Copper Abstract Sculptures

Moon is a unique painting and wall sculpture by French contemporary artist Frédérique Domergue. This artwork is made with polished pink copper leaves on metal frame, dimensions are 1...

Near Oakdale is a striking mixed-metal composition by contemporary artist Carolyn Millstein, known for her innovative use of reclaimed materials. This piece features diamond shapes c...

Bold and dynamic abstract composition titled "The Playful Journey" by Stephen Schulz (American, b. 1948). Schulz has used various types of acrylic paint, mixed with silicon to create a variety of textures. Signed and dated "Schulz 97" on verso, with an inscription that reads "For Leo and his Beautiful Family". Wood support frame on verso. Stephen Schulz (American, b. 1948) is an artist who has lived and worked in Fresno and Santa Cruz, California, and Cedar Grove, New Jersey. He has studied privately with Julie Connell, Jan Daniels, Michele Faia, Elle Fielder, Sal Pecoraro, Susan Stover, and Chris Volpe. Artist’s Statement: “My painting and artistic expression opens the doorway into an unconscious and creative world, where an uninhibited expression can take place, as one becomes immersed without the perception of time. Painting and design started it. From the beginning the process of transforming materials into art has struck me as a magical alchemy and, over the years, that mysterious process has had its hold on me, leading me from hobby to art. The creative process fills me with a sense of wonder and has proven a most amenable vehicle for transforming inner vision to outer reality. I paint from the inside out. Though I work quite deliberately, consciously employing both traditional and innovative techniques, my unconscious is the region of the most fertile of creative soil. I love working with a full complement of colors but often find my design direction working within the narrow spectrum of black and white, shadow and light. Some of my early inspiration comes from the New York School and artists such as Franz Kline and Jackson Pollock. Their ideas and techniques have helped to free my mind to explore areas of the unconscious that aren’t restricted by the world of right and wrong, good and bad. The journey continues and I feel blessed to have the opportunity to explore this exquisite world of the creative process.” Education: University of Oklahoma: 1966-1967 Canada College, AA Degree: 1972-1974 University of California: 1974-1975 Exhibitions: 2014 - Studio show Fresno, CA 2010 - Dubai (UAI) Animal rights show; Gallery 10, Washington, DC 2008, 2009 - Jia Salon & Gallery, Fresno, CA 2007 - Studio Exhibition 2006 - Cabrillo College 2004 - Studio Exhibition 2000, 2001, 2002 - Rollf's Gallery, Fresno, CA 2000 - Studio show; Bridgeport Gallery, CT 1999 - Tercera Gallery, Los Gatos, CA; Matt Miller Design, SF, CA 1998 - Robin Hutchins Gallery, NJ; Teroera Gallery Los Gatos, CA; Verve Gallery Los Angeles, CA; Open Studio Aptos, CA; Brigitte Bohlem, Hamburg, Germany 1997 - Robin Hutchins Gallery, NJ; Teroera Gallery, Los Gatos, CA; Verve Gallery, Los Angeles, CA; The Pope Gallery, Santa Cruz, CA; Hanson Art Source, Tennessee 1996 - Robin Hutchins Gallery, NJ; Teroera Gallery Los Gatos, CA; Verve Gallery, Los Angeles, CA; The Pope Gallery Santa Cruz, CA; Hanson Art Source, Tennessee; Barlett Fine Arts, Pleasant, CA; Birchstone, Gallery, Wisconsin 1995 - Abrahamsen Design; Teroera Gallery Los Gatos, CA; Verve Gallery, Los Angeles, CA; The Pope Gallery Santa Cruz, CA; Hanson Art Source, Tennessee; Barlett Fine Arts, Pleasant, CA; Birchstone, Gallery, Wisconsin; l&I Gallery, NJ; Gillen Design, London Ontario Canada...

"Untitled (Sounding Sculpture)" is a Post-War abstract metal sculpture created by Harry Bertoia in circa 1970. This artwork is 103 x 16 x 16 inches and weighs less than 50 lbs. Ber...

As an artist, I am a storyteller wielding visual art as my medium. My creative journey is fueled by a relentless thirst for knowledge acquired through both hands-on experience and ke...

Kevin Perrault’s sculptural work exists at the intersection of permanence and play, blending monumentality with quiet intimacy. Working primarily in copper and stone, his figurative ...

Stony Signs, wool, sisal, copper, 35" x 90", 1978. This Mid-Century Modern abstract woven tapestry was done by Postwar and Contemporary Polish textile...

John Garrett was raised in southern New Mexico by parents who were both educators. They instilled in him an appreciation for the handmade with their collections of Native American a...

"DOUS" series. Sculptures of this series are created for your interior in different colors. It is always important to combine objects with each other. That is why I created a pair...

Simply stunning. They shine like jewels…This is Shayne Dark’s Reflections of Nature Series. Dark’s superb sculptural work is informed by nature. This series of wall sculptures—tondos...

In the manner of Julio Gonzalez, mixed metal sculpture. Neo-Dada Abstract Sculpture: Assemblages Abstract sculpture followed a slightly different course. Rather than focusing on no...

Italian-born American artist Harry Bertoia (1915-1978), is a noted sculptor and modern furniture designer. He is arguably one of the most successful creative forces hired by Florence...

"Eternity" Mixed Media Wall Sculpture 18.5" x 71" inch by Alfons Louis Wooden works with Mixed Media (Bronze) ABOUT THE ARTIST Born in Cairo 1959- Graduated from faculty of fine art (painting) Alexandria. In 1982 – Member of plastic art Egypt, member of Atelier Alexandria And member of Alexandria Work shop center...

In 1972, the women’s movement was in full flower. Suzanne Benton had been an early activist, a founder and organizer of NOW Chapters, CT Feminists in the Arts, Women, Metamorphosis 1 (in New Haven, CT, the first women’s art festival in the USA). She'd already been creating metal sculpted masks and working with them in mask tale performances of Women of Myth and Heritage. Her inaugural performance of Sarah and Hagar n 1972 took place at Lincoln Center in NYC. Benton then became the artistic director and producer of an evening on Broadway, Four Chosen Women (performers included herself as mask tale performer, author Anais Nin, actress Vinie Burroughs and dancer Joan Stone). The evening took place at the Edison Theatre, November 22, 1972. While developing the evening on Broadway, Benton met renowned Swedish actress and Hollywood star, Viveca Lindfors. Viveca was then working on her solo performance, I AM A WOMAN, and was looking for a unique theatre set for the show. The happenstance that brought Viveca and Suzanne together. At that same time, recent travel to Macchu Picchu inspired her with the mountain’s great stones sitting on the edge of precipices. These vast stones led her to create welded steel Seated Sculpture Works. Viveca was intrigued by the concept and let her own imagination fly. Imagining a set of welded steel sculpture, she took the leap in commissioning Suzanne with complete faith in artist's ability to fulfill her mandate. Benton created groups of welded sculptures for two theater sets. Protection is one of three sculptures in first set created in 1973. Mother and Child, Pelvic Woman, Facing Each Other are three of five works from the 1974 second set. The first toured with her shows throughout the East Coast and into Toronto, Canada. The second set, created to nest together could travel as checked baggage for international and domestic airline travel. They flew to Denmark in 1980 for her performance at the UN sponsored 1980 Women’s International Conference, Copenhagen. In addition to creating the theatre sets, Benton mounted exhibitions of her masks and sculptures in the lobbies of theatres where she performed (NYC and Northampton). Continuing on with this theme, Becoming is her 1975 Seated Sculpture Work. The theatre sets were returned at the final end of its long run. These Seated Sculpture Works have often been featured in exhibitions, including both the 2003 and 2005 retrospectives. They are part of an oeuvre of 797 sculptures and masks. What attracted her to welded sculpture? This excerpt from her book, The Art of Welded Sculpture, Van Nostrand Reinhold, 1975 speaks of its lure: "Early in my life, when I had decided to become an artist, I had had an inner vision of being able to hold the physical material of my art in such a way as to bring it into existence with my hands. In welding, I wear a mask, a heavy apron, and gloves. I heat the metal and make it bend so smoothly and gracefully; I cut the metal, rigid metal, into endless shapes; I join the pieces by causing them to flow together with the heat of the flame. Welding was a return to my adolescent vision. It was fulfillment. At that beginning time I felt that even if I went no further, this experience in itself gave me astounding satisfaction. It was as thrilling as the moment of birth. It was my birth." (Pelvic Woman and Protection are illustrated in the book): What began in 1965 became by 2017 an oeuvre of 797 sculptures and masks. The magic of the welding mask...

"Wall Strikes" by John Ruppert Cast bronze, Stainless Steel, Copper, Iron, from a fragment of a tree struck by lightning Edition of 3 Over the past 35 years, John Ruppert has been w...

Coolidge Road is a commanding wall piece by contemporary artist Carolyn Millstein, whose practice bridges metalwork and textile traditions. This work combines copper with velvet, rop...

Welded, brazed, copper (based on the weight, this might be iron or bronze) with colorful inset enamel plaques on a painted wood base. A studio handmade Brutalist sculpture in a mann...

Kevin Perrault’s sculptural work exists at the intersection of permanence and play, blending monumentality with quiet intimacy. Working primarily in copper and stone, his figurative ...

Kevin Perrault’s sculptural work exists at the intersection of permanence and play, blending monumentality with quiet intimacy. Working primarily in copper and stone, his figurative ...

Kevin Perrault’s sculptural work exists at the intersection of permanence and play, blending monumentality with quiet intimacy. Working primarily in copper and stone, his figurative ...

Simply stunning. They shine like jewels…This is Shayne Dark’s Reflections of Nature Series. Dark’s superb sculptural work is informed by nature. This series of wall sculptures—tondos...

Kevin Perrault’s sculptural work exists at the intersection of permanence and play, blending monumentality with quiet intimacy. Working primarily in copper and stone, his figurative ...

An original conceptual sculpture by Kevin Kegler. This work is currently featured in the artist's solo exhibition inside The Corridors Gallery at Hotel Henry.

Vendedor de pájaros - Bird seller Made with natural clay, copper wire and polychrome painting. Hand-modeled technique and cooked in an oven. LISTING =================================== 1 Ceramic Sculpture of a Bird seller =================================== DETAILS =================================== Time of Preparation: 2.5 months Made: Izuca de Matamoros, Puebla, México. Dimensions: 8" x 10" x 5" in or 20 x 25 x 13 cm Artisan: Taller Alfonso Castillo Orta...

As an artist, I am a storyteller wielding visual art as my medium. My creative journey is fueled by a relentless thirst for knowledge acquired through both hands-on experience and ke...

Geometric Circles 36.0 x 36.0 x 1.0, 21.0 lbs Copper, mixed media Hand signed by the artist Artist's Commentary: "Overlapping circles of translucent blue form multiple patterns in...

As an artist, I am a storyteller wielding visual art as my medium. My creative journey is fueled by a relentless thirst for knowledge acquired through both hands-on experience and ke...

Over many decades Loren Eiferman has created and mastered a unique technique of working with wood—her primary material. First, she begins with a drawing of an idea. Then she take...

This piece is unique in a series of only seven made. Wall-hanging sculpture, Torino, Italy, ca. 1965; Copper-washed ironwork and welded spill castings, metallic enameled copper; sign...

Amazing large scale brutalist owl sculpture with glass eyes and beautiful enamel coloration by renowned Iowa abstract artist James Anthony Bearden from his Animal Series. We also hav...

Multifaceted Copper Enamel Tiles Abstract by N.G. Bloome Enameled Copper panels "Picasso" esq by an unknown artist. N.G. Bloome (American, 20th C). Uniq...

Familia del Mezcal - Mezcal Family Made with natural clay, copper wire and polychrome painting. Hand-modeled technique and cooked in an oven. LISTING =================================== 1 Ceramic Sculpture of a Mezcal Family =================================== DETAILS =================================== Time of Preparation: 2.5 months Made: Izuca de Matamoros, Puebla, México. Dimensions: 7" x 8" x 5" in or 17" x 20" x 13 cm Artisan: Taller Alfonso Castillo Orta...

Aperture 36.0 x 36.0 x 1.0, 23.0 lbs Copper, mixed media Hand signed by the artist Artist's Commentary: "Deep turquoise scales form a spiral, drawing the eye into a hypnotic vorte...

"Curious Dreamer" is a wall free standing surrealist sculpture made of forged and fabricated steel, cast iron, copper and paint. Approximately 58 by 33 by 23 inches. Corrina is ins...

"Femme, Casting the Net into the Future" is a free standing surrealist sculpture made of folded, forged and fabricated copper. Approximately 58 by 33 by 23 inches. Corrina is inspi...

Copper burnished in fire, solid brass, piano wires, nylon, aluminum blasted with glass beads and stones—these are the elements used to create Alice Vander Vennen’s elegant new sculpt...

Crafted by the famed jeweler and sculptor Andreas von Zadora-Gerlof, this compelling stainless steel and polymer sculpture brings to life the work of the gr...

Modern abstract fish sculpture made of copper by Houston, TX artist Frank Dolejska. The work features an elongated fish shape with the words "sweet eats...

Fire and Rain, abstract sculpture, copper, unique, geometric, blue red, brown PUBLIC COLLECTIONS U.S. Embassy, Tokyo,Japan Mountain Bell Corporate Of...

Henge, sculpture by Kerry Green, copper, bronze, abstract, figures, metal sculpture Since childhood, Kerry Green has always been creative; painting, drawing, sculpting, and sewing. Her family provided her with materials and encouraged her efforts. She literally grew up in her parents’ art galleries, and with them toured the U.S., Europe, Mexico, Japan, and New Zealand, seeing museums and visiting artists’ studios. Growing up in Arizona and New Mexico gave her the opportunity to explore the Native reservations there where she has made life-long friendships. Several of her very early influences were Dr. Harry Wood...

This low relief sculpture is created by casting hydrocal FGR 95 (a very hard plaster) over a hand sculpted oil clay design. Once the hydrocal is...

This work titled "Elevate No. 4" is an original artwork by Huy Lam made of burnt wood and copper inlay. The piece measures 16" x 12" x 4.75". The sculpture may be displayed in multip...

Fidelia is a striking mixed-metal composition by contemporary artist Carolyn Millstein, known for her innovative use of reclaimed materials. This piece features a grid of copper and ...

Portuguese rosa marble, rope and copper on Portland limestone, 105 cm × 38 cm × 40 cm. The above dimensions include the base, which is attached. Dimensions of the base: H 20 x L 38 ...

Atticus Adams' organically composed modern metal sculptures embody the transformative power of art, illustrating the creation of beauty, meaning, and emotional impact from industrial...

Bezalel Schatz, (1912-1978), Yaad Studio Workshop Mid century modern The standing part is 6 X 5 inches. The copper sheet is 10 X 5 inches each. This is for a pair. they are copper w...

This sculpture was part of a show reviewed in the Boston Globe. "Dewart sculpts gatelike forms and mandalas that read like sacred geometry. The gate template, is basic and universal,...

Jaime Avila Ferrer Bomba Blanca 4. Capitolio de Washington DC - Capitolio De la Habana Measure: 20.5" x 5" x 5" Wall ceramic sculpture with gold and copper intervention 2006 Jaime Avila Ferrer is a world-renowned artist whose work combines painting, sculpture, drawing, and photography. He uses mixed media in some pieces such as Dust, in which dots of white paint are applied to a darkened Plexiglas surface to form pictures of urban landscapes from the granulations. Outline for Dust is an artwork in which he connects the cityscape of Bogota with the JFK airport in New York. He uses traditional approaches to examine social, political, and environmental topics. Avila studied civil engineering at the Universidad de Los Andes in Bogota (1983–1987) and received his degree in Fine arts from the same university (1988–1991). He has presented solo shows such as Talento Pirata, Jaime Ávila (Pirate talent, Jaime Ávila), at the Nueveochenta Gallery in Bogota (2013). His first shows in the United States were Life is a Catwalk at the David Rockefeller Center for Latin American Studies at Harvard University and 4th World – Five Cubic Meters at the Boston Arts Academy (2005). Ávila represented Colombia at the XXVI Sao Paolo Biennial in Brazil (2004), the III Liverpool Biennial in the United Kingdom (2004), the II Mercosul Biennial in Brazil, (2000), and the FIAC in Paris, France (1999). He has participated in exhibitions such as ¡No más chicha!, at Alcuadrado Variable in Bogota (2009), the Centro de la Imagen in Mexico City, and the Casa de las Américas in Madrid, Spain (2004), Changing the Focus: Latin American Photography (1990–2005), at the Museum of Latin American Art in Long Beach, United States (2010), Resurfaced: Contemporary Colombian Art...

This piece titled "Diptych: Quiver & Multi-Cut Tool" is an original artwork made from Mixed media: #11 steel blades, sinew, copper, and hardwoods (Multi-Cut Tool). Horsehair, plastic vials, sinew, copper, brass, hardwoods (Quiver) by Katie VanVliet. This piece measures 24"h x 60"w x 7"d. Katie VanVliet (she/her) is a sculptor and printmaker practicing from her home studio in Elkins Park...

Wall Mounting Waxed Linen Sculpture with Mixed Media, Copper, Iron Mary Giles (1944-2018) received her BS in Art Education from Mankato State University in Minnesota. After receivi...

Around Here Somewhere is a striking mixed-metal composition by contemporary artist Carolyn Millstein, known for her innovative use of reclaimed materials. This piece features three c...

Medium: Stainless steel on polished steel on corten steel base Edition of 5 ____________________________________________________________________________ Tom Hiscocks is a sculptor ...

Simply stunning. They shine like jewels…This is Shayne Dark’s Reflections of Nature Series. Dark’s superb sculptural work is informed by nature. This series of wall sculptures—tondos...

The Bruce High Quality Foundation Copper Plate Bruce Shadow Box Sculpture, 2017 Customized wooden shadow box featuring a copper printmaking plate with hand-painted Bruce face. Accomp...

This contemporary metal wall sculpture inspired by nature was made by Shayne Dark. This is Shayne Dark’s Reflections of Nature Series. These jewel-like tondos in stainless steel an...

Wall Mounting Mixed Media Sculpture, Iron on Wood Panel, Populace by Mary Giles Mary Giles (1944-2018) received her BS in Art Education from Mankato State University in Minnesota. ...

"Cinnabar" is an original sculpture by Dennis Robert. It is signed at the base. Copper pieces burst out from a piece of store, the style reminiscent of natural forms. 11" x 5" x 3" "Observing the natural landscape around me, I’m inspired by the unique patterns and distinctive shapes from plants, animals as well as the colors and textures of rocks. The seeming permanence of metal and stone used as compositional elements captures the essence of what I see, and I translate those elements and designs into sculptures. It starts with the stone. I use sandstone...

Mixed Media Sculpture with Waxed Linen, Hammered Copper and Iron Wire Mary Giles (1944-2018) received her BS in Art Education from Mankato State University in Minnesota. After rece...

In 1972, the women’s movement was in full flower. Suzanne Benton had been an early activist, a founder and organizer of NOW Chapters, CT Feminists in the Arts, Women, Metamorphosis 1 (in New Haven, CT, the first women’s art festival in the USA). She'd already been creating metal sculpted masks and working with them in mask tale performances of Women of Myth and Heritage. Her inaugural performance of Sarah and Hagar n 1972 took place at Lincoln Center in NYC. Benton then became the artistic director and producer of an evening on Broadway, Four Chosen Women (performers included herself as mask tale performer, author Anais Nin, actress Vinie Burroughs and dancer Joan Stone). The evening took place at the Edison Theatre, November 22, 1972. While developing the evening on Broadway, Benton met renowned Swedish actress and Hollywood star, Viveca Lindfors. Viveca was then working on her solo performance, I AM A WOMAN, and was looking for a unique theatre set for the show. The happenstance that brought Viveca and Suzanne together. At that same time, recent travel to Macchu Picchu inspired her with the mountain’s great stones sitting on the edge of precipices. These vast stones led her to create welded steel Seated Sculpture Works. Viveca was intrigued by the concept and let her own imagination fly. Imagining a set of welded steel sculpture, she took the leap in commissioning Suzanne with complete faith in artist's ability to fulfill her mandate. Benton created groups of welded sculptures for two theater sets. Protection is one of three sculptures in first set created in 1973. Mother and Child, Pelvic Woman, Facing Each Other are three of five works from the 1974 second set. The first toured with her shows throughout the East Coast and into Toronto, Canada. The second set, created to nest together could travel as checked baggage for international and domestic airline travel. They flew to Denmark in 1980 for her performance at the UN sponsored 1980 Women’s International Conference, Copenhagen. In addition to creating the theatre sets, Benton mounted exhibitions of her masks and sculptures in the lobbies of theatres where she performed (NYC and Northampton). Continuing on with this theme, Becoming is her 1975 Seated Sculpture Work. The theatre sets were returned at the final end of its long run. These Seated Sculpture Works have often been featured in exhibitions, including both the 2003 and 2005 retrospectives. They are part of an oeuvre of 797 sculptures and masks. What attracted her to welded sculpture? This excerpt from her book, The Art of Welded Sculpture, Van Nostrand Reinhold, 1975 speaks of its lure: "Early in my life, when I had decided to become an artist, I had had an inner vision of being able to hold the physical material of my art in such a way as to bring it into existence with my hands. In welding, I wear a mask, a heavy apron, and gloves. I heat the metal and make it bend so smoothly and gracefully; I cut the metal, rigid metal, into endless shapes; I join the pieces by causing them to flow together with the heat of the flame. Welding was a return to my adolescent vision. It was fulfillment. At that beginning time I felt that even if I went no further, this experience in itself gave me astounding satisfaction. It was as thrilling as the moment of birth. It was my birth." (Pelvic Woman and Protection are illustrated in the book): What began in 1965 became by 2017 an oeuvre of 797 sculptures and masks. The magic of the welding mask...

Daniela Cutait studied fine arts at FAAP in Sao Paulo in the early 1990s and has always been curious, creative, communicative and restless. The artist orbited through the universe of...