Ming Figurative Sculptures

Pair of Rock Crystal Obelisks, 20th Century Clear quartz, carved and polished, mounted on a tiered crystal base 15 x 3 x 3 inches, each This striking pair of obelisks is carved from...

Carved and painted wooden sculpture - Figure of a saint - Italy, 17th-18th century. 36 x 25 x 74 cm. Made entirely of carved, lacquered, and painted wood. Some signs of wear and pa...

The artist says of her work... Arrested Symphony is an exhibition incorporating sculptures, reliefs, drawings and hanging works that explore the theme of injustice that is at the roots of the predatory gem and mineral excavation industry. While at a residency in Knoxville, Tennessee, I discovered that Oakridge was only 30 miles away. Oakridge played a key role in the development of the Atom Bomb and the Manhattan Project. I began an exploration and comparison of Uranium and Emeralds. These minerals look very much alike, beautiful but dangerous on their effect on civil conflict. Colombia my birthplace, has the finest Emeralds in the world. The mining of Emeralds was an important element in the continued colonization of the region. Emeralds have helped to fund the more than 60-year conflict which has taken over 450,000 lives and displaced about 5.7 million people. Uranium has brought destruction to a level which altered the future of warfare. The developments made during the Manhattan Project led to the death of about 700,000 people and its effects are still felt around the world. I use Colombia as an example, however this situation is repeating itself in many parts of the world. Sierra Leone, Liberia, the Republic of Congo, the Central African Republic and the Democratic Republic of Congo are all involved in brutal civil conflicts fueled by Blood Diamonds. This project will make visual the human cost extracted with these minerals, once exposed to the light of day they can never be unearthed. My practice is an ongoing object-based exploration through which I create artworks which are organic and improvisational constructions that are infused with hope and renewal. The hand-crafted artworks are poetically and intricately crafted, creating an intimate repository for the individual and collective memory and implement the human body as a symbol and expression of nature, vulnerability and power. The work encourages viewers to reconsider social and historical narratives especially when dealing with the aftermath of Colonialism and raises critical questions about the politics of erasure and exclusion. ESPERANZA CORTÉS is a Colombian born contemporary multidisciplinary artist based in New York City. Cortés has exhibited in the United States in solo and group exhibitions in venues including Smack Mellon Gallery, Neuberger Museum of Art, Bronx Museum of Art, Queens Museum, El Museo Del Barrio, MoMA PS1, Socrates Sculpture Park and White-box Gallery in New York City. Nationally Cortes exhibitions include Cleveland Art Museum, OH, CSU Galleries at Cleveland University, OH, Helen Day Art Center, VT and The Lorenzo Homar...

Pablo Picasso Bird with a Crest, 1952 Original ceramic of Pablo Picasso, white faience earth, enamel and oxidized paraffin decoration Annotated on the Back : Empreinte originale Pic...

"Judge" is a signed opal sculpture created by Shona artist Luckmore Joseph. It weighs 178lbs and was created in 2004. It depicts an abstracted face coming out of the natural stone. 43" x 15" x 11" sculpture, 178 pounds Luckmore Joseph was born in 1979. He was interested in drawing and weaving baskets before he started carving. Luckmore later found that carving was of paramount importance to him in 1999 when he was employed by Sydney Majengwa as his assistant. He first gained experience working on torsos, then later embarked on creations of street beggars and pregnant women, varying the styles. Luckmore gets the subjects for his sculptures after seeing the shape of the natural stone before he works on it. His sculptures carry messages to people and explain the daily routines of people like him. He carves because he wants people to know the good and the bad, the comedy and tragedy in life circles. His philosophy has directed him to the subject issue of beggars. He wants to let people know that every country in the world has poor and rich people and both of them have the same equality and have the same right to life. Carving has become a way of life for Luckmore, and he never can leave it for very long. When he is not working, he enjoys playing football. Shona artists and crafts people have been working in different media for generations. These include paintings, pottery, basket ware, wood carvings, and sculpture done in metal as well as the stone carvings. While there is not a long standing tradition of sculpture in what is now Zimbabwe (formerly Southern Rhodesia), stone carvings dating from the 15th century were seen in Great Zimbabwe, an excavated temple near Bulawayo. Most of the artifacts from this location have been moved to museums in Cape Town, South Africa or London. It is generally agreed that Zimbabwean stone sculpture...

German artist Philipp Liehr first discovered his extraordinary dexterity as a dental technician. He soon perfected this artistically as a cartoonist and during his training as a scul...

The sculpture is signed below. Monika Zadurska-Bielak, Graduated from the studio of Prof. Franciszek Duszeńko at the Faculty of Sculpture of the Acade...

Drawing inspiration from cultural icons and global events, Soren Grau's street art-infused Neo-expressionism invites art enthusiasts to be a part of a narrative larger than life. In ...

Richly textured with whimsical appeal, this late 20th century wooden crow is a delightful example of naive American sculpture. Poised mid-caw, the crow's wings are outstretched, read...

19th Century Italian carved wood remnant with classical form and a worn silver leaf finish holding a tole bouquet with flowers and leaves with a perfect time worn patina.

"LOVE in the Streets" Wall Sculpture 24" x 48" x 1" inch by Shawn Kolodny Resin, Wood, Acrylic paint Creating art to reflect the times we live in...

This figurative mixed media bust sculpture in ceramic, metallic oxides and carved fir wood opens with a strong emphasis on material expression and emotional tension. The work belongs to the Xentes series, a body of sculptures by the Spanish artist Óscar Aldonza Torres that explores the dialogue between individuality and collective identity. The piece combines high-temperature ceramic for the head—treated with oxides and imitation gold leaf—with a tall fir-wood torso...