Jave Yoshimoto

We Made Our Beds

2017

Artist Statement My work takes on the ephemerality of news and information and how the emotions we bring to each tragedy in the news cycle are swept away by the wave of informatio...

Artist Statement My work takes on the ephemerality of news and information and how the emotions we bring to each tragedy in the news cycle are swept away by the wave of informatio...

Timothy Berg and Rebekah Myers are a studio art collaborative based in Claremont, California. Berg and Myers have participated in multiple solo exhibitions including On the bright side... at the Falconer Gallery at Grinnell College (2016); Site Unseen at the American Museum of Ceramic Art in Pomona, CA (2014); Honest to Goodness at Santa Barbara City College (2014); An embarrassment of riches at Dean Project Gallery in New York, NY (2013); and As Luck Would Have It at Nääs Konsthantverk Galleri in Göteborg, Sweden (2009). Berg and Myers have also participated in numerous group exhibitions in the US, Mexico, South Korea, Qatar and Kuwait. Their work is included in many private and public collections including The Betty Woodman Collection at the University of Colorado...

Jennifer Nehrbass is a painter living and working in Albuquerque, New Mexico. She was born in West Bend, Wisconsin in 1970. She received her B.S. in Art and Textile Design from the U...

Tony Berlant (b. 1941) is an American artist renowned for his painterly collages and intricate metal sculptures. His work combines various source materials including photographs, fou...

TONY DAGRADI is an internationally recognized jazz performer, artist, composer, author, and educator. For over three decades he has made his home in New Orleans, performing on tenor ...

Stephen Lee is a Korean-American sculptor based in Dallas, Texas. Born in South Korea and immigrating to the United States as a teenager, Lee draws from a dual set of cultural influe...

Guillaume Lachapelle’s artistic practice is shaped predominantly by sculpture, expressed in the form of installations and detailed miniature models. Lachapelle presents playful universes which combine objects of undetermined purpose; in this way, he opens the conventions of our reality to fresh disposition. The architecture of his models – which Lachapelle has recently begun to make with the help of the latest 3-D printing technology – shows motifs originating from the everyday, certainly, but seeming strange, alienating or even uncanny when combined as the artist chooses. A kind of transition between two worlds often appears in Lachapelle’s work – for example when the model of a library filled with books curves inwards and reveals a mysterious opening pointing into darkness – these are the artist’s references to spaces and occurrences which may be concealed below the surface of outward semblance. Guillaume Lachapelle has participated in several solo and group exhibitions including Manèges at Circa – Centre d’Exposition Art Contemporain (Montreal) in 2006; Quebec Gold at the Ancien Collège des Jésuites (Rheims, France) in 2008 and in Abracadabra (Edward Day...