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Art Subject: Road
Gloria by Helle Crawford, Contemporary bronze horse animal sculpture
Located in DE
Even though Helle Rask Crawford often refers to classic myths in her sculptures, sh is not a classical sculptor in the neoclassical sense. Rather, Helle Crawford could be defined as ...
Category
2010s Contemporary Nude Sculptures
Materials
Bronze, Gold
From a Different Perspective, 8ft high Bronze
Located in Loveland, CO
From a Different Perspective by Jane DeDecker
Abstract Expressionistic Figurative Bronze
8ft x 3ft x 3ft" cast museum quality silica bronze ed/17
Placed publicly in Downey, CA by the...
Category
2010s Expressionist Figurative Sculptures
Materials
Bronze
Roots #3 - Jean-Paul Réti, 21st Century, Contemporary metal sculpture
Located in Paris, FR
Wall sculpture
“It has long been known that the Earth is round, but it is only now in the space age that it is really seen to be so. The stunning pictures of the blue planet floatin...
Category
2010s Contemporary Figurative Sculptures
Materials
Steel
The ancient plastic society
Located in Atlanta, GA
Dario Tironi is the artist that evades the classic canons of Besharat Gallery's sculptures.
But we could not remain indifferent to his fantastic, incredi...
Category
21st Century and Contemporary Modern Figurative Sculptures
Materials
Found Objects
The Corner
By Perran COSTI
Located in Atlanta, GA
Perran started a Bachelor of Fine Arts at the College of Fine Arts (COFA) Sydney in 2006 and held his first exhibition in the same year. Perran has never limited himself to a single ...
Category
21st Century and Contemporary Modern Figurative Sculptures
Materials
Glass, Maple
$1,560
Haza'el
By Boaz Vaadia
Located in Boca Raton, FL
Vaadia says of his work, “By using the natural forces of rocks, my work awakens ancient ‘earth senses’ that were slowly abandoned by man during his evolution to civilization. By carv...
Category
21st Century and Contemporary Contemporary Figurative Sculptures
Materials
Bluestone, Bronze
Price Upon Request
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Large Bronze Sculpture "Virtuoso" Figure American Boston Figural Modernist
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David Aronson, son of a rabbi, was born in Lithuania in 1923 and immigrated to America at the age of five. He settled in Boston, Massachusetts where he studied at the school of the Museum of Fine Arts under Karl Zerbe, a German painter well known in the early 1900s. Aronson later taught at the school of the Museum of Fine Arts for fourteen years and founded the School of Fine Art at Boston University where he is today a professor emeritus. An internationally renowned sculptor & painter, Aronson has won acclaim for his interpretation of themes from the Hebrew Talmud and Kabala. His best known works include bronze castings, encaustic paintings, and pastels. His work is included in many important public and private collections, and has been shown in several museum retrospectives around the country. He is considered to be one of the most important 20th century American artists.
At twenty-two David Aronson had his first one-man show at New York's Niveau Gallery. The next year, six of his Christological paintings were included in the Fourteen Americans exhibition at Manhattan's Museum of Modern Art where Aronson’s work was included alongside abstract expressionists Arshile Gorky, Robert Motherwell and Isamu Noguchi. In the 1950s, Aronson turned more toward his Jewish heritage for the inspiration for his art. Folklore as well as Kabalistic and other transcendental writings influenced his work greatly. The Golem (a legendary figure, brought to life by the Maharal of Prague out of clay to protect the Jewish community during times of persecution) and the Dybbuk (an evil spirit that lodges itself in the soul of a living person until exorcised) frequently appear in his work.
In the sixties, Aronson turned to sculpture. His work during this period is best exemplified by a magnificent 8’ x 4’ bronze door which now stands at the entrance to Frank Lloyd Wright's Johnson Foundation Conference Center for the Arts in Racine, Wisconsin. In the seventies and eighties, Aronson continued his work in pastel drawings, paintings, and sculptures, often exploring religion and the frailties of man's nature. During this time, in addition to a traveling retrospective exhibition and many one-man shows in New York, Los Angeles, Chicago, and Boston at the Pucker-Safrai Gallery on Newbury Street, Aronson won many awards and became a member of the National Academy of Design in New York. Two years ago he retired from teaching to work full-time in his studio in Sudbury, Massachusetts.
included in the catalog
Contemporary Religious Imagery in American Art
Catalog for an exhibition held at the Ringling Museum of Art, March 1-31, 1974.
Artists represented: David Aronson, Leonard Baskin, Max Beckmann, Hyman Bloom, Fernando Botero, Paul Cadmus, Marvin Cherney, Arthur G. Dove, Philip Evergood, Adolph Gottlieb, Jonah Kinigstein, Rico Lebrun, Jack Levine, Louise Nevelson, Barnett Newman, Abraham Rattner, Ben Shahn, Mark Tobey, Max Weber, William Zorach and others.
Selected Awards
1990, Certificate of Merit, National Academy of Design
1976, Purchase Prize, National Academy of Design
1976, Joseph Isidore Gold Medal, National Academy of Design
1976, Purchase Prize in Drawing, Albrecht Art Museum
1975, Isaac N. Maynard Prize for Painting, National Academy of Design
1973, Samuel F. B. Morse Gold Medal, National Academy of Design
1967, Purchase Prize, National Academy of Fine Arts
1967, Adolph and Clara Obrig Prize, National Academy of Design
1963, Gold Medal, Art Directors Club of Philadelphia
1961, 62, 63, Purchase Prize, National Institute of Arts and Letters
1960, John Siimon Guggenheim Fellowship
1958, Grant in Art, National Institute of Arts and Letters
1954, First Prize, Tupperware Annual Art Fund Award
1954, Grand Prize, Third Annual Boston Arts Festival
1953, Second Prize, Second Annual Boston Arts Festival
1952, Grand Prize, First Annual Boston Arts Festival
1946, Traveling Fellowship, School of the Museum of Fine Arts
1946, Purchase Prize, Virginia Museum of Fine Arts
1944, First Popular Prize, Institute of Contemporary Art
1944, First Judge's Prize, Institute of Contemporary Art
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