Inkjet Figurative Sculptures

These colorful meditating Buddha silhouette statues are laser cut Plexiglas and acrylic hand painted. They can stand alone, or come in couples, trios or more... This is a unique statue that will start off a conversation and will bring a stylish decoration into your home/ office/ studio or business. It's the perfect gift to someone you love, or when you want to leave an impression. The meditating Buddha statue...

To Chicago-based artist Patrick Fitzgerald, his sculptures are a means of traveling through time. Working from found materials, Fitzgerald constructs miniature soap box cars...

In 2015, I made a series of sculptures called "HYPERland" illustrating the utopia promised by the "liberal democracy" and the dystopia that is rather created by the market and financ...

"Cradle of Consequences" Sculpture 21" x 23" x 15" inch by Tetiana Kalivoshko Unique sculpture Medium: Concrete, plumbing steel pipes, steel replica hand grenades, steel vires Teti...

German artist Philipp Liehr first discovered his extraordinary dexterity as a dental technician. He soon perfected this artistically as a cartoonist and during his training as a scul...

Sculpture made of resin, steel, string and acrylic paint. Original box included. Hand signed and numbered on canvas verso. Certificate of authenticity included. From the edition of ...

The intricate retablos of contemporary artist Patrick Fitzgerald are his means of paying homage to the musicians that inspired him throughout his life. Derived from Mexican votive...

To Chicago-based artist Patrick Fitzgerald, his sculptures are a means of traveling through time. Working from found materials, Fitzgerald constructs miniature soap box cars...

Federica Patera & Andrea Sbra Perego, bridge language and cosmogony. Starting from a single linguistic element like a verbal root, they trace its evolution around the world and throu...

**NEW YEAR FINAL 90 DAYS SALE UNTIL MARCH 31ST** **STORE CLOSURE - UP TO 80% OFF - TAKE ADVANTAGE OF IT** **EVERYTHING MUST GO UNTIL APRIL1ST!** >>The artist ...

Federica Patera & Andrea Sbra Perego, bridge language and cosmogony. Starting from a single linguistic element like a verbal root, they trace its evolution around the world and throu...

Text by Nancy Webb It’s Saturday night and Karine Payette is in her studio. We meander into a conversation about the dog she used to have and her soft spot for German shepherds, an intensely obedient and loyal breed in a deceivingly wolf-like package. Payette’s most recent series of photographs, sculptures and video work seem to speak directly to this preoccupation with the multifaceted nature of human-animal relationships—the dialogues of control, intimacy, violence and domestication that subtly take place on an interspecies level. Her workspace is part laboratory, part prop closet—a bowl of fur sits not far from her computer. Somehow in this bright, open, chemical-clean scented room, Payette conjures wildness. We are taken to a strange place, the borderlands of interspecies mingling. At one extreme of the animal-human dynamics scale is the stalwart compliance of a professionally trained German shepherd who responds to commands with robotic precision. Here, power is comfortably held by an off-screen voice, animality pacified by a set of linguistic prompts. At the other end of the scale is a sculpture of a human figure clad in red, sharing a languorous kiss with a wolf. The story of Little Red Riding Hood is immediately called to mind, except that here our hooded protagonist seems to have bailed on grandmother’s orders, instead opting for a forest floor make-out with her canine stalker. This taboo mise-en-scène is a brazen inquiry into the boundaries we maintain with our animal counterparts. Its scale and three-dimensionality contribute to a feeling of immersion that the artist has been courting with her work for the past several years. It feels as though you’ve just walked in on something: you are implicated and your discomfort is like an invisible mist that coats these inanimate beings. Elsewhere in Payette’s suite of anthropomorphic works, the demarcation between species grows even fainter. A photographic series depicts the slow encroachment of fur, scales and feathers on human skin—a striking process of contamination facilitated by touch. The fusion of flesh, charcoal cat fur and a pale silky dress...