Window Figurative Sculptures

Sandblasted carved glass, cast glass, bronze and wood. Steve Linn describes himself as a documentary sculptor, conducting meticulous research on each of his selected subjects and choosing which references to interpret for the piece he then creates. "I was born and raised in Chicago," Linn says, "and in 1956 before my 13th birthday, my father took me to Maxwell Street to buy me my first suit. This was a momentous occasion, not because I was getting a suit, but it was my introduction to the blues. Maxwell Street was the center of Jewish pushcart commerce and haberdashery emporiums, it was also where black blues musicians congregated, played, and thrived in harmony with their neighbors. My dad let me stay and listen that day and I became a life-long fan." The merchants provided electrical extension cords from their establishments to power the amplifiers of the musicians, and in return the musicians were an attraction to lure customers into the shops. Many famous blues musicians got their start on Maxwell Street having migrated to the city from the deep south: Muddy Waters, Little Walter, Bo Diddley, and Howlin...

Marauder- bronze sculpture on ancaster by Alison Bell. She says “I’m drawn to the times when we lived and played in our own imagination, unobserved, scaling fortresses & standing on ...

Gérard Cambon was born in 1960 in Toulouse (Fr). He has a degree in political science and is a self-taught artist. In the earlier years of his life practiced and experimented with collage and model making. Later, with an interest in old machines and patinas he started collecting old and used objects, tools, and fragments of items whose previous lives remained obvious. When he travels, one of his greatest pleasures is to find materials in antique shops or ironmongeries. In 1994, he began creating Locomobiles and reliefs and presented them to the public for the first time at “La Jeune Peinture,” a Parisian art fair. In 1995 , he stayed during 8 months in the hospital for eight months (leukaemia) where he began preparing and creating plans for new Locomobiles and reliefs. As his health improved, he committed himself to his artwork and during the same year met a Parisian gallery owner who decided to organize a solo show for him, Le Galerie Beatrice Soulie in Saint Germain des Pres. He has shown his work since 1996 in Paris and since 2000 in the United States (New York, Los Angeles, Chicago, Seattle). He is currently being shown by galleries in France, Belgium, Switzerland, Luxembourg , Denmark, and the United States. He keeps on trying out new materials (fabric, leather, glass, plants, metals,…) that he integrates into his bas-reliefs: traction engines...

This wall-mounted sculptural installation is created with hand-built ceramic and glazes, presented on a shelf with vintage lace. The artist has incorporated pressed lace, ceramic flowers in dark pink which are mounted to a wall panel hung on the wall above the hand sculpted glazed ceramic figure of a sleeping swan. A contemporary sculptural tableau of a a swan with flowers floating above. This ceramic sculpture is featured in a solo exhibition of new works by Sascha Mallon, entitled, "Mending Dreams. Front Room Gallery is pleased to present, “Mending Dreams” a solo exhibition of new sculptural works by Sascha Mallon. “Mending Dreams” includes hand-build ceramics, assemblage sculptures and drawings which capture moments in time, accessed through memories and dreams. The forms and the figures in this exhibition relate to the artist’s Austrian heritage; she creates images of animals, people, and nature that reference allegories, myths, and stories, re-contextualized in contemporary life. She is particularly interested in expressing inner thoughts and feelings and how those relate to reality. Sascha Mallon’s work encourages viewers to slow down and to notice the beauty and wonder of the world around us. “Mountains are a recurring theme in my work. They are a metaphor for the body and also allude to my Austrian heritage. They refer to the border between inside and outside and represent stability and home. My mountain sculptures are formed out of broken pieces of glass and ceramics. This work started when I broke one of my favorite cups. The mountain represents the idea that when we face difficulties and challenges in life there are two possibilities: either we accept it and learn something, get stronger, and grow, or part of ourselves breaks and we carry the weight of the loss with us. The mountain is also a metaphor for the fact that many different pieces forming a whole are stronger than the individual parts.” -Sascha Mallon Another recurring subject in Sascha Mallon’s work is a series of figures in a position of waiting, sleeping, or dreaming. For example, her ceramic sculptures of female...

Perran started a Bachelor of Fine Arts at the College of Fine Arts (COFA) Sydney in 2006 and held his first exhibition in the same year. Perran has never limited himself to a single ...