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Keizaburo Okamura
HOOH 10-1

2010

$200,000List Price

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Untitled (2)

Masatoyo KishiUntitled (2), 20th Century

$2,880

H 25 in W 25 in D 5 in

Untitled (2)

By Masatoyo Kishi

Located in Columbia, MO

Masatoyo Kishi (Japanese‑American, 1924 - 2017) was an artist whose career bridged East and West, combining his early studies in physics and mathematics with a long‑standing commitme...

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Untitled

Koji TakeiUntitled, 2010

$7,500

H 23 in W 60 in D 5 in

Untitled

By Koji Takei

Located in Santa Monica, CA

Koji Takei works reference synthetic cubism in the most literal of senses. In cubist artworks, the objects are broken up, analyzed and re-assembled in abstracted form. These pieces...

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Untitled

Koji TakeiUntitled, 2010

$5,500

H 42 in W 21 in D 5 in

Untitled

By Koji Takei

Located in Santa Monica, CA

As much as Takei’s pieces are Cubist in nature there is also an unmistakable Asian influence in the working method of the Japanese native. A quiet solidarity and respect for the individual parts set the pieces apart from the noisy commentary that Cubism often invokes. Takei’s pieces are minimal in nature, but powerful in presence and seem to reference the interlocking sculptures...

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2010s Abstract Abstract Sculptures

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Untitled

Koji TakeiUntitled, 2009

$6,800

H 22 in W 49 in D 7 in

Untitled

By Koji Takei

Located in Santa Monica, CA

Creating sculptures of exquisite peculiarity is an art in which Takei excels. His elegantly crafted works embody the notion of the whimsical, contradictory and idiosyncratic. There is an immediately detectable sense of humor and quick wit about the sculptures in this exhibition. Beyond playfulness, however, Takei’s aim is to challenge the viewer to alter the way in which they look at reality. Taking cues from the Surrealists of the early 20th century, Takei transforms the mundane into the fantastic - and sometimes absurd. His work is a constant inquiry into the meaning of functionality and the perception of purpose. Much like Man Ray’s iconic readymade sculpture, The Gift (1921), and Meret Oppenheim’s infamous fur-covered teacup (Object, 1936), Takei recontextualizes those pragmatic objects that we immediately recognize. With his piece Soft Shoulders (2011), Takei deconstructs a wooden clothes hanger...

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Early 2000s Abstract Abstract Sculptures

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#5301

Hiro Yokose#5301, 2013

$3,000

H 11.5 in W 6 in D 0.5 in

#5301

By Hiro Yokose

Located in Phoenix, AZ

oil and gold leaf on porcelain tile Neoromantic painter Hiro Yokose fuses multiple layers of wax and oil paint to create mysterious, veiled landscapes illuminated with flashes of li...

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Hiro Yokose#5299, 2013

$3,000

H 22 in W 12 in D 2 in

#5299

By Hiro Yokose

Located in Phoenix, AZ

oil and gold leaf on porcelain tile Neoromantic painter Hiro Yokose fuses multiple layers of wax and oil paint to create mysterious, veiled landscapes illuminated with flashes of li...

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2010s Abstract Abstract Paintings

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Gold, Gold Leaf

#5295

Hiro Yokose#5295, 2013

$3,000

H 11.75 in W 5.75 in D 0.5 in

#5295

By Hiro Yokose

Located in Phoenix, AZ

oil and gold leaf on porcelain tile Neoromantic painter Hiro Yokose fuses multiple layers of wax and oil paint to create mysterious, veiled landscapes illuminated with flashes of li...

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2010s Abstract Abstract Paintings

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Wringing

Kenjiro KitadeWringing, 2015

$2,750

H 11 in W 7 in D 5 in

Wringing

By Kenjiro Kitade

Located in New York, NY

The main theme of Kitade’s artwork is focused on questioning. The sources of the ideas are picked up from his own life experiences, starting from personal experiences and expanding ...

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2010s Contemporary Figurative Sculptures

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Clay, Glaze

#5302

Hiro Yokose#5302, 2013

$3,000

H 22 in W 12 in D 2 in

#5302

By Hiro Yokose

Located in Phoenix, AZ

oil and gold leaf on porcelain tile Neo-romantic painter Hiro Yokose fuses multiple layers of wax and oil paint to create mysterious, veiled landscapes illuminated with flashes of l...

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Untitled PB3

Toby ZallmanUntitled PB3, 2017

$5,000

H 28 in W 22 in D 12 in

Untitled PB3

By Toby Zallman

Located in Boston, MA

Artist Commentary: In my sculpture, I have always combined unrelated materials to represent oppositions such as hard and soft, ephemeral and enduring, open and closed, and natural an...

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21st Century and Contemporary Abstract Abstract Sculptures

Materials

Plastic