Wilderness Photography

The artist explored nature and how the body can be part of these landscapes with the help of the model Marisa. He did not hesitate to brave the climate and landscapes of Iceland. Th...

Stone and Press Gallery is excited to offer several works in celebration of the LGBTQ community. Thirteen nude men form a circle in the desert. Arms bent over their faces set the symbol in a circular motion. This is number 1 from a limited edition of 12. The work is signed on the back. London-based Photographer and Graphic designer Omer Ga...

Javier Rey photographs explores the physical structure and the possibilities of sculpture through photography. From Union Series Edition of 5 + 1AP

The first encounter I had with the abyss, was arriving to a place that does not exist, a point suspended in time where I am without being. An unreal world expands in front of me, eve...

Paining like image of Dragon Blood Tree in Socotra - Yemen - 2020 by Guillaume Petermann Life Framer Photography Prize Winner, Category: The Face Of The...

California Dreaming by Frank Schott from a series of photographs capturing the Golden State's vast desert landscapes 27 x 40 inches / 68cm x 102cm edition of 25 signed 48 x 72 inches / 122cm x 183cm edition of 7 signed archival quality fine art pigment print limited art edition published by Edition EKTAlux artist signed + numbered certificate of authenticity ________________________ Frank Schott grew up in Germany and attended the prestigious Academy of Arts in Cologne, studying under Professor Arno Jansen, who was an early influence. Moving to California in 1998, Schott's work has evolved to include the epic landscapes and deserts of the American West as well as architectural, conceptual and more formal environments from both home and his travels. Influenced by a number of photographic peers and precursors such as Candida Höfer, Andreas Gursky, Thomas Struth, Jeff Wall, Michael Wolf, Gregory Crewdson, William Eggleston and Joel Sternfeld, Schott's images successfully blend technical, conceptual and formal rigor with a decisive sense of composition and color. Schott's images have an iconic sensibility and give us a bird's eye view onto humanity and its constructs. The specific is edged towards the abstract, often revealing the compelling and disjunctive moment where nature meets man. Frank Schott was born in Cologne, Germany in 1962. He currently lives and works in San Francisco...

Signed with printed title on the front of the print. Very early parmelian print by Ansel Adams.

In the series 'She Disappeared into Complete Silence' (2014) Mona Kuhn takes a new direction into abstraction. She turns to a highly austere and restrained reductionist geometry and distilled formal purity, connecting the interior to the exterior, the visible to the hidden. These reflections cause one to linger, as they merge to create a dynamic equilibrium of tension, spaces and rythms. AD6754 (She Disappeared into Complete Silence) 45" x 60" / 114cm x 152cm edition of 8 + 2AP 30" x 40" / 76cm x 102cm edition of 8 + 2AP limited edition photograph printed under artist supervision + accompanied by signed artist certificate: artist signature labels are 8x10 in size signed, editioned, dated and titled by the artist, and stamped for authenticity label __________________ About the artist Acclaimed for her contemporary depictions, Kuhn is considered a leading artist in the world of figurative discourse. Throughout a career spanning more than twenty years, the underlying theme of her work is her reflection on humanity’s longing for spiritual connection and solidarity. As she solidified her photographic style, Kuhn created a notable approach to the nude by developing friendships with her subjects, and employing a range of playful visual strategies that use natural light and minimalist settings to evoke a sublime sense of comfort between the human figure and its environment. Her work is natural, restful, and a reinterpretation of the nude in the canon of contemporary art. For the past two decades, the Los-Angeles based artist's works have been shown steadily, revealing an astonishing consistency in technique, of subject and of purpose. In 2001, Kuhn’s photographs were first seen by an influential audience during the exhibition at Charles Cowles Gallery in Chelsea, New York. Kuhn’s distinct aesthetic has propelled her as one of the most collectible contemporary art photographers—her work is in private and public collections worldwide and she is represented by galleries across the United States, Europe and Asia. Kuhn was born in São Paulo, Brazil, in 1969, of German descent. In 1989, Kuhn moved to the US and earned her BA from The Ohio State University, before furthering her studies at the San Francisco Art Institute. She is currently an independent scholar at The Getty Research Institute in Los Angeles. Occasionally, Mona teaches at UCLA and the Art Center College of Design in Pasadena. Mona Kuhn’s first monograph, Photographs, was debuted by Steidl in 2004; followed by Evidence (2007), Native (2010), Bordeaux Series (2011), Private (2014), and She Disappeared into Complete Silence (2018/19). In addition, Stanley/Barker Editions published Kuhn's Bushes and Succulents (2018) with a debut at Musee Jeu de Paume in Paris in 2019. Thames & Hudson published a career retrospective titled Works. Kuhn's most recent publication Kings Road with Steidl accompanies a multi-dimensional museum exhibition in Germany and the US. Mona Kuhn’s work is in private and public collections worldwide, including The J. Paul Getty Museum, the Los Angeles County Museum of Art, The Hammer Museum, the Perez Art Museum in Miami, the Museum of Fine Arts, Houston, and the Kiyosato Museum in Japan. Kuhn's work has been exhibited at The Louvre Museum and Le Bal in Paris, The Whitechapel Gallery and Royal Academy of Arts in London, Musée de l’Elysée in Switzerland, Leopold Museum in Vienna Austria, The Polygon Gallery in Vancouver Canada, Australian Centre for Photography and Taipei Fine Arts Museum in Taiwan. Mona Kuhn currently lives and works in Los Angeles. __________________ Solo Exhibitions 2024 Mona Kuhn: Between Modernism and Surrealism, Houk Gallery, New York, NY 2023 Mona Kuhn: Kings Road, Galerie XII, Paris, France Mona Kuhn: Kings Road, Kunsthaus-Göttingen, Germany Mona Kuhn: Kings Road, Jackson Fine Art...

The Tiara (The Girl behind the White Picket Fence) - 2005 20x24cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Signature label and Certificate....

EDWARD CURTIS (1868 - 1952) BEFORE THE WHTE MAN CAME - PALM CANYON, 1924 Photogravure. Printed title along with 1924 copyright line. Photogravure Suffolk Eng. Co., Cambridge Mass...

This vintage silver gelatin print is Initialed and dated in pencil mount recto. Printed by Brett Weston in 1951 for the 50th Anniversary Portfolio.

California Dreaming by Frank Schott from a series of photographs capturing the Golden State's vast desert landscapes of the Sierra Nevada 48 x 72 inches / 122cm x 183m edition of 7 signed 27 x 40 inches / 68cm x 102cm edition of 25 signed archival quality fine art pigment print limited art edition published by Edition EKTAlux artist signed + numbered certificate of authenticity ________________________ Frank Schott grew up in Germany and attended the prestigious Academy of Arts in Cologne, studying under Professor Arno Jansen, who was an early influence. Moving to California in 1998, Schott's work has evolved to include the epic landscapes and deserts of the American West as well as architectural, conceptual and more formal environments from both home and his travels. Influenced by a number of photographic peers and precursors such as Candida Höfer, Andreas Gursky, Thomas Struth, Jeff Wall, Michael Wolf, Gregory Crewdson, William Eggleston and Joel Sternfeld, Schott's images successfully blend technical, conceptual and formal rigor with a decisive sense of composition and color. Schott's images have an iconic sensibility and give us a bird's eye view onto humanity and its constructs. The specific is edged towards the abstract, often revealing the compelling and disjunctive moment where nature meets man. Frank Schott was born in Cologne, Germany in 1962. He currently lives and works in San Francisco...

The morning desert of Northern Territory, Australia as captured by photographer, Peter Lik in Painted Skies, an original cibachrome color print mounted on plexiglass measuring 8 x 20...

Signed (AE Adams), titled, printed on the front of print. Rare vintage parmelian print from 1927.

Peanut and Jill (Chicks and Chicks and sometimes Cocks) - 2008 20x20cm, Edition of 10, Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventor...

Half Light 6, 2016 - Autumn Leaves in English Forest Woodland Landscape by Ellie Davies Half Light 6 is a stunning Digital C-Type Print on Fuji Maxima Matte paper, available in this...

Linda Connor's imagery of ancient and sacred places explores the relationship between nature, civilization and spirituality. Appropriately, her subject matter is often in spiritual c...

Smoke and Mirrors 6, 2010 - Forest Scenery in Natural Woodland Landscape by Ellie Davies Smoke and Mirrors 6 by Ellie Davies is a stunning Digital C...

Linda Connor's imagery of ancient and sacred places explores the relationship between nature, civilization and spirituality. Appropriately, her subject matter is often in spiritual c...

Cy Twombly Earle and Carolyn Brown at the Stevenson's in Brewster, 1955 Identified and inscribed on the reverse by the sitter Carolyn Brown Photograph on paper 8 x 8 inches Provenance Gift of the artist Estate of Carolyn Brown, New York 2025. Cy Twombly gained fame for his art that combined cultural, historical, and poetic elements—particularly those from classical antiquity—with abstract shapes and his distinctive script. Born Edwin Parker Twombly, Jr. on April 25, 1928, in Lexington, Virginia, he began his artistic journey under the guidance of Pierre Daura and Marion Junkin at Washington and Lee University. This initial training was complemented by his formative experiences at the Arts Students League of New York and Black Mountain College, where he established enduring friendships with influential figures like Robert Rauschenberg, John Cage, and Merce Cunningham. A pivotal moment for Twombly was his 1952 trip to Italy and North Africa with Rauschenberg, funded by a grant from the Virginia Museum of Fine Arts. This journey allowed Twombly to engage deeply with the rich cultural history that would inform his future artistic endeavors, leading to the creation of significant early pieces. Twombly made his way back to Italy in 1957 and 1958, during which he presented his first solo exhibition in Italy at Galleria La Tartaruga, owned by Plinio De Martiis. In 1959, he married Luisa Tatiana...

Lakelands is a color vintage photo, realized in 1960s. Good conditions and aged. It belongs to a historical and nostalgic album including hi...

A President Fishes- Vintage Photograph is an original black and white photograph realized in the U.S in the 1950s in a series of American life in the 20th Century, and representing t...

Hidden Valley (Till Death Do Us Part) - 2005 78x77cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid Signature label and Certificate. artist Inventor...

Titled the 'Sundance Series', these artworks are a development of traditional landscape photographs and they have created a unique perspective as if captured through a telescope or a...

large format photograph of Gulpiyuri, a flooded sinkhole with inland beach in Northern Spain, by iconic Italian photographer Massimo Vitali, renowned for his grand scale topographica...

Linda Connor's imagery of ancient and sacred places explores the relationship between nature, civilization and spirituality. Appropriately, her subject matter is often in spiritual c...

This listing is for the unframed photograph. The Robin Rice Gallery proudly announces SUMMERTIME Salon 2019, an annual photography exhibit featuring gallery artists as well as a fe...

Javier Rey photographs explores the physical structure and the possibilities of sculpture through photography. From Union Series Edition of 5 + 1AP

30 x 45 inches ($5200) and 40 x 60 inches ($7200) limited editions of 10, printed on Archival Watercolor Fine Art Paper, 335 gram weight, signed by the artist. Cheryl Maeder was b...

Starting with photographic base elements, such as the figure or the landscape, Haider transforms the scenery into a surreal world through heavy post-production. She uses photographs,...

Javier Rey photographs explores the physical structure and the possibilities of sculpture through photography. From Union Series Edition of 5 + 1AP

Unbound (Wastelands) - 2003 Edition 3/10. 38x36cm. Archival C-Print on Crystal Fuji Archive paper, matte surface, based on the Polaroid. Artist inventory Number 836. Signature ...

Maria Passarotti graduated in 2000 with a BFA from the Cooper Union for the Advancement of Science and Art in New York. Her most recent photographs are inspired by the intersection o...

From The Jon Gould Collection of Andy Warhol Photographs This work is not signed by the artist, however, each photo is unique and blind embossed “Andy Warhol” in the lower right co...

The artist explored nature and how the body can be part of these landscapes with the help of the model Marisa. He did not hesitate to brave the climate and landscapes of Iceland. Th...

The first encounter I had with the abyss, was arriving to a place that does not exist, a point suspended in time where I am without being. An unreal world expands in front of me, eve...

THIS PIECE IS AVAILABLE FRAMED. Please reach out to the gallery for additional information. ABOUT THIS ARTIST: Photographer Ludwig Favre was born in Senlis, France in 1976. Favre ...

El Capitan, 2016 by Jo Crowther is a 16" x 20" Archival Inkjet Print from a Limited Edition of 12 in this size. Taken during Crowther's travels through the United States and Califor...

Starting with photographic base elements, such as the figure or the landscape, Haider transforms the scenery into a surreal world through heavy post-production. She uses photographs,...

24 x 24 inch digital chromogenic print Edition 15 +3AP Signed, titled, dated and editioned on frame label provided Neal Slavin, a native New Yorker, began photographing groups in 1972. He quickly realized that shooting in color yielded greater nuance and detail, placing him among the first generation of photographers, along with William Eggleston and Joel Meyerowitz, to fully embrace color. Over the past four decades, Slavin has recorded hundreds of groups from the most obscure to the most celebrated, both in the US and abroad: Sabrett Hot Dog vendors, NYC; The Silurian Border Morris Men, Herefordshire; the Mormon Tabernacle Choir, Salt Lake City; Elephant Keepers with Katie and Kumara, Bedfordshire; and the Mahayana Buddhist Service, NYC. He has published three books: “Portugal” (Lustrum Press, 1971), “When Two or More Are Gathered Together” (Farrar Straus Giroux, 1974); and “Britons” (Aperture, 1986). His prints have been acquired by the Metropolitan Museum of Art, New York; the Centre Pompidou, Paris; the International Center of Photography (ICP), New York; the National Portrait Gallery and the National Museum of American Art, Washington, DC; the National Media Museum, London; and the John Paul Getty...

The first encounter I had with the abyss, was arriving to a place that does not exist, a point suspended in time where I am without being. An unreal world expands in front of me, eve...

"""Rushing Waters"" Black and white image of a river running through Yosemite Valley There's so much inspiration in nature's textures, from the smooth water to the crisp line of Yo...

Starting with photographic base elements, such as the figure or the landscape, Haider transforms the scenery into a surreal world through heavy post-production. She uses photographs,...

"Flowstate" Nude Photography 20" x 16" in Ed. 1/15 by Aaron Mcpolin Archival Giclee Print NOT framed. Ships in a tube. Signed and numbered by the artist. Comes with COA issued ...

The first encounter I had with the abyss, was arriving to a place that does not exist, a point suspended in time where I am without being. An unreal world expands in front of me, eve...

"Kingdom Come" Two Samburu warriors stand atop this popular overlook surveying their ancestral land. As warriors, it is their job to look after the needs of their community. These...

Valley Vista (Wastelands) - 2003 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Artist inventory Number 864. Signature label and Certificate. Not mounted. For sale is a piece from the Wastelands series. Reality with the Tequila: Stefanie Schneider’s Fertile Wasteland by James Scarborough “How much more than enough for you for I for both of us darling?” (E. E. Cummings) Until he met her, his destiny was his own. Petty and inconsequential but still his own. He was cocksure and free, young and unaccountable, with dark hair and aquiline features. His expression was always pensive, a little troubled, but not of a maniacal sort. He was more bored than anything else. With a heart capable of violence. Until she met him, she was pretty but unappreciated. Her soul had registered no seismic activity. Dustbowl weary, she’d yet to see better days. A languorous body, a sweet face with eyes that could be kind if so inclined. Until she met him, she had not been inclined. It began when he met her. She was struck in an instant by his ennui. The sum of their meeting was greater than the imbroglios and chicaneries of their respective existences. He was struck by the blank slate look in her eyes. They walked, detached and focused on the immediate, obscenely unaware of pending change across a terrain of mountainous desert, their eyes downcast and world-weary, unable to account for the buoyant feeling in her heart. His hard-guy shtick went from potentiality to ruse. The gun was not a weapon but a prop, a way to pass time. Neither saw the dark clouds massing on the horizon. They found themselves alone in the expanses of time, unaware of the calamity that percolated even as they posed like school kids for the pictures. Happiness brimmed in that wild terrain. Maybe things were beginning to look up. That’s when the shooting started… Stefanie Schneider assumes that our experience of lived reality (buying groceries, having a relationship with someone, driving a car) does not correspond to the actual nature of lived reality itself, that what we think of as reality is more like a margarita without the tequila. Stefanie Schneider’s reality is reality with the tequila. She does not abolish concepts that orient us, cause and effect, time, plot, and storyline, she just plays with them. She invites us to play with them, too. She offers us a hybrid reality, more amorphous than that with a conventional subject, verb, and predicate. Open-ended, this hybrid reality does not resolve itself. It frustrates anyone with pedestrian expectations but once we inebriate those expectations away, her work exhilarates us and even the hangover is good. An exploration of how she undermines our expectation of what we assume to be our lived reality, the reasons why she under- mines our expectations, and the end result, as posited in this book, will show how she bursts open our apparatus of perception and acknowledges life’s fluidity, its density, its complexity. Its beauty. She undermines expectations of our experience of reality with odd, other-worldly images and with startling and unexpected compressions and expansions of time and narrative sequence. The landscape seems familiar enough, scenes from the Old West: broad panoramic vistas with rolling hills dotted with trees and chaparral, dusty prairies with trees and shrubs and craggy rocks, close-up shots of trees. But they’re not familiar. These mis-en-scenes radiate an unsettling Picasso Blue Period glow or the intense celestial blue of the cafe skies that Van Gogh painted in the south of France. Yellow starbursts punctuate images as if seen through the viewfinder of a flying saucer. At the same time, objects appear both vintage and futuristic, the landscape of a post-apocalyptic world. Landscapes change seemingly at random as do the seasons. Stefanie Schneider offers no indication of how time flows here, except that it conceivably turns in on itself and then goes its merry way. Time is a river whose source is a deep murky spring which blusters about with an occasional swirling eddy. That Stefanie Schneider thwarts an easy reading is obvious but why does she do this? Since she will not countenance anything linear, logical, or sequential, and because she does not relish anything concrete and specific, she has to roil things up a bit. Nor does she seem comfortable with a book of images that is settled, discrete, and accountable. Instead she wants to create a panoply of anxious moments...

Chicken Ballet (Chicks and Chicks) - 2016 20x24cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventor...

The Valley - (Wastelands) - 2003 20x20cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Artist inventory Number 1233. Signature label and Certificate. Not mounted. For sale is a piece from the Wastelands series. Published in: WASTELANDS, published by edition braus, Wachter Verlag, Heidelberg, 2006 (monograph) Exhibited: Wastelands, Städtische Galerie, Waldkraiburg, Germany (S) (2006) / Wastelands, Zephyr, Mannheim, Germany (S) (catalog) (2006) Wastelands, Kunstverein Recklinghausen, Germany (S) (2007), Stranger Than Paradise, Scott White Contemporary, San Diego, (S) (2012) Reality with the Tequila: Stefanie Schneider’s Fertile Wasteland by James Scarborough “How much more than enough for you for I for both of us darling?” (E. E. Cummings) Until he met her, his destiny was his own. Petty and inconsequential but still his own. He was cocksure and free, young and unaccountable, with dark hair and aquiline features. His expression was always pensive, a little troubled, but not of a maniacal sort. He was more bored than anything else. With a heart capable of violence. Until she met him, she was pretty but unappreciated. Her soul had registered no seismic activity. Dust bowl weary, she’d yet to see better days. A languorous body, a sweet face with eyes that could be kind if so inclined. Until she met him, she had not been inclined. It began when he met her. She was struck in an instant by his ennui. The sum of their meeting was greater than the imbroglios and chicaneries of their respective existences. He was struck by the blank slate look in her eyes. They walked, detached and focused on the immediate, obscenely unaware of pending change across a terrain of mountainous desert, their eyes downcast and world-weary, unable to account for the buoyant feeling in her heart. His hard-guy shtick went from potentiality to ruse. The gun was not a weapon but a prop, a way to pass time. Neither saw the dark clouds massing on the horizon. They found themselves alone in the expanses of time, unaware of the calamity that percolated even as they posed like school kids...

Limited Edition of 7 available in different sizes An elephant herd is crossing a river in Masai Mara. Joachim Schmeisser is represented by leading Galleries worldwide. His photogr...

Botanicals II 2018, 60x48cm, Edition 1/7, plus 2 Artist Proofs, based on an original Polaroid, Digital C-Print, not mounted. Signed on the back and with certificate. Artist Inven...

In The Breathless Zoo, Rachel Poliquin writes “Taxidermy is deeply marked by human longing,” revealing our hopes and dreams about our place in the natural world. Natural history dior...

This photography series corresponds to the artist's "restless being" paintings. After completing the painting series, which depicts rocks covered with various lichen varieties, Williams took the painted rocks...

The Gloaming 1, 2011 - Light on Forest Floor in English Woodland Landscape by Ellie Davies The Gloaming 1 by Ellie Davies is a stunning Digital C-Type Print on Fuji Maxima Matte pap...

Hand printed Palladium photograph (no pull down for that) Edition 1/15 Corner Mounted Over matted

'Jane's Place' 29 Palms, CA, Edition 1/5, analog C-Print on Fuji Crystal Archive Paper, 70x80cm Mounted on Aluminum, hand-printed by the artist, enlarged from a Polaroid. THE GRE...

On the Road to Nowhere - 2017, Edition 1/7 plus 2 Artist Proofs Archival C-print, based on the original Polaroid, not mounted. Signature label and certificate. Artist inventory PL2...

Wander And Get Lost - 2016, 40 x 40 cm, edition 2/10, digital C-Print based on a Polaroid, hand-numbered and signed on the back by artist. Not mounted. Artist Statement “Since my childhood days I always loved taking photos, but for unknown reasons instant film never really caught my attention. After I saw the works of a friend who happened to be a gifted Polaroid photographer, I was totally mesmerized and the desire to shoot with instant film constantly grew in me. But for as long as I can think music has always been my main preoccupation. I somehow always feel the need to create, but my focus shifted more and more from making music to instant photography and it grew into something much more fulfilling and pure. Sometimes, these two passions even come together when I am able to provide my photos for album artworks – this makes me incredibly happy. As I always have been very introverted and reclusive I often drift off into my own inner world. The dreamlike landscapes and surreal atmospheres in my work are the visualization and the result of these imaginations. Another influence on my photography is my essential need to travel the world. But I am not interested in documenting the places I see like they are but rather love to create otherworldly scenes by adding the dreamlike texture of instant film, serving me as a needful escape from reality.” Artist Biography Julia Beyer is an analogue photographer from Germany. She mainly works with instant film to express her inner visions that often show dreamlike landscapes and surreal atmospheres. After being more known for her musical endeavors as the singer of the dreampop band Chandeen, she began to delve into this photographic art form in 2014 and since then expands her portfolio continuously. Her work has been published in various international print and online publications. Since 2017, she is a member of the renowned "12:12 Project", a worldwide collective of female Polaroid photographers. Selected Press and Publications: Feature in “Photodarium” Calendar 2016, 2017 and 2018 (Germany) Print feature in Monochrome Mag issue four: Instant (Australia) Print feature in Double Exposure Zine, Issue 2 // Vacancy (USA) Shoot Film UK, Issue #001 “Overexposed” (UK) Feature in The Impossible Project Magazine Artwork photography...

Pining 2017, 50x50cm, Edition 1/7, 2 APs. Digital C-Print, based on a Polaroid, not mounted. Signed on the back and with certificate. Artist inventory PL2017-798. Kirsten Thys van d...

Fires 3, 2018 - Autumnal Seasonal Landscape in Ancient English Woodland Clearing by Ellie Davies Fires 3 by Ellie Davies is a stunning Digital C-Type Print on Fuji Maxima Matte pape...