Board Abstract Sculptures

In the first of his newest series, Light-Glyphs, a range of colors illuminate the interior of translucent sculptural boxes. Light diffuses through their frosted surfaces and softens ...

Equilibre architectural I is the second of two free standing contemporary modern abstract wall sculptures from the Architectural-series by French-Dutch artist Olivier Julia. This scu...

DANIEL ARSHAM Hourglass (Blue), 2019 Glass, sand, cast miniature camera and quartz crystal in opaque white resin accompanied by its original box with guara...

Cube architectural I is the first of two free standing contemporary modern abstract wall sculptures from the Architectural-series by French-Dutch artist Olivier Julia...

This is a gorgeous cream wall sculpture that adds dimension to any space Unique design and artistry of this sculpted wall art will catch the light at all the right times and create ...

Medium: Wood, steel, pigment As an artist I strive to create elegant sculptures that capture the true essence of the subject matter. Form, line and surface are used as the visual la...

"Art in motion" is a series that offers artworks working with matter; concrete, cement, plaster, mortar, and natural pigments. These works are intended t...

"Art in motion" is a series that offers artworks working with matter; concrete, cement, plaster, mortar, and natural pigments. These works are intended to be exhibited in several way...

Colorful abstract contemporary collage sculpture that incorporates pages from 1960 Sears catalogues, cardboard, wood, concrete, acrylic paint, and wood glue. The bright red sculpture...

En Face, Agneta Hobin, mica and steel, 70" x 48", 2007. This 7-piece mica and steel hanging installation and sculpture is by Finnish artist, Agneta Hobin...

This steam-bent wooden sculpture is made of walnut with a granite base. The wood grain and the color are uniqueness of this sculpture. The wood has magnificent stripe patterns of paler and darker colors. One of them is to stay positive and keep hope. In some cultures, a heron symbolizes contemplation, vigilance, divine wisdom, and inner quietness. As a Chinese symbol, a heron represents strength, purity, patience and long life. In Africa, herons were thought to communicate with the Gods. The elegance and purity of the lines are reminiscent of Native American art from Western Canada.The elegance and purity of the lines are reminiscent of Native American art from Western Canada including that of Benjamin Chee...

Seymour Fogel Untitled Oil on illustration board construction 10 x 7 1/2 inches Provenance: Estate of the artist Charles and Faith McCracken Larry and Trish Heichel Private Collection Seymour Fogel was born in New York City on August 24, 1911. He studied at the Art Students League and at the National Academy of Design under George Bridgeman and Leon Kroll. When his formal studies were concluded in the early 1930s he served as an assistant to Diego Rivera who was then at work on his controversial Rockefeller Center mural. It was from Rivera that he learned the art of mural painting. Fogel was awarded several mural commissions during the 1930s by both the Works Progress Administration (WPA) and the Treasury Section of Fine Arts, among them his earliest murals at the Abraham Lincoln High School in Brooklyn, New York in 1936, a mural in the WPA Building at the 1939-1940 New York World's Fair, a highly controversial mural at the U.S. Post Office in Safford, Arizona (due to his focus on Apache culture) in 1941 and two murals in what was then the Social Security Building in Washington, D.C., also in 1941. Fogel's artistic circle at this time included Phillip Guston, Ben Shahn, Franz Kline, Rockwell Kent and Willem de Kooning. In 1946 Fogel accepted a teaching position at the University of Texas at Austin and became one of the founding artists of the Texas Modernist Movement. At this time he began to devote himself solely to abstract, non-representational art and executed what many consider to be the very first abstract mural in the State of Texas at the American National Bank in Austin in 1953. He pioneered the use of Ethyl Silicate as a mural medium. Other murals and public works of art done during this time (the late 1940s and 1950s) include the Baptist Student Center at the University of Texas (1949), the Petroleum Club in Houston (1951) and the First Christian Church, also in Houston (1956), whose innovative use of stained glass panels incorporated into the mural won Fogel a Silver Medal from the Architectural League of New York in 1958. Fogel relocated to the Connecticut-New York area in 1959. He continued the Abstract Expressionism he had begun exploring in Texas, and began experimenting with various texturing media for his paintings, the most enduring of which was sand. In 1966 he was awarded a mural at the U.S. Federal Building in Fort Worth, Texas. The work, entitled "The Challenge of Space", was a milestone in his artistic career and ushered in what has been termed the Transcendental/Atavistic period of his art, a style he pursued up to his death in 1984. Painted and raw wood sculpture...