Kim Ross

Genesis

2024

Mary Caroline Richards Tea Cup, circa 1970s Glazed earthenware 2 1/2 x 2 1/2 inches Provenance Estate of Carolyn Brown, New York 2025. Mary Caroline (M. C.) Richards (1916 – 1999)...

Ceramic sculpture in glazed stoneware Unique piece Certificate : seal and signature by Jean-Claude Canonne and on the original certificate This sculpture is a very long time of work...

Ceramic sculpture in glazed stoneware Unique piece Certificate : seal and signature by Jean-Claude Canonne and on the original certificate This sculpture is a very long time of work...

ONE WEEK ONLY SALE The rich tones of the stoneware clay come through the soft creamy glaze that drips over the surface like melted vanilla ice cream over red devil cake. There are i...

This 5.5" x 8.5" ceramic wall sculpture was created by Brian Bosworth. This is a contemporary piece that demonstrates sophisticated glazing techniques and compositional balance. The ...

Vintage Jean Lurcat glazed fired enamel wall plaque ceramic plate limited edition hand inscribed faience Ceramique Saint Vicens charger. It depicts a h...

This glazed porcelain vase sculpture by Jon Puzzuoli features a burnt umber and white body and a wide neck finished with 18K gold luster. The artist's stamp is located at the base of...

This glazed porcelain vase sculpture by Jon Puzzuoli features a white body with a textured lower half and a neck finished with 18K gold luster. The artist's stamp is located at the b...

Materials : Terracotta, white gold luster Date : 2016 Dimensions : 16 x 8.5 x 8.5 inches Description : wheel thrown and altered terracotta, cone 04 oxidation, glazes and luster COA provided Mariko Brown Harkin about her work: "My fascination with pottery comes from my desire to make art and to produce something that is not only functional but visually appealing. Porcelain allows me stretch and shape the clay in any way I choose and offers a blank canvas for my floral imagery and luscious, rich glazes to blend. The forms I create are tight and precise with a sense of restricted volume. I use bands around the form to constrict specific areas of each piece, while at the same time creating space for the volume and fullness to escape. The bands create registers to frame my drawings and paintings of floral imagery. The way I combine surface and form is inspired by Ming Dynasty porcelain...

Particle I (One) Materials: Ceramic, glaze Year: 2016 The formal languages and frequencies that we find in the natural existence of the universe inform and inspire the investigation...