2009 Culinary Delights, San Antonio Museum of Art, San Antonio, TX Two Decades: David Halliday, Carrie Haddad Photographs, Hudson, NY 2008 Arthur Roger Gallery, New Orleans, LA Still-Life, Stephen Cohen Gallery, Los Angeles, CA Carrie Haddad Gallery, Hudson, NY Watermark Gallery, Houston TX Strange Fruit: David Halliday and Greg Kuharic...

Untitled Flower # 115 Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink Edition of 25 Available sizes: 11" x 14” 20" x 24” 30" x 30” 30" x 40” 40" x 40" 48" x 48” 48" ...

Artist: Jed Devine American (1944- ) Title: Untitled (Stacked Cups) Date: 1987 Medium: Platinum-palladium print on Japanese rice paper Image size: 9.5 x 7.5 inches (9.25 x 7.25 inches within mat) Sheet size: 12 x 9 inches Framed size: 20.25 x 16.25 inches Signature: signed lower right in pencil Edition: unknown This sublime photograph is by Jed Devine. It is signed in the lower right in pencil. There is a gallery label from the Fraenkel Gallery in San Francisco on the reverse of the framed work. It is framed in a simple metal frame. The photograph, mat and frame are in very good condition. Jed Devine was born in Mount Kisco, New York, in 1944 and raised in Pleasantville, a Westchester County suburb. Devine cites Walter Hahn, his junior high school art teacher, as having an instrumental role in his art career decision: “I don’t know how it happened that a serious artist like Walter Hahn was teaching art at Pleasantville Junior High, but I was most fortunate to have him as a mentor and I’ve always been grateful to him.” In 1967, Jed Devine graduated cum laude from Yale University with a BA in fine arts and began his career as a painter. In 1972, he returned to Yale to study design and photography and was awarded an MFA degree. He joined the Purchase College faculty in 1977. During his tenure at Purchase, several of his students went on to receive recognition as photographers, among them Adam Baer, Gregory Crewdson, Regina DeLuise, Andrea Modica, Deborah Mesa-Pelly, and Roger Newton. Jed Devine’s photography is represented in many major museum, corporate, university, and private collections, including the Metropolitan Museum of Art, New York; Victoria and Albert Museum; London; the International Center of Photography, New York; the San Francisco Museum of Art; the Art Institute of Chicago; the Museum of Fine Arts, Houston; and the Museum of Modern Art, New York. Originally trained as a painter, Devine began taking photographs in 1972 and became fascinated by the effects of light on objects and surfaces, and the sensuality that was possible with the platinum-palladium process. This sensuality is on full display in Devine’s only book, Friendship, a collaboration with the writer Jim Dinsmore, whose 64 images “form an extended sequence that moves from innocence to decay and return. The images emphasize the beauty and primacy of light while capturing the visual drama and irony of the Maine landscape.” Devine also has a long-standing relationship with New York City, which is most evident in his portfolio of panoramic photographs celebrating New York bridges...