Board Abstract Sculptures

Sean Thornhill is an artist and designer based in Cambridgeshire, creating from the serenity of his garden studio. Drawing inspiration from the bold geometry of Bauhaus and the raw a...

Sean Thornhill is an artist and designer based in Cambridgeshire, creating from the serenity of his garden studio. Drawing inspiration from the bold geometry of Bauhaus and the raw a...

Sean Thornhill is an artist and designer based in Cambridgeshire, creating from the serenity of his garden studio. Drawing inspiration from the bold geometry of Bauhaus and the raw a...

Sean Thornhill is an artist and designer based in Cambridgeshire, creating from the serenity of his garden studio. Drawing inspiration from the bold geometry of Bauhaus and the raw a...

Sean Thornhill is an artist and designer based in Cambridgeshire, creating from the serenity of his garden studio. Drawing inspiration from the bold geometry of Bauhaus and the raw a...

Sean Thornhill is an artist and designer based in Cambridgeshire, creating from the serenity of his garden studio. Drawing inspiration from the bold geometry of Bauhaus and the raw a...

A unique wall mounted steel sculpture made of stainless steel on board.

Artist: Chuck Krause (1949) Title: Thumbprint (Gray) Year: 2020 Medium: Acrylic paint on sculpted composite board Size: 23 x 18 inches Condition: Excellent Inscription: Signed by the...

"She Carried Water", 2019 (Abstract Free Standing Tabletop Sculpture in Shades of White, Grey and Black) 31 x 12 x 8 inches Precision board, Venetian plaster, pigments, beeswax The ...

"You Have the Right to Remain Silent" Wood Panel Original Painting and Carving Elaborate collage, painting and carved sculpture by Mickey "Kano" Kane (American, 20th century). In Yo...

This piece titled "Rhombicuboctagedron" is an original artwork by members of Space 1026 and is made of cardboard, paper, acrylic, and varnish. This piece me...

This textured abstract diptych by Teodora Guererra features a light, cool palette with subtle warm pink accents throughout. The artist layers thick strokes of paint using a palette k...

Colorful abstract contemporary collage sculpture that incorporates pages from 1960 Sears catalogues, cardboard, wood, concrete, acrylic paint, and wood glue. The bright red sculpture...

This green, purple, and grey wall-hanging abstract sculpture titled "All the same" is an original artwork by Joey Slaughter made of acrylic ...

54 x 15 x 5.5 inches carved precision board & Venetian plaster This contemporary, abstract minimalist wall sculpture was made by Japanese artist, Dai Ban in 2017. The elegant minim...

Artist: Chuck Krause (1949) Title: Thumbprint (Red) Year: 2020 Medium: Acrylic paint on sculpted composite board Size: 23 x 18 inches Condition: Excellent Inscription: Signed by the ...

Abstract geometric, minimalist wall sculpture in white and grey Precision board, Venetian Plaster, pigments, and beeswax Despite it's stone-like appearance, the sculpture weighs abo...

Multifaceted Copper Enamel Tiles Abstract by N.G. Bloome Enameled Copper panels "Picasso" esq by an unknown artist. N.G. Bloome (American, 20th C). Uniq...

84 x 24 x 10 inches Precision board and Venetian Plaster Elegantly slender, contemporary minimalist wall sculpture that is extremely lightweight. Long vertical lines, casting shado...

"Drenched in Enthusiasm" is a mixed media art piece by artist, Susan Stover. Drenched in Enthusiasm, is made of cardboard, exterior house paint, acrylic paint, varnish and hand sewn together with waxed linen thread. Inspired by her love of textiles and eastern cultural design elements, Stover creates monumental quilt-like pieces that also occupy the space of being a sculpture. This piece measures to 48.75" x 48.5" and is featured in Colibri Gallery...

Carlos Cruz Diez (1923-2019) “Physichromie No. 1354” 2002 Plastic inserts and digital print on cardboard Ed. 2/3 11 7/8 x 12 in Provenance: Galerie Mark Hachem, Paris. Private Colle...

One of a kind wooden board painting by wood artist Kevin Kegler.

“Salon (13)“ is a collection of 13 small-scale works by artist Heather Nicol. The installation of 13 assemblages is variable. The artist will personally consult with the buyer and can be on site for the installation. The 13 mixed media pieces include delicate lighting elements that shift and change via arduino electronic devices, or utilize picture lights throwing a soft roll of light across the artwork. These works are linked through their wiring, which is enveloped in a white umbilical cord-like fabric casing, creating an organic, unifying code of display. Heather Nicol is a multidisciplinary artist whose practice includes immersive sound installation, small-scale discrete object making, and independent curating. Her large site-specific interventions explore the architectural, sonic, historic and operational conditions across a wide range of locations. These include concourse atriums, rail terminus, lobbies, a theatre, a public school building, a theme park...

A limited edition wall mounted steel sculpture made of stainless steel on board. Edition 1/3

16 red/black quadrants RZ is a unique one-of-a-kind contemporary modern painting relief by Dutch artist Eef de Graaf. The relief is made from meticulously hand-cut plain black and re...

A striking and completely unique abstract fibreglass sculpture from the artist's own home. Year: unknown (Ron was active from the mid 1960s to the early 2000s) Colour: Concrete Fram...

BB10022022 is a unique one-of-a-kind contemporary modern painting relief by Dutch artist Eef de Graaf. The relief is made from meticulously hand cut cardboard elements finished with ...

May Wilson (1905–1986) was an American artist and figure in the 1960s New York City avant-garde art world. A pioneer of the feminist and mail art movement, she is best known for her Surrealist junk assemblages and her "Ridiculous Portrait" photo collages. Wilson was born in Baltimore, Maryland, into an underprivileged family. Her father died when she was young. She was reared by her Irish Catholic mother, who sewed piecework at home. Wilson left school after the ninth grade to become a stenographer/secretary to help support her family. When she turned 20, she married a young lawyer, William S. Wilson, Jr., and give birth to her first child. She continued to work until the birth of her second child, after which she devoted her energies primarily to mothering and homemaking. In 1942, the couple had prospered enough to move to Towson, Maryland, where she began to take correspondence courses in art and art history from several schools, including the University of Chicago. In 1948, after the marriage of their daughter, the couple moved to a gentleman's farm north of Towson, where she pursued painting and gave private art lessons to neighbors. She exhibited her paintings, scenes of everyday life painted in a flat, purposefully primitive manner in local galleries and restaurants. In 1952 and 1958, she won awards for work submitted to juried exhibitions at the Baltimore Museum of Art. In 1956, her son, the writer Williams S. Wilson, gave to Ray Johnson, the founder of the New York Correspondence School, his mother's address. This began a friendship and artistic collaboration between Johnson and Wilson, which would last the remainder of her life. Wilson became an integral part of Johnson's mail art circle and was initiated into the New York avant-garde through letters and small works that she exchanged with Robert Watts, George Brecht, Ad Reinhardt, Leonard Cohen, Arman, and many others. When her marriage dissolved, she moved to New York City in the spring of 1966, aged 61, taking up residence first in the Chelsea Hotel and then in a studio next door, where she threw legendary soirées and became known as the "Grandma Moses of the Underground". By the time she arrived, Wilson was already working with photomontage collage techniques. Encouraged by Johnson, who had sent her magazines through the mail, she scissored patterns into images of pin-up girls and muscle men until they resembled doilies or snowflakes, as Wilson called them. She decorated her hotel room and later her studio on West 23rd Street with these and other manipulated, found object images. Around this time, she also began her series of neo Dada "Ridiculous Portraits", for which she would ride the subway to Times Square, where she made exaggerated faces in photo booths. She then would cut and paste her photo-booth face onto postcards, along with Old Master reproductions, fashion shoots, and softcore Playboy magazine pornography. Long before artists such as Cindy Sherman and Yasumasa Morimura embarked on similar critical projects, Wilson's "Ridiculous Portraits" sent up the ubiquitous sexism and ageism that exists in popular and fine-art images of women. At the age of 70, she converted a nude photograph of herself into a stamp that she pasted on envelopes. Her collages and humorous self-portraits were made as gifts and mail-art items for her friends and were not widely known until after her death. Her work was contemporaneous with the Arte Povera artists Jannis Kounellis and ‎Michelangelo Pistoletto. She was also an innovator of junk art assemblages that incorporated real objects, such as high-heel shoes, bed sheets, sauce pans, toasters, liquor bottles, ice trays, and wrapped baby dolls. Her sculptures were inspired by Surrealist and Dada practices and are similar in spirit to Yayoi Kusama's contemporary accumulations. Wilson was the subject of a 1969 experimental documentary by Amalie R. Rothschild, "Woo Hoo? May Wilson". Since her death, May Wilson's work has been featured in numerous exhibitions and retrospectives at the Baltimore Museum of Art, Maryland; Gracie Mansion Gallery, New York; the Morris Museum, Morristown, N.J.; the Pavel Zoubok Gallery, New York City; and The University of the Arts, Philadelphia. Selected Exhibitions 2010 "Seductive Subversion: Women Pop Artists, 1958-1968", University of the Arts, Philadelphia (traveling exhibition) 2008 "1968/2008: The Culture of Collage", Pavel Zoubok Gallery, New York, City 2008 "Ridiculous Portrait: The Art of May Wilson", Morris Museum, Morristown, New Jersey 2008 "Woo Who? May Wilson", Pavel Zoubok Gallery, New York City 1995 [Retrospective], The Baltimore Museum of Art, Maryland 2001 "May Wilson: Ridiculous Portraits and Snowflakes", Gracie Mansion Gallery, New York, City 2001 "Inside Out: Outside In-The Correspondence of Ray Johnson and May Wilson", Sonoma Museum of Visual Art, California 1991 "May Wilson: The New York Years", Gracie Mansion Gallery, New York City 1973 "Sneakers", Kornblee Gallery, New York City 1973 "Small Works: Selections from the Richard Brown Baker Collection of Contemporary Art", RISD Museum, Providence, Rhode Island 1971 Corcoran Gallery of Art, Washington, D.C. 1970 "Sculpture Annual 1970", Whitney Museum of American Art, New York City 1965 The Baltimore Museum of Art, Baltimore, Maryland 1962 The Johns Hopkins University, Baltimore, Maryland 1957 Bookshop Gallery, Baltimore, Maryland Public collections Whitney Museum of American Art (New York City) The Baltimore Museum of Art (Baltimore, Maryland) Brooklyn Museum (Brooklyn, New York) References William S. Wilson, "May Wilson: Constructing Woman (1905-1986)", in Ann Aptaker, ed., Ridiculous Portrait: The Art of May Wilson, ed. Ann Aptaker, Morristown, N.J.: Morris Museum, Camhi, Leslie, "Late Bloomer", Village Voice, December 18, 2001 Giles, Gretchen, "Cosmic Litterers: Artists Ray Johnson and May Wilson: Taking the Cake", "Northern California Bohemian," June 14–20, 2001 McCarthy, Gerard, "May Wilson: Homespun Rebel", Art in America, vol. 96, no. 8, September 2008, pp. 142–47 Sachs, Sid and Kalliopi Minioudaki, Seductive Subversion: Women Pop Artists, 1958-1968. Philadelphia: The University of the Arts, 2010, ISBN 978-0789210654 Wilson, William S. Art is a Jealous Lover: May Wilson: 1905-1986, andy warhol...

Rhythmic geometric forms is a unique one-of-a-kind contemporary modern painting relief by Dutch artist Eef de Graaf. The relief is made from meticulously ...

Stunning original panel made of 9 handmade fibreglass relief sculptures from the artist's own home. Each sculpture is unique, with beautiful rust and copper tones, and several are signed by the artist. This very large, striking piece has a great Brutalist and Modernist feel. It is particularly notable as an example of Hitchin’s mastery of finishing techniques in simulating aged metal. The relief sculptures were visible outside of Ron’s house and became a Hackney landmark. They were carefully removed by the artist's estate after Ron passed away. Year: unknown (Ron was active from the mid 1960s to the early 2000s) Colour: Rust and copper tones Signature: 5 of the relief sculptures bear the artist's trademark initials “RH” Framing: The sculptures have been carefully mounted on a cotton covered board with a walnut wood trim and a hidden subrame on the reverse for ease of hanging. Authenticity: This piece was purchased directly from the Artist's Estate and comes with a certificate of authenticity signed by the sole executor of the Ron Hitchins...

“Specimen 2“ is a mixed media piece by artist Heather Nicol, and measures 16x13x1“. Part of a body of work known as Salon, this particular assemblage is ...

A limited edition wall mounted steel sculpture made of stainless steel on board. Edition 1/7

A unique wall mounted steel sculpture made of stainless steel cut-outs, floated on a glossy black board.

Seymour Fogel Untitled Oil on illustration board construction 10 x 7 1/2 inches Provenance: Estate of the artist Charles and Faith McCracken Larry and Trish Heichel Private Collection Seymour Fogel was born in New York City on August 24, 1911. He studied at the Art Students League and at the National Academy of Design under George Bridgeman and Leon Kroll. When his formal studies were concluded in the early 1930s he served as an assistant to Diego Rivera who was then at work on his controversial Rockefeller Center mural. It was from Rivera that he learned the art of mural painting. Fogel was awarded several mural commissions during the 1930s by both the Works Progress Administration (WPA) and the Treasury Section of Fine Arts, among them his earliest murals at the Abraham Lincoln High School in Brooklyn, New York in 1936, a mural in the WPA Building at the 1939-1940 New York World's Fair, a highly controversial mural at the U.S. Post Office in Safford, Arizona (due to his focus on Apache culture) in 1941 and two murals in what was then the Social Security Building in Washington, D.C., also in 1941. Fogel's artistic circle at this time included Phillip Guston, Ben Shahn, Franz Kline, Rockwell Kent and Willem de Kooning. In 1946 Fogel accepted a teaching position at the University of Texas at Austin and became one of the founding artists of the Texas Modernist Movement. At this time he began to devote himself solely to abstract, non-representational art and executed what many consider to be the very first abstract mural in the State of Texas at the American National Bank in Austin in 1953. He pioneered the use of Ethyl Silicate as a mural medium. Other murals and public works of art done during this time (the late 1940s and 1950s) include the Baptist Student Center at the University of Texas (1949), the Petroleum Club in Houston (1951) and the First Christian Church, also in Houston (1956), whose innovative use of stained glass panels incorporated into the mural won Fogel a Silver Medal from the Architectural League of New York in 1958. Fogel relocated to the Connecticut-New York area in 1959. He continued the Abstract Expressionism he had begun exploring in Texas, and began experimenting with various texturing media for his paintings, the most enduring of which was sand. In 1966 he was awarded a mural at the U.S. Federal Building in Fort Worth, Texas. The work, entitled "The Challenge of Space", was a milestone in his artistic career and ushered in what has been termed the Transcendental/Atavistic period of his art, a style he pursued up to his death in 1984. Painted and raw wood sculpture...

charcoal on paper mounted to silk foam core and wood Mark Pomilio’s work focuses on the research of fractals, cloning, and single cell manipulation. His mathematics-based drawings serve as a metaphor for naturally occurring systems of reproduction and growth. When Pomilio begins a piece, he doesn’t know where it will lead; although his tools and marks are precise, the layering, repetition, rotation, and distribution of basic shapes are improvised to emulate a single cell dividing and compounding into a complex form. The process of cell growth influences Pomilio’s practice and is emphasized through his own process, the use of erasure, faint outlines, opacity and translucency, and deliberate marks. The resulting compositions are balanced, unified, and harmonious. His work is included in the collections of the University of Arizona Museum of Art, Baylor University Martin Museum of Art, Dupont Corporation, University of Michigan...

Red and blue abstract contemporary collage sculpture that incorporates wrapping paper, cardboard, wood, acrylic paint, and wood glue. The organic, amorphous form features a primarily white surface with accents of bright reds, blues, and pinks. Artist Biography: The son of a Lutheran pastor and a psychotherapist, Brent Fogt...

Investigating the major themes of our time, artist designer Aurelie Hoegy is recognized as one of the new makers in contemporary design. The French artist and designer graduated from...

This abstract geometric wall sculpture was done by fiber artist, Jin-Sook So (b. 1950, Korea). So’s work is informed by her time spent in Korea, Sweden and Japan. She uses transpar...

Jin-Sook So’s work is informed by her time spent in Korea, Sweden and Japan. She uses transparent steel mesh cloth, which she burns, paints, electroplates in gold or silver, sews an...

Judy Chicago Logo Pin and Pendant, 1993 Enameled pin with pendant loop in original presentation box 2 1/2 × 2 1/2 × 1/5 inches Judy Chicago's incised name and date on the verso Comes...

An original conceptual blown glass wall sculpture by American artist Roberley Bell. IN CURRENT SHOW The Corridors Gallery at Hotel Henry Fall Show Untitled (double dip...

"It's Never Really Black and White" by Joan Giordano Mixed media, archival newspapers, corrugated cardboard Museum shown and collected artist Joan Giordano is known for her unique h...

"Circle Four Piece" by Elizabeth Gregory-Gruen Free hand cut 2-ply museum board, framed Cut Work - Elizabeth Gregory-Gruen's abstract, paper sculptu...

Yuko Nasaka (1938) Untitled Resin and lacquer on board 45.5 x 45.5 cm (17.9 x 17.9 in) not considering the frame Executed in 1963 About the Artist: Born in Osaka in 1938, Yuko Nasak...

This blue work is by Korean artist, Jaena Kwon. Her dimensional relief work is concerned with painting components and how painting space is constructed. She treats painting as an ima...

"A Life of Wonderment" by Joan Giordano Mixed media, archival newspapers, corrugated cardboard Museum shown and collected artist Joan Giordano is known for her unique hand made paper sculpture and wall relief sculpture and Japanese influenced wall scrolls...

This four panel composition has a rich blue and violet tones in the pigmented wax, which compliments the warmth of the tones of the embedded packaging material beneath the surface. ...

This piece titled "Octahedron" is an original artwork by members of Space 1026 and is made of Cardboard, paper, acrylic, and varnish. This piece measures 1...

"Red White All Over - Out" by Elizabeth Gregory-Gruen Hand cut 2-ply museum board, gouche This sculptural wall piece can mounted in a plexi box (dimensions: 24" x 20" x 3") Cut Wor...

"Monochrome floral painting with high detail. This is an elegant painting with graceful sculptural peonies. This is a unique and one of a kind piece. It is a gorgeous and chic sculp...

"Fruit of Poet" by Dai Ban, 2021 42" X 22" X 12" Foam Board, Venetian Plaster, Beeswax, Pigment Dai Ban designed this dynamic abstracted wall sculpture in his studio in the Berkshi...

"Red White All Over - In" by Elizabeth Gregory-Gruen Hand cut 2-ply museum board, gouche This sculptural wall piece can mounted in a plexi box (dimensions: 24" x 20" x 3") Cut Work...

Original hand-cut, layered paper and ink on illustration board by Charles Clary measuring 15"h x 12"w. This piece ships in the pictured black frame. Charles Clary was born in 1980 ...

Original hand-cut paper and ink on illustration board layered paper sculpture by Charles Clary measuring 15"h x 10"w. This piece ships in the pictured black frame. Charles Clary wa...

Minimalist, New Brutalism abstract three dimensional wall sculpture in white "Closing Gate Faster Than We Wished", by Japanese born artist, Dai Ban, in 2...

The artistic collaboration of Kelly Bugden + Van Wifvat has produced a thought-provoking body of sculptures, paintings, and constructions. Nature, childhood memories, and everyday ar...

16 Quadrants is a unique one-of-a-kind large contemporary modern painting relief by Dutch artist Eef de Graaf. The relief is made from meticulously hand cut cardboard elements finish...

BB30102 is a unique one-of-a-kind contemporary modern painting relief by Dutch artist Eef de Graaf. The relief is made from meticulously hand cut cardboard elements finished with a m...