Screen Figurative Sculptures

Screen print in colors on Saunders Waterford paper. Hand signed by Alex Katz lower left. Hand numbered 27/60 lower left (there were also 20 artist's proofs). Artwork size: 60 x 37...

Light Haze Day, 2022 3 x skateboard decks Each deck measure approx. 31x8in (80x20cm) Made of 7-ply Grade A Canadian Maple wood printed artist signature on each skateboard 3 x Sk8olog...

Howard Kanovitz The People, 1971 3-5 Mixed Media Silkscreen on Plexiglas and aluminum base Signed: Artist's Signature etched on the work and annotated A.P., Edition of 1 (an Artists Proof, aside from the regular edition of 75) 15 × 16 × 1 1/2 inches Signatured etched on the work and annotated A.P. , aside from the limited edition of 75. This excellent 1971 3-D photo realist work "The People" is a multiple based upon a larger work the artist did of people beholding a work of art. Here, we see them only from behind, because they are busy looking at art - a clever photorealist work - art about art - catching people in the process of looking at art. Howard Kanovitz Biography Howard Kanovitz was a leader of Photo Realism: a documenter of style and fashion, depicting members of the art scene at openings, or superimposing known critics and curators onto images of board room meetings. In his particular style, he explored the intersections of painting, photography, fiction, and fact. Kanovitz studied at the Rhode Island School of Design and The Art Studenst League in Woodstock where he worked with Yasuo Kyniyoshi before moving to New York an apprenticing with Franz Kline. As a member of New York’s downtown art scene, Kanovitz painted abstract paintings, which he exhibited at Tenth Street Galleries early in his career. Following his father’s death in 1963, Kanovitz went through family photos, an experience which prompted him to interrogate the relationship between images and perception. At this time, Kanovitz abandoned abstraction in favor of a figurative style and worked arduously in this new direction. These efforts culminated in a 1966 solo exhibition at the Jewish Museum, securing his place as a leader of Photo Realism among artists such as Larry Rivers, Alex Katz, and Chuck Close. His photo based, representational paintings exhibited at the Jewish Museum show were the first to be called “photo-realist” and shocked many in the art community prompting a symposium which was held at the New York Studio School for “downtown artists” to weigh in on this perennial “hot topic”, newly addressed by one of their own. Kanovitz first began using airbrush in 1967, giving his paintings a feeling of photographic perfection. Cut out figures created using this precisionist technique were placed in the viewers space, often in front of Kanovitz’s painted canvas depicting the luminaries of the art world of the time. This type of installation was the centerpiece in the first of several Waddell Gallery shows. Kanovitz has been the subject of many solo museum shows internationally and his work is collected by institutions such as the Whitney Museum of American Art, Metropolitan Museum of Art, Tate Britain, London, and Museum Moderner Kunst, Vienna. -Courtesy Eric Firestone...

Tom Sachs (US American, b. 1966) NASA Chair (Space Program: Rare Earths), 2020 Medium: Screenprint and felt-tip pen on Samsonite folding chair Dimensions: 8...

Silkscreen on powder-coated fabricated aluminum. From the roman numeral edition of 5. Measures 26 x 26 x 2 inches. R. Indiana '96 incised on the right side. Hand written in gol...

Donald Sultan Blue Poppies, 2015 Incised with artist's initials, title, date and stamp-numbered 11/25 on the underside Powder-coated aluminium on polished aluminium base, contained i...

Christo's portfolio of 10 prints and a scale model sculpture of the ‘5,600 Cubic Meter Package’ for Documenta 4 in Kassel, 1968 (height 68 cm). Sold in white vinyl portfolio box. The...

Multi dimensional tower sculpture (polymorph screen print on folded PVC) on brass base. Hand signed by Yaacov Agam. Hand numbered 66/150 (slightly faded - see pic). Size: 34.25 x ...

This original piece by Luke O'Sullivan is made from wood that the artist has silkscreen printed onto with his original drawings and patterns, which he then cut and assembled into a three-dimensional, wall-hanging sculpture. The finished piece measures 14”h x 11.5”w x 4.25”d. About the Artwork O’Sullivan creates invented buildings, places, and objects describing unexplored worlds conjuring a sense of discovery and adventure. Rise and Shine represents a shift from the artist’s earlier work featuring structures, facades, and panoramic landscapes toward a more detailed approach. These new works depict encapsulated, floating environments devoid of humans. The sculptural objects are keepsakes or relics from these faraway places. Each piece plays with the shifting relationships between two and three dimensions, surface and underworld. O’Sullivan’s recent screen prints introduce color, imbuing these works with a certain levity and illustrative quality. The playful nature of O’Sullivan’s work draws from Nintendo games, maps, science fiction movies, and movie set design. Likening his process to a lego set...

This original piece by Luke O'Sullivan is made from wood that the artist has silkscreen printed his original drawings and patterns onto, which he then cut and assembled into this thr...

This green and orange floral sculpture titled "Flower Block (Orange)" is an original artwork by Luke O'Sullivan made of screenprint, acrylic, and spraypa...

Grayson Perry Kate Board, 2017 Screenprint on skateboard Made of 7-ply Grade A Canadian Maple wood 31 1/2 × 7 9/10 in 80 × 20 cm Edition of 999 co-published by the artist and The Sk...

Limited edition skate board series with original photography artwork by Frank Schott, in collaboration with Swiss design studio Doodah. Limited edition series 100 boards produced [...

Screen print in colors, on two sides of cut aluminum, mounted on a metal stand and base. Hand singed by Alex Katz on verso. Hand numbered 2/35 on verso (there were also 7 artist's ...

A.R. Penck Standart auf Kreuzsockel, 1994 Incised with the artist's signature 'a.r.penck' on the reverse of the left leg Stainless steel 23.6 × 20 × 16.3 cm 9 3/10 × 7 9/10 × 6 2/5 i...

The Chagall mezuzah collection is a limited edition art project celebrating the art of one of the most iconic Jewish artist in history. This edition, ...

Moonstruck 1994 3D porcelain ceramic plate. limited edition. Red Grooms (born Charles Rogers Grooms on June 7, 1937) is an American multimedia artist best known for his colorful pop-art constructions depicting frenetic scenes of modern urban life. Grooms was given the nickname "Red" by Dominic Falcone (of Provincetown's Sun Gallery) when he was starting out as a dishwasher at a restaurant in Provincetown and was studying with Hans Hofmann. Grooms was born in Nashville, Tennessee during the middle of the Great Depression. He studied at the Art Institute of Chicago, then at Nashville's Peabody College. In 1956, Grooms moved to New York City, to enroll at the New School for Social Research. A year later, Grooms attended a summer session at the Hans Hofmann School of Fine Arts in Provincetown, Massachusetts. There he met experimental animation pioneer Yvonne Andersen, with whom he collaborated on several short films. Grooms follows in the tradition of William Hogarth and Honoré Daumier, who were canny commentators on the human condition. In 1969, Peter Schjeldahl compared Grooms to Marcel Duchamp, because both embodied "a movement of one man that is open to everybody." In the spring of 1958, Grooms, Yvonne Andersen and Lester Johnson each painted twelve-foot by twelve-foot panels, which they erected with telephone poles on a parking lot adjacent an amusement park in Salisbury, MA. Inspired by artist-run spaces such as New York's Hansa Gallery and Phoenix, and Provincetown's Sun Gallery, Grooms and painter Jay Milder opened the City Gallery in Grooms' second-floor loft in the Flatiron District. When Phoenix refused to show Claes Oldenburg, Grooms and Milder dropped out of Phoenix and City Gallery presented Oldenberg's first New York exhibition, as well as that of Jim Dine. Other artists who showed at City Gallery include Stephen Durkee, Mimi Gross (daughter of Chaim Gross and Red grooms wife), Bob Thompson, Lester Johnson, and Alex Katz. Inspired by George Méliès's 1902 film A Trip to the Moon...

Conceptual artist Hank Willis Thomas uses photography to explore issues of identity, history, race, and class. Inspired by the works of Carrie Mae Wee...

DENIAL is a Canadian artist whose work critiques consumerism and the human condition. Though based in Windsor Ontario, DENIAL spends much of the year travelling and exhibiting thro...

Walking in the City. 6, 2012 Julian Opie Sculpture screenprinted on spray-painted Axson shaped block Signed and numbered from the edition of 25 on the base in black ink Printed by Advanced Graphics...

Alex Katz, American (1927 - ) - Cow Sculpture, Year: 2004, Medium: Screenprinting aluminum (double-sided), signed and numbered in pen lower left, Edition: 99, Size: 41.25 x 16.25...

Ardan Özmenoğlu draws from her own experiences as a Turkish woman to explore ideas about history, popular culture, and the formation of a national and cultural identity. Known for her figurative works made from Post-it notes and sculptures created from layers of glass panels, Özmenoğlu aims to make the viewer rethink familiar concepts, objects, and imagery using everyday items. Works such as Beauty Balloon Pink with Triangles (2020) exude playfulness and uniqueness in their recontextualization of mundane objects. In works like post-it leaves (2019), she prints...

Ardan Özmenoğlu draws from her own experiences as a Turkish woman to explore ideas about history, popular culture, and the formation of a national and ...

Ardan Özmenoğlu draws from her own experiences as a Turkish woman to explore ideas about history, popular culture, and the formation of a national and ...

Ardan Özmenoğlu draws from her own experiences as a Turkish woman to explore ideas about history, popular culture, and the formation of a national and ...

Ardan Özmenoğlu draws from her own experiences as a Turkish woman to explore ideas about history, popular culture, and the formation of a national and cultural identity. Known for her figurative works made from Post-it notes and sculptures created from layers of glass panels, Özmenoğlu aims to make the viewer rethink familiar concepts, objects, and imagery using everyday items. Works such as Beauty Balloon Pink with Triangles (2020) exude playfulness and uniqueness in their recontextualization of mundane objects. In works like post-it leaves (2019), she prints images on sticky notes...

Ardan Özmenoğlu draws from her own experiences as a Turkish woman to explore ideas about history, popular culture, and the formation of a national and cultural identity. Known for he...

"Seascape" (Foot) 1967 Screenprinted Vacuum-Formed Plexiglass In Colors Scratch-Signed, Dated and Numbered 92/101 14 1/4 x 12 15/16 x 3/4 in (36.1 x 32.9 x 2 cm). Known for his Pop-...

A mixed media sculpture by Alex Katz from 2007. A three-dimensional representation of a cow lounging in a pasture. Artist: Alex Katz, American (1927 - ) ...