Horizontal Abstract Prints

This original etching and aquatint is hand signed in white pencil by the artist "Miró" in the lower right image. It is also hand numbered in pencil from the edition of 50, at the low...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with trifold, as issued. Notes: From Derrière le miroir, N° 280, 1969. Published by Aimé M...

NIGHT ANIMAL is an original limited edition lithograph by the Dutch artist Karel Appel on printed using traditional hand lithography techniques on archival printmaking paper, 100% ac...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From Derrière le miroir, N° 168, 1967. Published by Aim...

Jean Marie Haessle, French-American (1939-) Serigraph silkscreen Hand signed in pencil and numbered Bermuda Triangle (Blue background) 1980 Jean Marie Haessle was born in 1939 in ...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From Derrière le miroir, N° 197, 1972. Published by Aim...

Richard Hunt Paper piece V, Terracotta Voyage, 1978 Artwork made exclusively from colored paper pulps, formed, handmade Twinrocker paper made by hand utilizing stencils to apply the wet colored paper pulp to the wet backing layer of pulp for the main image, in order to keep it consistent. The colored washes of pulp vary slightly with each print - similar to ones that are hand colored with watercolor washes. Signed and numbered 12/50 in graphite front; bears Lakeside Studio blind stamp 18 31/50 × 23 1/2 × 1/5 inches Unframed Formed, handmade Twinrocker paper Signed and numbered 12/50 on the front Published and printed by Lakeside studio, Lakeside, Michigan with blind stamp Also accompanied by gallery issued Certificate of Guarantee Richard Howard Hunt...

Hilliard Dean, '#5', color lithograph, 1970, edition not stated but small. Signed, titled, and annotated 'AP' in pencil. Dated 'June 11, 70' in pencil in...

Lithograph on vélin paper. Paper Size: 15 x 33 inches, with bifold, as issued. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the folio, Derrière le miroir, ...

Size includes frame. There is a plate impression at the image that leads me to believe this is an aquatint. Antoni Tàpies i Puig, 1st Marquis of Tàpies (Catalan: 13 December 1923 – ...

Nuances is a color etching and aquatint on paper, realized in 1980 by the Italian graphic master Piero Dorazio (Rome, 1927 - Perugia, 2005). Signed and dated in pencil "Piero Dorazi...

Abstracted landscape and sky done with India ink and gouache. Unique India Ink drawing, signed on reverse. RENAUD ALLIRAND was born in 1970, and currently lives and works in Paris. ...

Limited edition of 99 prints, numbered and hand signed. Fair conditions.

Romas Viesulas, Lithuanian (1918 - 1986) - Skull, Year: 1953, Medium: Lithograph, signed, titled and dated in pencil, Image Size: 12.25 x 16.25 inches, Size: 16.25 x 20.5 in. (41...

Hand signed rf Lichtenstein in pencil and numbered 270/280 lower right margin. Published by Leo Castelli Gallery, New York, Printer Chiron Press, New York. The Prints ofRoy Lichtenst...

’Concentration’ By Harvey Daniels Medium - Screen print Signed - Yes Edition - 16/30 Size - 890mm x 670mm Condition - 10 Colour of print may not be accurate when viewed on a monitor...

Antoni Tapies (Spain, 1923-2012) 'Varations V: Chaussure sur chaise', ca. 1970-1975 lithograph on paper 29.6 x 41.4 in. (75 x 105 cm.) Edition of 90 Unframed ID: TAP1162-022 Hand-sig...

Silkscreen and relief collage Handsigned by the artist in pencil and annotated EA Edition : 30 ex. 61.00 cm. x 78.00 cm. 24.02 in. x 30.71 in. (paper) 61.00 cm. x 78.00 cm. 24.02 i...

This abstract landscape limited edition print by Elwood Howell features a high horizon line, and a light blue palette. The foreground portion of the composition beneath the horizon ...

Nikolaus von Georgi Untitled (Geometric Composition, Vasarely, Op-Art) Color Offset Lithograph Year: 1978 Size: 19.7×23.6 on 23.6×27.6in Edition: 180 Signed, numbered and dated by ...

Debris Etching, engraving and color aquatint, 1947 Signed, dated, titled and number Edition: 25 (1/25), never fully realized Created in the artist's first year studying at the Univer...

Coral Gem Max Epstein, Canadian (1932–2002) Date: 1980 Screenprint, signed in pencil Edition of 99, AP Image Size: 19 x 28 inches Size: 23 in. x 35 in. (58.42 cm x 88.9 cm)

JAMES ROSENQUIST (B. 1933) "Woman in the Sun" 15 color lithograph from aluminum plate on mould-made paper, white Rives BFK, 1991 Catalog #225 She...

Venetian Views: Venice, Afternoon, 1995 Howard Hodgkin Lift-ground etching and aquatint with carborundum printed in colours with hand-colouring in cadmium yellow, mars yellow and ph...

This limited edition abstract landscape print by artist Ned Martin depicts an abstracted forest with deep blues and vibrant orange hues. Tree trunks are visible spanning the width of...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From volume, Derrière le miroir, N° 186, 1970. Publishe...

This artwork titled "Hecatombe de Toros" 1971, is an original color lithograph on Arches paper by renown Chilean artist Roberto Sebastian Matta, 1911-2002. It is hand signed and numb...

Neutral-toned abstract contemporary collage print on paper by Conrad Marca-Relli. The piece depicts two abstract shapes--the one on the left with a newspaper print. Edition 12 out of...

Artist: Robert Motherwell (American, 1915-1991) Title: "Signs on Copper" *Monogram signed and numbered by Motherwell in pencil lower right Year: 1981 Medium: Original Lift-Ground Etc...

Joan MIRO The Surrealist Animal, King Ubu, 1966 Original lithograph (Atelier Mourlot, Paris) Unsigned Numbered / 75 copies On Arches vellum 54 x 75 cm (c. 21.2 x 29.5 in) REFERENCE...

Lithograph on vélin paper. Paper Size: 15 x 22 inches, with centerfold, as issued. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné references: Cramer, Patrick, an...

JOSEF ALBERS, Bottrop 1888 - New Haven 1976 Homage to the Square (diptych), 1971 Original colored serigraph. Perfect copies published in 1971 by the Ives-Sillman Inc. edition, New Ha...

Hand signed, and han written in pencil "H.C." (hors commerce). Edition of 150 numbered in Arabic numerals on Rives with “Miro” watermark + 20 numbered in Roman numerals on Rives wit...

Mid Century Blue Green Modern Painting Hand Embellished Giclee on Canvas ORL-6863 Vibrant Colorful Abstract-0-37 State-of-the-art HAND EMBELLISH...

Lithograph on vélin d'Arches paper. Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From the folio, Souvenirs et portraits d'artistes, 1972. Pu...

Medium: Lithograph on vélin paper, hinged on archival support sheet, as issued Year: 1968 Paper Size: 13 x 16 inches; image size: 9.375 x 13.75 inches Inscription: Signed in the plat...

Four color process print on vélin paper. Paper size: 10.75 x 18.5 inches, with centerfold, as issued. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, George C...

Susan Gorelick (American, 1924-2000), "Red Expulsion" A/P, Abstract Etching signed, titled and numbered in Pencil, 19.50 x 27.88 (Image: 17.25 x 23.50) Late 20th Century Colors: Ora...

Claire Seidl Description Without Place (Hand Signed), 1986 Lithograph and silkscreen. Hand signed, dated and numbered from the edition of 65 by the artist. 28 × 38 1/2 inches Unfram...

Oil on on cardboard, realized by Antonio Sanfilippo in 1971. Not signed. Published in the Catalogue Raisonné, no. 913

Screenprint in colours on wove paper Edition 55 of 100 81.3 x 135.3 cm (32 x 53.2 in) Signed and numbered on the front Mint Published by Pace Prints

Lithograph on vélin pur fil paper. Inscription: Signed in the plate and unnumbered, as issued. Good condition. Notes: From the folio, Henri Matisse, Dessins, Thèmes et Variations, 19...

Robert Smith (United States, 1944) 'Changes with the wind', 1972 Engraving 21.7 x 29.6 in. (55 x 75 cm.) Edition of 75 ID: SMI1158-003-075 Hand-signed by author

Cyd Fontaine (Lausanne, 1992) is a contemporary artist renowned for her captivating use of dreamy atmospheric gradients, which has helped her carve a distinctive niche in the world o...

Charles Quest, 'Underwater', 1948, chiaroscuro wood engraving, edition 12. Signed, titled, dated and numbered '3/12' in pencil. A fine, richly-inked impression, in dark brown and warm black, on off-white wove paper, with full margins (5/8 to 1 1/2 inch), in excellent condition. Scarce. ABOUT THE ARTIST Charles Quest, painter, printmaker, and fine art instructor, worked in various mediums, including mosaic, stained glass, mural painting, and sculpture. Quest grew up in St. Louis, his talent evident as a teenager when he began copying the works of masters such as Michelangelo on his bedroom walls. He studied at the Washington University School of Fine Arts, where he later taught from 1944 to 1971. He traveled to Europe after his graduation in 1929 and studied at La Grande Chaumière and Academie Colarossi, Paris, continuing to draw inspiration from the works of the Old Masters. After returning to St. Louis, Quest received several commissions to paint murals in public buildings, schools, and churches, including one from Joseph Cardinal Ritter, to paint a replica of Velasquez's Crucifixion over the main altar of the Old Cathedral in St. Louis. Quest soon became interested in the woodcut medium, which he learned through his study of J. J. Lankes' A Woodcut Manual (1932) and Paul Landacre's articles in American Artist magazine ‘since no artists in St. Louis were working in wood’ at that time. Quest also revealed that for him, wood cutting and engraving were ‘more enjoyable than any other means of expression.’ In the late 1940s, his graphic works began attracting critical attention—several of his woodcuts won prizes and were acquired by major American and European museums. His wood engraving entitled ‘Lovers’ was included in the American Federation of Art's traveling print exhibition in 1947. Two years later, Quest's two prize-winning prints, ‘Still Life with Grindstone’ and ‘Break Forth into Singing’, were exhibited in major American museums in a traveling show organized by the Philadelphia Print Club. His work was included in the Chicago Art Institute's exhibition, ‘Woodcut Through Six Centuries’, and the print ‘Still Life with Vise’ was purchased by the Museum of Modern Art in New York. In 1951 he was invited by artist-Curator Jacob Kainen to exhibit thirty wood engravings and color woodcuts in a one-person show at the Smithsonian's National Museum (now known as the American History Museum). Kainen's press release praised the ‘technical refinement’ of Quest's work: ‘He obtains a great variety of textural effects through the use of the graver, and these dense or transparent grays are set off against whites or blacks to achieve sparkling results. His work has the handsome qualities characteristic of the craftsman and designer.’ At the time of the Smithsonian exhibition, Quest's work was represented by three New York galleries in addition to one in his home town. He had won 38 prizes, and his prints were in the collections of the Library of Congress, the Chicago Art Institute, the Metropolitan Museum, and the Philadelphia Museum of Art. In cooperation with the Art in Embassies program, his color woodcuts were displayed at the American Embassy in Paris in 1951. Recognition at home came in 1955 with his first solo exhibition in St. Louis. Press coverage of the show heralded the ‘growth of graphic arts toward rivaling painting and sculpture as a major independent medium’. An exhibition of his prints at the Bethesda Art Gallery in 1983 attracted Curator Emeritus Joseph A. Haller, S.J., who began purchasing his work for Georgetown University's collection. In 1990 Georgetown University Library's Special Collections Division was the recipient of a large body of Quest's work, including prints, drawings, paintings, sculpture, stained glass, and his archive of correspondence and professional memorabilia. These extensive holdings, including some 260 of his fine prints, provide a rich opportunity for further study and appreciation of this versatile and not-to-be-forgotten mid-Western American artist...

Edward Landon, 'Forms in White', color serigraph, 1950, edition 30, Ryan 85. Signed in pencil. Dated, titled, annotated 'ED. 30' and '5 COLORS' in the screen, bottom center sheet edg...

Wonderful geometric abstract screen print abstract in black, blue and yellow by Margo Hoff (American, 1912-2008), circa 1980. Titled "Construction Over Yellow Sky" lower left and signed lower right. Unframed. Presented on mat. Image size: 22"H x 30"W. Margo Hoff was born in Tulsa, Oklahoma, in 1912—the second oldest of eight children. Stricken with typhoid fever in 1923, she was bedridden for a summer and amused herself by drawing and making paper cutouts. Her formal studies began in high school and continued during two years at the University of Oklahoma, Tulsa. In 1933 she moved to Chicago where she took classes at Hull House, the National Academy of Art and, later, the School of the Art Institute of Chicago. She remained in Chicago until 1960 and the city’s vibrant mid-century art scene profoundly shaped the first half of her artistic career. Hoff’s Chicago paintings were almost entirely figurative and evidence a classic mid-century modern urbanism informed by Matisse, the Mexican muralists, and other artists of the local milieu. Hoff traveled extensively throughout her life, in the United States, Central and South America, the Middle East, Asia, Africa and Europe. When asked about the influences on her work Hoff stated “Almost anything except the work of other artists.” She cited the sources of her inspiration in “rocks, weeds, views from airplanes, rivers, subways, forests, machines, kinds of lights, red...

Les Mademoiselles, is an Artwork realized by Roberto Sebastián Antonio Matta Echaurren (Santiago, Chile, 1911 - Civitavecchia, Italy, 2002) Colored Litograph on paper. Hand Signed on the lower right margin. Edition of 283/300. Good conditions. After studying architecture, in 1934 Roberto Sebastian Matta moved to Paris, where he worked with Le Corbusier and came into contact with intellectuals such as Rafael Alberti and Federico García Lorca. Here, he also met André Breton and Salvador Dalí , and adhered to the Surrealist movement, elaborating a painting style focused on psychological morphologies. In 1944, Breton wrote: " Matta is the one who most faithfully keeps his star, which is perhaps on the best path to reach the supreme secret: the control of fire". An extremely dynamic Chilean artist, who met Alvar Aalto in Scandinavia, Henry Moore , Roland Penrose...

John Baldessari, Sonnabend Gallery. New York, NY, September 17 - October 15, 1994: A beautifully composed rare original John Baldessari exhibition poster on elegant transparent paper...

Lithograph on vélin pur fil paper. Inscription: Signed in the plate and unnumbered, as issued. Good condition. Notes: From the folio, Henri Matisse, Dessins, Thèmes et Variations, 19...

Artist: Kyohei Inukai, American (1913 - 1985) Title: Egg 2 (Purple) Year: circa 1970 Medium: Silkscreen, signed and numbered in pencil Edition: 45 Image Size: 20 x 26 inches Size: 2...

A detailed abstract geometric print by David Shapiro featuring a blend of aquatint and etching methods on Sekishu, a type of handmade Japanese paper. One half of the composition feat...

There is a natural and raw understanding in Mukesh Sharma’s prints that depict, and are influenced by, the Rajastani communities of his home town in rural India. In these Limited Edi...

Limited edition of 30 museum quality Giclee prints on CANVAS, signed and numbered by the artist. Print lead time 1 week. A "Certificate of Authenticity" issued by the artist is inc...

Nuances is a color etching and aquatint on paper, realized in 1980 by the Italian graphic master Piero Dorazio (Rome, 1927 - Perugia, 2005). Signed and dated in pencil " Piero Doraz...

Lithograph on vélin pur fil paper. Inscription: Signed in the plate and unnumbered, as issued. Good condition. Notes: From the folio, Henri Matisse, Dessins, Thèmes et Variations, 19...

TECHNICAL INFORMATION: Julian Stanczak Dedicated, from Twelve Progressions 1971 26 1/8 x 31 3/4 in. Edition of 90 Pencil Signed and Numbered Accompanied with COA by Gregg Shienbaum...

Linocut on vélin paper. Paper Size: 12.5 x 14.5 inches; image size: 10.5 x 12.75 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné reference: Orozco, M. (20...

The title "Interventions On The Imaginary" is a clear reference to Marcia Crosby’s essay, "The Construction of the Imaginary Indian", and situates itself within the realm of remix cu...

Proofed and editioned by Peter Kosowicz at Thumbprint Editions Ltd, London, published by Paragon Press. Edition 2/115 The large-scale pop-art 'Grey Spots' Etching with Aquatint is a...